Added: 4 years ago
From: 4444matthew4444
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  • sound like crap

  • Well-done, but not representing post-modernism in ANY way. Sounds like Kirchner or any academic composer....not that that's bad, but hardly inspiring.

  • this is idiotic 'music'.

  • Excellent performance of excellent music!

  • Really exciting music!

  • it sounded nice, either my tastes have changed beyond my understanding or my liking to Chopin's work has led me into a liking of many more piano played songs.

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  • I dont tink so. Why cant you just enjoy it for listening to? why does it have to have 'meaning'? Why do you have to understand, just enjoy.

  • I feel that would help appreciate the music more but if you could help me out here: is there some place I could go to get the artist's meaning of the piece or will it have to be wading through people's interpretations? I will love you forever if you can help me out here.

  • @clearsunnysky do mozart sonatas have such "meaning" that you're demanding from this piece? i don't think anyone needs help liking or disliking this particular piece

  • i wonder how many of you went to wikipedia for 'your thoughts' on atonal.

  • Does it really help to dissect and pigeon hole music as one thing or another? It is just art....listen to it!

  • It is very good.

  • nice.

  • Well, he wrote this when he was 15, so you can't expect it to be his magnum opus.

  • Lowell Libermann is one of my favourite contemporary composers. His writings for orchestra and the flute are AMAZING...

    Not all his compositions are this bizarre...

    Still interesting...

  • I like the piece. A contempory composer who still writes music. Another one is Robert Cummings. The video of his Lacrymosa is moving. I`m sorry the quality is not better.

  • He sounds like an easier version of Prokoviev. I wouldn't necessarily call this atonal, but it is bizarre by romantic standards. The performer still makes it sound good.

  • oh it is atonal. Lovely though isn't it.

  • Atonality is not just a way to describe a piece of music. There is a strict method one must used to produce something atonal called dodecaphony. This is great music, but it is not dodecaphonic.

  • No, this is NOT twelve-tone music. I agree with you there; however, only the narrowest definition of "atonal" refers exclusively to twelve-tone music. In a more general sense, atonal music is music that lacks a distinct tonal center. Going by that definition, you could certainly classify this piece as atonal. You could even make the argument that some of Liszt's later works are atonal.

  • Yes, you are right...atonality has recently been used to describe more than dodecaphonic music and we are splitting hairs to argue the point any further, but for music like this I prefer the term "free tonal" it accurately describes the harmony and isn't so "loaded"

  • "atonal" literally means "not tonal". not all of even schoenberg's, webern's, or berg's atonal works were twelve tone. "atonal" doesn't really describe a style in a very concise or meaningful manner from a theoretical perspective, except for the fact that tonal music is much more pervasive in general. at any rate it doesn't say what the music is, just what it's not: tonal. then again, it also depends on how you define tonality, which is a different matter altogether.

  • It's not atonal

  • nice. but do you know why contemporary composers wrote so atonal? you realy must be skilled to write something like that and still make it sound nice.

  • well I didn't write this Lowell Liebermann Did and yes he is an amazing composer!

  • so does your mother :D

  • true....

  • @xiphoid13 one of the main purposes of contemporary classical music is to break the old habits; such us tonality, obvious and singable melodies, symmetric forms...

    and you know, for me, since there's a really really big technological difference between now and a hundred years ago -even ten can be mentioned-, these attitudes which forms the contemporary music, are inevitable, yet even not enough =)

    best regards dear brother.

  • beautiful piece, very interesting. we need more contemporary composers who can write originally without it sounding like a random collage of notes

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