Not to sounds like a nitpicker or burst tfcrew's bubble or anything but Jim Morrison was a film student at UCLA and it wasn't Jim who suggested doing a cover of this for The Doors' debut album it was Ray Manzarek; the Piano/Organ/Bass player for The Doors. And on a personal note; I think The Doors did a damn good job converting this into a rock n' roll song. If any other artist at that time tried it would've just fallen flat imo
The "Alabama Song" (also known as "Whisky Bar" or "Moon over Alabama" was originally published in Bertolt Brecht's Hauspostille (1927). It was set to music by Kurt Weill for the 1927 "Songspiel" Mahagonny and used again in Weill's and Brecht's 1930 opera Rise and Fall of the City of Mahagonny.
Jim Morrison [UCLA art student] picked it up and recorded a splinded Doors cover...................
bevor DU hier so einen trotteligen Kommentar reinschreibst, solltest du dich erstmal richtig informieren! Dein hier niedergeschriebener verbaler Dünnschiss ist eine Frechheit auf ganzer Linie dem großartigen Komponisten Kurt Weil gegenüber, der dieses Gedicht von Bertold Brecht 1927, fast vier Jahrzehnte vor den "Doors" (wenn du die meinst), vertonte! Überleg dir das nächste Mal gefälligst, was du hier reinschreibst!
was ist denn das für ein scheiß? lernt singen leute schade um das schöne lied ach fickt euch doch mit eurem scheiß teater schreibt eure eigenen lieder und klaut nich die von anderen!!
bevor DU hier so einen trotteligen Kommentar reinschreibst, solltest du dich erstmal richtig informieren! Dein hier niedergeschriebener verbaler Dünnschiss ist eine Frechheit auf ganzer Linie dem großartigen Komponisten Kurt Weil gegenüber, der dieses Gedicht von Bertold Brecht 1927, fast vier Jahrzehnte vor den "Doors" (wenn du die meinst), vertonte! Überleg dir das nächste Mal gefälligst, was du hier reinschreibst!
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damn they cant sing! the lead singer makes my ears bleed god i cant stand opera.the doors did not write it so there it's solved and i cleared everything out of me.
This is not a Doors original. WHile they brought it home, it was originally compsed by Kurt Weill and Bertolt Brecht in 1929. It was used in a controversial 1930 German operetta called The Rise And Fall Of The City Of Mahogany.
Ok, this may soung ignorant to her fans but I will never understand why C. Malfitano got famous in the first place. Her acting is ok and her dark features contribute to her dramatic flair BUT her singing is kinda awful and her voice sounds like crap.
it was once a fabulous instrument, blown out by heavy use. This is an off night. Also the wrong role. Her Tosca from 98 in Amsterdam is rather well sung.
Her voice is way to heavy for this. And did you notice she flubbed a line in the third verse (which isn't in the opera anyway)? "And must have... boy... oh you know why?"
I remember singing this in the streets of Edinburgh with 2 drunken friends as we staggered between Whisky Bars! Somehow we made it home...with no alienation effects!
Not to sounds like a nitpicker or burst tfcrew's bubble or anything but Jim Morrison was a film student at UCLA and it wasn't Jim who suggested doing a cover of this for The Doors' debut album it was Ray Manzarek; the Piano/Organ/Bass player for The Doors. And on a personal note; I think The Doors did a damn good job converting this into a rock n' roll song. If any other artist at that time tried it would've just fallen flat imo
Cyberpit2000 7 months ago
Sehr gute; but I still expect Jim Morrison to come clamoring across the stage.
frankez1975 2 years ago
this version from Peter Zadek as director is amazing.
markorop 2 years ago
The "Alabama Song" (also known as "Whisky Bar" or "Moon over Alabama" was originally published in Bertolt Brecht's Hauspostille (1927). It was set to music by Kurt Weill for the 1927 "Songspiel" Mahagonny and used again in Weill's and Brecht's 1930 opera Rise and Fall of the City of Mahagonny.
Jim Morrison [UCLA art student] picked it up and recorded a splinded Doors cover...................
tfcrew 2 years ago
oraleeeeeeeeeeeee, brave
cantanteporsiempre 2 years ago
klassy frauen >)
love this performance!
freeerteee 2 years ago
the doors all the way
chunkyluva224 2 years ago
Oh my god!!! This is so incredible!!!!
DarkanaSkellington 2 years ago
Hey willibalddudrecksau,
bevor DU hier so einen trotteligen Kommentar reinschreibst, solltest du dich erstmal richtig informieren! Dein hier niedergeschriebener verbaler Dünnschiss ist eine Frechheit auf ganzer Linie dem großartigen Komponisten Kurt Weil gegenüber, der dieses Gedicht von Bertold Brecht 1927, fast vier Jahrzehnte vor den "Doors" (wenn du die meinst), vertonte! Überleg dir das nächste Mal gefälligst, was du hier reinschreibst!
89Funkychicken 3 years ago
was ist denn das für ein scheiß? lernt singen leute schade um das schöne lied ach fickt euch doch mit eurem scheiß teater schreibt eure eigenen lieder und klaut nich die von anderen!!
wixxa
willibalddudrecksau 3 years ago
This has been flagged as spam show
Hey willibalddudrecksau,
bevor DU hier so einen trotteligen Kommentar reinschreibst, solltest du dich erstmal richtig informieren! Dein hier niedergeschriebener verbaler Dünnschiss ist eine Frechheit auf ganzer Linie dem großartigen Komponisten Kurt Weil gegenüber, der dieses Gedicht von Bertold Brecht 1927, fast vier Jahrzehnte vor den "Doors" (wenn du die meinst), vertonte! Überleg dir das nächste Mal gefälligst, was du hier reinschreibst!
89Funkychicken 3 years ago
@willibalddudrecksau dum, dummer,allerdumst und......hors categorie.
pijnscheut 1 year ago
this is really good... like a nice jab in the eye with an ice pick.
Ironchefpizza 3 years ago
your comment, hilarious!!!
Orfeo68 2 years ago
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fuck this sucks
Benjamin4295 3 years ago
Audra McDonald and Teresa Stratas versions > This version.
CellophaneAndrogyne 3 years ago
Haha This was pretty fukn cool!!! Very interesting...Im a hardcore Doors fan so this rumors me!!
ThaLizardQueen 3 years ago
The original title is
Aufstieg und Fall der Stadt Mahagonny
jhv48 3 years ago
what the f*** is this shit
ilovecherylpepsiiril 3 years ago
really...
RVP57 3 years ago
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damn they cant sing! the lead singer makes my ears bleed god i cant stand opera.the doors did not write it so there it's solved and i cleared everything out of me.
ilovecherylpepsiiril 3 years ago
haha did you say the doors??? this was a german opera written in the '30s long before the doors covered it
sivadnadia 3 years ago 3
what the hell.
SwirlSwirl123 3 years ago
top stuff a=++++++++++++++++++++++++
stevothecarpetfitter 3 years ago
This has been flagged as spam show
you like it
ilovecherylpepsiiril 3 years ago
This has been flagged as spam show
you dont have taste
ilovecherylpepsiiril 3 years ago
WTF
DeepUnreal 3 years ago
nul!!!!!!!!!!
patcauch 3 years ago
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sucks dont mess with doors
Benjamin4295 3 years ago
the doors didn't write it...
ManfredDeJesus 3 years ago 7
Hey.
This is not a Doors original. WHile they brought it home, it was originally compsed by Kurt Weill and Bertolt Brecht in 1929. It was used in a controversial 1930 German operetta called The Rise And Fall Of The City Of Mahogany.
Get your facts straight Benjamin...
ManYouLoveToHate 3 years ago 11
it was introduced to the band by Ray's girlfriend Dorothy who had the record
korky94 3 years ago
Very Well Done
MrSinSation 4 years ago
bad
ilovecherylpepsiiril 3 years ago
Kurt Weil/Bertold Brecht, 1930!!!!
Youkali67 4 years ago
I love Weill's Street Scene...and yeah...this is quite a bizarre opera :-)
Allacra 4 years ago
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Two words: Jim Morrison
LisaCavallaro 4 years ago
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Kurt Weil/Bertold Brecht, 1904!
YOU FAIL, Morrison-fag!
ishtar1917 4 years ago
And you fail. Because this song was made in 1930 and not in 1904.
fezkraut 4 years ago 3
You fail: it is BertolT, not BertolD!
Roe27Ger 4 years ago
Audra McDonald & Teresa Stratas's interpretations of the Alabama song are better.
sirmercutio99 4 years ago 4
I agree gransasso! She's a good actress but that voice is usually a disaster.
uniqueattack 4 years ago
Ok, this may soung ignorant to her fans but I will never understand why C. Malfitano got famous in the first place. Her acting is ok and her dark features contribute to her dramatic flair BUT her singing is kinda awful and her voice sounds like crap.
gransasso101 4 years ago
it was once a fabulous instrument, blown out by heavy use. This is an off night. Also the wrong role. Her Tosca from 98 in Amsterdam is rather well sung.
altodivo 4 years ago
Damn, the woman takes forever to get to the actual pitch after she has started the note!
Lindow 4 years ago
Was ist das??Ich spreche kein deutsc..aber this is kind of scary..I'm sorry..
CalifornieCatharine 4 years ago
I assure you, this is NOT what Weil and Brecht intended. The voices are okay, but the directing is lacking...
oscarfuentes75 5 years ago
Her voice is way to heavy for this. And did you notice she flubbed a line in the third verse (which isn't in the opera anyway)? "And must have... boy... oh you know why?"
BlueCougar 4 years ago
Finalmente Alabama Song eseguita come dio comanda!
Grazie per il video
jhv48 5 years ago
Wonderful!
I remember singing this in the streets of Edinburgh with 2 drunken friends as we staggered between Whisky Bars! Somehow we made it home...with no alienation effects!
Thank you
tarmagan 5 years ago
The author behind this definitely knows where the whiskey bar is
OktoberStorm 5 years ago
Actually, it's a German opera from the 1930s. German jazz at the time was very atonal. Weill is one of the most respected 20th century composers.
rockmedrzaius 5 years ago
you have to be joking!
andtheniwas 5 years ago
yeah doors
jsib 5 years ago