Absoluter Wahnsinn! Ich habe die beiden 1973 im Govent Garden in London Tanzen gesehen-auch in Schwanensee.Ein Höhepunkt in meinen Leben. Bravo Bravissimo.
Fonteyn and Nureyev...names known everywhere. and whats your name? who are you to critique legends? stop trying to flaunt your 'knowledge' of technique.
in a thousand years, people will still be saying that Nureyev and Fonteyn set the gold standard for ballet - because they did. They were incredible dancers in their own right, and a fabulous pairing onstage. Pavlova didn't have the technique that they had, but she is still talked about because of what she brought to the dance - not merely technique or precision, but presence, heart and soul. Ditto Nijinsky. And the same goes for Nureyev and Fonteyn.
Dang it, a lot of their magic just loses itself onscreen. It's like the camera just filters them out, leaving only the technical aspects intact. Barely. I've never seen Fonteyn or Nureyev perform live, I just see videos, so I just hear people talking about how great they were and never really get it. I've yet to be impressed by Fonteyn's performances because my only exposure is their movies and I just can't see much from those :( Oh well. I guess it's good enough that we even have vids of them.
It never ceases to amaze me how people get on YouTube and pick apart the technical aspects of dancers who were legends. Believe it or not, there's a lot more to dance than how high someone's arabesque was or how big a jump they had. They had magic, and without that magic and excitement, musicality and expression, technical perfection is boring and dead. But until you experience that magic first hand, you'll never believe it. :-(
@kabardinka1: Thank you! And: yes! I couldn't agree more. I am also always amazed at those who constantly compare ballet legends as if they were gymnasts ("Baryshnikov was better than Nureyev", or vice versa). This is art. It's not about one goal of perfection that one meets better than another; they just have different takes on it. Why not simply enjoy these takes? Like you said, it's not about the height of jumps or about how many centimetres an extension is, it's about making the piece sing.
The thing is, elisaballerina456, it's Margot Fonteyn. It doesn't matter how technically perfect she was. You can't take her eyes off her. Yes, her fouettes weren't fantastically gorgeous, but she has such great stage presence that no one notices.
Beyond any technique... they just brought so much electricity and sexiness to their dancing. That's something that all the technique in the world can't do. I'd rather watch one minute of this than entire boring Swan Lakes from many contemporary dancers.
This is the original music Tchaikovsky wrote for it. A lot of the music from the original Moscow production was lost when it was sent to St. Petersburg 14 years later and Ivanov/Petipa pieced together their own version using some filler music. Bourmeister used the score with all its original pieces in the original sequence for his production and that's the one they're using here. i also like it a lot better than the music usually used for the 32 fouettes.
@georgeou IN THAT PERIOD WAS STILL VERY GOOD.BUT ALREADY AROUND 1978 /80 STARTED GOING DOWN ,SAW MANY EMBARASSING PERFORMANCES,BUT WAS RUDY AND PEOPLE ANYWAY LOVED HIM AND WERE CLAPPING.
Youmight try to remember that she was over 40 when she began dancing with Nureyev. This video is from 1966 - she was 47 years old. Why don`t you try it at that age!
I wonder what she was feeling that night because there's got to be a reason why she did that. 20 fouettes instead of 32 kinda strange even if she's old.
@elisaballerina456 That's the beauty of Margot Fonteyn, though - you don't care about her leg or anything else, because she's Margot Fonteyn. She IS dance.
And Fonteyn and Nureyev together - well, that's magic.
@elisaballerina456 shut up!!! i know what you really feel whenyou see this joy of living!!your face turns to green and spite venom!!,you 'd like to be in rudi's arms!!
She became a prima ballerina assoluta along with Alicia Alonso, Alexandra Danilova, Yvette Chauvire, Mathilde Kschessinska, Phillia Spira, Galina Ulanova, Maya Plisetskaya, Alicia Markova, and Pierina Legnani.
Absoluter Wahnsinn! Ich habe die beiden 1973 im Govent Garden in London Tanzen gesehen-auch in Schwanensee.Ein Höhepunkt in meinen Leben. Bravo Bravissimo.
MrMusikkenner 3 weeks ago
Omg I have danced a great deal in my lifetime, but if I could be as beautiful in my movement as any of the dancers posted I would be so grateful.
alexandra1234584 2 months ago
Bravoooooooooooooooo!!!!!!!!!!
teenovels 2 months ago
Fonteyn and Nureyev...names known everywhere. and whats your name? who are you to critique legends? stop trying to flaunt your 'knowledge' of technique.
haleysos2010 3 months ago
beautiful
riaroodborst100 3 months ago
I love watching humans spin around.. and around ... and around...
createallow3126 4 months ago
Они прекрасны...И Нуриев и Фонтейн!!!!!!!!!!!!!!!!!!В Нуриева я влюблена БЕЗУМНО........................
lena3570 5 months ago
C'EST BEAU!! c'Est tellement incroyable de voir ce que ces danseurs peuvent faire! j'adore Fonteyn et Nureyev
LysBlanco 7 months ago 4
This has been flagged as spam show
that is total perfection beyond human expression
relatedpeople.blogspot.com
lizrossman1 7 months ago
Ah! Fonteyn's awful edited (!!!) fouettee...lol
jgh37 10 months ago
UAU...:0
liliTchaikovsky 11 months ago
in a thousand years, people will still be saying that Nureyev and Fonteyn set the gold standard for ballet - because they did. They were incredible dancers in their own right, and a fabulous pairing onstage. Pavlova didn't have the technique that they had, but she is still talked about because of what she brought to the dance - not merely technique or precision, but presence, heart and soul. Ditto Nijinsky. And the same goes for Nureyev and Fonteyn.
coraclewoman
coracleman 11 months ago 3
I love Fonteyn and nureyev!
Fuzooky 1 year ago
he makes it look so easy...
crazy01girl 1 year ago
Dang it, a lot of their magic just loses itself onscreen. It's like the camera just filters them out, leaving only the technical aspects intact. Barely. I've never seen Fonteyn or Nureyev perform live, I just see videos, so I just hear people talking about how great they were and never really get it. I've yet to be impressed by Fonteyn's performances because my only exposure is their movies and I just can't see much from those :( Oh well. I guess it's good enough that we even have vids of them.
Yidenia 1 year ago
It never ceases to amaze me how people get on YouTube and pick apart the technical aspects of dancers who were legends. Believe it or not, there's a lot more to dance than how high someone's arabesque was or how big a jump they had. They had magic, and without that magic and excitement, musicality and expression, technical perfection is boring and dead. But until you experience that magic first hand, you'll never believe it. :-(
kabardinka1 1 year ago 36
@kabardinka1: Thank you! And: yes! I couldn't agree more. I am also always amazed at those who constantly compare ballet legends as if they were gymnasts ("Baryshnikov was better than Nureyev", or vice versa). This is art. It's not about one goal of perfection that one meets better than another; they just have different takes on it. Why not simply enjoy these takes? Like you said, it's not about the height of jumps or about how many centimetres an extension is, it's about making the piece sing.
uclmu2008 2 months ago
The thing is, elisaballerina456, it's Margot Fonteyn. It doesn't matter how technically perfect she was. You can't take her eyes off her. Yes, her fouettes weren't fantastically gorgeous, but she has such great stage presence that no one notices.
geekchic012 1 year ago 4
these guys are just too awesome for words!!!
phantomphan28 1 year ago
She was always one of my beloved Idols (*:*)
Awsome performance and I love him as well!
*bow*
angela
tayounorise 1 year ago 2
I met her at Dallas Ballet when I was a child. She used to visit the ballet often.
guitar4art 1 year ago
she danced until she was 70
ckhafagiuk 1 year ago
@ckhafagiuk was she still a ballerina
Ballerina2010dk 1 year ago
Beyond any technique... they just brought so much electricity and sexiness to their dancing. That's something that all the technique in the world can't do. I'd rather watch one minute of this than entire boring Swan Lakes from many contemporary dancers.
kabardinka1 2 years ago
She's so delicate in her moves. I like it.
Thenrah 2 years ago
i always wonder how they dont get dizzy? lol.
Rico8458 2 years ago
@Rico8458 the wonderful trick of spotting (; hahaah.
carlyheartsdance 1 year ago
Her leg is way too low in her fouettes.
But at her age, doing fouettes en pointe is amazing.
He's perfect.
alexxx566 2 years ago
i agree. her knee moves down when she extends her leg. but it is still very very impressive at her age.
elie3689 2 years ago 2
i love this music
roosaaremartin717 2 years ago
This is the original music Tchaikovsky wrote for it. A lot of the music from the original Moscow production was lost when it was sent to St. Petersburg 14 years later and Ivanov/Petipa pieced together their own version using some filler music. Bourmeister used the score with all its original pieces in the original sequence for his production and that's the one they're using here. i also like it a lot better than the music usually used for the 32 fouettes.
kabardinka1 1 year ago
i wish i could make these piourettes. they are awesome!!! °.°
SmilieGirl08 2 years ago 2
nureyev se escribe con "v" no con "w"
deckmei08 2 years ago
Comment removed
enneward 3 years ago
This comment has received too many negative votes show
Honesly 4 some reason i didnt like them eather...
Ballet33Hottie 3 years ago
That *WAS* the standard back then in her day. You cannot judge her based on today's standards for technique. Nureyev set a new standard.
georgeou 3 years ago 27
@georgeou IN THAT PERIOD WAS STILL VERY GOOD.BUT ALREADY AROUND 1978 /80 STARTED GOING DOWN ,SAW MANY EMBARASSING PERFORMANCES,BUT WAS RUDY AND PEOPLE ANYWAY LOVED HIM AND WERE CLAPPING.
pediatrapaola 1 year ago
who the fuck are you?
catalinaguerrero 2 years ago
i am me, who are you?
enneward 2 years ago
Youmight try to remember that she was over 40 when she began dancing with Nureyev. This video is from 1966 - she was 47 years old. Why don`t you try it at that age!
NosHabebitHumus 2 years ago 3
i probably still will be dancing at that age fucker
enneward 2 years ago
As an old fuck to a young fuck let me say,
I hope you go on dancing every day.
I hope you go on dancing decades more,
And, though we cant know what life has in store
(Time only knows the price we have to pay),
I wish you great success along your way..
NosHabebitHumus 2 years ago
HELL YES!
enneward 2 years ago
peccato 'sti fouettes...
magova2008 3 years ago
This wasn't one of the best ballets they had together.
Replay the video.
Watch how different they do the turns.
Notice the plie.She does it fast but far not enough.
Rereyev does it faster but melts into the whole floor. And then pushes all the energy back but up.
Which helps him defy gravity.
Which is what you need to do when you are doing jumps or turns.
Fouetee and Rereyev where considered the best partnership of the century.
But they had different technique Royal and Russian.
Ryan935 3 years ago 3
I just noticed I miss spelled her it's Fonteyn. lol
Ryan935 3 years ago 2
This comment has received too many negative votes show
and its Rureyev
Ryan935 3 years ago
lol dude! You mested up!
Its Nureyev.
Dancefire08 3 years ago 3
I wonder what she was feeling that night because there's got to be a reason why she did that. 20 fouettes instead of 32 kinda strange even if she's old.
Ryan935 3 years ago
Her fouttes weren't very good but she was old.
I mean she was 20 years older than rudi here.
Her leg was too low.
But HIS! No comment needed! His are absolutely perfect!!!!!
elisaballerina456 3 years ago 5
@elisaballerina456 That's the beauty of Margot Fonteyn, though - you don't care about her leg or anything else, because she's Margot Fonteyn. She IS dance.
And Fonteyn and Nureyev together - well, that's magic.
simplystreeptacular 1 year ago 4
@elisaballerina456 shut up!!! i know what you really feel whenyou see this joy of living!!your face turns to green and spite venom!!,you 'd like to be in rudi's arms!!
tanitoastro 1 year ago
@elisaballerina456 shut up!!!!!!!!!!!!!
tanitoastro 1 year ago
27 or 28 fouettes but still pretty incredible
sugarplum239 3 years ago 2
i have got the DVD :D
jeje
Ajcano92 4 years ago
She was 46 years old when this was filmed. I commend her for doing as much as was physically possible for her.
hotwriter36 4 years ago 2
whaaaahw amaaaaazing!
o0LoveTokioHotel0o 4 years ago
Comment removed
jgh37 4 years ago
You obviously can't count.
swanningaround 4 years ago
Shes an excelent odile.. What company is this with?
Didnt she become a assoulta?
dance10000 4 years ago
She became a prima ballerina assoluta along with Alicia Alonso, Alexandra Danilova, Yvette Chauvire, Mathilde Kschessinska, Phillia Spira, Galina Ulanova, Maya Plisetskaya, Alicia Markova, and Pierina Legnani.
thenextfonteyn1829 4 years ago