@ThomasOsbornePhotog Thank you very much for the kind remarks. I put that website up in about two hours when a client asked me to get something online. I haven't accessed it in years and, in fact, I forgot how to even modify it. I keep promising myself that I will build a "real" website but I just can't see to get around to it. :-)
Thank you very much for your most informative video it was most helpful and full of handy tips. I look forward to seeing more of your handy hints and tips. best regards Nadine
Thank you so much for sharing your knowledge with us. I've just started collecting vintage cameras [for use, not just to stare at] and I'm looking forward to getting my first large-format camera ASAP.
@avallonmist You're very welcome and I always glad to hear that my videos helped someone. I plan to put up some more videos soon. Winter seems to be my best time for doing so. I do plan on doing detailed videos on camera movements too but I just have to get around to doing it. Thanks for the comment!
P.S. When storing unprocessed film once used (as you do in your designated boxes), what is the best way to ensure it's light-safe? And do you just store one film sheet per box until developed?
@brbwatchingwillow The film boxes are light safe, as you know, having three parts. There is no need to put the film back in the foil packets. I put as many exposed sheets in each box as needed but I do keep them organized - that is, by what process will be used to develop them. If I am at home but won't be developing them for a while, I put the boxes in Zip-Loc bags and freeze them. If I am on a trip, I just make sure they don't get hot. I don't leave them in a hot car in hot weather.
@brbwatchingwillow Thank you very much! Actually, I setup my website in about one hour when a client asked me to. I just uploaded some images I had scanned. I haven't accessed my website in a couple years and, in fact, forgot how to update it! I keep promising myself that I will build a "real" website but I can't seem to get around to it. Thanks again!
Thank you very much! your video helped me a lot. I have a new-to-me 4x5 monorail standing next to me and a box full of old film holders I didn't know how to operate until I saw your video. Thanks again.
@mattiblomqvist Glad to be of help! If you decide to get into large format photography, I suggest that you get Ansel Adams, The Camera, The Negative, The Print (three books). They are the bibles for large format photographers and they are still the best books on the subject every published, in my opinion.
It took me a few minutes after watching Part I to find Part II...don't know why, but couldn't find it quickly. Thanks for both of them. I use a Toyo 45CF.
@petelush You're welcome! I posted those when there was a time limit on YouTube videos. I probably should join them together and post them as one video but I would lose the comments that someone may find useful.
I was gifted a graflex super speed crown graphic and am teaching myself how to use it. My college prof that also owns one suggested your videos which are extremely helpful. Thank you so much for taking the time!
Thank you! I just got my first LF camera, 4x5, and this video helped me with a very basic but VERY necessary first step. I have lots of roll film experience but LF is different in many of the basic steps.
@Stradibarrius You're very welcome. Too often, it's the basics that are glossed over and not explained in detail. I try to go into the nuts & bolts details in my videos rather than just skimming over the subject in a minute or so. I do plan to post more videos; I just have to get around to it. If I can be of any help with anything as you get into large format photography, don't hesitate to email me. I love to help.
@jburgie I'm glad that you found it helpful. That makes it a pleasure to make these videos. If there is anything I can help you with as you shoot large format, don't hesitate to contact me.
@jburgie If you decide to shoot regularly with your 4x5" camera, you may want to consider finding a 4x5" reducing back for the camera at some point because 4x5" film is much easier to find and you would have a wider range of films to choose from. I hope you have fun with that camera.
@ZoneIII Thanks, Mr. Zonelli -- I never knew there was such a device as a reducing back. Now, I'm trying to track down a used heavy duty tripod. I have used a view camera before, with some success. It was a U.S. Navy surplus 4x5 Graphic. But loading the backs was a challenge, so your video was just what I was looking for. I'm just going to make contact prints for the time being.
@jburgie Yes, there are reducing backs available for many large format cameras larger than 4x5". My 8x10" camera, for example, has reducing backs for 5x7 and 4x5. And there are roll film backs for 4x5" cameras. They are very handy to have! 5x7" negatives make very nice contact prints. My favorite tripods for LF are made by Ries but they can be expensive, even when used. You can see them by search for "ries tripods." But there are other fine tripods that aren't as expenssive.
@ZoneIII I have a "J" model Ries for 4x5" that I use with any camera 5x7 and smaller and a Ries "A" model for my 8x10" camera. I found my "A" model on eBay. It was once owned by the U.S. Navy and I refinished it. Great piece of equipment. But unless you plan to do a LOT of large format shooting, you will probably want to find a less expensive tripod. But used Ries sometimes do come up for good prices on eBay. Ansel Adams used Ries tripods and so did many other great photographers.
@lindsaysw I keep promising myself that I will build a comprehensive website but I never seem to get around to it. Maybe I will this winter. As I said, I put the one I have now together in just a couple hours using only images that I happened to have scanned at the time. I added some b&w, a few portraits, and a nature portfolio a little later but basically I made it at Mt.Sinai Hospital's (Chicago) request. They use many of my pictures in various wings.
@lindsaysw Yes, I have a basic website that I setup in just a couple hours when a client asked me to. I still have to get around to building a comprehensive website. If you go to my YouTube channel, you will see a link on the left side of the page. I tried to post it in this message but I got an error.
I'll check the other video out tonight - I use a jobo for processing at the school, but hope one day to be able to process film on my own. Thanks again.
@lindsaysw Jobo processors are great and I have and use one myself for E6 film. In fact, I have some videos on Jobo processing. I prefer tray processing for b&w sheet film, though, mainly because I did all my calibration testing that way but, even so, I still prefer trays for b&w sheet film. That's just me. But people who do use a Jobo for b&w film (like John Sexton) swear by it. I'll be using my Jobo tomorrow to process some E6 film.
I do use the darkroom at school, but I've learned that a closet in my house (with the towel as you suggested, and at night) allows me to unload and reload film here. Thanks for the heads up on holders. I'll check out ebay when I have some time. That's how I got a great toyo loupe. That is a rare commodity these days.
@lindsaysw Thanks again! BTW, I do have videos on processing sheet film in case you are interested. If you want to see what a smart-ass I can be, check out my "Sheet Film Processing in Trays, Part 4." For some reason, I tighten up when I hit the record button on my video camera but in that video I was my normal clowning self - at least in the first minute.
Thanks. Once again, I appreciate your info. I never knew dry film was so tough. I have subscribed to your you tube account so that I'll be kept up-to-date with any new videos you post.
@lindsaysw Yes, dry film is tougher than most people know. Of course, that doesn't mean you shouldn't treat it with care. But once it is wet (during processing) it is very easily damaged. Thanks for subscribing to my channel! I hope to post more videos very soon. I keep putting it off. :-) My next videos will be about large format camera movements and also some darkroom stuff. Thanks much!
Thanks so much for the answer, ZoneIII. I wasn't sure if having exposed film touch other exposed film might cause some sort of chemical reaction. Since I'm just learning the large format camera, I didn't want to lose the shots I took yesterday (which took 2 hours of driving plus about an hour to set up, frame, focus and shoot just 4 images)... I'm learning though, and your video on loading was a big help a few weeks ago when I first had to load film.
@lindsaysw You're very welcome! No, placing dry film stacked together won't hurt the film. As a matter of fact, dry film is suprisingly robust. It's when it's wet that damage is usually done. As an experiment once, I actually rubbed the edge of a key vigorously on a dry exposed and developed sheet of film I could hardly damage it! Of course, you want to treat it with care but dry film is tougher than most people think. Most scratches occur during processing when it's wet.
@ZoneIII Also, keep in mind that the film is stacked together in the envelope when new and unexposed. The film is virtually the same after exposure except that it has a latent image, which you can't see, of course. But it's chemically and in every other way identical to the unexposed film as it comes in the package. Best of luck with your large format work! It's not exactly point & shoot, is it? :-)
When you put exposed film in the box, can you put more than one piece of film in the box? I normally just take the film holders back to the school dark room, unload them, and then develop them there. Of course, that limits me to just 4 shots at a time since the school just gives us 2 film holders. GREAT HELP, BTW. THANKS!
@lindsaysw Yes, you can put as many sheets in the box as it will hold. Just taking the holders to the darkroom and unloading them is fine but then you are limited to the number of shots you can take. When you load them into boxes, you can keep reloading your holders on a trip and have no limit on the number of shots you can take. Also, you can have boxes marked for for special processing - for example, expanded and contracted development.
@ZoneIII I typicallly will have boxes for holding film for E6 processing and then boxes for each type of b&w film I use and also boxes for expanded and contracted dvelopment for each of those b&w films. That keeps them organized for their different development processes. BTW, good used holders can be had for next to nothign these days on eBay. I usually take about 50-75 holders on a trip so i don't have to be unloading them every day.
@ZoneIII If I go on a short trip - say just for the day - I generally just unload the holders in the darkroom like you do. But on a longer trip, I generally unload the film every other day or so and put them in boxes. Then I reload my holders. If you unload them and put the film in boxes in the field, you will need a changing tent or bag. But you can also use a bathroom. If you do, do it at night so there can be no light leaks and leave the lights off outside of the bathroom.
@Ngndr0 Thank you very much! I do plan to make more videos very soon. Winter is a great time for that. The next videos I plan to make (hopefully very soon) will be about camera movements and a several darkroom videos. I am trying to think of the best way to demonstrate camera movements. I will make them in a series of videos so I can cover all the movements in detail rather than the the short videos that try to cover everything in 2-5 minutes. Thanks again!
@rfenio1 Glad to hear it! I apologize for my misuse of some terminology. I noticed that after I made the videos. I called the flap a "light trap." Of course, the light trap is actually the felt piece at the other end, not the flap. But it looks like everyone understood what I was saying. BTW, I plan to get some more videos up very soon. One subject that I want to cover in detail is camera movements. I just have to figure out the best way to do that.
Thank you for your reply. When you get around to making the camera movements video I think it would be very useful to show the ground glass image changing as the rise/tilt/shift/swing controls are adjusted. It might be tricky but certainly worth it. You have been doing a brilliant job.
@allthegigsaresoldout Thanks again! I may go out and do a little experimenting this weekend to see if I can capture the ground glass image on video. If not, what I may do is show the movements and then show examples of pictures that were made using those movements. One thing I know is that to cover the subject well, it will be done in multiple videos. I like to go into detail with things like this and too many instructional videos cover things don't go into enough detail.
@allthegigsaresoldout Thanks! I have been planning to make a video on camera movements for a long time and I may actually finally get around to doing it soon. As the weather cools I will probably be more inclined to do it. I have to work out some technical issues, though, such as whether or not I will be able to show the actual ground glass images in the videos with my very basic (and old) video camera. But it's something I really have to get to soon. Thanks again!
Nicely done. Thanks for posting this for us who are new to LF. I have been using digital and Hasselblad for film but just picked up an old speed graphic to try out LF and had no idea how to load the holders. Please post more vids concerning LF when you get the chance. Thanks again Mr. Johnston.
@wvphotog You are very welcome and it makes me feel so good when I hear that I have done something that has been helpful to someone. I do plan to post more videos. I finally finished a series on tray processing sheet film that I had been putting off. I plan to post some videos on camera movements, etc., soon. Thanks again!
You referenced (a not common holder) that has a inner lock button to release the slide. I'm curious to what type of holder that is. I have Lisco Regal II holders that has the locks on the end and not the side.
They are marked 'Riteway" in white printed letters and "Fidelity" in small black raised letters. They are premium holders and they cost more than other holders. Another nice feature of them is that they have two little wheels inside the holder that will imprint a number from 0 to 99 on the exposed film. Great for linking it to notes. I used to buy them from dealers like Calumet and B&H but I just checked and they are no longer listed. They may be discontinued.
Their slide handles are different than those of any other holder. The really nice thing is that the slide cannot be withdrawn by accident because you either have to press the white button manually or the button is pressed automatically when it interlocks with the camera back properly. If the holder isn't inserted in the camera back quite right, the slide can't be removed. If you email me, I will be happy to send a picture one to you.
@ZoneIII Just a note for anyone else who may be curious about the holder I mentioned. I snapped pictures of them and I would be happy to send them to anyone who is interested.
Thanks for posting this -- I'm just starting in 4x5 and have been shooting 120 film with a rollback to learn the basics of the camera before using sheet film.
When you put the film back in the box, how do you indicate special processing instructions for the lab on a sheet by sheet basis?
You're very welcome! What I do and what is standard procedure is to keep separate boxes for each type of development. For example, I have a box for N (normal), N+1, N-1 development or for any other specific development. The only problem is that when you first start out, you may only have one box. That will soon change and you will have tons of them. But if you are doing your own processing, you could try putting a cardboard divider between the groups of sheets and remember whats on top, etc.
I have a small soft cooler bag in which about 10 or 12 film boxes fit perfectly. I either write on them directly or put labels on them for the type of processing needed. Typically, I will have boxes for my two main types of b&w film normal, expanded and contracted development, as needed. I also have a box for my color (E6) film which virtually always gets normal processing so I only need one box for the color film. So I may have 7 to 12 boxes on trip if I also havce some N+2 or N-2 sheets.
BTW, I keep promising that I will make videos showing sheet film processing in detail but I am actually going to do it soon. Also, because of space limits here, it's hard to give a lot of details but don't hesitate to email me from my website (listed in the video) and I will be more than happy to respond if I can be of any help.
Good question! Yes, put it back in the film box. As you know, the film box is a "double" box specifically designed to keep the film safe. The standard procedure is to send it to the lab in the film box and labs know exactly what it is then. They also know to give you the box back with the developed film. Be sure to put a label on the box listing how many sheets of film are in it, what type of film it is (E6, C41, or b&w) and any special instructions such as push processing.
Thanks for this video tutorial. I am thinking of trying out LF photography, and your video really helped iron out a couple of things.
Could you also give sum tips on choosing the right LF camera or what's the best make out there? It would really be great if you could share some more, cause there's such a canyon of difference in information between 35mm and 4x5 cameras. It's almost impossible to get the info you're looking for. But thanks again for such a helpful and detailed video!
@mochadena Thanks! I have been thinking about doing such a video. In fact, I have a whole list of related videos that I have to get around. Until then, the best advise I can give is to remember that a LF camera is very simple and there is no need to get the most expensive camera made, especially when starting out. Great first cameras are the Calumet 45n and 45NX cameras. Loads of features, light weight, and very inexpensive. In fact, they are easier to use than my more pricey cameras.
@mochadena Another option are the "press" type cameras although their movements and bellows extension is more limited. If I was just starting out, I would get one of the Calumet cameras I mentioned. It's a monorail camera but it's very light. They even have a revolving back which many very expensive cameras don't have. That said, I use folding "field" cameras for most of my work. But it's a joy when I get out my old Calumet camera once in a while.
@mochadena There are two basic types of LF cameras to consider.... monorail and "field" cameras. Monorails are usually used in the studio because most are heavy and awkward. Field cameras fold up compactly for transport. There are, of courses, advantages and disadvantages of both but either will get the job done. When starting out, don't run out and buy a very expensive camera thinking it will make better pictures. It won't. The lens is what counts. The camer is just a light-tight box.
When using the zip lock back and the fil is frozen, do you leave the bag on when the film is defrosting, or do you leave it on to eleminate condensation?
Also, is there any 4x5 film (you may know about) that requires different loading procedures based on the notches? I have been putting the notches in the loweer right, opposite of and at the bottom of the film holder. ?
Good questions! Yes, I leave the holder in the ZipLoc bags while thawing so condensation doesn't form on the holders. I keep the loaded holders (in the ZipLocs) in a soft-shell cooler bag in my deep freeze and just grab the whole bag hours before I will be shooting. When time allows, I let the holders warm up while in the cooler bag so it cools more slowly. As for the notches - all film has them in the same location so they all load the same. I'll continue this in another post.
The notches are in the same place for all film so loading is the same for all film. Let's say you have the holder laying with the long edge towards you and the flap to the right. In that position, the notches would go to the bottom/right. That insures that the emulsion side is up. You could, of course, loade the film rotated 180 degrees but the convention is to have the notches on the flap end. My habit is to have my index finger on the notches. If I can be of any help, just email me.
BTW, the reason I suggested that you email me if you have anything I can help you with is that I can give you a more detailed response since I won't have the 500 character limit. Anyone can email me at the address listed on my website which is mentioned at the end of the video or through YouTube. I always have time to help a large format photographer!
Thank you, thank you, thank you. I've watched and read so many books and articles and none really differentiate where the notches are suppose to go. I think Fuji recommends the upper right. I will reverse my film loading procedure so I can't go wrong.
You're very welcome! It can be confusing because it depends on you you like the holder oriented when you load it. Some like to load it with the the flap farthest from them. I like to load the film with the flap to my right. In that case, the notches are on the lower/right corner. But for the first method, they would be described as being in the upper/right corner. Of course, either way ends up with the notches in the right place.
I bought some expired polaroid film and I want to shoot it. I've got one of the polaroid 545 holders. This is purely recreational and not serious. I could use Fuji stuff if I wanted quality.
I've looked around on youtube and it's search quality is not consistent. I found your video by accident, yet I had looked for one like yours for months. Thanks!
Darn! I wish I had just one sheet of film for the holder. If I did, I would be happy to make a video. You can find a PDF manual for the newer 545 Pro back and I think it works pretty much the same. Follow the directions that should be on the holder. One tip: After switching the lever, pull the film out in a continuous motion that is neither slow nor fast. Just a nice smooth motion. That's really about the only thing you can do wrong. New users often do it too slowly.
I wish had some Polaroid film to show you the procedure. I do have a Polaroid back but I haven't used it in years. My suppliers don't list 4x5" b&w film for the holder anymore but they do list Fuji color films. The Polaroid backs were listed as discontinued. The nice thing is that instructions for use are printed on most Poloroid holders. They are very easy to use. I wonder if someone else may have posted a video about them on YouTube.
I'm so glad that you found it helpful. If you have any questions that I can help you with, just post a question or send me a message. I do plan to post more videos soon. I put it off so far this year but that's the type of thing I like to do in the winter because that's when I work in darkroom the most. .
Glad to be of help! You are going to have a ball! BTW, I will be posting more videos on related subjects soon. I had been meaning to for a long time but with winter coming, this is the time.
Thank you for the informative video. I just purchased my first Speed Graphic, and I was confused on the film loading. Your video demonstration was very helpful. I look forward to other video's on large format photography .
thanks tom for providing the time necessary to make these instructional videos. I would like to see more. by the way I looked at your website, it looks fabulous. I'm curious though if you do any toning of your black and white enlargements. Thanks again..
Thank you very much! Yes, I tone all my prints in selenium toner. I print on double-weight fiber-based papers and do archival processing to museum standards. The only prints I don't tone are contact proofs which I print on RC papers. Thanks again!
I love taking pictures. I use Nikon SLR and P&S fujifilm F31; all digital. But, I have a Speed Graphic in the closet that I'd love to use one day. I've always found it intimidating, but your videos have me encouraged. I think Toyo has a digital 2x3 large format. I wonder if the final image quality is the same as traditional film?
Sorry, I posted my response to your question under Leslie's comment. Please see that. The debate about digital vs. analog can be heated. I will tell you that the greatest fine-art photographers still prefer large format film. So do discriminating magazines like Arizona Highways. (You can see their photographer's guidelines on their site.) Some people also claim that film simply has something that digital doesn't have. I sell large prints and LF gives me the most bang for the buck.
That's an excellent question. I am definitely not an expert on digital photography and I supect he answer you get would differ depending on who you ask but the best info that I have would indicate that a 2x3" digital would not compare very well against 4x5" film. Most experts say that the best film sensors (expensive!) approximate the quality potential of film of the same size. 4x5" is still a lot larger than 2x3. It also involved technical problems that film doesn't have. Best.
Thanks so much! Kind comments like yours encourage me to get off my butt and make some more videos. As for choosing a camera, perhaps you could email me from the link in my website (listed in the video) or found by doing a search for Tom Johnston Photography (note the "T" in my last name) and clicking the email link. I will be more than happy to help you in any way I can. The camera you choose will depend on what basic type you want, how much you are willing to spend, etc.
Wonderful! Please post more of that type of videos! So clear and straight to the goal! Thanks! (I am ready to jump into large format...would like one that I could carry around without killing my back...any advice for a (future) beginner?
Tom, thanks a million for this help. I just got myself a Linhof color on the bay. was excactly wondering how to insert the film. This was certainly helpfull. Thanks again.
You're very welcome. I have been meaning to put up some other videos on large format photography but I just haven't got around to it yet. Too many videos covering the subject are too simplified. When I make them, I will break the process down into steps. BTW, your Linhoff camera is a wonderful piece of equipment! Best
Great video! Clear and straightforward. I'm a young photographer just in the process of getting into large format photography, and need some of this basic information. I've bought an 8x10 Deardorff that needs a little fixing up, and then I'll be ready to go. Thanks again -PWJ
Sorry, OscarCommie. I think I just read something by a young photographer and got that comment mixed up with yours. But it's great to see old farts get into large format photography too! :-) Actually, I wish I was your age. I turn 60 in two months. It's scary! Where does the time go? Best
Thank you ver much! A Speed Graphic is a great way to start in large format photography. You can use it hand-held too - something you can't do with most large format cameras. You are going to love it and you will be amazed at the detail and richness of your photographs. Best of luck!
Thanks! You bought one of the finest large format field cameras ever made! You're going to love it! It's great to hear about young people getting into large format photography. Best of luck. Feel free to email me if you have any questions that I can help you with.
well I don't know about being "young"...i'm 47...lol...but I have always wanted to shoot large format and now is the time...i'll keep in touch and send you some pics when I have gotten a chance to try it out
Hi, I was reading your comment responses and I was wondering about large format a little bit more. I shot about twenty sheets of film tonight, but I was wondering about alot of stuff with actually shooting and focusing the camera. I didn't see if you had a video regarding this so if you did, please disregard this comment..would be great if you made something where you went through how you actually loaded the carrier and shot a picture and then switched the carrier around etc....thanks!
I am planning on making just such a video. In fact, I have a whole list of videos related to large format photography that I want to make. After posting the few that I have posted so far, I took a little break but having someone request such a video is an incentive to do it. Thanks!
You're very welcome! Canned air is fine but it does tend to simply blow dust around the room. The best thing is one of those tiny vacuums. Antistatic brushes are excellent too. I have found that a little care prevents almost all dust problems. There isn't enough space here but if you send me an email, I can make a few more suggestions. But do keep your holders in individual bags. If you put them all in one big bag, the benefit of using them is lost. It''s the single best thing you can do.
You're very welcome and thank you for your kind comment.
I think I forgot t mention one very basic thing in the videos. That is that the white side of the slide has raised dimples on the handle. That is to identify the sides of the slide in total darkness when you are loading and unloading them.
I plan to make more videos on related subjects. If there is anything in particular you would like to see in a video, let me know. Also, if I can be of any help, email me.
Great video. I can't get a large format camera, but It's a typre of photogaphy I'm greatly interested in. Your video has shown me how to load a holder, now I know the basic procedure. What I read without pictures made me think that it was very difficult, but it isn't.
Thanks much! Actually, loading film holders is even easier that my videos might make the procedure look. I just wanted to demonstrate some of the finer points. But actually loading them is so easy that you don't even think about it once you load a few. If I am loading them in a changing bag, I am usually watching TV, having a conversation, etc., while I unload and unload them almost automatically. However, many people prefer preloaded film and special holders which elimate all loading.
Thank you very much! And thanks for the suggestion about tagging. I have a question about that, though. Are you saying that I should tag my pictures posted on APUG? I would like to do what you suggest but I'm not sure I understand how to do it.
Thanks, jazzstandards. I live about 25 miles west of Chicago so I do have some good stores that sell large format cameras and equipment. Those stores include Calumet and Helix. They both have large selections of large format equipment including lenses and everything else you could want. However, if I was buying a LF camera now, I would probably buy via mail order to whoever had the best price. B&H is good. Badger Graphic is also great to deal with. Thanks again!
Thanks. No, I don't have a video on loading Grafmatic film holders and I haven't personally used them myself. However, I searched and found a site that describes the process and it has good illustrations. I can't post the link here so I will email it to you in a personal message.
ZoneIII, putting the film holders into those plastic bags is a VERY USEFUL advice! I had never thought about it... Thanks from an italian large format photographer! ciao
Thank you, pojanello. Yes, the bags are incredible for reducing dust problems and they are also great when removing holders from the freezer or bringing them in from the cold because condensation forms on the bags, not the holders. I was amazed when, on a photography forum, someone said that they shoot too fast to use bags! After all, if have to shoot several holders quickly, they can just remove them from the bags before they start exposing film. Thanks agin for your kind comment. - Tom
No, not when you are in the field. You keep them frozen while stored in your house when you aren't shooting. I do, however, carry my color film in an insulated cooler bag while on trips and often just slip a few into my camera bag when I hike. It's not inconvient at all. Holders loaded with b&w film are not as critical and I often leave them in my camera bag (in Zip-Loc bags). You shouldn't leave holders loaded with color film unprotected in hot places. That's the point I was trying to make.
BTW, thanks for the question. The cooler bag (if that's what you refer to as an "ice box," is what you keep the film in while it is frozen in an actual freezer. It allows the film ot warm up slowly when you remove it from the freezer. I take it out of the freezer and the cooler bag then acts as an insulator in the car to protect the film from the high temperatures you often have in a car. But you can remove it from the bag when hiking. The bag is to protect the film from heat.
That's a great question and it's funny that you should ask because that's exactly what I plan to post videos about very soon. I will try to cover several ways to process large format film. The first videos will cover the advantages, disadvantages, and things required to use each method. Then, later on, I plan to post videos that go into each method in detail. Thanks for asking!
You are very welcome. I plan to post more videos on topics related to large format photography soon. I want to go into a little more detail on those topics than I have seen in other videos so that I may be of more help to those just getting into large format photography.
Thank you very much! I'm glad you found it useful. I plan to post some more videos on related topics soon. I apologize for any bumbling I do. I hate recording myself in anyway. I even have a hard time recording an answering machine message! :)
You are very welcome, LoesjeBE. Actually, I don't use expensive equipment to process my film. I process my b&w film in trays even though I have a Jobo. I have been doing it that way for years and still prefer it. However, I do process my color film in a Jobo processor which I got recently because I no longer have a good color lab in my area. If you need more information about processing, just contact me. You can go to my website and email me from there. I may post a video on processing too.
guy1193: I'm glad that you found it helpful. If there is any other related topic that you would like to see a video about, let me know and maybe I will make one. Thanks again.
Thanks for the kind comment. I have received emails requesting more videos and I plan to make them. Bellows factors and camera movements will be tops on my list. The Zone System will be good to cover too. For that subject, I will probably do an overview video on what it is and then possibly break it down into it's various components in separate videos. Thanks again!
wow great video, such a big help. I also enjoyed the tips. as for other videos i would say YES please make more, anything large format i.e bellows factor, camera movements, zone system. again thank you and keep up the good work
@ThomasOsbornePhotog Thank you very much for the kind remarks. I put that website up in about two hours when a client asked me to get something online. I haven't accessed it in years and, in fact, I forgot how to even modify it. I keep promising myself that I will build a "real" website but I just can't see to get around to it. :-)
ZoneIII 2 days ago
thank you very much
HaveAGoodHeart 1 month ago
@HaveAGoodHeart You're very welcome!
ZoneIII 1 month ago
Thank you very much for your most informative video it was most helpful and full of handy tips. I look forward to seeing more of your handy hints and tips. best regards Nadine
prodigygirl1 1 month ago
Thank you so much for sharing your knowledge with us. I've just started collecting vintage cameras [for use, not just to stare at] and I'm looking forward to getting my first large-format camera ASAP.
avallonmist 3 months ago
@avallonmist You're very welcome and I always glad to hear that my videos helped someone. I plan to put up some more videos soon. Winter seems to be my best time for doing so. I do plan on doing detailed videos on camera movements too but I just have to get around to doing it. Thanks for the comment!
ZoneIII 3 months ago
@avallonmist You're very welcome and thank you for your kind remark. That' makes my day! I hope to put up some new videos very soon.
ZoneIII 1 month ago
Thanks a good wee refresher course for me.
andybuchananphoto 3 months ago
P.S. When storing unprocessed film once used (as you do in your designated boxes), what is the best way to ensure it's light-safe? And do you just store one film sheet per box until developed?
brbwatchingwillow 5 months ago
@brbwatchingwillow The film boxes are light safe, as you know, having three parts. There is no need to put the film back in the foil packets. I put as many exposed sheets in each box as needed but I do keep them organized - that is, by what process will be used to develop them. If I am at home but won't be developing them for a while, I put the boxes in Zip-Loc bags and freeze them. If I am on a trip, I just make sure they don't get hot. I don't leave them in a hot car in hot weather.
ZoneIII 5 months ago
Hi! Shooting on a Toyo for an assignment, this was a great tutorial to have handy. You have some lovely large format images in your portfolio.
brbwatchingwillow 5 months ago
@brbwatchingwillow Thank you very much! Actually, I setup my website in about one hour when a client asked me to. I just uploaded some images I had scanned. I haven't accessed my website in a couple years and, in fact, forgot how to update it! I keep promising myself that I will build a "real" website but I can't seem to get around to it. Thanks again!
ZoneIII 5 months ago
Thank you very much! your video helped me a lot. I have a new-to-me 4x5 monorail standing next to me and a box full of old film holders I didn't know how to operate until I saw your video. Thanks again.
mattiblomqvist 6 months ago
@mattiblomqvist Glad to be of help! If you decide to get into large format photography, I suggest that you get Ansel Adams, The Camera, The Negative, The Print (three books). They are the bibles for large format photographers and they are still the best books on the subject every published, in my opinion.
ZoneIII 6 months ago
Thank you very much.
Your video is very helpful.
sincerely,
-dan.
kodakawack 8 months ago
@kodakawack Dan - You're very welcome! I'm always glad to hear it was helpful to someone.
ZoneIII 6 months ago
It took me a few minutes after watching Part I to find Part II...don't know why, but couldn't find it quickly. Thanks for both of them. I use a Toyo 45CF.
petelush 9 months ago
@petelush You're welcome! I posted those when there was a time limit on YouTube videos. I probably should join them together and post them as one video but I would lose the comments that someone may find useful.
ZoneIII 9 months ago
I was gifted a graflex super speed crown graphic and am teaching myself how to use it. My college prof that also owns one suggested your videos which are extremely helpful. Thank you so much for taking the time!
mandydahlin 9 months ago
@mandydahlin You are very welcome! If I can be of any help at all as you use your great camera, just email me.
ZoneIII 9 months ago
Thanks very much. I am currently trying to construct my first large format camera from the ground up and this has been an extremely useful video!
jeanpauljh 10 months ago
@jeanpauljh You're very welcome and good luck with building your large format camera. Being a woodworker, I have always wanted to do that myself.
ZoneIII 10 months ago
Both videos were super helpful and I liked the tips and all. You explained everything very well!
agerpic 11 months ago
@agerpic Thanks! I'm glad you found them helpful. I plan to be posting more videos very soon. Thanks again!
ZoneIII 11 months ago
That's a really useful video with lots of good tips.
Thanks for posting it.
seoirseosial 1 year ago
@seoirseosial You're very welcome. It makes my day when I learn that one of my videos has been helpful ot someone.
ZoneIII 1 year ago
Thank you! I just got my first LF camera, 4x5, and this video helped me with a very basic but VERY necessary first step. I have lots of roll film experience but LF is different in many of the basic steps.
Stradibarrius 1 year ago
@Stradibarrius You're very welcome. Too often, it's the basics that are glossed over and not explained in detail. I try to go into the nuts & bolts details in my videos rather than just skimming over the subject in a minute or so. I do plan to post more videos; I just have to get around to it. If I can be of any help with anything as you get into large format photography, don't hesitate to email me. I love to help.
ZoneIII 1 year ago
VERRRY helpful. I truly appreciate it!
akarosebud 1 year ago
@akarosebud Thanks for your kind comment. It always makes my day when I learn that one of my videos were helpful to someone. Thanks again!
ZoneIII 1 year ago
Very helpful. Thanks so much!
koocookazoo 1 year ago
@koocookazoo You're very welcome! I'm glad that you found it helpful.
ZoneIII 1 year ago
@koocookazoo You're very welcome!
ZoneIII 1 year ago
Thanks. I was just given a 5x7, so this was of great help.
jburgie 1 year ago 2
@jburgie I'm glad that you found it helpful. That makes it a pleasure to make these videos. If there is anything I can help you with as you shoot large format, don't hesitate to contact me.
ZoneIII 1 year ago
@jburgie If you decide to shoot regularly with your 4x5" camera, you may want to consider finding a 4x5" reducing back for the camera at some point because 4x5" film is much easier to find and you would have a wider range of films to choose from. I hope you have fun with that camera.
ZoneIII 1 year ago
@ZoneIII Thanks, Mr. Zonelli -- I never knew there was such a device as a reducing back. Now, I'm trying to track down a used heavy duty tripod. I have used a view camera before, with some success. It was a U.S. Navy surplus 4x5 Graphic. But loading the backs was a challenge, so your video was just what I was looking for. I'm just going to make contact prints for the time being.
jburgie 1 year ago
@jburgie Yes, there are reducing backs available for many large format cameras larger than 4x5". My 8x10" camera, for example, has reducing backs for 5x7 and 4x5. And there are roll film backs for 4x5" cameras. They are very handy to have! 5x7" negatives make very nice contact prints. My favorite tripods for LF are made by Ries but they can be expensive, even when used. You can see them by search for "ries tripods." But there are other fine tripods that aren't as expenssive.
ZoneIII 1 year ago
@ZoneIII I have a "J" model Ries for 4x5" that I use with any camera 5x7 and smaller and a Ries "A" model for my 8x10" camera. I found my "A" model on eBay. It was once owned by the U.S. Navy and I refinished it. Great piece of equipment. But unless you plan to do a LOT of large format shooting, you will probably want to find a less expensive tripod. But used Ries sometimes do come up for good prices on eBay. Ansel Adams used Ries tripods and so did many other great photographers.
ZoneIII 1 year ago
okeydoke - will do. I'm setting up my photo website in January - and always like to look at photos of folks who still use film!
lindsaysw 1 year ago
@lindsaysw I keep promising myself that I will build a comprehensive website but I never seem to get around to it. Maybe I will this winter. As I said, I put the one I have now together in just a couple hours using only images that I happened to have scanned at the time. I added some b&w, a few portraits, and a nature portfolio a little later but basically I made it at Mt.Sinai Hospital's (Chicago) request. They use many of my pictures in various wings.
ZoneIII 1 year ago
Do you have a website? I'm interested in looking at your photographs.
lindsaysw 1 year ago
@lindsaysw Yes, I have a basic website that I setup in just a couple hours when a client asked me to. I still have to get around to building a comprehensive website. If you go to my YouTube channel, you will see a link on the left side of the page. I tried to post it in this message but I got an error.
ZoneIII 1 year ago
@ZoneIII BTW, when the portfolio pages open up, be sure to click on individual thumbnails to get the larger versions.
ZoneIII 1 year ago
I'll check the other video out tonight - I use a jobo for processing at the school, but hope one day to be able to process film on my own. Thanks again.
lindsaysw 1 year ago
@lindsaysw Jobo processors are great and I have and use one myself for E6 film. In fact, I have some videos on Jobo processing. I prefer tray processing for b&w sheet film, though, mainly because I did all my calibration testing that way but, even so, I still prefer trays for b&w sheet film. That's just me. But people who do use a Jobo for b&w film (like John Sexton) swear by it. I'll be using my Jobo tomorrow to process some E6 film.
ZoneIII 1 year ago
I do use the darkroom at school, but I've learned that a closet in my house (with the towel as you suggested, and at night) allows me to unload and reload film here. Thanks for the heads up on holders. I'll check out ebay when I have some time. That's how I got a great toyo loupe. That is a rare commodity these days.
lindsaysw 1 year ago
@lindsaysw Thanks again! BTW, I do have videos on processing sheet film in case you are interested. If you want to see what a smart-ass I can be, check out my "Sheet Film Processing in Trays, Part 4." For some reason, I tighten up when I hit the record button on my video camera but in that video I was my normal clowning self - at least in the first minute.
ZoneIII 1 year ago
Thanks. Once again, I appreciate your info. I never knew dry film was so tough. I have subscribed to your you tube account so that I'll be kept up-to-date with any new videos you post.
lindsaysw 1 year ago
@lindsaysw Yes, dry film is tougher than most people know. Of course, that doesn't mean you shouldn't treat it with care. But once it is wet (during processing) it is very easily damaged. Thanks for subscribing to my channel! I hope to post more videos very soon. I keep putting it off. :-) My next videos will be about large format camera movements and also some darkroom stuff. Thanks much!
ZoneIII 1 year ago
@ZoneIII Definitely looking forward to more of your videos!
lindsaysw 1 year ago
Thanks so much for the answer, ZoneIII. I wasn't sure if having exposed film touch other exposed film might cause some sort of chemical reaction. Since I'm just learning the large format camera, I didn't want to lose the shots I took yesterday (which took 2 hours of driving plus about an hour to set up, frame, focus and shoot just 4 images)... I'm learning though, and your video on loading was a big help a few weeks ago when I first had to load film.
lindsaysw 1 year ago
@lindsaysw You're very welcome! No, placing dry film stacked together won't hurt the film. As a matter of fact, dry film is suprisingly robust. It's when it's wet that damage is usually done. As an experiment once, I actually rubbed the edge of a key vigorously on a dry exposed and developed sheet of film I could hardly damage it! Of course, you want to treat it with care but dry film is tougher than most people think. Most scratches occur during processing when it's wet.
ZoneIII 1 year ago
@ZoneIII Also, keep in mind that the film is stacked together in the envelope when new and unexposed. The film is virtually the same after exposure except that it has a latent image, which you can't see, of course. But it's chemically and in every other way identical to the unexposed film as it comes in the package. Best of luck with your large format work! It's not exactly point & shoot, is it? :-)
ZoneIII 1 year ago
When you put exposed film in the box, can you put more than one piece of film in the box? I normally just take the film holders back to the school dark room, unload them, and then develop them there. Of course, that limits me to just 4 shots at a time since the school just gives us 2 film holders. GREAT HELP, BTW. THANKS!
lindsaysw 1 year ago
@lindsaysw Yes, you can put as many sheets in the box as it will hold. Just taking the holders to the darkroom and unloading them is fine but then you are limited to the number of shots you can take. When you load them into boxes, you can keep reloading your holders on a trip and have no limit on the number of shots you can take. Also, you can have boxes marked for for special processing - for example, expanded and contracted development.
ZoneIII 1 year ago
@ZoneIII I typicallly will have boxes for holding film for E6 processing and then boxes for each type of b&w film I use and also boxes for expanded and contracted dvelopment for each of those b&w films. That keeps them organized for their different development processes. BTW, good used holders can be had for next to nothign these days on eBay. I usually take about 50-75 holders on a trip so i don't have to be unloading them every day.
ZoneIII 1 year ago
@ZoneIII If I go on a short trip - say just for the day - I generally just unload the holders in the darkroom like you do. But on a longer trip, I generally unload the film every other day or so and put them in boxes. Then I reload my holders. If you unload them and put the film in boxes in the field, you will need a changing tent or bag. But you can also use a bathroom. If you do, do it at night so there can be no light leaks and leave the lights off outside of the bathroom.
ZoneIII 1 year ago
Thanks a lot, very useful information keep making these vids!!
Ngndr0 1 year ago
@Ngndr0 Thank you very much! I do plan to make more videos very soon. Winter is a great time for that. The next videos I plan to make (hopefully very soon) will be about camera movements and a several darkroom videos. I am trying to think of the best way to demonstrate camera movements. I will make them in a series of videos so I can cover all the movements in detail rather than the the short videos that try to cover everything in 2-5 minutes. Thanks again!
ZoneIII 1 year ago
I shoot 4x5 and this video helped me.
rfenio1 1 year ago
@rfenio1 Glad to hear it! I apologize for my misuse of some terminology. I noticed that after I made the videos. I called the flap a "light trap." Of course, the light trap is actually the felt piece at the other end, not the flap. But it looks like everyone understood what I was saying. BTW, I plan to get some more videos up very soon. One subject that I want to cover in detail is camera movements. I just have to figure out the best way to do that.
ZoneIII 1 year ago
Thank you for your reply. When you get around to making the camera movements video I think it would be very useful to show the ground glass image changing as the rise/tilt/shift/swing controls are adjusted. It might be tricky but certainly worth it. You have been doing a brilliant job.
allthegigsaresoldout 1 year ago 2
@allthegigsaresoldout Thanks again! I may go out and do a little experimenting this weekend to see if I can capture the ground glass image on video. If not, what I may do is show the movements and then show examples of pictures that were made using those movements. One thing I know is that to cover the subject well, it will be done in multiple videos. I like to go into detail with things like this and too many instructional videos cover things don't go into enough detail.
ZoneIII 1 year ago
Very useful. Thank you for making this information available. It would be nice to have a video on camera movements.
allthegigsaresoldout 1 year ago
@allthegigsaresoldout Thanks! I have been planning to make a video on camera movements for a long time and I may actually finally get around to doing it soon. As the weather cools I will probably be more inclined to do it. I have to work out some technical issues, though, such as whether or not I will be able to show the actual ground glass images in the videos with my very basic (and old) video camera. But it's something I really have to get to soon. Thanks again!
ZoneIII 1 year ago
thanks a lot for the video Zonelll; I was reading Steve Simmons' book, and watching your video afterwards made the text much more clearer.
kabadam 1 year ago
@kabadam Thanks! There's nothing like actually seeing how something is done. I wish we had YouTube (and the Internet!) when I started out.
ZoneIII 1 year ago
yay, thank you, great video, helped out big time... very easy to follow, please keep it up!
FireItUpProductions 1 year ago
@FireItUpProductions You're very welcome. I'm glad that you found it useful.
ZoneIII 1 year ago
Thank you for a very useful VDO. It help me recall how to load film and also give me a few good tips.
ThailandOutdoor 1 year ago
@ThailandOutdoor You're very welcome! I'm glad that you found it helpful.
ZoneIII 1 year ago
Nicely done. Thanks for posting this for us who are new to LF. I have been using digital and Hasselblad for film but just picked up an old speed graphic to try out LF and had no idea how to load the holders. Please post more vids concerning LF when you get the chance. Thanks again Mr. Johnston.
wvphotog 1 year ago
@wvphotog You are very welcome and it makes me feel so good when I hear that I have done something that has been helpful to someone. I do plan to post more videos. I finally finished a series on tray processing sheet film that I had been putting off. I plan to post some videos on camera movements, etc., soon. Thanks again!
ZoneIII 1 year ago
I hope you will make a video of your camera movements :)
Daisycutting2 1 year ago
Thanks man, about to make a road trip with a 5x4 i've never used and loading the film the wrong way was a major panic :)
Daisycutting2 1 year ago
You're very welcome. Have a great trip!
ZoneIII 1 year ago
Thanks, that was really clear and usefull.
ejdneedab 1 year ago
@ejdneedab You're very welcome and thanks for the kind remark. I'm glad you found it to be useful.
ZoneIII 1 year ago
You referenced (a not common holder) that has a inner lock button to release the slide. I'm curious to what type of holder that is. I have Lisco Regal II holders that has the locks on the end and not the side.
Thanks.
Aweshucks 1 year ago
They are marked 'Riteway" in white printed letters and "Fidelity" in small black raised letters. They are premium holders and they cost more than other holders. Another nice feature of them is that they have two little wheels inside the holder that will imprint a number from 0 to 99 on the exposed film. Great for linking it to notes. I used to buy them from dealers like Calumet and B&H but I just checked and they are no longer listed. They may be discontinued.
ZoneIII 1 year ago
Their slide handles are different than those of any other holder. The really nice thing is that the slide cannot be withdrawn by accident because you either have to press the white button manually or the button is pressed automatically when it interlocks with the camera back properly. If the holder isn't inserted in the camera back quite right, the slide can't be removed. If you email me, I will be happy to send a picture one to you.
ZoneIII 1 year ago
@ZoneIII Just a note for anyone else who may be curious about the holder I mentioned. I snapped pictures of them and I would be happy to send them to anyone who is interested.
ZoneIII 1 year ago
Thanks for posting this -- I'm just starting in 4x5 and have been shooting 120 film with a rollback to learn the basics of the camera before using sheet film.
When you put the film back in the box, how do you indicate special processing instructions for the lab on a sheet by sheet basis?
xamesm 2 years ago
You're very welcome! What I do and what is standard procedure is to keep separate boxes for each type of development. For example, I have a box for N (normal), N+1, N-1 development or for any other specific development. The only problem is that when you first start out, you may only have one box. That will soon change and you will have tons of them. But if you are doing your own processing, you could try putting a cardboard divider between the groups of sheets and remember whats on top, etc.
ZoneIII 2 years ago
I have a small soft cooler bag in which about 10 or 12 film boxes fit perfectly. I either write on them directly or put labels on them for the type of processing needed. Typically, I will have boxes for my two main types of b&w film normal, expanded and contracted development, as needed. I also have a box for my color (E6) film which virtually always gets normal processing so I only need one box for the color film. So I may have 7 to 12 boxes on trip if I also havce some N+2 or N-2 sheets.
ZoneIII 2 years ago
BTW, I keep promising that I will make videos showing sheet film processing in detail but I am actually going to do it soon. Also, because of space limits here, it's hard to give a lot of details but don't hesitate to email me from my website (listed in the video) and I will be more than happy to respond if I can be of any help.
ZoneIII 2 years ago
if you want to send your film in to be processed... would you just put the film back in its original box and send it off?
or is there some other procedure that would keep the film more light-safe?
temperanceluv81 2 years ago
Good question! Yes, put it back in the film box. As you know, the film box is a "double" box specifically designed to keep the film safe. The standard procedure is to send it to the lab in the film box and labs know exactly what it is then. They also know to give you the box back with the developed film. Be sure to put a label on the box listing how many sheets of film are in it, what type of film it is (E6, C41, or b&w) and any special instructions such as push processing.
ZoneIII 2 years ago
Thanks for this video tutorial. I am thinking of trying out LF photography, and your video really helped iron out a couple of things.
Could you also give sum tips on choosing the right LF camera or what's the best make out there? It would really be great if you could share some more, cause there's such a canyon of difference in information between 35mm and 4x5 cameras. It's almost impossible to get the info you're looking for. But thanks again for such a helpful and detailed video!
mochadena 2 years ago
@mochadena Thanks! I have been thinking about doing such a video. In fact, I have a whole list of related videos that I have to get around. Until then, the best advise I can give is to remember that a LF camera is very simple and there is no need to get the most expensive camera made, especially when starting out. Great first cameras are the Calumet 45n and 45NX cameras. Loads of features, light weight, and very inexpensive. In fact, they are easier to use than my more pricey cameras.
ZoneIII 2 years ago
@mochadena Another option are the "press" type cameras although their movements and bellows extension is more limited. If I was just starting out, I would get one of the Calumet cameras I mentioned. It's a monorail camera but it's very light. They even have a revolving back which many very expensive cameras don't have. That said, I use folding "field" cameras for most of my work. But it's a joy when I get out my old Calumet camera once in a while.
ZoneIII 2 years ago
@mochadena There are two basic types of LF cameras to consider.... monorail and "field" cameras. Monorails are usually used in the studio because most are heavy and awkward. Field cameras fold up compactly for transport. There are, of courses, advantages and disadvantages of both but either will get the job done. When starting out, don't run out and buy a very expensive camera thinking it will make better pictures. It won't. The lens is what counts. The camer is just a light-tight box.
ZoneIII 2 years ago
great video. Thanks a lot.
galpi 2 years ago
When using the zip lock back and the fil is frozen, do you leave the bag on when the film is defrosting, or do you leave it on to eleminate condensation?
Also, is there any 4x5 film (you may know about) that requires different loading procedures based on the notches? I have been putting the notches in the loweer right, opposite of and at the bottom of the film holder. ?
PS great information and video.
lastout
tstout173 2 years ago
Good questions! Yes, I leave the holder in the ZipLoc bags while thawing so condensation doesn't form on the holders. I keep the loaded holders (in the ZipLocs) in a soft-shell cooler bag in my deep freeze and just grab the whole bag hours before I will be shooting. When time allows, I let the holders warm up while in the cooler bag so it cools more slowly. As for the notches - all film has them in the same location so they all load the same. I'll continue this in another post.
ZoneIII 2 years ago
The notches are in the same place for all film so loading is the same for all film. Let's say you have the holder laying with the long edge towards you and the flap to the right. In that position, the notches would go to the bottom/right. That insures that the emulsion side is up. You could, of course, loade the film rotated 180 degrees but the convention is to have the notches on the flap end. My habit is to have my index finger on the notches. If I can be of any help, just email me.
ZoneIII 2 years ago
BTW, the reason I suggested that you email me if you have anything I can help you with is that I can give you a more detailed response since I won't have the 500 character limit. Anyone can email me at the address listed on my website which is mentioned at the end of the video or through YouTube. I always have time to help a large format photographer!
ZoneIII 2 years ago
Thank you, thank you, thank you. I've watched and read so many books and articles and none really differentiate where the notches are suppose to go. I think Fuji recommends the upper right. I will reverse my film loading procedure so I can't go wrong.
Than you again for such a quick reply.
lastout
tstout173 2 years ago
You're very welcome! It can be confusing because it depends on you you like the holder oriented when you load it. Some like to load it with the the flap farthest from them. I like to load the film with the flap to my right. In that case, the notches are on the lower/right corner. But for the first method, they would be described as being in the upper/right corner. Of course, either way ends up with the notches in the right place.
ZoneIII 2 years ago
I really liked this video. The plastic bags I will have to try. Just getting into large format and am excited about it.
KC7UAM 2 years ago 2
I'll give that a try. Thanks for the help!
184186 2 years ago
I bought some expired polaroid film and I want to shoot it. I've got one of the polaroid 545 holders. This is purely recreational and not serious. I could use Fuji stuff if I wanted quality.
I've looked around on youtube and it's search quality is not consistent. I found your video by accident, yet I had looked for one like yours for months. Thanks!
184186 2 years ago
Darn! I wish I had just one sheet of film for the holder. If I did, I would be happy to make a video. You can find a PDF manual for the newer 545 Pro back and I think it works pretty much the same. Follow the directions that should be on the holder. One tip: After switching the lever, pull the film out in a continuous motion that is neither slow nor fast. Just a nice smooth motion. That's really about the only thing you can do wrong. New users often do it too slowly.
ZoneIII 2 years ago
I'll give that a try. Thanks for the help!
184186 2 years ago
I'd really like to see how to use a polaroid holder for 4x5 and also how to use polaroid since it's still around.
Thanks for the instructional on loading holders and the tip on ziplocks for storage.
184186 2 years ago
I wish had some Polaroid film to show you the procedure. I do have a Polaroid back but I haven't used it in years. My suppliers don't list 4x5" b&w film for the holder anymore but they do list Fuji color films. The Polaroid backs were listed as discontinued. The nice thing is that instructions for use are printed on most Poloroid holders. They are very easy to use. I wonder if someone else may have posted a video about them on YouTube.
ZoneIII 2 years ago
I am just a beginner in large format. And your videos are so helpful. thanks so much, I hope there is more coming.
tom
tomf144 2 years ago
I'm so glad that you found it helpful. If you have any questions that I can help you with, just post a question or send me a message. I do plan to post more videos soon. I put it off so far this year but that's the type of thing I like to do in the winter because that's when I work in darkroom the most. .
ZoneIII 2 years ago
Thanks Tom, just got an old Linhoff and this really helps get me started on the basics!
notizer 2 years ago
excellent, just got my first Riteway holders in the mail today - and this will really help me use them properly ...
jpramas 2 years ago
Glad to be of help! You are going to have a ball! BTW, I will be posting more videos on related subjects soon. I had been meaning to for a long time but with winter coming, this is the time.
ZoneIII 2 years ago
Thank you for the informative video. I just purchased my first Speed Graphic, and I was confused on the film loading. Your video demonstration was very helpful. I look forward to other video's on large format photography .
T. Stout
tstout173 2 years ago
thanks for the tutorial!
that would be great if you could do a tutorial about movements too!!! :)
floflorence 2 years ago
thanks tom for providing the time necessary to make these instructional videos. I would like to see more. by the way I looked at your website, it looks fabulous. I'm curious though if you do any toning of your black and white enlargements. Thanks again..
vutEwa 2 years ago 2
Thank you very much! Yes, I tone all my prints in selenium toner. I print on double-weight fiber-based papers and do archival processing to museum standards. The only prints I don't tone are contact proofs which I print on RC papers. Thanks again!
ZoneIII 2 years ago
I love taking pictures. I use Nikon SLR and P&S fujifilm F31; all digital. But, I have a Speed Graphic in the closet that I'd love to use one day. I've always found it intimidating, but your videos have me encouraged. I think Toyo has a digital 2x3 large format. I wonder if the final image quality is the same as traditional film?
Joe
Carterofmars 2 years ago
Sorry, I posted my response to your question under Leslie's comment. Please see that. The debate about digital vs. analog can be heated. I will tell you that the greatest fine-art photographers still prefer large format film. So do discriminating magazines like Arizona Highways. (You can see their photographer's guidelines on their site.) Some people also claim that film simply has something that digital doesn't have. I sell large prints and LF gives me the most bang for the buck.
ZoneIII 2 years ago
You just saved my night! Thanks
lesliegabaldon 2 years ago
I'm so glad that you apparently found it helpful. That makes my day! Thanks much1
ZoneIII 2 years ago
That's an excellent question. I am definitely not an expert on digital photography and I supect he answer you get would differ depending on who you ask but the best info that I have would indicate that a 2x3" digital would not compare very well against 4x5" film. Most experts say that the best film sensors (expensive!) approximate the quality potential of film of the same size. 4x5" is still a lot larger than 2x3. It also involved technical problems that film doesn't have. Best.
ZoneIII 2 years ago
thanks for posting this video, i have been shooting lf for a while now , but its always good to see better ways of doing things.
lilax16 2 years ago
You're very welcome! I'm glad that you found something useful in the videos.
ZoneIII 2 years ago
Thanks so much! Kind comments like yours encourage me to get off my butt and make some more videos. As for choosing a camera, perhaps you could email me from the link in my website (listed in the video) or found by doing a search for Tom Johnston Photography (note the "T" in my last name) and clicking the email link. I will be more than happy to help you in any way I can. The camera you choose will depend on what basic type you want, how much you are willing to spend, etc.
ZoneIII 2 years ago
Wonderful! Please post more of that type of videos! So clear and straight to the goal! Thanks! (I am ready to jump into large format...would like one that I could carry around without killing my back...any advice for a (future) beginner?
flojeune 2 years ago
Of GREAT help! Thanks so much!
zwei2007zwei 2 years ago 2
Thanks for the kind words!
ZoneIII 2 years ago
Tom, thanks a million for this help. I just got myself a Linhof color on the bay. was excactly wondering how to insert the film. This was certainly helpfull. Thanks again.
gabain69 2 years ago 2
You're very welcome. I have been meaning to put up some other videos on large format photography but I just haven't got around to it yet. Too many videos covering the subject are too simplified. When I make them, I will break the process down into steps. BTW, your Linhoff camera is a wonderful piece of equipment! Best
ZoneIII 2 years ago
Great video! Clear and straightforward. I'm a young photographer just in the process of getting into large format photography, and need some of this basic information. I've bought an 8x10 Deardorff that needs a little fixing up, and then I'll be ready to go. Thanks again -PWJ
OscarCommie 2 years ago
Sorry, OscarCommie. I think I just read something by a young photographer and got that comment mixed up with yours. But it's great to see old farts get into large format photography too! :-) Actually, I wish I was your age. I turn 60 in two months. It's scary! Where does the time go? Best
ZoneIII 2 years ago
Good stuff...Thank you...I just recently purchased a 4x5 Speed Graphic and I'm looking foward to getting my feet wet in large format photography.
crash61 2 years ago
Thank you ver much! A Speed Graphic is a great way to start in large format photography. You can use it hand-held too - something you can't do with most large format cameras. You are going to love it and you will be amazed at the detail and richness of your photographs. Best of luck!
ZoneIII 2 years ago
Thanks! You bought one of the finest large format field cameras ever made! You're going to love it! It's great to hear about young people getting into large format photography. Best of luck. Feel free to email me if you have any questions that I can help you with.
ZoneIII 2 years ago
well I don't know about being "young"...i'm 47...lol...but I have always wanted to shoot large format and now is the time...i'll keep in touch and send you some pics when I have gotten a chance to try it out
crash61 2 years ago
Hi, I was reading your comment responses and I was wondering about large format a little bit more. I shot about twenty sheets of film tonight, but I was wondering about alot of stuff with actually shooting and focusing the camera. I didn't see if you had a video regarding this so if you did, please disregard this comment..would be great if you made something where you went through how you actually loaded the carrier and shot a picture and then switched the carrier around etc....thanks!
jnl1213 2 years ago 2
I am planning on making just such a video. In fact, I have a whole list of videos related to large format photography that I want to make. After posting the few that I have posted so far, I took a little break but having someone request such a video is an incentive to do it. Thanks!
ZoneIII 2 years ago
You videos are very useful, as you are giving us suggestions based on your experiences. Thanks!
photographyisfun 2 years ago 2
Thank you very much. I hope to be posting more videos soon.
ZoneIII 2 years ago
Thanks a lot for making this. I'm still struggling with dust, but I just dump all my film holders in a big ziploc bag. I'll try 1 bag per holder.
What do you think of using one of those air cans to blow off any dust after loading the film ? Thanks again for taking the time to make this.
galpi 3 years ago
You're very welcome! Canned air is fine but it does tend to simply blow dust around the room. The best thing is one of those tiny vacuums. Antistatic brushes are excellent too. I have found that a little care prevents almost all dust problems. There isn't enough space here but if you send me an email, I can make a few more suggestions. But do keep your holders in individual bags. If you put them all in one big bag, the benefit of using them is lost. It''s the single best thing you can do.
ZoneIII 3 years ago
Thank you so much for this video - I'm a photography student and really needed this review before loading my film at home. Great video!
johnsonap1023 3 years ago
You're very welcome and thank you for your kind comment.
I think I forgot t mention one very basic thing in the videos. That is that the white side of the slide has raised dimples on the handle. That is to identify the sides of the slide in total darkness when you are loading and unloading them.
I plan to make more videos on related subjects. If there is anything in particular you would like to see in a video, let me know. Also, if I can be of any help, email me.
ZoneIII 3 years ago
Great video. I can't get a large format camera, but It's a typre of photogaphy I'm greatly interested in. Your video has shown me how to load a holder, now I know the basic procedure. What I read without pictures made me think that it was very difficult, but it isn't.
wotajared 3 years ago 2
Thanks much! Actually, loading film holders is even easier that my videos might make the procedure look. I just wanted to demonstrate some of the finer points. But actually loading them is so easy that you don't even think about it once you load a few. If I am loading them in a changing bag, I am usually watching TV, having a conversation, etc., while I unload and unload them almost automatically. However, many people prefer preloaded film and special holders which elimate all loading.
ZoneIII 3 years ago
Thank you very much! And thanks for the suggestion about tagging. I have a question about that, though. Are you saying that I should tag my pictures posted on APUG? I would like to do what you suggest but I'm not sure I understand how to do it.
ZoneIII 3 years ago
Very helpful. Thanks very much.
Any good stores in you neighbourhood
who sell 4x5 field camera's except for Ebay.
Thanks again
jazzstandards 3 years ago
Thanks, jazzstandards. I live about 25 miles west of Chicago so I do have some good stores that sell large format cameras and equipment. Those stores include Calumet and Helix. They both have large selections of large format equipment including lenses and everything else you could want. However, if I was buying a LF camera now, I would probably buy via mail order to whoever had the best price. B&H is good. Badger Graphic is also great to deal with. Thanks again!
ZoneIII 3 years ago
thanks for the demo on two sided holders. Do you have one for grafmatic holders or know of one?
jannx
184186 3 years ago 2
Thanks. No, I don't have a video on loading Grafmatic film holders and I haven't personally used them myself. However, I searched and found a site that describes the process and it has good illustrations. I can't post the link here so I will email it to you in a personal message.
ZoneIII 3 years ago
ZoneIII, putting the film holders into those plastic bags is a VERY USEFUL advice! I had never thought about it... Thanks from an italian large format photographer! ciao
pojanello 3 years ago 4
Thank you, pojanello. Yes, the bags are incredible for reducing dust problems and they are also great when removing holders from the freezer or bringing them in from the cold because condensation forms on the bags, not the holders. I was amazed when, on a photography forum, someone said that they shoot too fast to use bags! After all, if have to shoot several holders quickly, they can just remove them from the bags before they start exposing film. Thanks agin for your kind comment. - Tom
ZoneIII 3 years ago
is it a good idea to put the film holders in an ice-box while in the field to keep 'em cool??? looks awkward though.
adrianrubi 3 years ago
No, not when you are in the field. You keep them frozen while stored in your house when you aren't shooting. I do, however, carry my color film in an insulated cooler bag while on trips and often just slip a few into my camera bag when I hike. It's not inconvient at all. Holders loaded with b&w film are not as critical and I often leave them in my camera bag (in Zip-Loc bags). You shouldn't leave holders loaded with color film unprotected in hot places. That's the point I was trying to make.
ZoneIII 3 years ago
BTW, thanks for the question. The cooler bag (if that's what you refer to as an "ice box," is what you keep the film in while it is frozen in an actual freezer. It allows the film ot warm up slowly when you remove it from the freezer. I take it out of the freezer and the cooler bag then acts as an insulator in the car to protect the film from the high temperatures you often have in a car. But you can remove it from the bag when hiking. The bag is to protect the film from heat.
ZoneIII 3 years ago
thanks for the wisdom.
adrianrubi 3 years ago 2
That's a great question and it's funny that you should ask because that's exactly what I plan to post videos about very soon. I will try to cover several ways to process large format film. The first videos will cover the advantages, disadvantages, and things required to use each method. Then, later on, I plan to post videos that go into each method in detail. Thanks for asking!
ZoneIII 3 years ago
thanks for the instruction
sgtkiddad 3 years ago 2
You are very welcome. I plan to post more videos on topics related to large format photography soon. I want to go into a little more detail on those topics than I have seen in other videos so that I may be of more help to those just getting into large format photography.
ZoneIII 3 years ago
I have been shooting roll film for 28 years, but have never tried sheet film. This was thorough and informative. Thanks.
b30307 3 years ago 2
Thank you very much! I'm glad you found it useful. I plan to post some more videos on related topics soon. I apologize for any bumbling I do. I hate recording myself in anyway. I even have a hard time recording an answering machine message! :)
ZoneIII 3 years ago
You are very welcome, LoesjeBE. Actually, I don't use expensive equipment to process my film. I process my b&w film in trays even though I have a Jobo. I have been doing it that way for years and still prefer it. However, I do process my color film in a Jobo processor which I got recently because I no longer have a good color lab in my area. If you need more information about processing, just contact me. You can go to my website and email me from there. I may post a video on processing too.
ZoneIII 3 years ago
guy1193: I'm glad that you found it helpful. If there is any other related topic that you would like to see a video about, let me know and maybe I will make one. Thanks again.
ZoneIII 3 years ago
great video, this helped a lot when I was considering large format photography.
guy1193 3 years ago 3
Thanks for the kind comment. I have received emails requesting more videos and I plan to make them. Bellows factors and camera movements will be tops on my list. The Zone System will be good to cover too. For that subject, I will probably do an overview video on what it is and then possibly break it down into it's various components in separate videos. Thanks again!
ZoneIII 3 years ago
wow great video, such a big help. I also enjoyed the tips. as for other videos i would say YES please make more, anything large format i.e bellows factor, camera movements, zone system. again thank you and keep up the good work
pinata2000 3 years ago 2