i've been exposed to multiple music teachers way back in high school, and also had to do a thesis under a mentor who was a professional musician.... through all of that i never had anybody explain the modes as well as you have. very broken down... you rock man.
@OGsteezy Thank you very much for that ;) I have confused many people over the years (hehe) so it's nice to see when I finally make a break through ;)
been playing by ear doing this for many years, not knowing what i was really doing. thanks. what happens when the key changes and different scales come into play? do you cover that?
@sidhrtha Thank you. Yea, if the key changes you just transpose everything to that key. Ex.. If we are in A Major and we change to B Major you would just move everything up one whole step.
Good lesson but I think you need to put it in more layman terms. Each mode is essentially a "box" or "shape" of the major scale, starting at a different degree or note that comprise the scale - right? And I thought that you could play in any mode of the major scale as long as you're in key and start and end at the root note? many sites encourage you to learn the major scale as the whole shape across the fretboard, and then break it down into modes. you make it sound quite complicated :/
@retroguy02 this video is Tips on using modes. Not how to learn your modes. There are guys that mindlessly play scales over progressions. Which is what most sites will lead you into. I am showing people how to start to have melodic control. There is nothing complected about understanding a relation between the chord and mode you are playing. This video covers that as layman as I know how to disseminate. Thanks for the feedback though.
@kickthenads1 You can play any of the 7 modes from any of the chords in that Key. Ex... If I play a C Major Chord I can Play E Phrygian over it. It works because they are all relative (Diatonic) To that key.
You can construct a chord from every note in the major scale.
There are 7 notes so there will be 7 chords.
These chords are what you make chord progressions out of. (EX.. a 1-4-5 chord progression uses chords that were constructed from the 1st not, the 4th note, and the 5th note. ) If you play a chord from the 3rd note in the scale, you play the 3rd mode over that chord.etc... Does that help?
You're a good teacher of theory. I thought i never learned basic theory because i was younger and dumber but i realize I still dont fully understand. This helps. I still feel retarded though because I just cant grasp how this stuff works! HELP!
@IronPancake Just keep watching everything you can on Modes and scales and sooner or later something will click... And when it does you will be glad you took the time to search for it ;)
Background trumpets made listening painfully difficult, but this video was otherwise really helpful and well-taught! I'm much closer to "getting it"..
when you play the dorian, mixolydian and all the scales over the chords, is it called for an, example A-Dorian when you play it over the Bm chord or is it called b-dorian?
or for another example, is t called A-mixololydian when you play the scale over the E7 or is it called E-Mixolydian?
@Mootorbreath I am not sure what you mean, so I'll answer with examples.
If I were Playing A Ionian then I would play B Dorian. If I were Playing E7 chord I would play E Mixolidian. If I were playing D Ionian I would play E Dorian. If I Played E Phrygian I would play D Dorian. It is always relative, never changes in a diatonic scale. Is that what you were asking??
In the video when you play the scale to the chord progression of 1,6,2,5 and play the corresponding mode does it matter what key (if thats the right word) that youre in. In other words playing I think its an A major scale that you do here, could you start anywhere on the neck as long as the mode is correct or does it have to be from the A major scale, and if so does the octave of the scale matter.
@outofslumber If your in A Major then Ionian starts on the note A.. If in B Major it starts on B... It always follows the key. Any root note will work for the start no matter what Octave..
Im learning guitar and every now and then I get the "penny dropping" moments. Far too few for my liking, though I have to admit Im not very disciplined on the theory, I end up going back to the guitar and doing something familiar, which doesnt help. I accidentally stumbled on a blues (rythm)/(riff) and was totally lost what lead notes would work over it and then found this video. glad I clicked this link. I got a total penny dropping moment. Thanks a lot man.
Dude, I've spent months looking for how to solo over rhythms. This video, was a complete savior. For a guitarist of 2 1/2 years I have to say... you have introduced me to the next level. Keep on rocking. You are a fantastic mentor. Many thanks.
Btw, 2 people don't know what they were looking at lol. No one should dislike this video!
@highintel Iv'e been playing for 7 years self taught which isn't always the best, and I just can't grasp the concept of modes, is there any place you would recommend ? I just recently started getting into music theory, I don't want you to think I have been practicing theory for 7 years. Lol.
@AstrophelTDeath Don Litarski has a Great Book Practical theory for guitar.
Think of it like this, there is One Scale.. The major scale. If you have a Poster with all the natural notes on the guitar, then you have the Major Scale.
Modes are just different starting points. Like if i start on the note C and play to C, I just played the first mode called Ionian... If I start on the note A and Play to A I just played the 6th mode Aeolian.
@highintel Its funny because right after I wrote that comment I looked into it a bit more, and figured out what the modes actually were and how to play them, and than realized the 7 positions of the major scale are based off the individual modes. I just then realized I had already known how to play modes. So i'm starting to understand alot more. Thanks very much. Peace.
@highintel I kinda of do, i'm trying to figure out how to apply it to soling I know thats what your video is about but, i only know how to play the modes in there individual boxes how do i expand, like how do i move from one box to another smoothly ? And also do minor's work the same way do they also have modes ?
@AstrophelTDeath Moving from Mode to mode is like/called lead lines, usually having to do 4 notes per string in any given direction... I should do a video on this.. I have a Video, lightning fast guitar riffs that has a few in it, but that seems to confuse a lot of peeps.
@highintel Thanks I appreciate it, and if i could ask one last questions if you can answer it. How do you figure out what chords can be played over certain scales, like for example if i were playing a G minor pentatonic, how would i figure out what chords could be played over that scale ?
@AstrophelTDeath You need to understand what chords are diatonic to the key in which your soloing in. I have a Video about Diatonic chord progressions that might help. Diatonic simply means, relative to the key of..
Ex... The Key of C major has C, Dm, Em, F, G Am, and B diminished (Or Bm b5)....Any of those chords can be used under the C major scale ;)
@highintel Iv'e seen that before but how did you get the minors in there where did they come from ? I understand where the chords come from, but how did you get minor is there some sort of pattern i'm missing ?
@highintel I really have to say this, thank you so much for this video and all your help, because with your help you opened up a giant door of new possibilities and if not for you patience and answering all of my questions carefully, i might have not pursued as strongly or as hard to find the answer. Thank you so much, i bet you make a great teacher, and keep making videos, because i'm going to subscribe. And not because i have to, because i want to learn more. Thank you. Peace.
@AstrophelTDeath This comment right here makes it all worth it my friend ;) Thanks for your kind words and your very welcome for the help! I'll keep them coming ;) Peace to you too!
@highintel Okay i have what i feel is a very good question, it would be nice if you or anyone could help me find a solution. How would i know what modes to go by if my chords are random chords i made? i love this progression i came up with and i want to do a slow melodic solo over it so bad but i cant figure out how to do it. Help Please!
1. The easy way out is to treat each chord that is out of any diatonic sequence like it's a new key. Ex.. If I play F Major, G Major, (A Minor) would be the natural chord. But, if I substitute (A Major for A Minor) then I am playing a Chord out of sequence. I could just treat the A Major as the new Key.
2. Look at it like the whole sequence just moved up a whole step and play (A Major) as the 5th chord (Dominant 7) and the key would move to D Major.
@highintel Thank you very much for your response, your reply answered the first part of my question, i was also wondering how you know what chord sequences/modes go with very weird chords. i have started developing a new progression starting on a very weird chord that i had to search to find the name of. "G# add9" How would i pick the chords to go with something like this, or pick scales to go with the individual chords that i may add based on what sounds good to me(random chords)?
hey man, i want to thank you for this very basic lesson. You have no idea how utterly invaluable it is. I always understood modes and basic theory, but the real magic comes in actually being able to APPLY THEORY INTO PRACTICE. With this lesson something clicked in my brain. I thought all those hours i spent reading books about theory were totally wasted because i couldn't apply the knowledge but this video was so clear cut, it allowed me to connect the dots. Thank you. \m/
hey highintel. now what modes should i concentrate on learning. i know all my pentatonics inside out. i play rock and blues stuff (clapton, hendrix, paige etc) and would like to know which mode i should be concentrating on as my mind tends to wander! so which ..ian mode or modes do you suggest. thanks.
i really apriciate people like you who take the time to do lessons in order to help others thank you. i never thought of playing each mode individually over each chord. i was under the impression that if i start a chord progression from a degree other than its root lets say Am in the key of C and also resolve it to the Am then i would be playing a aeoleon progression and could play A aoelen over the whole thing. is my way of thinking correct?
@cjkeegan100 Yes, it is.. Technically you can play any of the 7 modes over any chord progression as long as the modes are diatonic to the Progressions Key. So I could Play B Locrian over the key of C Major if I wanted. the problem lies within the Melody. It will not sound very melodic but all the notes will still work.
@highintel cool thanks for replying. So what i should do is record a diatonic chord progression. then since i know what chords im playing solo over each chord individually as modes in order to get a better melodic feel. rather than just mindlessly playing the major scale over it. woah!! i just thought of something while typing this. If i borrow a chord from a different key then when that chord plays all i have to do is play the mode from its key. i actually feel like im progressing now :) cheers
i found this video very informative and enjoyed the simplicity of the teaching :) i was just wondering what are some common chord progressions for blues and rock? and what would the corresponding mode be for those. i dont think i could memorize all the modes :O
does the tonality stay A? So are you playing (in that I-VI-II-V progression) the A ionion, A Aeolian, A Dorian and finally A Mixo-lydian? Or do I have to call it A ionian, F Aeolian, B Dorian and finally E Mixo-lydian? So in other words my question is: does the tonality of a mode get its name from the original root note of that major scale that you are playing the whole time but on different starting points, or does it get its name from the first note that you are playing at that specific point?
@medra1980 never mind, I get it: the startting notes are used to called the scale and the division of intervals is the name for modality, thanks for the video, helped me out
@Sarchiopode well, either is correct. even though you would say that the hindu scale is a scale. you wouldn't call it a "modal scale". The hindu scale is also the 5th "mode" of the melodic minor "scale". so, in conclusion, the hindu, is the hindu "scale". it is the 5th "mode" of the melodic minor scale. So when saying, "mode" it is in reference to the parent "scale". Saying "modal scale" is somewhat redundant. Also, in situations of Ionian, what would you call that lol. so, not nitpicking lol.
thanks man im trying to play like becoming the archetype type of music? ive heard your metal band so i really think youre the one bro wjajaj thanks man
thanks man i hope it helps, in case it doesnt could make a video explaining modal chord progressions? its hell on earth to me man i would really apreciate it bro
I've been teaching myself theory for almost a year now out of the guitar grimoire books and I am progressing, but I see a lot of people doing the same thing but just running through scales and not applying it musically, and lessons like these will help out a lot of people. You do a good job man, keep up the great work!
haha,, Think you still owe me a free lesson or two...You should post now how to construct arps and leads together, The simple lessons are the best, alot of dumb people out there like myself..arrrrrr
wow dude very insightfull. can i ask tho cos im really at a dead end, could i lern this by myself or would you say having a payed teacher is the best way to go, i meen iv played electric for 3 years and acustic for 3 years b4 that so 6 all in all. i can shred to a serton exstent. basicly im ok with tecneque but i suck lol cos i dont no what im doing at all lol. please help
in theory is cool learn this way but in the practice is it better see in parallel not relative i mean see A major, A dorian, etc. works for me, just saying. by the way u teach very well.! 5/5
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METAL4667 5 days ago
JOHN CENA
Danbalz 1 month ago
Excellent
loveguitars 1 month ago
i've been exposed to multiple music teachers way back in high school, and also had to do a thesis under a mentor who was a professional musician.... through all of that i never had anybody explain the modes as well as you have. very broken down... you rock man.
OGsteezy 2 months ago
@OGsteezy Thank you very much for that ;) I have confused many people over the years (hehe) so it's nice to see when I finally make a break through ;)
highintel 2 months ago
cheers
emekajji 2 months ago
@emekajji Cheers ;)
highintel 2 months ago
YOU Light up my guitar life...
Thank you...
montreemtx 3 months ago
@montreemtx Thank you ! Glad to spread the illumination!
highintel 2 months ago
dude i never thought about using modes i just used chord tones which made my melodies sloppy and also boring
MRCALIfornyay 3 months ago
@MRCALIfornyay yea, you want to just use them as a target reference and use different rhythmic phrases to make it sound interesting to the listener.
highintel 3 months ago
dude been playing for 10 years now and no ones ever explained that way. Now I get it thanks for posting this!
Thynkfree1985 3 months ago
@Thynkfree1985 Your very welcome ;)
highintel 3 months ago
been playing by ear doing this for many years, not knowing what i was really doing. thanks. what happens when the key changes and different scales come into play? do you cover that?
sidhrtha 3 months ago
@sidhrtha Thank you. Yea, if the key changes you just transpose everything to that key. Ex.. If we are in A Major and we change to B Major you would just move everything up one whole step.
highintel 3 months ago
For a begginer like me it made alot of sense, I'll just follow what u show me and i can start to soloing,THANK U
67chapa 4 months ago
@67chapa Thank you!
highintel 4 months ago
0:51 HOLY SHIT YOUR FINGER!
lordmorgoth7 4 months ago
Good lesson but I think you need to put it in more layman terms. Each mode is essentially a "box" or "shape" of the major scale, starting at a different degree or note that comprise the scale - right? And I thought that you could play in any mode of the major scale as long as you're in key and start and end at the root note? many sites encourage you to learn the major scale as the whole shape across the fretboard, and then break it down into modes. you make it sound quite complicated :/
retroguy02 4 months ago
@retroguy02 this video is Tips on using modes. Not how to learn your modes. There are guys that mindlessly play scales over progressions. Which is what most sites will lead you into. I am showing people how to start to have melodic control. There is nothing complected about understanding a relation between the chord and mode you are playing. This video covers that as layman as I know how to disseminate. Thanks for the feedback though.
highintel 4 months ago
Move the trumpeteer further down the hall. Otherwise, good explanation.
vlxxx 5 months ago
wow thank you so much, it more clear now, but I hear many solo that start with different scale from the chord. Jesus why?
kickthenads1 5 months ago
@kickthenads1 You can play any of the 7 modes from any of the chords in that Key. Ex... If I play a C Major Chord I can Play E Phrygian over it. It works because they are all relative (Diatonic) To that key.
highintel 5 months ago
I still don't get it... great
ravenshield56 6 months ago
You can construct a chord from every note in the major scale.
There are 7 notes so there will be 7 chords.
These chords are what you make chord progressions out of. (EX.. a 1-4-5 chord progression uses chords that were constructed from the 1st not, the 4th note, and the 5th note. ) If you play a chord from the 3rd note in the scale, you play the 3rd mode over that chord.etc... Does that help?
highintel 6 months ago
@highintel Oh shitty nipples I get it! what a fag I am... im sorry I'm a bit slow :P thanks!
ravenshield56 6 months ago
@ravenshield56 haha...right on man! No Problem. Glad it makes sense now ;)
highintel 6 months ago
So, modes are really starting the scale with a different note?
smaratelj 6 months ago
@smaratelj Exactly! It's one scale, a mode is just a section of that scale.
highintel 6 months ago
@highintel Thanks, that really made it clearer. :)
smaratelj 6 months ago
@smaratelj Your very Welcome!!!
highintel 6 months ago
i will kill the guys with the trompets behind!
ezequielmcb 7 months ago 2
@ezequielmcb haha! that made me laugh out loud ;)
highintel 7 months ago
damn wish he was my teacher
moncmon 7 months ago
@moncmon I'm working on getting online lessons set up for Fridays.
highintel 6 months ago
You're a good teacher of theory. I thought i never learned basic theory because i was younger and dumber but i realize I still dont fully understand. This helps. I still feel retarded though because I just cant grasp how this stuff works! HELP!
IronPancake 8 months ago
@IronPancake Just keep watching everything you can on Modes and scales and sooner or later something will click... And when it does you will be glad you took the time to search for it ;)
I'd be glad to help what I can.
highintel 8 months ago
Wow... Amazingly helpful and easy to understand. THanks!!!!!!
awidowsvoice 8 months ago 2
@awidowsvoice Your welcome ;)
highintel 8 months ago
Is that John Cena playing guitar? j/p
SINBrutal99 9 months ago
Thank you. Modes confused me till today. Now it all just made sense.
quachimba 9 months ago
Good stuff... thanks for the post.
blesseddisciple 10 months ago
Great lesson, but WTF is going on in the background with the brass instruments. Completely distracting.
nxzo2 11 months ago
Great lesson!! Thanks for your time and your generous heart to share your knowledge!!
kingnt66 11 months ago
Background trumpets made listening painfully difficult, but this video was otherwise really helpful and well-taught! I'm much closer to "getting it"..
MrStimpy77 11 months ago
Great lesson!!
I have one question though
when you play the dorian, mixolydian and all the scales over the chords, is it called for an, example A-Dorian when you play it over the Bm chord or is it called b-dorian?
or for another example, is t called A-mixololydian when you play the scale over the E7 or is it called E-Mixolydian?
Sry for my bad english;)
Mootorbreath 11 months ago
@Mootorbreath I am not sure what you mean, so I'll answer with examples.
If I were Playing A Ionian then I would play B Dorian. If I were Playing E7 chord I would play E Mixolidian. If I were playing D Ionian I would play E Dorian. If I Played E Phrygian I would play D Dorian. It is always relative, never changes in a diatonic scale. Is that what you were asking??
highintel 11 months ago
In the video when you play the scale to the chord progression of 1,6,2,5 and play the corresponding mode does it matter what key (if thats the right word) that youre in. In other words playing I think its an A major scale that you do here, could you start anywhere on the neck as long as the mode is correct or does it have to be from the A major scale, and if so does the octave of the scale matter.
outofslumber 1 year ago
@outofslumber If your in A Major then Ionian starts on the note A.. If in B Major it starts on B... It always follows the key. Any root note will work for the start no matter what Octave..
Hope that helps ;)
highintel 1 year ago
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outofslumber 1 year ago
Comment removed
outofslumber 1 year ago
Im learning guitar and every now and then I get the "penny dropping" moments. Far too few for my liking, though I have to admit Im not very disciplined on the theory, I end up going back to the guitar and doing something familiar, which doesnt help. I accidentally stumbled on a blues (rythm)/(riff) and was totally lost what lead notes would work over it and then found this video. glad I clicked this link. I got a total penny dropping moment. Thanks a lot man.
outofslumber 1 year ago
@outofslumber Glad it worked for ya man ;) peace
highintel 1 year ago
Killer lesson man, really helped a lot
mophead02 1 year ago
Dude, I've spent months looking for how to solo over rhythms. This video, was a complete savior. For a guitarist of 2 1/2 years I have to say... you have introduced me to the next level. Keep on rocking. You are a fantastic mentor. Many thanks.
Btw, 2 people don't know what they were looking at lol. No one should dislike this video!
ShaolinHoedown 1 year ago
@ShaolinHoedown Thank you... There are always gonna be Haters out there ;) I just blow it off.
highintel 1 year ago
@highintel Iv'e been playing for 7 years self taught which isn't always the best, and I just can't grasp the concept of modes, is there any place you would recommend ? I just recently started getting into music theory, I don't want you to think I have been practicing theory for 7 years. Lol.
AstrophelTDeath 10 months ago
@AstrophelTDeath Don Litarski has a Great Book Practical theory for guitar.
Think of it like this, there is One Scale.. The major scale. If you have a Poster with all the natural notes on the guitar, then you have the Major Scale.
Modes are just different starting points. Like if i start on the note C and play to C, I just played the first mode called Ionian... If I start on the note A and Play to A I just played the 6th mode Aeolian.
There are a lot of fingerings.
highintel 10 months ago
@highintel Its funny because right after I wrote that comment I looked into it a bit more, and figured out what the modes actually were and how to play them, and than realized the 7 positions of the major scale are based off the individual modes. I just then realized I had already known how to play modes. So i'm starting to understand alot more. Thanks very much. Peace.
AstrophelTDeath 10 months ago
@AstrophelTDeath hehe.. yea,it's all about putting a language to what you already know ;)
best of luck! Let me know if ya have any other bumps maybe I can help ;)
highintel 10 months ago
@highintel I kinda of do, i'm trying to figure out how to apply it to soling I know thats what your video is about but, i only know how to play the modes in there individual boxes how do i expand, like how do i move from one box to another smoothly ? And also do minor's work the same way do they also have modes ?
AstrophelTDeath 10 months ago
@AstrophelTDeath Moving from Mode to mode is like/called lead lines, usually having to do 4 notes per string in any given direction... I should do a video on this.. I have a Video, lightning fast guitar riffs that has a few in it, but that seems to confuse a lot of peeps.
Bare with me and I'll throw something up ;)
highintel 10 months ago
@highintel Thanks I appreciate it, and if i could ask one last questions if you can answer it. How do you figure out what chords can be played over certain scales, like for example if i were playing a G minor pentatonic, how would i figure out what chords could be played over that scale ?
AstrophelTDeath 10 months ago
@AstrophelTDeath You need to understand what chords are diatonic to the key in which your soloing in. I have a Video about Diatonic chord progressions that might help. Diatonic simply means, relative to the key of..
Ex... The Key of C major has C, Dm, Em, F, G Am, and B diminished (Or Bm b5)....Any of those chords can be used under the C major scale ;)
highintel 10 months ago
@highintel Iv'e seen that before but how did you get the minors in there where did they come from ? I understand where the chords come from, but how did you get minor is there some sort of pattern i'm missing ?
AstrophelTDeath 9 months ago
@highintel I'm sorry for asking so many questions, i'm very interest in learning theory.
AstrophelTDeath 9 months ago
@highintel I really have to say this, thank you so much for this video and all your help, because with your help you opened up a giant door of new possibilities and if not for you patience and answering all of my questions carefully, i might have not pursued as strongly or as hard to find the answer. Thank you so much, i bet you make a great teacher, and keep making videos, because i'm going to subscribe. And not because i have to, because i want to learn more. Thank you. Peace.
AstrophelTDeath 9 months ago
@AstrophelTDeath This comment right here makes it all worth it my friend ;) Thanks for your kind words and your very welcome for the help! I'll keep them coming ;) Peace to you too!
highintel 9 months ago
@highintel Okay i have what i feel is a very good question, it would be nice if you or anyone could help me find a solution. How would i know what modes to go by if my chords are random chords i made? i love this progression i came up with and i want to do a slow melodic solo over it so bad but i cant figure out how to do it. Help Please!
DeepTeel 7 months ago
Here are two quick options.
1. The easy way out is to treat each chord that is out of any diatonic sequence like it's a new key. Ex.. If I play F Major, G Major, (A Minor) would be the natural chord. But, if I substitute (A Major for A Minor) then I am playing a Chord out of sequence. I could just treat the A Major as the new Key.
2. Look at it like the whole sequence just moved up a whole step and play (A Major) as the 5th chord (Dominant 7) and the key would move to D Major.
highintel 7 months ago
@highintel Thank you very much for your response, your reply answered the first part of my question, i was also wondering how you know what chord sequences/modes go with very weird chords. i have started developing a new progression starting on a very weird chord that i had to search to find the name of. "G# add9" How would i pick the chords to go with something like this, or pick scales to go with the individual chords that i may add based on what sounds good to me(random chords)?
DeepTeel 7 months ago
hey man, i want to thank you for this very basic lesson. You have no idea how utterly invaluable it is. I always understood modes and basic theory, but the real magic comes in actually being able to APPLY THEORY INTO PRACTICE. With this lesson something clicked in my brain. I thought all those hours i spent reading books about theory were totally wasted because i couldn't apply the knowledge but this video was so clear cut, it allowed me to connect the dots. Thank you. \m/
boywhosucksatlife 1 year ago
@boywhosucksatlife This is why i do it my friend!!! Thanks for the awesome response ;) Really glad it helps ;)
highintel 1 year ago
hey highintel. now what modes should i concentrate on learning. i know all my pentatonics inside out. i play rock and blues stuff (clapton, hendrix, paige etc) and would like to know which mode i should be concentrating on as my mind tends to wander! so which ..ian mode or modes do you suggest. thanks.
dukeofpearl 1 year ago
@dukeofpearl Probably Aeolian, Dorian, and Phrygian work best over minor pentatonics.
highintel 1 year ago
i've learn modes but dont know how to apply them over chord progression this video really helps a lot.
lleonidas004 1 year ago
@lleonidas004 Your welcome!
highintel 1 year ago
Wow. a "light bulb moment" for me. Thanks
nn567 1 year ago
i really apriciate people like you who take the time to do lessons in order to help others thank you. i never thought of playing each mode individually over each chord. i was under the impression that if i start a chord progression from a degree other than its root lets say Am in the key of C and also resolve it to the Am then i would be playing a aeoleon progression and could play A aoelen over the whole thing. is my way of thinking correct?
cjkeegan100 1 year ago
@cjkeegan100 Yes, it is.. Technically you can play any of the 7 modes over any chord progression as long as the modes are diatonic to the Progressions Key. So I could Play B Locrian over the key of C Major if I wanted. the problem lies within the Melody. It will not sound very melodic but all the notes will still work.
Thanks for your kind words and Your welcome!
highintel 1 year ago
@highintel cool thanks for replying. So what i should do is record a diatonic chord progression. then since i know what chords im playing solo over each chord individually as modes in order to get a better melodic feel. rather than just mindlessly playing the major scale over it. woah!! i just thought of something while typing this. If i borrow a chord from a different key then when that chord plays all i have to do is play the mode from its key. i actually feel like im progressing now :) cheers
cjkeegan100 1 year ago
i found this video very informative and enjoyed the simplicity of the teaching :) i was just wondering what are some common chord progressions for blues and rock? and what would the corresponding mode be for those. i dont think i could memorize all the modes :O
wemakemuffins 1 year ago
@wemakemuffins The Most Common Progression is the 1-4-5 in Both styles.
1 is Ionian, 4 is lydian, and 5 is mixolydian.
application = 1-4-5 in the key of A would be A Ionian, D Lydian, and E Mixolydian.
Peace
highintel 1 year ago
@highintel
thanks genius.
joemakelele 1 year ago
thanks! i finally understand modes! you explained it simple and good without too much talking
smashingpoop 1 year ago
does the tonality stay A? So are you playing (in that I-VI-II-V progression) the A ionion, A Aeolian, A Dorian and finally A Mixo-lydian? Or do I have to call it A ionian, F Aeolian, B Dorian and finally E Mixo-lydian? So in other words my question is: does the tonality of a mode get its name from the original root note of that major scale that you are playing the whole time but on different starting points, or does it get its name from the first note that you are playing at that specific point?
medra1980 1 year ago
@medra1980 never mind, I get it: the startting notes are used to called the scale and the division of intervals is the name for modality, thanks for the video, helped me out
medra1980 1 year ago
@medra1980 I mean F# Aeolian sorry
medra1980 1 year ago
@medra1980 hehe no prob!
highintel 1 year ago
wow! this actually helped me out alot! thanks so much dude! keep it up! :D
duroking13 1 year ago
i understood it perfectly, great job!!
kevinleft 1 year ago
Do you have another lesson that goes more indepth in to modes? Great lesson!
Guitarfreak365 1 year ago
thanks great help
andysafetybay 1 year ago
kinda misleading title...
andy92811 1 year ago
rthis was a great help
Sh3lz123 1 year ago
Everything seems so clear now that you've explained it in that way. Thank you
bornintoutopia 1 year ago
this video was the most help ive had in a while. got me out of a musical rut. thanks sooooooooo much i really appreciate it
MrAlfredocolon 1 year ago
thanx for the lesson really helpful
u look like John cina :D
fetallica1 1 year ago
dude this video is boss
HippieDrummer06 1 year ago
i dont know why everyone refused to tell us this, but i dig this. i just need a book to memorie it!
duffmanGbone 1 year ago
...emh...
I wouldn't use the word "mode", i'd prefer to say "modal scale".
Sarchiopode 1 year ago
@Sarchiopode well, either is correct. even though you would say that the hindu scale is a scale. you wouldn't call it a "modal scale". The hindu scale is also the 5th "mode" of the melodic minor "scale". so, in conclusion, the hindu, is the hindu "scale". it is the 5th "mode" of the melodic minor scale. So when saying, "mode" it is in reference to the parent "scale". Saying "modal scale" is somewhat redundant. Also, in situations of Ionian, what would you call that lol. so, not nitpicking lol.
stepminestepminestep 1 year ago
its gana take me a while to understand, but from what ive learned so far, its an awsome lesson thx
JulianTheGuitarist 2 years ago
dude helpful lesson. good job man
m0ldyt0ast 2 years ago
what type of ibanez is that
scotty688 2 years ago
I'm not sure. Rg 570 or somewhere around there.
highintel 2 years ago
thanks man im trying to play like becoming the archetype type of music? ive heard your metal band so i really think youre the one bro wjajaj thanks man
santiagoytito 2 years ago
thanks man i hope it helps, in case it doesnt could make a video explaining modal chord progressions? its hell on earth to me man i would really apreciate it bro
santiagoytito 2 years ago
Sure Bro! I'll hook ya up!
highintel 2 years ago
dude so how can i come up with a chord progression for modes but in metal cause you usually tend to use power chords so i really dont understand
santiagoytito 2 years ago
Go over my Diatonic chord construction lesson.
highintel 2 years ago
are you at a music store? I bet the MI book chord tone soloing would help with this.
stevieVantanna 2 years ago
now that we have a verry basic understanding idea of this, where do we go next? what should we study to expand on this idea?
AngryLlamaz 2 years ago
Rhythmic Variations, Syncopation, Harmonic Movement, Melodic Phrases. Basic Idiomatic Phrasing.
And of course try it over as many Chord Progressions that you can understand how to generate.
highintel 2 years ago
this is freakin eye opening.
AngryLlamaz 2 years ago
I've been teaching myself theory for almost a year now out of the guitar grimoire books and I am progressing, but I see a lot of people doing the same thing but just running through scales and not applying it musically, and lessons like these will help out a lot of people. You do a good job man, keep up the great work!
illucid1982 2 years ago
Thanks! Please Spread the word!
highintel 2 years ago
Really nice man. Thanks . I'll have to watch all your others.
slotjaw 2 years ago
i like this lesson. its not even that its simple. its clear. you arent tryin to show off by throwing around musical theory jargon.
bronsonbaker 2 years ago
Thank You :)
highintel 2 years ago
it finally filtered down in my head what these modes really are, when great guitar players referred to them when "phrasing" , thanks a lot man
medra1980 2 years ago
Ya man, these are the kinds of lessons you need to put on here. Thats where im having problems..Late niggles..
Kevinter 2 years ago
sweet! You owe me $25 now...lol
highintel 2 years ago
haha,, Think you still owe me a free lesson or two...You should post now how to construct arps and leads together, The simple lessons are the best, alot of dumb people out there like myself..arrrrrr
Kevinter 2 years ago
What kind of guitar do you have? Thats a 7 string right? are you using a clean effect? do tell
larks33 2 years ago
6 string Ibanez RG series. I am using the clean channel on my Crate GLX15, maybe a little reverb but that's all.
highintel 2 years ago
Is this Jarod (the pretender) with his guitar?
;)
Cool lesson, thx
666Vladolf68 2 years ago
Good job keeping that nice and simple mate. Now i can just give people this link and they can stop bugging me! lol. Keep 'em commin'! \m/_
bleedingfly 2 years ago
Brian cool lesson..peace..[Freddie]
AndreasBusshart 2 years ago
Was that a trumpet or a trombone?
runeman00 2 years ago
wow very well explained ty :)
RodneySTR 2 years ago
Very well put at the end! Knowing the framework and rudiments is key.
codyclarke 2 years ago
Wow I wish you were my teacher 10 years ago.
Are you at a music school or store?
stevieVantanna 2 years ago
o and sorry about spelling, and we have no money for lessons so i hope i can do this on my own. if you could push me in the right direction
thanks man peace
sunhouse76 2 years ago
wow dude very insightfull. can i ask tho cos im really at a dead end, could i lern this by myself or would you say having a payed teacher is the best way to go, i meen iv played electric for 3 years and acustic for 3 years b4 that so 6 all in all. i can shred to a serton exstent. basicly im ok with tecneque but i suck lol cos i dont no what im doing at all lol. please help
sunhouse76 2 years ago
that was excellent ! Can't wait till you have more time to kill in between lessons :)
woodman151 2 years ago
this helped me a lot! thanks =]
Rush4Life70494 2 years ago
in theory is cool learn this way but in the practice is it better see in parallel not relative i mean see A major, A dorian, etc. works for me, just saying. by the way u teach very well.! 5/5
mayerock 2 years ago