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  • Générique du grand entretien par François busnel du lundi au vendredi sur France Inter =)

  • why WOULDN"T they sue...these guys didn't even ask, and the song sounds exactly the same, and they made a bunch of money...fuck em..you win some you lose some...so bittersweet.

  • @dannon2010 they did ask. they got the rights. then the song became huge and some people wanted the cut of it. legal battle ensued, and the verve wrongfully lost.

    It is the sad truth of this song.

    oldham made something good. the verve made turned it into something unbelievably amazing.

  • @dannon2010 abcko owns the rights

    but the stones did sue decca

  • Some misunderstanding of the legal issues here. The Verve obtained permission from Oldham to use a sample of his orchestral version of the Stones song. But they overlooked that they also needed to get permission from the copyright holders of the song; in this case originally Jagger/Richard, but assigned to Allen Klein or his company. Having used a sample, the Verve didn't have a chance of denying 'copying', even though the orchestral version is very different from the Stones original.

  • Your camera work makes my pee pee sad.

  • @SharpTurnsNYourWords was on purpose

  • the original is not from the Stones, it´s from Edward Grieg: Hall of the Mountain King, check it out…

  • Los Rolling Stones apestan :) y el tipo que hizo el juicio tambien lo es... esos tipos son una manga de egoistas estupidos! QUE VIVA THE VERVE

  • The Verve stole the song it is obvious....

  • @andydufresne87 no they sampled it -authorized with permission

  • This is is totally the same song. So the beginning of The Verve has violins, it is the same violins that come in later on the Oldham piece. They should have paid Oldham the royalties not Klein. Both are great though.

  • @jperrytwigg The duh duh duuuhhh, duh duh duuuhhh, duh duh duh duh duh duh duhhhh bit was made by The Verve. But after the Stones' old company got credit for the song, they marketed that part of the song out like whores, which was wrong. Fair enough if you market the piece that you 'created'...

  • The Rolling Stones don't own any of their music from the 60's.

    Allen Klein is still dead.

  • You can REALLY here how much they copied form the original at 5:34

    And for all this time I thought the Verve was one of those brilliant one hit wonders. They really didn't come up with any of the artistic brilliance behind the song--though it's arguably the fault of Rolling Stones for not following up to make this song better and marketable.

  • The age of stupidification ,kids today can't compose their own music.

  • Comment removed

  • wow how did those bastards win the case??

  • @folkmusic1991 wow, you've completely misinterpreted everything. why would Jagger and the rest of the Stones for that matter have any interest in shooting down "anyone who writes half decent songs" ? You're just looking for someone to blame. plus, everyone knows it's ABCKO's fault. *sigh*

  • Heh. I've been in the music biz for nearly 50 years now and I have come across the concept of copyright once or twice in that time. You can't copyright a simple chord formation, tempo, or key, the Stones would be in dead trouble by now if that was the case. The point is the most recognisiable thing about 'Bittersweet' is the violin riff, and neither the Stones nor Andrew Oldham wrote that. Ashcroft should have got a share of the music fee for that.

    Didn't know about the lyric fee though.

  • @JJMMWGDuPree the arranger - david sinclair whittaker? - is the guy who should get the lions share of profit as it was his 'melody' that they stole. He probably just agreed to a one off arrangers fee - I mean who would have though 30 years hence it would be a monster? The violin riff is there in this version at around the 1.40 min mark, even though it's low in the mix it's there. It's out and out plagarism and I see Kelin's point of view. I just dont agree that cunt should have got the money.

  • @JJMMWGDuPree the violin riff is played on piano here i negelected to say. Soft but' it's there

  • @JJMMWGDuPree I disagree. This is way too close to the Verve's version. It doesn't take a rocket scientist to add some strings and vocals to this piece. The hook is already built into the chord progression. It's fairly powerful piece of music on it's own. Personally, I think Klein was justified in suing them. A person would have to be tone deaf to not hear the striking similarities. A "sample" is using a small section of music, not the main hook, rhythm section and chord progressions

  • Klein is a borderline crook. It's highly likely that he planned the whole thing from the off. What I don't understand is, why didn't the band withdraw the single and re-record it themselves? If you watch the 'Later' vid of the song they seem to manage it OK.

    As for Jagger/Richards, they could have refused to accept the credit for writing the song, but didn't. I suspect Keef couldn't give a toss one way or the other, but Jagger is a greedy bastard. Always was and always will be.

  • Comment removed

  • @JJMMWGDuPree Copyright means "the right to copy". Therefore, even if The Verve had ditched the sample & re-recorded the bell & strings using the same pitch, tempo & pattern then that would have been a copy & they would be sued for that. Recording copyright consists of music & lyric 50% each. Ashcroft is credited as the lyricist & would have received that 50% but none of the music copyright - that is what The Verve meant about losing 100% of the music copyright. The Verve's song IMO.

  • Come on,don't give us this shit.It's just some Greedy bastard Lawyer,screwing another hapless person.The Verve had permission to sample the orchestration,they obviously being sly Bastards,were deliberately ambiguous about it all,when the song took off,big they decided to screw them.How the fuck can they have 100% here,they didn't write the Verve lyrics? and I'm sure as hell Jagger/Richards didn't write the orchestration anyway THERE IS A SPECIAL PLACE SET ASIDE IN HELL,for these lawyers,for sure

  • mmm, I don't know, there's that version, known buy a bunch of people (at least nowadays, I don't know what an impact this recording had when it was released), and then there is the copied version wich became one of the greatest hits of the 90's... makes me think. Maybe these guys developed an idea better than the guys that had the original idea, and used it in it's full potential...

  • The Verve should've just dropped this sample out and overdubbed a similar-textured arrangement. Lesson learned. Verve's string arrangement melodies were far more interesting than this version. This original has good parts (2-3 notes of melodies here and there) and groove, but nothing unique enough that can't be rerecorded. This is derived from a stones song derived from tradition, the only copyright issue is the actual recording sampled. If recorded from scratch there'd be no (legit) case.

  • @folkmusic1991

    You have no idea what you are talking about. ABCKO owned the rights early Stones Songs, and this cover. Not Jagger.

    What's more, how is The Verves version not direct plagiarism!?

    What did they do musically, that was different? Nothing. They just added lyrics

  • It's not a small sample, is it, it's basically the whole track that The Verve just jazzed up. Did they ask first?

  • @HengistTheGreat Yeah they got permission to use it but got sued later when it was decided they'd use 'too much of it'.

  • @technicolorexplosion

    Yes, and your comment has prompted me to make the effort to read the comments in the intro, which explain it all. Back of the class Hengist! Again.

    Thanks doubly for pointing it out to me, as it has made me listen once more. Great use of bells, imho. It's a lovely instrumental, so thanks to the poster, Stones, & Verve too!

  • i'd take "beast of burden", "start me up", and "waiting on a friend" over "bittersweet symphony." they wrote all those within the 20 years richard ashcroft mentioned.

  • sounds to me like he pretty much just took this instrumental and sang over it. i always thought it was just a small loop that he had added a lot too. this sounds like the complete song. even his vocal melody is just pretty much going along with the melody of the song.

  • That sounds so lame. The Verve made this sample an epic masterpiece.

  • This is not 'The Last Time'. Jagger & Richards can't be copyright owners of Bittersweet Simphony , easy money, c'mon..

  • It sounds very badd!!!!!

    Let it be if from The Beatles

    Satisfaction from Mick

    Bitter sweet is from Verve.

    Simple!!!! Yeahhhhhh!!!

  • mich your a thundercunt for suing the verve

  • @robertdejong123 its Mick and it is not MICK's fault, it is ABCKO!!!

    abcko the late allen klein owned the rights but not sure if owned the rights to this version...

  • I had heard the legend but though a Stones fan still I never had listened to the original song. I must say, wow. While Verve took it to an incredible level of realization, the whole base is there in the original. Thing is: Verve didn't try to steal. That's what bugs me. And the fact that this is really all a matter of money. Mr Klein again! :). Fair thing would have been to make 50/50. Verve brought this to life. Just think of the opposite case, "Dazed and confused" which never got any justice.

  • OK So I made a really cool song using the loop from bitter sweet symphony and a hole load of my own hard work... Who's gonna sue me? Mick? Verve? Both?

  • @puntopower666

    ABCKO will sue

    who knows who else

  • @puntopower666 Not the Verve...They don't own the copyrights so cant even sue over their own song.

  • @puntopower666

    What did The Verve do other than sing over someone elses song?!

    Come on. The song was a hit because of the tune. Which Mick Jagger wrote

  • You guys don't know what you're talking about.

    The Verve got permission to use a small sample of the song. Under the guarantee that it would not be the main theme of the song.

    They then proceed to use the entire song, and nothing else. They just sang lyrics over it.

    So the label sued. And forced Ashcroft to acknowledge Jagger/Richards as the songwriters.

    As they wrote it

  • @MrCeej9999

    The sample is very sparse with a mundane structure; a good musical riff from which a great song was derived, but hardly the main theme. If that's the basis for suit than the judgement is bogus, just a victory for deep pocket greed. The Stones said they borrowed from traditional songs, so it's all derived from public domain. You're totally wrong about "just singing over it," the whole string section adds actual melodies, in addition to a whole guitar/bass arrangement with lyrics.

  • @folkmusic1991 nerd

  • He should sues that Jason Durulo fuck too!

  • Haha! I wonder how many Verve fans got the music by stealing it from a friend or downloading it free?

  • bullshit the only part you could really hear this was on the extended version. fucking rolling stones

  • "You're a slave to the money,then you die"

  • I wonder,are Mick and Keith really in need for more money??They should be ashamed of themselves,which I doubt they are of course.I mean,they never once credited any other member of the Stones for anything,did they?Greedy old men,that's what they are!Sorry,I have always loved the Stones,but this is too much.The lyrics for "Bittersweet symphony",which is a beautiful song,aren't theirs,they were written by the Verve's lead singer.So,maybe a 50-50 deal would've been apropriate.It's just not fair!

  • @folkmusic1991

    i may be wrong in this situation. but all those songs till the early 70's ended up being owned by ABCKO. not micks fault.

  • @TEMPmichaelhansen

    You are 100pct right. Mick Jagger and Keith Richards have little or nothing to say about their songs up to 1972. They do get some royalties, however. But ABKCO has the final say

  • Why does this sound different from The Verve's song ah? Can someone please explain it to me?

  • @alyoshakaramazov8 speeded up or slowed down the recording...that is all i can guess...

  • Bittersweet Irony...The old version sounds totally creepy!

  • Hmmm. I finally hear it. It took me a couple listens to hear that Bittersweet Symphony was the same as The Last Time, only slowed down a lot. DX I couldn't even hear it when I listened side by side the first time I listened.. Oh well, they're both awesome songs. Whatevs

  • I agree that the reaction to bittersweet symphony was harsh, but you can't just rip off people's music and expect to get away with it every time. sometimes you don't. it is highly derivative, and there's no getting away from that. yes, all things are derivative, but some art is so much derived from another specific thing that any claim to its being original is compromised.

  • that the rolling stones have done the same thing than any other artist... recycle... not steal... i hope someday the copyright laws change so ppl dont go to jail for downloading songs or gets to pay for singing a song owned by a record company in a public space... thats just stupid...

    this copyright laws are good in some ways.. but in my opinion most of the times what they do is slow the music to follow its naturall course

  • @simpleman6942

    well the whole 'going to jail for downloading' i only download stuff that seems to be OOP.

  • @TEMPmichaelhansen whats u mean by OOP?

  • @simpleman6942

    out of print

  • @simpleman6942

    compare this to "French singer Cherie samples the intro guitar riff from the Foreigner recording for her debut single "I'm Ready" (2004)."

  • copyrights... if you use your brain for something different than think about ways to get more money you would realize that everything you can say has already been said by some one else in the past.. the present is nothing but a remix of the past, ideas, songs, art, movies, everything.... the originality anyone can put in something will never be too much... the verbs song was a different song than the stones one, i love the stones, but go listen to howling wolf and other blues musicians and ull c

  • @simpleman6942

    compare this to "French singer Cherie samples the intro guitar riff from the Foreigner recording for her debut single "I'm Ready" (2004)."

  • thank you for this uploading! And the info.

  • Now that I listen to "Bittersweet Symphony" I realized that they took a sample from this song without permission.

  • It was the Stones old manager Allen Klein that sued the Verve for using this song, the same Allen Klein who ended up to the publishing rights to the Stones earlier works...so if any anger should be directed at anyone over this matter it should be Klein.

  • this doesn't even sound like the original rolling stones version.

  • Everybody steals from everybody. Movies, music, art. Get over it.

  • Is it buyable anywhere on CD???

  • I downloaded this from somewhere. Now I have to remember where I put it.

  • such bullshit that rolling stones took 100% of the money. fucking old douchebags. i'd say there should be something like an 80/20 split, where the verve keep the majority. if you can take something which was out of date and not being played on the radio anymore, and make it popular again, that takes talent

  • @lukeee89,

    The Rolling Stones are arrogant idiots. Here's what they should have done. They should have let the Verve keep their money.

    Then use it for free marketing. The baby boomer tools think that rock stars are "gods" and are afraid to question their authority out of fear of social rejection amongst their irrelevant peers.

    The Stones made a boneheaded, dickheaded move no matter which way you cut it.

  • @therealcaptobvious

    ABKCO Records sued the Verve - not the Rolling Stones. The Verve were sued by the company that owns the publishing rights to the Stones song The Last Time. The surviving Stones do not own the publishing rights to their catalogue from the 60s, even though they wrote the songs..

  • @therealcaptobvious Dude it was their manager. Look it up.

  • perfeita versão

  • This was recorded in 1966 .... yes folks 1966. I certainly hope the Andrew Loog Oldham Orchestra made a few bob on the Verve's 'sampling' of this ..... 1966 recording.

  • Where did you get this c.d? I love this song!!

  • this is a vinyl record of the andrew loog oldgham orchestra-the source of the sample used by the verve

  • Sorry mate the tune is from 1966 ,,,,, long long before the Verve existed.

  • you wouldnt believe the story behind this

    not the VERVE but still...

    i am amazed at how many watched this video

  • @therealcaptobvious how was this spam people.

  • under the faulty logic of the courts, the Stones should've been sued for stealing this and for channeling Chuck Berry? I don't care about the label, I'm sure Mick has plenty of influence on that label. He's not innocent.

    A rich band took 100% of the royalties from a new act? Why? To rain on their parade. 

    Rolling stones= no class.

  • hold the camera steady and lose the "pause" moments. Shit...

  • it was intended to be this way

    "Pause" moments???

  • state of nirvanaaaaaaaaa

  • Yeah, I have to agree with Richard Ashcroft's statement, "Bittersweet Melody is the best song the Stones have written in 20years".

  • Comment removed

  • Far out man. Light one up for this one. It's heavy dude!

  • right on

  • omg i dont know whats going on so the verve stole music from the stones and the stones stole music from the verve for revenge and that pissed the andrew oldham orchestra off so he had a affair with one of the beatles wives and then oasis came in just for laughs and sampled every ones work because some aircroft guy played a violin to close to their studio and mistakenly pick up the noise and sued him too?!?!? 0_0 lol

  • you aren't the only one who doesn't know what's going on regarding this matter.

    Not that it is of any real significance,

    But what a strange deal.

    I think the Verve got robbed, actually.

  • that was a bullshit case. The Stone's song was ripped off of an older piece. The Bittersweet Symphony sounds NOTHING like the Stone's song. If it did, it wasn't nearly enough to get 100% of the royalties. BTW, I laugh when people blame the label. Rolling Stones are so influential, i can't believe they're condoning it.

  • @therealcaptobvious

    His name is NOT Mich!!!!

    IT`S MICK!!!!!!!!!!!!!!!!

    Where u from?????

    i thought Everybody knew that!!

  • @imaRoLLingStonzFan everyone does know this ... this guy musta been drunk lol

  • 3:36 lol!

  • -OMG!!!!!!!!!!!!!!!!! this amazing

  • thanks for posting, makes things a lot clearer

  • good thing the verve pipe song was the one I heard because this isnt nearly as strong feeling of a song even without the vocals.

  • lol

  • How on Earth did this song derive from The Last Time!? It sounds nothing like it!

  • think of the tune, and sing the words to the last time but on a slower scale.

  • yeh it does

  • it is a classical re arrangement/pop orchestra version. things like this happened a lot in the 60's

  • the violin riff that starts off bittersweet symphony was composed by richard ashcroft. nothing to do with this. only the fuckin bongos and bells influenced bittersweet symphony.

  • likely story, shcrft blateltly took inpiration from the violin stupid!

  • this is cool the verve really did rip off the riff

  • this the best version... 60's is full of the great music inventors...

  • Actually, for me this is the best version! love the bell!

  • oh and not to mention.....even if I like this 60's jig...I can't even find it on itunes....Oldham you fuckin cunt....you don't even have your original for sale

  • try blaming Allen Klein

    i think this is on import cd...

  • rolling stones and beatles alike stole so much shit of others it'll make your head spin, produced major records with plagirized material simply cause black musicians couldnt sell it as well(no harm done) but don't give Verve a hard time...they are talented boys......folks wake up...get a fuckin clue please...

  • was it because of 50s-60s racism? or it was lack of interest in marketing?

  • Fuck the Verve . This is all the great Rolling Stones.

  • accually it is the great "Andrew Loog Oldham Orchestra"

  • Andrew''s a low life. He ruined Brian Jones.

  • Checkout the opening riff of the Stones song

    "The last time" and the opening of Elvis Costello's

    "you belong to me".

  • the stones version sux ass!! The Verve is the best!!!!!!!!!!

  • Looks in mint condition....,Never Played,

    understandable....that whole album's no big deal,it sold shite,now for that hype,it's suddenly worth a few bob.

  • who cares about the money......i think ashcroft is satisfied that he put something out there and people like me and u can listen to it be and be moved by it. money runs out people, feelings stay forever.

  • now I heard bittersweet symphony!

  • Who was splitting what 50/50? Who then got 100% of what - profit/royalties from the song/album? Not clear from your notes.

    Still I'm glad I found this - I'd heard there was a kerfuffle between the Stones (or MJ and KR anyway) and The Verve over "Bittersweet Symphony" but could never hear any Stones song in "Bittersweet..."; now I understand that part of it (but not the terms of the ultimate financial resolution).

    MJ's even had to sing in court a few times to demonstrate RS copyrights.

  • Accually I have no idea. I found out about this on a VH1 show (something about "One Hit Wonders" I think...) and realised I have the vinyl album of this song. In posting on youtube, I did get all my 'information' from WIKIPEDIA. But I have a confession: I have NEVER heard VERVE song, even though I checked it out from the library... Also, due to legalities, ALLEN KLINE owns the rights to all these Stones songs from the 60's, not sure of the change in the story since...

  • accually it is Allen Klein

  • The Stones are slaves to money and then they will die. Hey, they are going to copy the lyrics of the Verves song. They should pay royalties for that.

  • just for the record:

    "due to copyright restrictions this version is no longer available commercially."

    I found 2 ciopies at the library. One the " Cruel Intentions " sound track and the other the full length album.

  • accually i think the rights for this go to Allen Klein

    he gets the money

  • i love the stones, but mick and keith were real dicks to the verve. i suppose i could understand 50% royalties (MAYBE, and that being ABSOLUTE MOST) but 100%? Thats such bullshit. mick and keith should be extremely embarrassed about themselves for this.

  • which year this album released?

  • sometime during the 60's-thats all I know. I see on youtube it is on CD somewhere. I bought mine, during the 80's, mail order, in junior high, and my copy was an import/reissue.

  • but the camera is really annoying^^ But, thanks for putting this vid online^^

  • had to do it like this I am a long time stones fan, have all these imports, rarities, & bootlegs, a friend of mine loved THE VERVE for the moment, then years later I saw on VH1 about this, so I had to post this on here like this, assuming not many people know about this album...now I see that it is avaliable on CD somewhere...

  • this was one of the most outrageous decisions on authorship. For Jagger and richards to be getting full royalties on the BSS track is clearly wrong. They should be ashamed of themselves but then again that would be asking alot.

  • BS! If Ashcroft was honest in the first place, he would've given rights to the stones in the first place and maybe they would've been nice to the verve or even collaborate in other songs but ashcroft wanted to cash in with another person's song. So, he payed the price he deserved for not being honest. Copyrights is serious stuff!

  • the verve had a prior agreement that allowed them to use a sample for the hook, they were never lying. Aschcroft created new lyrics and added his own rifts, and the main violin sound is his own creation. When the stones saw how well the record was doing they said they wanted 100% instead of 50%.

    The stones shouldn't get any though seeing as their "original song" was partially based on and old gospel song, and the orchestral recording the verve used was done by oldham.

  • BS! Its not his own creation. The violin riff is clearly in this music. I know it was an orchestrated version of the Stones song. But is clear that it is a rip-off and Aschcrof deserved to lose the rights. When they make a song that is as good as this one, i'll be quiet. No, they will forever continue to be a one-song band.

  • Whatev, bittersweet only uses a liscensed sample that layers on itself. It's not the verves fault that "the last time" isn't some masterpeice and just repeats itself. I mean if I sampled hot cross buns, a song with 13 notes, 4 measures, 3 of which are the same, and sample the measure that repeats itself, of course it's going to sound like it. And the stones knew what sample the verve had selected, they knew what it would sound like. the verve should still get a percentage for writing the lyrics

  • You're right there, I think the Verve had a shite solicitor,The last Time wasn't even The Stones own,but it's not them that sued,but these money grabbers at ABKCO.but still,there's something as copyright,and Oldhams version is rather original, The Verve should have paid the going rate for a 15 sec.sample though.

    and not one cent more.Still, they've got nothing to complain ,they rode the wave,on that one sample, had their 15 minutes of fame,and went back into obscurity./

  • yes it is ABKCO, owned by Allen Klein, who , at the end of the 60's, ended up owning the rights to all these rolling stones songs from that period.....but then...I just heard VERVE's song all the way through....it opened my mind and CHANGED MY MIND!!! it is just Allen Klein being a () like he allways was, like with the BEATLES. I could tell the full story, but there is not enough space.

  • i totally agree with you!! Richard Ashcroft made a hit out of this with his style and lyrics and rendition, and keith richards has the nerve to say "they are rippin us off" yeah right keith relax drug addict, you have enuff damn money right now as it is. cant seem to stomach a much younger and more talented person making your old stuff more modern and better huh? The Verve deserve full credit and royalities man!!!!!

  • BULLL SHIT !! This younger generation is fuck, they got nothing. I hate this Puff Daddy ,sampling shit. Fuck the Verve.

  • Yeah!! Richard -p-diddy Asholecroft.

  • Bullshitt!! The youth today , does nothing but steal ,steal, steal , just like hip hop and rap. The youth today sample the hell out of yesterday great music. Stop this p-diddy sample shit, create your own music , the youth today are Lazy minded

  • whatever....beatles and stones and many others stole so much shit it's not even funny....get a clue

  • What did the Beattle's and the Stones steal?? Please enlighten me

  • ok....do the names (jimmi reed, little eva, carl perkins, lots of tamla motown selection) mean anything to you?....well....half of the albums that were written in their earlier careers were covering loads of these artists....do a little research

  • yes true

  • thank you for recognizing....I am not to blame anyone, tha's what happens over time....people take other people's music and recreate it in their own way, because they were attracted to it in the first place....that's called inspiration....it's a natural human behaviour....and then new stuff comes out

  • Newsflash; yes the Stones, Beattles, and numerous others did cover several artists in their early days but the difference is they gave credit where credit was due and obviously had agreements in place to do so. Also, when they did cover a song, they did NOT overstep the agreement they had for using that song like the Verve did. You do a little research!

  • Fair enough.

  • That's not entirely true. There are several cases where the Beatles had made original compositions built upon other artists melodies and not labelled those covers. Or am I wrong on this? I really cant think of a band I have an interest in that hasnt done stuff like this whether knowingly or by accident. Radiohead / Oasis / Blur / Led Zeppelin / etc etc etc

  • do you research the stones sone is a complete rip off of the classic folk song "this may be the last time" youtube the staple singer version.

  • a better question is what didn't they steal

  • Mate you're full of shit. Where is the little vernvys now? CAN'T FIND NO OTHER MUSIC TO SAMPLE AND STEAL.??

  • mate your full of shit also, were are the stones now days i dont see them with any hits on the rado ether? prolly playing bingo at the new home (old folks home) lmfao!! and who gives a shit for hip hop not talent noise anyway, not me. soon as keith the drug addict heard of improvements to this shitty version, he got all bent. yeah fuck nuttts, Richard Ashcroft genius, Cheers to him for making a shitty song one of most anthemic tunes of all tme. he proved himself he doesnt need to go on .

  • one of these days I will put up another video and explaine the other side of the story.....................

  • i have heard the Verve, it was 2 different riffs and that is all....but there is too much more to put here.

  • cool - gotta say it doesn't sound much like "The Last Time" in the first place - maybe "Bittersweet Symphont" should be credited to Andrew Oldham rather than Jagger/Richards :)

  • it berly sounds like the verves version the verves version better

  • OK now I get bittersweet symphony now. The lawsuit trashed the Verve,which is unfortunate.There should have been better co- operation between the two parties.