Added: 10 months ago
From: itsthenoise
Views: 5,203
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  • At 2:04 the maker of this video is looking at you!

  • @theRealIonian. That's one of the better pictures taken of me.

  • you have good soundcard but this shit sound as heaven

  • Thank you for the kind words.

    To record things I use a Mytek 96 AD and for playback I use a Motu PCI424 with 2408 Mk2, 24 i/o.

  • this is really good! what soundcard are u using btw?

  • holy shit, someone with a synth on youtube who can actually make decent music

  • It was all recorded into Logic Pro 9, to be honest I can't remember exactly but for stereo-izing stuff I regularly use the 'spreader' or the 'stereo spread' plus a bit of Sound Designer or PSP42 delay.

  • Being that the output of the Matrix 1000 is a mono output, how did you get the nice stereo expansion on the recording? What type of external processing was done to get the stereo effect? My Akai multitracker has effects which will do this but not as good as in this recording.

  • 1:20 and 3:00 - like the pads!

  • Thank you for the kind comments.

    90% of it was overdubbed one pass at a time [ I don't even know if the Matrix 1000 is multi-timbral? ] into Logic 9, last 10% is Matrix sounds that I sampled into the EXS24 sampler and triggered via MIDI.

  • Oh my, this just sounds fantastic. Was that audio overdubbed, or was this sequenced to play back "live" from a single Matrix 1000? Really good job on this.

  • Nice track :)

    Just wondering why u selling the matrix? I just bought one, seems like it has great potential if you are prepared to do a lot of manual editing...

  • Hey @jez770 - I work mainly inside the computer so Midi boxes don't really go with my workflow, I sampled the Matrix to death before selling as it's full of great, sounds. Although sampling doesn't sound quite as good as the real thing it's still sounds good enough I think. Thanks for listening.

  • Comment removed

  • dat matrix bass

  • This film was not directed by Michel Gondry, just wanted to clear up any confusion.

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