This is THE Sonata depicting the appression/struggles of Beethoven the man - of course it needs extra tempo with accent: This performance is probably the greatest of the greats..
when I am listening this version of apassionata Ithink to myself it's too fast, but then, if I try to imagine beethoven and his temper, I am certain there would be no too fast tempo or too loud dynamic, 'cause that's beethoven in apassionata, pure energy and passion
There ARE no rules or tempos in this movement that are right ore wrong the intensity,strenght, power, you have to give EVERYTHING here, this is APPASSIONATA.
I knew a lady who grew up next to Sviaty Richter in Odessa. Like him, she was German; and like his relatives, she retreated with the Wehrmacht in 1943. Sviaty, she said, was never allowed to play with the other children. All he did was practice. Of course when the war started, he was taken to Moscow to join all the other cacooned geniuses of Stalin's glorious worker's state. Unlike his family, Sviaty didn't join the German retreat.Story 2: Sviaty played during the walkby at Stalin's funeral.
@mc0558 Try Gilels: his articulation and his sound (as well as speed, accuracy, excitement) are unmatched still to this day—both the live from the '50's in Florence and the magisterial studio recording from the 1970's. Richter is too neurotic and his tempo fluctuations, annoying.
Why so damned fast??! It sounds like a sped up record. And considering the tempo is marked "Allegro ma non troppo" by Beethoven, I cannot see how that is appropriate.
@thisismeplusyou That kind of confused me, too. I have the Artur Schnabel edition and the metronome marking says Allegro ma non troppo" with *quarter note* = 152. The ending, of course, is fast because it's clearly marked "Presto", so it makes sense to play that part fast.
Magnificent.
IAmTheHound 4 weeks ago
Dopo che hai sentito lui in questa sonata è difficile sentire altro.
sidelis 2 months ago
i would like to see a metal version of this
Cathexis256 3 months ago in playlist Liked videos
Divino!!!
lirica2011 3 months ago in playlist Pianoforte
Magnifico !
bodiloto 3 months ago
This is evidence of what a good interpretation should be like to hail the composers glory...
I am a metal lover, this only makes me want classical music more, he bridges passion,insanity and anger into one piece of mastery, timeless !
celpabedn 3 months ago
At least one minute less than most other pianists in this movement, Richter achieves a more menacing incisiveness than anyone else.
zamyrabyrd 3 months ago
like a breath...
gouldpazzo 3 months ago
Holy shit... holy isn't a vain word...
khaosande 4 months ago
This is THE Sonata depicting the appression/struggles of Beethoven the man - of course it needs extra tempo with accent: This performance is probably the greatest of the greats..
s1earle 4 months ago
Great Richter!
Thanks a lot
123must 6 months ago
when I am listening this version of apassionata Ithink to myself it's too fast, but then, if I try to imagine beethoven and his temper, I am certain there would be no too fast tempo or too loud dynamic, 'cause that's beethoven in apassionata, pure energy and passion
MBclms 6 months ago 2
There ARE no rules or tempos in this movement that are right ore wrong the intensity,strenght, power, you have to give EVERYTHING here, this is APPASSIONATA.
MrStefdj 6 months ago
This comment has received too many negative votes show
too fast.... this is not good interpretation
prsguitar22 6 months ago
ריכטר אומן ברמה שהעולם עוד לא ידע ואני אוהב רוחו והווית הביצוע הלכה למעשה
guynils 11 months ago
נגן הפסנתר הגדול העולם ראה
guynils 11 months ago
I knew a lady who grew up next to Sviaty Richter in Odessa. Like him, she was German; and like his relatives, she retreated with the Wehrmacht in 1943. Sviaty, she said, was never allowed to play with the other children. All he did was practice. Of course when the war started, he was taken to Moscow to join all the other cacooned geniuses of Stalin's glorious worker's state. Unlike his family, Sviaty didn't join the German retreat.Story 2: Sviaty played during the walkby at Stalin's funeral.
mc0558 1 year ago
Nobody can play the coda with the speed, accuracy and excitement of Richter.
mc0558 1 year ago 7
@mc0558 Try Gilels: his articulation and his sound (as well as speed, accuracy, excitement) are unmatched still to this day—both the live from the '50's in Florence and the magisterial studio recording from the 1970's. Richter is too neurotic and his tempo fluctuations, annoying.
joedevenroe 3 months ago
The best.
sabbori 1 year ago
Richter's playing is so intense and deep that I am positively frightened and yet I cannot stop listening.
fbager 1 year ago
Does anybody has the linck this recording,I cannot get it in I tune and I bought an other one who Richter is much older and I was a bit dispointed .
loboris1995 1 year ago
Stop saying it isn't the right speed... It is in this particular performance.
Glenn Gould never plays Beethoven on the right speed either. Should we stop listening to his records? Of course not...
khaosande 1 year ago
i really like this speed even though it's fast he plays it extremly well
paultrag 1 year ago
Why so damned fast??! It sounds like a sped up record. And considering the tempo is marked "Allegro ma non troppo" by Beethoven, I cannot see how that is appropriate.
thisismeplusyou 1 year ago
@thisismeplusyou That kind of confused me, too. I have the Artur Schnabel edition and the metronome marking says Allegro ma non troppo" with *quarter note* = 152. The ending, of course, is fast because it's clearly marked "Presto", so it makes sense to play that part fast.
mario54671 1 year ago
@thisismeplusyou I have quite the same opinion. but it's fantastic anyway
imagemtua 1 year ago
Fantastic performance.
bunchyburpy 1 year ago
It's perfect!!!
loboris1995 1 year ago