mi spiace ma è una voce diversa in registrazione...se lo ascoltate dal vivo vi renderete conto che è completamente differente!non si canta cosi!!buuuuuuuuu
mi piace molto perché quando attacca l'acuto finale si sente che lo sta preparando male, ma lui se ne accorge e si corregge subito e lo mette a posto: bravo: dimostra carattere prima ancora che bella voce
Esta aria es muy dificil yo la he cantado, se necesita un gran fiato, un gran control de los graves, medios y agudos perfectos, no tener mas que un solo timbre para los tres registros, yo pase 10 años de estudio para cantar Rossini especialmente esta bella pieza del Stabat debe cantarse perfecto y ademas el re bemol debe salir clarisimo
The comments are so funny! Reading them we realize that there are a lot of tenors (and baritones!) who sing wonderfully and can sing high Ds (natural or flat) perfectly and without effort. Why don't I ever hear them in the theatres, then? There must be some tragic error.
However, yes, this D flat by Mironov is not that perfect. But, in the whole, it's a really beautiful performance. Conductors who place singers behind the orchestra, in concerts, must be shot.
i think i am the only one in this discussion who was on stage with him ...i was participateing at the festival aix en provence in choir of l'italiana in algeri and i must say he did a great job with his 24 years!
he has not such a big voice but thats how rossini should be sung(lightly) and trust me the d flat of him is great..i heard him singing up to the d before each performance in his warm up ;) also take a look on michael spyres(great tenor) he will post his italiana soon
Having sung this aria more times than I care to think about, I am here to say, this fellow's High D-flat was just fine! I heard no crack at all. I think it is unfortunate that the poor guy had to stand behind the orchestra and that the tempi were so erratic and "unusual". But I had no problem hearing every word he sang.
I've never done the Stabat Mater, but I will say that my 15 years of formal vocal study and 20-some years of instrument qualify me to say that he pushed that D-flat right out of places it should NEVER have been pushed from. If you, Sir, cannot hear it in the sound then all you have to do is see it in his body. As I've said before regarding this guy, he should still be at conservatory. Talent is there, but needs further development.
Actually your 15 years of "study" qualify you for nothing. Study with whom as what? Homer Simpson as a baritone? The human voice is a much different instrument than anything you might have mastered as an instrumentalist, so that also "qualifies" you for nothing. What I do glean from your critique is that you base his singing on ONE NOTE. ..which speaks to your total lack of "qualification" of anything vocal.
I was responding to you and YOUR comment regarding his D-flat. Thus, you, Sir, are focused on one note. I say he sounds as if he should still be at conservatory the whole piece. I think... no, I'm sure you're just a vicious, bitter, opera queen who's likely pissed that you actually never had chance to have a career (let alone sang at any opera house). So, now you sit around and lust after strapping young tenors on YouTube. Yeah, you're pathetic.
. ..and I was responding to everyonw else criticizing his wonderful high D-flat. Those who can't. . criticize those who can. It was you who disagreed and went so far as to say "As I've said before regarding this guy, he should still be at conservatory." Who are you? What roles have you sung and where?
You really are quite entertaining. ..and quite insecure. Obviously you "want" to be taken seriously in a vocal situation, but it never happened for you. I would think after 15 years of study, you should be able to have had a career as a singer had you had even the smallest amount of talent. I was singing at the Met at your age. PS. I still sing. NO ONE but you assumed I was in retirement listening to records! But I will let you think whatever you wish. . . LOLOLOL
My dear, I've never been insecure a day in my young life. Further, if you've spent so much time at the Met, let it be known who you are... that's if you weren't spending that time as a member of the chorus. I can condescend with the very <i>best</i> of them, so we can just keep right on being snotty to each other or you can put up and shut up. Where's your video?
I repeat "But I will let you think whatever you wish. . . LOLOLOL" and you get the prize. . .CONDESCEND to your hearts content. . .I have too much singing to do to be bothered with you and so does Mironov. It remains for you to sit back and be a YouTube critique. My best to you in your career.
PS. My Qulaifications? Unlike your's, I have sung at every major opera house in the world under the world's most famous conductors and with the greatest voices in the world.
To dichotomize instrumentalist and vocalist shows <i>your</i> ignorance. My years of study, you're questioning... I'm only 29, Methuselah. You're so completely full of yourself that there's hardly room for all the bullshit that's stuffed in there as well. Now crawl your dusty old, saggy ass back to your comfy old chair, pop on your favorite old LP, and lip-sync to some old soprano you no doubt wish you were born as.
Haaaa... every now and then I pull out a little witty repartee. Thanks for noticing and keep up the good work with your musical studies (what a lovely, natural tone and timbre you have).
And, finally, where are your videos? If you've sung this more times than you "care to think about", then where's the proof? Put them up and let us dig in(thoughts of Florence Foster Jenkins come to mind).
Yes, I forgot this piece was in a flatted key. I have relative pitch, not exact pitch. And no, that was not a good D-flat. This poor little tenor is totally drowned out by the orchestra too throughout the majority of the piece. Sad.
Yes I did listen to it. It's bad, forced, and he almost cracked. This guy's career has barely started, and it's obvious he's not going to be around for more than a few years. And yes, I've done up to a D-natural before, and I'm a lyric baritone.
mi spiace ma è una voce diversa in registrazione...se lo ascoltate dal vivo vi renderete conto che è completamente differente!non si canta cosi!!buuuuuuuuu
giuma333 1 year ago
mi piace molto perché quando attacca l'acuto finale si sente che lo sta preparando male, ma lui se ne accorge e si corregge subito e lo mette a posto: bravo: dimostra carattere prima ancora che bella voce
fabiocasadeiturroni 2 years ago
Esta aria es muy dificil yo la he cantado, se necesita un gran fiato, un gran control de los graves, medios y agudos perfectos, no tener mas que un solo timbre para los tres registros, yo pase 10 años de estudio para cantar Rossini especialmente esta bella pieza del Stabat debe cantarse perfecto y ademas el re bemol debe salir clarisimo
acitipo 2 years ago
The comments are so funny! Reading them we realize that there are a lot of tenors (and baritones!) who sing wonderfully and can sing high Ds (natural or flat) perfectly and without effort. Why don't I ever hear them in the theatres, then? There must be some tragic error.
However, yes, this D flat by Mironov is not that perfect. But, in the whole, it's a really beautiful performance. Conductors who place singers behind the orchestra, in concerts, must be shot.
NedRorem 3 years ago 5
Incredible voice! Thank you for adding so much beauty to the world!
ashmonkey71 4 years ago 3
i think i am the only one in this discussion who was on stage with him ...i was participateing at the festival aix en provence in choir of l'italiana in algeri and i must say he did a great job with his 24 years!
he has not such a big voice but thats how rossini should be sung(lightly) and trust me the d flat of him is great..i heard him singing up to the d before each performance in his warm up ;) also take a look on michael spyres(great tenor) he will post his italiana soon
ilkertenor 4 years ago
isguzar sen misin ?
ilkegin 4 years ago
Ok kids.... stop fighting now! It's a very fine performance!! Very nice voice!
Stax321 4 years ago
Right 2Many! I think the same. the recording is not really good, the tempo to slow.
markintos 4 years ago
Having sung this aria more times than I care to think about, I am here to say, this fellow's High D-flat was just fine! I heard no crack at all. I think it is unfortunate that the poor guy had to stand behind the orchestra and that the tempi were so erratic and "unusual". But I had no problem hearing every word he sang.
2ManyHighCs 4 years ago
I've never done the Stabat Mater, but I will say that my 15 years of formal vocal study and 20-some years of instrument qualify me to say that he pushed that D-flat right out of places it should NEVER have been pushed from. If you, Sir, cannot hear it in the sound then all you have to do is see it in his body. As I've said before regarding this guy, he should still be at conservatory. Talent is there, but needs further development.
urgrad03 4 years ago
Actually your 15 years of "study" qualify you for nothing. Study with whom as what? Homer Simpson as a baritone? The human voice is a much different instrument than anything you might have mastered as an instrumentalist, so that also "qualifies" you for nothing. What I do glean from your critique is that you base his singing on ONE NOTE. ..which speaks to your total lack of "qualification" of anything vocal.
2ManyHighCs 4 years ago
I was responding to you and YOUR comment regarding his D-flat. Thus, you, Sir, are focused on one note. I say he sounds as if he should still be at conservatory the whole piece. I think... no, I'm sure you're just a vicious, bitter, opera queen who's likely pissed that you actually never had chance to have a career (let alone sang at any opera house). So, now you sit around and lust after strapping young tenors on YouTube. Yeah, you're pathetic.
urgrad03 4 years ago
. ..and I was responding to everyonw else criticizing his wonderful high D-flat. Those who can't. . criticize those who can. It was you who disagreed and went so far as to say "As I've said before regarding this guy, he should still be at conservatory." Who are you? What roles have you sung and where?
2ManyHighCs 4 years ago
You really are quite entertaining. ..and quite insecure. Obviously you "want" to be taken seriously in a vocal situation, but it never happened for you. I would think after 15 years of study, you should be able to have had a career as a singer had you had even the smallest amount of talent. I was singing at the Met at your age. PS. I still sing. NO ONE but you assumed I was in retirement listening to records! But I will let you think whatever you wish. . . LOLOLOL
2ManyHighCs 4 years ago
My dear, I've never been insecure a day in my young life. Further, if you've spent so much time at the Met, let it be known who you are... that's if you weren't spending that time as a member of the chorus. I can condescend with the very <i>best</i> of them, so we can just keep right on being snotty to each other or you can put up and shut up. Where's your video?
urgrad03 4 years ago
I repeat "But I will let you think whatever you wish. . . LOLOLOL" and you get the prize. . .CONDESCEND to your hearts content. . .I have too much singing to do to be bothered with you and so does Mironov. It remains for you to sit back and be a YouTube critique. My best to you in your career.
2ManyHighCs 4 years ago
Sure you've got singing to do... ;o).
urgrad03 4 years ago
PS. My Qulaifications? Unlike your's, I have sung at every major opera house in the world under the world's most famous conductors and with the greatest voices in the world.
2ManyHighCs 4 years ago
To dichotomize instrumentalist and vocalist shows <i>your</i> ignorance. My years of study, you're questioning... I'm only 29, Methuselah. You're so completely full of yourself that there's hardly room for all the bullshit that's stuffed in there as well. Now crawl your dusty old, saggy ass back to your comfy old chair, pop on your favorite old LP, and lip-sync to some old soprano you no doubt wish you were born as.
urgrad03 4 years ago
LOL nice one
drewski67 4 years ago
Haaaa... every now and then I pull out a little witty repartee. Thanks for noticing and keep up the good work with your musical studies (what a lovely, natural tone and timbre you have).
urgrad03 4 years ago
thank you very much for the compliments!! I still have a ways to go, but I'm young yet!
drewski67 4 years ago
And, finally, where are your videos? If you've sung this more times than you "care to think about", then where's the proof? Put them up and let us dig in(thoughts of Florence Foster Jenkins come to mind).
urgrad03 4 years ago
bell'invidia...
fabiocasadeiturroni 4 years ago
Yes, I forgot this piece was in a flatted key. I have relative pitch, not exact pitch. And no, that was not a good D-flat. This poor little tenor is totally drowned out by the orchestra too throughout the majority of the piece. Sad.
drdre333 5 years ago
that was a good haigh d . why don´t you listen before you speack. have you ever done a haigh d? (it´'s d flat by the way)
enricodicapri 5 years ago
Yes I did listen to it. It's bad, forced, and he almost cracked. This guy's career has barely started, and it's obvious he's not going to be around for more than a few years. And yes, I've done up to a D-natural before, and I'm a lyric baritone.
drdre333 5 years ago
nice try on the high D - no cigar from me...
drdre333 5 years ago