@ReturnOfTheStienway I agree, with both sentiments! It's a shame that the cannon of repertoire is being more and more restricted to the "greats," while other composers fall in and out of fashion or are forgotten altogether.
And it is neat to hear it on a very good sounding fortepiano.
@Cantormatis Wtf are you talking about Clementis sonatas far exceed Mozarts (Except A major Turkish). Mozart excels in Concertos and other Orchestral works though above all else.
Listen how beautiful the sound is. It is maybe "buzzing" but not "dry". On the contrary - after you get over the 1st 'shock', you realize that it has a very rich sound. Listen to the beautiful bass-sounds: they are beautiful while not obscuring, as are the modern ones.
So this is on a fortepiano? How cool! I just went on Naxos to listen to a series of comparisons between the modern grand piano and the fortepiano. At first, I found the fortepiano dry and buzzing, sounding like what I would consider a poorly manufactured piano. As I listened on, the lack of sustain brings in an element of liveliness. I was doubly excited listening to fast & loud passages being played on the fortepiano than on the modern piano.
If only I could try one out to experience the fun!
Questo studio è uno dei miei preferiti: l'ho suonato tantissime volte. La parte centrale in tonalità minore è molto suggestiva, insomma, è una figata!
Se penso a quanto Clementi sia negletto nei concerti mi prende una rabbia indicibile.
...in addition,I missed the contrasting of hands.(So necessary to make the structure less gross,but more subtle.)But I liked the many quicks turn of phrase acknowledgements you gave to the structure.Your articulation
seems notably more varied than most pinaists(Modern or otherwise)are giving these.
I love the witty and excitable elan.There are some very nice changes of mood here.On the other hand,The playing is not ahead of the perceived downbeat,(necessary for the whimsical element.)Also I would have preferred more pathos in the fleeting pathos,along with chords that are BROKEN.
Not only that but it took me forever to get the score to play that way. The Scarlatti posting K 517 has stable screens for a whole line of music. But since Clementi is an original score, with much wider pages than a modern piano score, I had to set it up with a scrolling score.
music is like food you have to listen to music like you have to eat food couse u cant stop eating and you cant stop listening to music
BaroqueMusicOnly 5 months ago
its like playing black
BaroqueMusicOnly 5 months ago
Keep in mind this is from gradus ad parnassus- a instructional work. His sonatas are perhaps more gorgeous than this.
Gargantupimp 8 months ago
3:19 through 3:27
sarge0256 10 months ago
@sarge0256 Also you can really tell Chopin learned alot from this guy. "In fact he made all of his students learn the gradus ad parnassus"
Gargantupimp 8 months ago
According to my edition (Breitkopf & Hartel) this is no. 41.
TheBarryLloyd 10 months ago
excellent interpretation and this forte piano is a million times better than modern pianos which sounds monstrous and create hard sounds to the ear.
oneginee 1 year ago
That was so amazing. Nobody plays this music anymore.... and to hear it on that fortepiano was just even better
ReturnOfTheStienway 1 year ago
@ReturnOfTheStienway I agree, with both sentiments! It's a shame that the cannon of repertoire is being more and more restricted to the "greats," while other composers fall in and out of fashion or are forgotten altogether.
And it is neat to hear it on a very good sounding fortepiano.
scyldschefing 10 months ago
Man, he keeps your fingers busy. Too bad for all those notes there isn't anything all that interesting to listen to!
Cantormatis 1 year ago
@Cantormatis Oh hushup it's a delightful little work.
maternalheart66 1 year ago
@Cantormatis Wtf are you talking about Clementis sonatas far exceed Mozarts (Except A major Turkish). Mozart excels in Concertos and other Orchestral works though above all else.
Gargantupimp 11 months ago
@Gargantupimp That's your opinion.
scyldschefing 10 months ago
@scyldschefing Yeah well I value my opinion highly and consider it quite accurate. Clementi's sonatas are always interesting and entertaining
Gargantupimp 10 months ago
@Gargantupimp I like Clementi too. Like I said in another comment here, I agree that his works aren't performed often enough.
But picking favorites and talking about what composer is better than what other composer is a different matter.
scyldschefing 10 months ago
@scyldschefing Clementi is not better than Mozart, but a lot of his piano works are a lot better than a lot of Mozarts piano works
Gargantupimp 10 months ago 3
@Gargantupimp Well said
Tchaikov 9 months ago
Listen how beautiful the sound is. It is maybe "buzzing" but not "dry". On the contrary - after you get over the 1st 'shock', you realize that it has a very rich sound. Listen to the beautiful bass-sounds: they are beautiful while not obscuring, as are the modern ones.
Bravo for the performance!
Babejuda 2 years ago 6
i wiped the floor with his ass at the imperial concert
mozart letter to his father after his contest with clementti in1781
alilapointe1 2 years ago
holy crap that's a lot of black on that score.
bachboy111 2 years ago 7
Thank you.
Kurtyoungblood 3 years ago
I keep coming back to this, thanks again!
Kurtyoungblood 2 years ago
So this is on a fortepiano? How cool! I just went on Naxos to listen to a series of comparisons between the modern grand piano and the fortepiano. At first, I found the fortepiano dry and buzzing, sounding like what I would consider a poorly manufactured piano. As I listened on, the lack of sustain brings in an element of liveliness. I was doubly excited listening to fast & loud passages being played on the fortepiano than on the modern piano.
If only I could try one out to experience the fun!
teoani 3 years ago
Bravo how beautifully you play. I myself am trying to learn this piece but as many musicians we have to work on other pieces.
Best regards. Square piano
squarepiano 3 years ago
Ottima esecuzione!
Questo studio è uno dei miei preferiti: l'ho suonato tantissime volte. La parte centrale in tonalità minore è molto suggestiva, insomma, è una figata!
Se penso a quanto Clementi sia negletto nei concerti mi prende una rabbia indicibile.
GIOIS01 3 years ago
¡¡WOOOOOW!! Thas incredible, THANKS FOR POSTING IT! Things like this make me a little jelous of pianists (in a good sense, that is) THANKS AGAIN!
anonimoalfin 3 years ago
...in addition,I missed the contrasting of hands.(So necessary to make the structure less gross,but more subtle.)But I liked the many quicks turn of phrase acknowledgements you gave to the structure.Your articulation
seems notably more varied than most pinaists(Modern or otherwise)are giving these.
MOZARTasaWARcrime 3 years ago
I love the witty and excitable elan.There are some very nice changes of mood here.On the other hand,The playing is not ahead of the perceived downbeat,(necessary for the whimsical element.)Also I would have preferred more pathos in the fleeting pathos,along with chords that are BROKEN.
I AWARD THIS 2 3/8 WOLFIES...You lost an 1/8
because I got Vertigo trying to follow the score!
MOZARTasaWARcrime 3 years ago
Not only that but it took me forever to get the score to play that way. The Scarlatti posting K 517 has stable screens for a whole line of music. But since Clementi is an original score, with much wider pages than a modern piano score, I had to set it up with a scrolling score.
earlymus 3 years ago