I wish I had a time machine so I could go back and beg and plead my way into the choir for this performance/recording. It's the benchmark, if for no other reason than the environs.
Actually this matter, as with most issues surrounding the Vespers, is a little more complicated than it looks; on the EMI Classics and Harmonia Mundi recordings it is spelt “vergine” however, the Novello edition spells it Virgini as does Moseler with the addition of an S at the end. A further point for consideration is that the original title page from the 1610 edition also spells it Virgini. Any linguists out there?
I just watched the whole Vespro from the beginning till the very end and I'm going to listen to it again. I cannot put into words how much I liked this performance.
Seeing this live must have been a wonderful experience.
The best version I have ever heard of this work is on the Erato label. I don't know if it's even available anymore, but if you can find it, it is a truly breathtaking recording.
Wonderful videos of this work, which I have sung and love! Amazing they could do it from memory--and no, they do not look "bored". What choir was this and when was this performance?
This was recorded in the middle of the night so that there would be minimal disturbance from traffic, boats on the Grand Canal and pigeons in the square.
i'm learning this work in my choir right now and loving it. why do the singers look totally bored in this video? They look like they're totally uninterested and falling asleep!
Lots of praise on this record throughout all 11 parts on YouTube. Full credit to Gardiner and all the artist, esp. the soloists, they're truly awesome voices. HOWEVER! I question the choice of acoustics. This wonderful piece CANNOT be performed in a church! It must be played in a hall with much less echo! St Mark's Cathedral is beautiful but in this particular case it did more good for TV and commerce than for the music. Duo Seraphim is too slow.
this was a television- or videoproduction, so it's not the exact acoustics of the church, but hello, this is exactly the place, for which these psalms have been written!
What you're saying is, that monteverdi wrote music for a place, that it shouldn't be performed in? do you think he was a moron? i guess, one shouldn't perform bachcantatas in leipzig's thomaskirche too? if the acoustic is too big, it's a problem with the performance and the tempo, not with the location!
Look, I don't want to quarrel here. If I hadn't meant that, I wouldn't have written my comment. I'm not discussing what premises composers composed their compositions for. In that case, e.g. Gesualdo's madrigals would have to be sung only in prison cells.
All I'm asking is, why did a contemporary group of artists record a fairly swift and jolly piece in a slow acoustics. That's all.
As for performance and tempo - you are right. You can adjust performance and tempo to the acoustics, but then you're risking the piece becoming too long and boring. Listen e.g. to Palestrina's Missa Papae Marcelli. Beautiful piece, church acoustics, slow, rather choral performance. It's lovely, but you'll get bored after a while. Or listen to some performances of Mozart's Requiem. You'll fall asleep! Music can't be sterile. But you won't get a spicy music in every acoustics.
El Barroco, música divina, sólo podía tener un inicio tan majestuoso como éste. Monteverdi, padre celestial de esos otros demiurgos llamados Bach, Hendel y Vivaldi.
This is the most dynamic and expressive version I have heard. It as though a mystic wrote it. Monteverdi did become a priest later in life - after raising a few sons. What a meditation this work it!
Esta es una excelente versión de las vísperas, a pesar de la antigüedad de la performance. Creo que don Gabriel Garrido deviera mirar esta presentación del Coro Monteverdi, para corregir su pésima dirección, donde se puede apreciar la maestría de Gardiner.
Yes, I know it, that's why I've been looking for it in this 11 videos but I haven't find it yet, what I whant to know is in which video can I find the Magnificat? because in the number 11 which is the last one, it isn't
Hello, when was it recorded? This is an impressive video, man can see how difficult it is, and they all sing without scores!! Thats for respect! Thank you for posting!
Pardon codonauta.
apostatdurock 2 weeks ago
Merveilleuse version merci caudonoto .
apostatdurock 2 weeks ago
the best thing I like in this performance is that they sing from memory !
waeman 3 weeks ago
E' la bellissima musica per la Santissima Vergine Maria, Madre di Dio!
19Matty36 1 month ago
I love the woman on the left at 0:51. If only we could all take such delight in our professions!
celco77 2 months ago
Which part is Deus in Adjutorium?
Symphorch 2 months ago
I wish I had a time machine so I could go back and beg and plead my way into the choir for this performance/recording. It's the benchmark, if for no other reason than the environs.
whiskeyandfeet 8 months ago
Unus alio beatus non est.
EyeLean5280 8 months ago
The word is VIRGINE not vergine ....
tayrone2001 9 months ago
This has been flagged as spam show
@tayrone2001
no, in 1610 that was vergine htt p://en.wiki pedia.org/wiki/Claudio_Monteverdi
TheJadwilos 9 months ago
@tayrone2001 No. It is Vergine. Take a look around about the name.
codonauta 6 months ago
@codonauta
Actually this matter, as with most issues surrounding the Vespers, is a little more complicated than it looks; on the EMI Classics and Harmonia Mundi recordings it is spelt “vergine” however, the Novello edition spells it Virgini as does Moseler with the addition of an S at the end. A further point for consideration is that the original title page from the 1610 edition also spells it Virgini. Any linguists out there?
freudokimos 4 weeks ago
I just watched the whole Vespro from the beginning till the very end and I'm going to listen to it again. I cannot put into words how much I liked this performance.
Seeing this live must have been a wonderful experience.
Thank you for uploading this piece of beauty.
Marsyke 10 months ago
The best version I have ever heard of this work is on the Erato label. I don't know if it's even available anymore, but if you can find it, it is a truly breathtaking recording.
UncleTito72 10 months ago
No one expects the Spanish Inquisition!
terrapinbear 11 months ago 2
Thank you very much for uploading this!
bentleius 11 months ago
i have the cd of this performance is fantastic !!!!!!
gatoulis25 1 year ago
What amazing, sublime music!
davehshs 1 year ago
Is this man Bryn Terfel? In 3:33...
atistirmafr 1 year ago
While I see the similarities between the two of them I doubt that it’s him since he never was in either of the performing choirs, was he?
MoaiMaea 1 year ago
@atistirmafr It's Bryn Terfel. Another evidence of the fact that even opera stars going through choirs first ;))
quizjazz1 1 year ago
@atistirmafr Yes. There are very talented musicians in this performing, in the beggining of their career.
codonauta 6 months ago
Is there the "Deus in auditorium?!"
skellez83 1 year ago
It's simply perfect... :-)
theshow2k 1 year ago
Oh how I wish I could sing like that.
MoaiMaea 1 year ago
Is it available on DVD or CD? Who are the performers?
patrickesspi 1 year ago 2
@patrickesspi Go to amazon dot co dot uk and search for
Monteverdi: Vespers Of The Blessed Virgin [DVD] [1989]
The Monteverdi Choir (Actor), The English Baroque Soloists (Actor) | Rated: Exempt | Format: DVD
4.0 out of 5 stars See all reviews (5 customer reviews)
codonauta 1 year ago
Do you own said DVD?
MoaiMaea 1 year ago
@MoaiMaea Yes, I do.
codonauta 1 year ago
Would you undertake the bothersome work of uploading it for me and others :o ?
MoaiMaea 1 year ago
@MoaiMaea The Upload is done here in the You Tube. It has 11 parts of the DVD.
codonauta 1 year ago
Oh and I thought you wrote something about letting out certain parts.
MoaiMaea 1 year ago
monteverdi è magico.
vico1600 1 year ago
who are the solo singers? I believe i spotted a very young bryn terfel singing bass behind the Tenor with the curly hair...
EriolAB 1 year ago
The best performance of the dixit dominus I ever heard !
waeman 1 year ago
potenza della musica, io ateo, ascoltando questa musica mi sento vicino a dio .
leonardoaino 1 year ago
I'm going to see Monteverdi's Vespri in San Marco basilica the 27th of may for the 400 years anniversary! :D
callimacos 1 year ago
Though I admit I prefer the Clemencic version, this one is marvellous... Thanks a lot !
KokoroSky2 1 year ago
Wonderful videos of this work, which I have sung and love! Amazing they could do it from memory--and no, they do not look "bored". What choir was this and when was this performance?
JR15491 1 year ago
St Mark's Cathedral in Venice is a beautiful backdrop for a Magnificat piece.
RFPresents 1 year ago
Maravillosa obra de uno de los grandes del primer barroco. La puesta en escena es estremecedora y el sonido increible
anarka4 1 year ago
This was recorded in the middle of the night so that there would be minimal disturbance from traffic, boats on the Grand Canal and pigeons in the square.
metacarple 1 year ago
i'm learning this work in my choir right now and loving it. why do the singers look totally bored in this video? They look like they're totally uninterested and falling asleep!
Clairebo89 1 year ago
Which ones? Does 01:00 look "totally bored"?
MoaiMaea 1 year ago
¡Pero si no empieza aquí! o_0 ¿Dónde está el inicio de la obra?
Buenísima, esta versión de Gardiner. Interesante puesta en escena.
ninarcomics 2 years ago
O início da obra está no DVD, que pode ser comprado.
codonauta 2 years ago
^o^
MoaiMaea 2 years ago
no veo el Deus in adjutorium...
steigleder 2 years ago
Lots of praise on this record throughout all 11 parts on YouTube. Full credit to Gardiner and all the artist, esp. the soloists, they're truly awesome voices. HOWEVER! I question the choice of acoustics. This wonderful piece CANNOT be performed in a church! It must be played in a hall with much less echo! St Mark's Cathedral is beautiful but in this particular case it did more good for TV and commerce than for the music. Duo Seraphim is too slow.
matvit6687 2 years ago
do you really mean that?
this was a television- or videoproduction, so it's not the exact acoustics of the church, but hello, this is exactly the place, for which these psalms have been written!
What you're saying is, that monteverdi wrote music for a place, that it shouldn't be performed in? do you think he was a moron? i guess, one shouldn't perform bachcantatas in leipzig's thomaskirche too? if the acoustic is too big, it's a problem with the performance and the tempo, not with the location!
gesualdolistener 2 years ago 6
Look, I don't want to quarrel here. If I hadn't meant that, I wouldn't have written my comment. I'm not discussing what premises composers composed their compositions for. In that case, e.g. Gesualdo's madrigals would have to be sung only in prison cells.
All I'm asking is, why did a contemporary group of artists record a fairly swift and jolly piece in a slow acoustics. That's all.
matvit6687 2 years ago
As for performance and tempo - you are right. You can adjust performance and tempo to the acoustics, but then you're risking the piece becoming too long and boring. Listen e.g. to Palestrina's Missa Papae Marcelli. Beautiful piece, church acoustics, slow, rather choral performance. It's lovely, but you'll get bored after a while. Or listen to some performances of Mozart's Requiem. You'll fall asleep! Music can't be sterile. But you won't get a spicy music in every acoustics.
matvit6687 2 years ago
you're a bit of a philisitine aren't you ;-/
Shanniquitie 2 years ago
sorry for my english but...I have not found the Versiculus: Deus in adiutorium meum intende ...
vmnet46 2 years ago
El Barroco, música divina, sólo podía tener un inicio tan majestuoso como éste. Monteverdi, padre celestial de esos otros demiurgos llamados Bach, Hendel y Vivaldi.
risterion 2 years ago 10
@risterion
in fatti, si! La musica divina, del cielo!
TheAnneelise 1 year ago
This is the most dynamic and expressive version I have heard. It as though a mystic wrote it. Monteverdi did become a priest later in life - after raising a few sons. What a meditation this work it!
jmdez 3 years ago 2
Esta es una excelente versión de las vísperas, a pesar de la antigüedad de la performance. Creo que don Gabriel Garrido deviera mirar esta presentación del Coro Monteverdi, para corregir su pésima dirección, donde se puede apreciar la maestría de Gardiner.
musicotodopodero 3 years ago
I can't find the magnificat, is it?
141407078989 3 years ago
The Magnificat is in the end of the composition.
codonauta 3 years ago
Yes, I know it, that's why I've been looking for it in this 11 videos but I haven't find it yet, what I whant to know is in which video can I find the Magnificat? because in the number 11 which is the last one, it isn't
141407078989 3 years ago
I didn't do the upload of the entire composition. I cut off some parts, maybe the Magnificat.
codonauta 3 years ago
Surely the Magnificat is no 9?
cheffings 2 years ago
@codonauta, too bad, the Magnificat is gorgeous. Still, this is great! Thanks for sharing.
EyeLean5280 1 year ago
Hello, when was it recorded? This is an impressive video, man can see how difficult it is, and they all sing without scores!! Thats for respect! Thank you for posting!
kubinko444 3 years ago
Recorded in 1989. I put all information of that recording
above, in the information about the video.
codonauta 3 years ago
Thank you, I am sorry, I skipped it unfortunately...(have to take galsses)
kubinko444 3 years ago
Hey! Thats Bryn Terfel there! hehe, looking very young...
Great performance!
SinoSene 3 years ago
A few years ago I listened to parts of a CD by Gardiner, in these Vespers. I didn't like it, I found it more brillant than spiritual.
But after having enjoyed your videos, I changed my mind ; something seems to have really happened on this day :-)
Thank you very much !
AlainNaigeon 3 years ago
This is beautiful - one of my favorite classical pieces!
prolifegal 3 years ago