preciosa voz! se parece un poco a la de pavarotti pero ligerament mas oscura i delgada :D aunque quizas hubiera resultado mejor con un poco mas de emocion al cantar
Please contact Haddonfield United Methodist Church, Haddonfield NJ. Ask the music secretary if there are any remaining copies of the recording from Jubilate 2007.
@arcot9 What does that mean? I'm sure that at this point he isn't asking for suggestions on technique from someone who can't describe what he or she means.
@paragod333 sorry if I did not explain. I like his voice. What I meant was there is a bit of a break between the lower and upper registers, usually at the passagio causing a tonal distinction between those two registers which, here, is most evident towards the end of the aria. He has the notes but seems to be reaching at the end. The principal of singing on the 'same position' is purely a mental one which brings the two registers eventually together. Each note 'hugs' the previous.
May I suggest that Mr. Costello join with Joseph Calleja and Juan Diego Florez and become the "Three Young Tenors" and open up the next World Cup. The original three were fantastic--I'm not demeaning any of them. But these three young guys have made it known that there is no shortage of fresh talent.
MAGNIFICO, GRAN VOZ. BRAVO JOSEPH COSTELLO. En un resumido listado en comentario de otra interpretación no lo puse y debí hacerlo, me disculpo, me olvidé.
Bravo Stephen, I do have Rossini Sabat Mater sang by three different tenors, but I must say this one is more than fantastic, is the number one.WOW. ....Thank You.
Wonderful, don' t hear a sound like Bjorling or Fritz and I have JB 's recording of it but he sounds like Costello which is good, best not to copy another singer.
He has a great sound and is not too shabby looking either. I think it's funny how much he worries about his voice - he keeps swallowing and wiping his mouth and what not.
One of the nicest voices I've heard, sung with real emotion and sincerity. His voice is neither too heavy or too light... he has just the right amount of effort for every note in this.
I am not familiar with this piece at all, nor the hugest range of tenors - but I think I have heard enough to say that as long as he keeps this style and quality up he should become known as one of the greatest tenors soon.
I'm impessed! By the way i think the hardest part in this aria is the cromatic stairway up to A natural, not the single high C# at the end. I mean the part from 4.05 - 4.44 which you also can hear Mr Costello find hard too! But I bow for this tenor
I saw him live as Edgardo in Lucia di Lammemoor, and he was fabulous, probably the best tenor I've heard live. He reminds me quite a bit of the young Carerras; hopefully he won't follow in the latter's steps by taking on roles too heavy for him. He seems to be doing fine so far, sticking with Donizetti and the lighter Verdi roles (Duke, Alfredo). Good luck to him.
so, i'm back from seeing him in roberto devereux. he was by far the standout of the production! simply outstanding for an artist at his age. i can't wait until he comes back for moby dick.
Congratulations to Mr. Costello for his beautiful lyric timbre, interpretation of this difficult piece and mostly, for knowing how to use your talent wisely, something a lot of singers lack of.
Here is greatness in his youth. Sing on Stephen. We'll be following your career, supporting your recordings, and praying for healthy long life. What a breath of freshness - with the combined pleasure for me knowing that you're a product of Philadelphia. I know that you're musicianship (occasional very slight sharpness) will mature as you do. I hope to see a young baritone join you on stage in the near future (two or three years). Best wishes always.
I had the joy of seeing Stephen Costello perform at a recital here in Austin, TX last year. His voice dazzled us all, and his demeanor was charming, rather shy, almost sheepish. Utterly endearing. Hope he paces the development of his young voice well so he will last a long, long time on the opera stage. Bravo!
Corelli pulled at the nose too. Keep doing it, Stephen, if this is what follows! Three notes into this I thought I was hearing something special - by the end of it I was certain. Many thanks for this. Loved it.
I am truly impressed by this young tenor and know he has a bright career before him. I'll keep my eyes out for his name on my future Metropolitan Opera subscriptions...
Tenors love this aria, but it takes a great one to make it interesting to me, much less thrilling, and Stephen accomplishes both. That gleaming tone, soaring top, and textual involvement augur great things to come.
dwa, regarding your post: it may be that Troxell and Costello are graduates of AVA and may have studied with same instructor who has produced some really great tenors (Costello, Valenti, just to name a few...)
i am 27 with a future career in opera...i think im pretty good better than most my age...in my opinion SC is freaking amazing...being a tenor myself, light lyric, not too many tenors impress me. Sergio has a great voice too but costello has something that justs draws you in. its beautiful, the timbre. God has truly blessed him...i wish he would not move the jaw so much...but i guess everything cant be perfect
his vocal is phenomenal, his voice is beautifull, but tere's something very american in his singing that is impossible to compare with pavarotti, and also he is making wrong accents in words,very very far from pavarotti, if you want to hear something atonishing, look here at you tube for segio blazquez, o my god, what a voice, what a songer, what a high notes take a look and youll see, god bless you stephen
I think what you are interpreting as incorrrect accents are just him carrying the energy and the voice through to the end of the phrase. Sure, another teacher might have him taper the end of the phrase to avoid the inadvertent "accent" but overall I like what he does very much. I also heard Sergio and like him, but I've heard 50 voices like that. SC's voice to me is once in a generation.
haha i forgot to comment about what i put in quotes. i agree 100% "but I've heard 50 voices like that. SC's voice to me is once in a generation." once in a generation voice
I immediately liked SC much better than RV. In fact, I'm REALLY HOOKED on SC and can't wait to see him live!! I've seen Villazon live twice and thought he was very good but nothing that really turned my crank. His dream aria in Manon (LA Opera) was as beuatiful as I've heard it sung while the "Ah Fuyez douce image" was quite underpowered. He also filled in last moment for Marcello Giordani at a Verdi Gala concert in Detroit in 2001 and was ok but not great.
Love that fearless high D-flat...and in church! Also love the absence of that little explosion of breath at the ends of phrases that Pavarotti often did. It may be blasphemous, but I like Stephen much better.
En copiapó se va a realizar el Stabat Mater que lejos es una obra bastante notable, ya nada felicitaciones a Costello que lejos uno de los mejores tenores que he escuchado...
The last time I heard a 26-year-old tenor sound this good was on a pirated recording of a performance of La Boheme in Modena Italy in 1961. :-O There was also a young Swedish tenor from the mid 1930's that sounded pretty damn good too.
If that is the case, I would very much like to hear this Hans Kaart you mention!! Any place on the web where we can hear audio of him or see video?? How did you hear him, Live performance??
Wow! He's a real cutey-patooty (as Rosie O'Donnell says). He has a gorgeous voice, with a really litling quality to it. There are all sorts of things I would love to hear from him. Can't you hear him singing "Una Furtiva Lagrima"? But there's a lot I'd like to hear him sing, I don't want him to sing any of them at the Met, where he will be singing his first Edgardo in October. The Met is enormous and his voice is not.
Here is a thought.Have YouTube refrain from allowing advice to be posted on vocal training, from anyone under 50, or from anyone who hasn't had some real life and not textbook experiences in the vocal arts.
This is a very difficult piece, and not solely because of the high D flat. There is very little time to breathe and a number of the phrases are rather long. The driving lines up the scale are daunting and have to be repeated. This is a real challenge for most tenors. Costello has a good voice and technique but could improve his stage presence.
Beautiful lyric tenor voice. Very nice job. While the voice is very beautiful and in line I find it a bit off that the top notes are smaller than the upper chest notes - they do not bloom like they should. The Db pulls out of squillante. He is only 25 though!:)
After hearing Stephen live several times, I can say he is a tenor to watch out for. His diction is close to perfection and his voice is pure gold. I am sure we'll hear a lot from him in the years to come.
epa300, his support system is functioning very well. Notice the vibrato is steady and even, body alignment is good. The voice finds full and fluid connection in upper passagio. Beautifully done.
Watch that your ideas of support don't create a rigid locking of the Epigastrum. This will create a squeeze at the glottis. And that IS something to fear.
Better high Dflat than that Russian tenor everyone's oo-ing and ah-ing over. Still I find this guy could polish a little bit more. I find that technically he could go down the Carerras route, which is scary.
Ooh, if only we could have another Carreras. I know what you mean, but I wonder if we would have any of what he gave if he hadn't given us his all in the few years he did (and could). I wish the world could know the Carreras of the early-mid 70s instead of the Three Tenors Carreras. Few can compare against him.
drdre333 expressed concern that "technically he could down the Carerras route." Having heard SC and JC in their earlier years, I do believe SC's voice is produced more easily, more relaxed, and more naturally so I have a much better feeling about it. Hopefully there's not another Karajan out there talking him into doing Rhadames, Calaf, Chenier etc. like HVK did with Careras. Then again, i wouldn't want SC pulling a Kraus either where he only sings like 6 roles for his entire career.
It's hard to knock Kraus; he did, after all, sing into his 70s. And I don't think his voice could have handled most of what Domingo has sung. I also dread a Karajan coming along and talking Costello into heavier repertoire. But even if he stays within his fach, The Met can be a voice killer.
Sweet voice, depth, warmth, expression (as Rossini permitted). So clean, musically, as a musician, not affected or non-musical ego on cadenza. (one stray note in danger is totally forgiveable, especially as all was put back on track) How fine!
Wonderful. I so enjoy Mr Costello's singing and hope that he continues to develop and strengthen his technique so that we may enjoy many, many years of him.
contristantem???? the exact latin text should be CONTRISTATAM! what a pity, he sings very good.
lojundolo 1 year ago
OMG. Calm, cool, great style. The Db shimmers, but so do all the rest of the notes.
rmsadoq 1 year ago
preciosa voz! se parece un poco a la de pavarotti pero ligerament mas oscura i delgada :D aunque quizas hubiera resultado mejor con un poco mas de emocion al cantar
blackcastle7 1 year ago
Great!!!!
kaloi810 1 year ago
Gorgeous voice. I absolutely love it. Must get a recording. Gives me goosebumps!
ireneweldon 2 years ago
Please contact Haddonfield United Methodist Church, Haddonfield NJ. Ask the music secretary if there are any remaining copies of the recording from Jubilate 2007.
prelasser 1 year ago
yes, really nice voice. but... why allways glissando?
Kyrios79 2 years ago
NIce voice...the only thing I would say..if I might..is......get the registers closer together..and sing on same position
arcot9 2 years ago
@arcot9 What does that mean? I'm sure that at this point he isn't asking for suggestions on technique from someone who can't describe what he or she means.
paragod333 1 year ago
@paragod333 sorry if I did not explain. I like his voice. What I meant was there is a bit of a break between the lower and upper registers, usually at the passagio causing a tonal distinction between those two registers which, here, is most evident towards the end of the aria. He has the notes but seems to be reaching at the end. The principal of singing on the 'same position' is purely a mental one which brings the two registers eventually together. Each note 'hugs' the previous.
arcot9 1 year ago
May I suggest that Mr. Costello join with Joseph Calleja and Juan Diego Florez and become the "Three Young Tenors" and open up the next World Cup. The original three were fantastic--I'm not demeaning any of them. But these three young guys have made it known that there is no shortage of fresh talent.
musicmeister1000 2 years ago
@musicmeister1000 I think it should be Florez, Brownlee and Calleja, Costello and Bryan Hymnel :)
flaze3 1 year ago
nicely done sir.
operalament 2 years ago
MAGNIFICO, GRAN VOZ. BRAVO JOSEPH COSTELLO. En un resumido listado en comentario de otra interpretación no lo puse y debí hacerlo, me disculpo, me olvidé.
pieritlyon 2 years ago
super
ivanopera 2 years ago
Bravo!!!
DucaDiMantova1 2 years ago
Wonderful!
RADAMES1983 2 years ago
THE BEST ONE EVER! LOVE his voice, it's immaculate. :) Perfect ring to it and everything.
ColinMeloy91 2 years ago
Bravo Stephen, I do have Rossini Sabat Mater sang by three different tenors, but I must say this one is more than fantastic, is the number one.WOW. ....Thank You.
aclimalover 2 years ago
Gott-Dayum boy!!!
MandykeClassic 2 years ago
Nice High D flat, this was sometime ago and now he is singing this season in Chicago with Chicago lyric opera.
halavey 2 years ago
Wonderful, don' t hear a sound like Bjorling or Fritz and I have JB 's recording of it but he sounds like Costello which is good, best not to copy another singer.
halavey 2 years ago
Bravo!
AndrewAARus 2 years ago
Fantastic, open and easily sung. He is one of the few that has a timbre reminiscent of Mr. Björlings.
"tomviolenceisadream"
Yes.., he looks worried.
ForAll23 2 years ago
sounds beautyfull his voice, but he looks so worrie,
tomviolenceisadream 2 years ago
Wow, beautiful voice.
pacoborjas 2 years ago
He has a great sound and is not too shabby looking either. I think it's funny how much he worries about his voice - he keeps swallowing and wiping his mouth and what not.
chemicallyunbalansed 2 years ago
I think if my song culminated in a high Db I would prolly have to stop and vomit half way through just to get rid of a little of the anxiety.
brendant19 2 years ago 5
Very good.
Thank you!
RADAMES1983 2 years ago
he reminds me a bit to fritz wunderlich
Maddin1929 2 years ago
what does he keep on doing in his mouth... in between phrases?
jokerab112 2 years ago
Bravo!!
Torquemada0 2 years ago
Bellissima voce!! Congrats on winningthe Richard Tucker award - come to Seattle, please!!
bonneyp1 2 years ago
Now that is an amazing tenor.
One of the nicest voices I've heard, sung with real emotion and sincerity. His voice is neither too heavy or too light... he has just the right amount of effort for every note in this.
I am not familiar with this piece at all, nor the hugest range of tenors - but I think I have heard enough to say that as long as he keeps this style and quality up he should become known as one of the greatest tenors soon.
Bravo!!!
hotqueekboi 2 years ago 2
Now THAT is the way to sing a high-C#. Amazing
RickChristman 2 years ago
I'm impessed! By the way i think the hardest part in this aria is the cromatic stairway up to A natural, not the single high C# at the end. I mean the part from 4.05 - 4.44 which you also can hear Mr Costello find hard too! But I bow for this tenor
bloydaage 2 years ago
I saw him live as Edgardo in Lucia di Lammemoor, and he was fabulous, probably the best tenor I've heard live. He reminds me quite a bit of the young Carerras; hopefully he won't follow in the latter's steps by taking on roles too heavy for him. He seems to be doing fine so far, sticking with Donizetti and the lighter Verdi roles (Duke, Alfredo). Good luck to him.
nclysander 3 years ago
Vaya! por fin un tenor como Juan Diego Flores que ataca el agudo re bemol de manera clara, limpia, bravisimo!!!!
acitipo 3 years ago
so, i'm back from seeing him in roberto devereux. he was by far the standout of the production! simply outstanding for an artist at his age. i can't wait until he comes back for moby dick.
nickbigd 3 years ago
I'm seeing him Sunday in Roberto Devereaux as well, and after seeing this, I'm really looking forward to it!
melinky 3 years ago
I'm seeing him this week in Roberto Devereux. Looking forward to it - what a gorgeous.... sound.
nickbigd 3 years ago
Beautiful job!
BottomlessSongPit 3 years ago
OMG! he is so cute!! ^^ and sings wonderfull :D
Keverprins 3 years ago
Congratulations to Mr. Costello for his beautiful lyric timbre, interpretation of this difficult piece and mostly, for knowing how to use your talent wisely, something a lot of singers lack of.
jony5557 3 years ago
I really like this young man. I prefer listening to him rather than Roberto Alagna whose tenor voice can best be described as thin and pale.
harley75604 3 years ago
he's sooo sweat!at the beginning...haahaha...actually he has magnific voice,there's no need to be stressed...but it's sweat really!!!:)))
datzi4ka 3 years ago
great and charming!!
arturovilla02 3 years ago
Here is greatness in his youth. Sing on Stephen. We'll be following your career, supporting your recordings, and praying for healthy long life. What a breath of freshness - with the combined pleasure for me knowing that you're a product of Philadelphia. I know that you're musicianship (occasional very slight sharpness) will mature as you do. I hope to see a young baritone join you on stage in the near future (two or three years). Best wishes always.
kenwanders 3 years ago
I had the joy of seeing Stephen Costello perform at a recital here in Austin, TX last year. His voice dazzled us all, and his demeanor was charming, rather shy, almost sheepish. Utterly endearing. Hope he paces the development of his young voice well so he will last a long, long time on the opera stage. Bravo!
EDC831 3 years ago
Corelli pulled at the nose too. Keep doing it, Stephen, if this is what follows! Three notes into this I thought I was hearing something special - by the end of it I was certain. Many thanks for this. Loved it.
Glenmed 3 years ago
In addition to the fine singing, he has a convincing demeanor. He holds the visual and the aural space.
bifeldman 3 years ago
I am truly impressed by this young tenor and know he has a bright career before him. I'll keep my eyes out for his name on my future Metropolitan Opera subscriptions...
RiccardoZoran 3 years ago
Tenors love this aria, but it takes a great one to make it interesting to me, much less thrilling, and Stephen accomplishes both. That gleaming tone, soaring top, and textual involvement augur great things to come.
raythespian 4 years ago 3
Wow that C# at the end was flawless, AMAZING.
Very, very talented singer!
qw3rtydud3 4 years ago
Check the score, it´s a d. brgrds. peter
pvaskivuo 3 years ago
peter - it's a d-flat=c-sharp......having checked the score....
purushakara 3 years ago
It is a C#/Db not a D!
bondal 3 years ago
Londoners are in for a treat. He's performing at St John's Smith Square tonight at 19h30.
leggbiz 4 years ago
Great voice! Something reminds me of Richard Troxell. Amazing.
dwa8167 4 years ago
dwa, regarding your post: it may be that Troxell and Costello are graduates of AVA and may have studied with same instructor who has produced some really great tenors (Costello, Valenti, just to name a few...)
ilDucadiMantova 4 years ago
Oh wow. Thanks for the info.
dwa8167 4 years ago
i am 27 with a future career in opera...i think im pretty good better than most my age...in my opinion SC is freaking amazing...being a tenor myself, light lyric, not too many tenors impress me. Sergio has a great voice too but costello has something that justs draws you in. its beautiful, the timbre. God has truly blessed him...i wish he would not move the jaw so much...but i guess everything cant be perfect
js59695 4 years ago 2
his vocal is phenomenal, his voice is beautifull, but tere's something very american in his singing that is impossible to compare with pavarotti, and also he is making wrong accents in words,very very far from pavarotti, if you want to hear something atonishing, look here at you tube for segio blazquez, o my god, what a voice, what a songer, what a high notes take a look and youll see, god bless you stephen
maxtormx 4 years ago
I think what you are interpreting as incorrrect accents are just him carrying the energy and the voice through to the end of the phrase. Sure, another teacher might have him taper the end of the phrase to avoid the inadvertent "accent" but overall I like what he does very much. I also heard Sergio and like him, but I've heard 50 voices like that. SC's voice to me is once in a generation.
tenor0461 4 years ago
"but I've heard 50 voices like that. SC's voice to me is once in a generation." man wish my voice was that big...sometimes
js59695 4 years ago
haha i forgot to comment about what i put in quotes. i agree 100% "but I've heard 50 voices like that. SC's voice to me is once in a generation." once in a generation voice
js59695 4 years ago 2
fantastic.
A7sogno 4 years ago
wow what pipes! and looks too:) and he's SO touching when waiting for his entrance..He's just gorgeous - yes,beware, Rolando!
boldbastard 4 years ago
I immediately liked SC much better than RV. In fact, I'm REALLY HOOKED on SC and can't wait to see him live!! I've seen Villazon live twice and thought he was very good but nothing that really turned my crank. His dream aria in Manon (LA Opera) was as beuatiful as I've heard it sung while the "Ah Fuyez douce image" was quite underpowered. He also filled in last moment for Marcello Giordani at a Verdi Gala concert in Detroit in 2001 and was ok but not great.
kmillard 4 years ago
Love that fearless high D-flat...and in church! Also love the absence of that little explosion of breath at the ends of phrases that Pavarotti often did. It may be blasphemous, but I like Stephen much better.
raythespian 4 years ago
There's certainly a lot there to like with a minimum of stuff to dislike.
kmillard 4 years ago
En copiapó se va a realizar el Stabat Mater que lejos es una obra bastante notable, ya nada felicitaciones a Costello que lejos uno de los mejores tenores que he escuchado...
tutito1716 4 years ago
The last time I heard a 26-year-old tenor sound this good was on a pirated recording of a performance of La Boheme in Modena Italy in 1961. :-O There was also a young Swedish tenor from the mid 1930's that sounded pretty damn good too.
kmillard 4 years ago 2
wait 5 more years and you'll hear another.
TenorDiva86 4 years ago
Who might that be?
kmillard 4 years ago
I LOVE IT
A GREAT TENOR
HE LOOKS LIKE DOES NOT KNOW WHAT TO DO BEFORE HIS SINGING BEGINS ...
But when it starts, what a voice ...
Martinou1975 4 years ago
He is verry handsome, and his voice...amazing!!!!
Sounds like Hans Kaart the Dutch tenor.
andreasscholl 4 years ago
If that is the case, I would very much like to hear this Hans Kaart you mention!! Any place on the web where we can hear audio of him or see video?? How did you hear him, Live performance??
kmillard 4 years ago
Finalmente un credibile Cavaradossi,spero
esiodo789 4 years ago
I really wish he would just wipe his face and basically act bored during the intro...Other than, he's fantastic!
Dymension 4 years ago
Wow! He's a real cutey-patooty (as Rosie O'Donnell says). He has a gorgeous voice, with a really litling quality to it. There are all sorts of things I would love to hear from him. Can't you hear him singing "Una Furtiva Lagrima"? But there's a lot I'd like to hear him sing, I don't want him to sing any of them at the Met, where he will be singing his first Edgardo in October. The Met is enormous and his voice is not.
sschimel 4 years ago
His voice fairly large for a lyric instrument. The recordings of him on stage are very impressive. The easy resonance cuts past the orchestra.
tenortime51 4 years ago
Mr. Costello gives me hope for the future of great tenor singing. Such artistry at such a young age, I can't wait to see what's to come.
tenorman123 4 years ago
Extraordinario tenor. verdadera tecnica de canto italiana, (aberto ma cuperto) muy musical muy ligadas
las grases, buen fiato, simplemente expectacular.
Bravo.
964390001 4 years ago
WOW!
What a amazing voice !!!
Congratulations STephen !
garjogo 4 years ago
Here is a thought.Have YouTube refrain from allowing advice to be posted on vocal training, from anyone under 50, or from anyone who hasn't had some real life and not textbook experiences in the vocal arts.
vickersman 4 years ago
Amen!
bleetenor 4 years ago
Amen!!
boldbastard 4 years ago
Hogwash!
ElPiconeroalCognac 3 years ago
This is a very difficult piece, and not solely because of the high D flat. There is very little time to breathe and a number of the phrases are rather long. The driving lines up the scale are daunting and have to be repeated. This is a real challenge for most tenors. Costello has a good voice and technique but could improve his stage presence.
Samurai9 4 years ago
Oh, without doubt. One imagines Rossini at his most impish in this music: "You think you're a tenor, do you? Show me!"
ElPiconeroalCognac 3 years ago
Beautiful lyric tenor voice. Very nice job. While the voice is very beautiful and in line I find it a bit off that the top notes are smaller than the upper chest notes - they do not bloom like they should. The Db pulls out of squillante. He is only 25 though!:)
MrCafiero 4 years ago
Good musician,ok for the difficult cadenza vocalizing,bravo!
saverioorlando 4 years ago
After hearing Stephen live several times, I can say he is a tenor to watch out for. His diction is close to perfection and his voice is pure gold. I am sure we'll hear a lot from him in the years to come.
operalizard 4 years ago 2
Wow! Beautiful voice and excellent delivery of the D!
OperaCub613 4 years ago
I would almost swear he isn't supporting the voice at all. I fear this.
epa300 4 years ago
epa300, his support system is functioning very well. Notice the vibrato is steady and even, body alignment is good. The voice finds full and fluid connection in upper passagio. Beautifully done.
1866sa 4 years ago
Watch that your ideas of support don't create a rigid locking of the Epigastrum. This will create a squeeze at the glottis. And that IS something to fear.
1866sa 4 years ago
Que tenor maravilhoso esse Stephen. Parabéns pela voz e pela interpretação.
Arnaldo3103 4 years ago
...nice and relaxed execution of that final passage.
fabrizzzio48 4 years ago
Early to ripe, early to rot... let's pray that's not the case here.
urgrad03 4 years ago
Better high Dflat than that Russian tenor everyone's oo-ing and ah-ing over. Still I find this guy could polish a little bit more. I find that technically he could go down the Carerras route, which is scary.
I hope things go well for him.
drdre333 4 years ago
Ooh, if only we could have another Carreras. I know what you mean, but I wonder if we would have any of what he gave if he hadn't given us his all in the few years he did (and could). I wish the world could know the Carreras of the early-mid 70s instead of the Three Tenors Carreras. Few can compare against him.
epa300 4 years ago
drdre333 expressed concern that "technically he could down the Carerras route." Having heard SC and JC in their earlier years, I do believe SC's voice is produced more easily, more relaxed, and more naturally so I have a much better feeling about it. Hopefully there's not another Karajan out there talking him into doing Rhadames, Calaf, Chenier etc. like HVK did with Careras. Then again, i wouldn't want SC pulling a Kraus either where he only sings like 6 roles for his entire career.
kmillard 4 years ago
It's hard to knock Kraus; he did, after all, sing into his 70s. And I don't think his voice could have handled most of what Domingo has sung. I also dread a Karajan coming along and talking Costello into heavier repertoire. But even if he stays within his fach, The Met can be a voice killer.
sschimel 4 years ago
I think von Karajan gets too much of the blame for Carreras. I suspect, if you were to ask Carreras personally, he'd dismiss it outright.
ElPiconeroalCognac 3 years ago
one must be responsible for his own behaviour,
cjondoran 3 years ago
Who is this Russian tenor everyone's oo-ing and ah-ing over?? Any video of him that we can listen to??
kmillard 4 years ago
Sweet voice, depth, warmth, expression (as Rossini permitted). So clean, musically, as a musician, not affected or non-musical ego on cadenza. (one stray note in danger is totally forgiveable, especially as all was put back on track) How fine!
PietVanA 4 years ago
Stunning. Hope he comes back to London soon.
mrrk 4 years ago
Bravo! This is a fine voice and an excellent technique! Congratulations!
Bigman240 4 years ago
Truly inspiring singing. At long last, an American tenor who has it all !
2ManyHighCs 4 years ago
magnifica voz tal vez un poco frio
viesbe 4 years ago
Que lindo
ricardofidelis 4 years ago
Well done, Stephen. Well done. Things are shaping up very nicely.
wotan3000 4 years ago
Man I cannot wait to follow his career until well in his late years!
sexybcl21 4 years ago
A Master at such a young age. Thank you Stephen.
TwinOaks1674 4 years ago
Bravo. Bella voce davver. You have a nice future.
fistrorr1968 4 years ago
Wonderful. I so enjoy Mr Costello's singing and hope that he continues to develop and strengthen his technique so that we may enjoy many, many years of him.
hymnforlorca 4 years ago