Added: 4 years ago
From: annamicro
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  • Joy Womack sent me here! =) Ballet princess to ballet queen!

  • ЭТО ВЫСОЧАЙШИЙ КЛАСС ПОЛЕТА!!!!!!!!! НАТАША СУПЕР!!!!!!!!!!!!!!!!!!!!!!!! СЧАСТЬЯ ТЕБЕ С ИВАНОМ!!!!!!!!!!!!!!!!!!!!

  • She is incredible! I've seen many snipets of her performing this role but unfortunately I'm unconvinced that she's Giselle. It's a shame since her technical prowess is PERFECT for this role, but the overall seems lacking something.

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  • @0:34 IS PRETTY AMAZING!!!

  • Don't care about any of the criticisms levelled at her: that elevation and ballon is astonshing to see - a rare gift - and she's a wonderful ballerina.

  • To be honest I do not understand criticism of yours Do you seriously suggest that Natalia, the country darling, must change her dance to satisfy just few like you when she is adored by millions? Are you Marius Petipa? Would you reveal us a name outside Russia that would outdance this girl? I assume you have ideal image that lives just in your head. Then my advice to you: do not go to opera houses, sleep more - enjoy your imaginary perfection and that is free of charge too.

  • @mcpushkin yours is not an argument I find remotely valid. 

  • Wonderful dancing, but the tempo is a bit too slow

  • show me a better giselle.

  • @Arohlwing Galina Mezentseva?

  • @Buondelmonte123 Neither do I, Buondelmonte.. Haven said that, I believe that Natalia appeals to certain audiences, audiences that are not very picky as far as flawless port-de-bras, disciplined feet and other finer aspects of classical ballet are concerned. . Although Gisele is her better role, haven seen Osipova on stage couple of times, I have no particular desire to see her again in any role.

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  • @MrRight1000 Thank you. There is no doubt that Osipova is very popular and does have a wide appeal. I am of a generation that was able to see Makarova and Kolpakova in Giselle with a few days of each other and people looked at me as though mad when I said that Kolpakova was my preferred Giselle. We live in an age where high extensions and the internet can do a great deal for a ballerina's "Star Status."

  • I think she's fantastic. It's lovely to see a dancer with such enthusiasm! She is not a bit rigid as a dancer. She would never have that kind of stage presence, if she was even a bit more wooden. She's just throwing herself at the music. It would be pretty impossible to be that fluid, fast & finished - something would have to give. There is a lot of modern, fusion stuff around right now, that's fantastic, but it's nice to see someone let rip in a traditional sense.

  • @deirdreroseable I think the whole feel for the music can get lost with ballet sometimes - with the formality of it, but she's lost in it. It's obvious that she feels it. Her boundless confidence is also evident. I think her ability to connect so well with the music, is what makes her stand out. It's like she's kicked the shackles off & really gone for it, which is very refreshing.

  • @deirdreroseable yes, you are right, but she is very much a product of a school that has been debased. What Osipova really needs is to work over an extended period with an experienced coach who can refine both her technique and her interpretative skills.

    I'm not denying that she has an excitement about her, and you cannot teach that fearlessness she has onstage, but I want to know that she knows what she is doing onstage.

  • @Buondelmonte123. Beautifully stated.

  • @palubob Thank you. The strength of the Russian school is, indeed, that passing on of the knowledge and the experience. When Nadezhda Pavlova made her Bolshoi debut as Giselle, three generations of previous interpreters of Giselle were present in the audience, one of whom, Marina Semyonova, had coached Pavlova for her debut.

  • @Buondelmonte123 And I don't find yours valid either.

  • @MlleOdilette You watch, wait five years from now and see where she is then. I think she'll be another Nadezhda Pavlova, very lovely, very exciting, very very promising and then..? On goes the weight, and it's a fabulous future behind her, thank you very much. Her move to the Mikhailovsky is the beginning of the end. Sadly.

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  • @MlleOdilette What makes you think I hate her? Nothing I've written here is anything other than constructive, objective concern. If you think that is 'hate' then the problem lies with you, not me. I'm always overjoyed to see young talent. Always. But if you have seen the same amount of tragic, burnt-out, talent that has 'no second act' that I have, you'd be worrying too. Please do not ascribe to me words like 'hate' when I am merely expressing a genuine concern.

  • @Buondelmonte123 sorry, I wasn't referring to you but to the people on youtube who bash popular dancers other than their favorites for no reason. I'll repeat my last question: why do you think she's a "burnt-out talent with no second act"? I'm just asking for clarification, I would like to know your opinion.

  • @MlleOdilette Thank you. I agree with you about the bashing that goes on here. Most annoying. What so many people who watch Y'tbe don't understand is there is a huge interpretative leeway among talented dancers. Osipova isn't burnt out yet, but I honestly think she needs to take her career just a little more slowly than she does at present and allow her self, and her interpretations, to mature. It is often said that dancers have short careers, but that is very often self-induced.

  • she lucked like she was flying when she was doing those jumps wooooooooooooooooooooooooooooo­oooooooooooooooooooooooooooooo­oooooooooooooooooooooooooooooo­oooooooooooooooooooooooooooooo­ooooooooooow

  • she's ... flying

  • Respond to this video… Osipova may not be the cleanest and most classical dancer but there’s no denying her aggressively beautiful technique, her arresting impact, and the way everything she does registers so emphatically with her audience - for better or for worse.

  • @annamicro Osipova stands out amongst the bumper crop of current topflight ballerinas in three ways; her physicality, her amplitiude and her personal stage charisma. Everything Osipova dances looks bigger, grander and more full-scaie. She devours space like no ballerina I’ve ever seen. The physical impact of her dancing is indelible, every movement registers as an arresting visual impact in the mind. And as for her charisma, that ’s a quality that cannot be taught. It’s innate.

  • I got goosebumbs the 1 time I saw this video, she is so light like a snow flake. Love Natalia.

  • She should be getting a Jet Leg by now , doesnt she ?

  • I didn't know Russian ballerinas danced on trampolines!

  • this girl - she flies.

  • she reminds me of the the old ballet legends, theres something kind of raw about her dancing and yet she has the perfect technique of ballerinas now a days..... a rare and perfect combination, especially for giselle!!

  • There is not one moment where she stays on the ground. Bravo, Natalia. Bravo..

  • oh.my.gosh.

    0:37 - 0:43

    are you sure that's human?

  • Stunning--the turns and the height and lightness of jumps! Giselle is for ballerina with high light jumps.

  • she is sooooooooo good!!!!

    bravo natalia!

  • this made me cry!

    this is so beautiful, just beyond words.

  • She just bounces!

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  • personally I think shes to much of a technical dancer for this role. yes Giselle requires great skill from the dancer, but! without the soul of whats being dance, it loses it's meaning. here Giselle is ecstatic that she is no longer confined to her sickly body and is aloud to dance the way she always wanted to, but in the movement of a Willie! so it must be whispi

  • @pepercat17 Natalia Osipova has her unique style. She is incredible fast in her movement, extremly athletic, although she is ... tiny. I think she is the best Giselle i have ever seen, outstanding this variation. For example, no Prima Ballerina can reach her Kitri or Esmeralda.

  • @Leirix61 I have not seen her do those variations, but those roles deman a high technical level and not so much as in a "soul" per-say as those were choreographed when the time was to show off the dancers ability and less on the actual feel of the character like the era Giselle was made

  • @pepercat17 Yes - thank you! That's it exactly! the freed Giselle is recalling the joy in dance she felt as a peasant girl, but as a wili now: that is also what the music is telling us. The earth can hardly hold her down. Her interpretation and that floating spaciousness work completely for me. I just *love* this!

  • how could anyone dislike this?!

  • natalia osipova is the most energetic ballerina i have ever seen AMAZING!!!!!!!

  • I saw Osipova at Covent Garden this week = her Giselle was amazing - full of dramatic interpretation and her white act was so beautiful - light as a feather

    I will never forget it

  • She's like a bird without feathers. Absolutely amazing.

  • OMG!! i believed that she was flying!!!

  • great jumps but not great musicaity

  • thats specıal from her nicceeee ..

  • Miss Osipova...such perfection.

  • Her jumps are amazing!!! But I prefer Lopatkina's acting.

  • just saw her last night in Don Quixote wow!!!!

  • light like air :)

  • amazing jumps!

  • She's so unbelievably light on her feet. It amazes me.

  • Oh so beautiful!!

  • Her high-jump ability makes her perfect for Giselle 2nd act, she looks totally as a ghost and her jumps look very light.

    I love her, many used to say she would never handle anything more than Kitri, but here's that proof that that's not true in any single way, she's beautiful in many roles.

  • i've never seen a dancer with a ballon as great as this!

  • it's amazing how she is allowed to step so en dedans, Giselle is classical ballet !

  • @theballetballet It's Natalia Osipova; she can do whatever she wants, and I'm sure not complaining! That was incredible!

  • This is incredible, really. It's like she weighs nothing at all! Her jumps are unbelievable.

  • This is my favourite ballet video - I must have watched it about a thousand times!

  • I'm convinced they feed her rubber bands and speed for breakfast in the morning. That's just nuts!

  • She is one of the best.Her great jumps,it's like they stuck her on an elastic cord.Magnifique/gracefull

  • OH MY GOSH, incredible

  • woah she mustve practised sotes and pas de chats millions in order to get such height. awesome

  • As far as Iam concerned, nobody can turn into a Wili as well as Osipova!

  • Actually, I think Lopatkina does this even better! But Osipova's jumps are reallly amazing.

  • holy crap o_____O

  • Apparantly becoming a willi has tremendous health benefits! ;)

  • I saw her last night and she danced brilliantly, even faster than she does here.

  • I will see her tomorrow!! so excited!!

  • Amazing!!!She's much better in the second act

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  • She's technically perfect!

    (Altough I believe she's not the perfect 2-nd act Giselle, Don Quixotte is HER role).

  • She isn´t jumping-she´s flying!

  • Such a powerful performance. Amazing - it really seemed like she was in the process of being awakened.

  • Woah! I have only recently discovered her and her speed is amazing! What a stage presence too!

    It's not all that common to have the audience applaud during the middle or portions of a performance. However, here, it is well deserved! Bravo!

  • She jumps as if she had wings! Great JOB! Absolutely beautiful!

  • omigosh!!!beautiful!!!!!!i got goosebumps watching this. she makes such a wonderful giselle!

  • I though the music was a bit slow for such a dramatic entrance... Osipova rocked it though! She seemed to manilpulate the music to her speed... Awesome!

  • since i see osipova in this variation i told my teacher: hey i wanna dance the variation of giselle changing into a willi and she say me but its a little difficult and i say well if i want to become as beautiful and amazing as osipova ill should try no?? even though i dont have the body a person will wish a ballerina to have.

  • isnt gorgeous that the roles natalia has danced are very different from other interpretations of other ballerinas she gives her own specially touch to her kitri to her giselle to her aspicia to her ramzee she doesnt seem to be the same in all of her interpretations it seems af if you change her in every role but she never forgets her technique and her magnificient stage prescence!! love osipova!!!and yes applause is a little annoying but if i go to watch osipova ill be clapping all the time.

  • ur right. she has her own unigue style 2 everything! she is my favorite dancer

  • She is so great! so so great! she is flying!

  • love the costumes of the bolshoi specially this dresses and osipova is gorgeous love this variation with her

    beautiful

  • Wow,the turns were amazing and her jumps are really like flying.

    Nice to watch!!!

  • I saw this live. Very good. I noticed mistakes, but thats because I am a dancer. I'm not sure who was the cast. But I did see the Moscow ballet live.

  • Beautiful!!!!! She has great jumps!

  • WOW! She makes it look like ANYONE can do that!

  • This was always one of my favourite entrances into an act and she does it beautifully.

  • Amazing! She moves with such ethereal grace; and in her jumps she lands silently and springs up again, like her feet never touched the floor. Love it!

  • Wow, her feet barely even touch the stage. She truly looks as though she is flying. I love it!

  • awesome...no words to describe it. although i like Cojocaru also!!

  • the hopping turns are unreal; she looks just like a wili!

  • So take that amazing power of hers and temper it, culitvate it, harness it...and then you have this totally new level of what a Wili can be!!! Apparently she CAN do it ALL, Fabulous!

  • Oh my GOSH, she's amazing. Unearthly, indeed.

  • she absolutely flies across the stage!!!!

  • e la madonna!

  • Wow! Those hopping turns were so fast!

  • Maravillosa!Has ido un placer ver los tres videos.

    (Sus brazos son eternamente bellos)

  • Very nice! I only wish her tombe coupe jetes at the end where a little slower...would go better with the music... but other wise, VERY NICE!

  • Grazie, la trovo splendida.

  • i hate applause in the middle of the dance. it erduces the show into a circus act.

    she has a distinctly personal interpretation of giselle, chapeau!

  • annamicro mi sa che hai ragione... natalia è proprio una bella giselle!

  • Che meraviglia! L'ho vista a Torino ed è stata emozionante. Grazie Annamicro! non ne carichi un altro pezzetto?

  • Giselle goes towards Myrtha, who touches her with her branch of rosemary; the shroud falls off and Giselle is changed into a Wili. Her wings grow and unfold. Her feet skim the ground. She dances, or rather darts, into the air like her graceful sisters, joyfully recalling and sketching the steps which she danced in the first act, before her death.

    Cyril Beaumont, from "The ballet called Giselle"

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