Look to this for ideas, to keep it in the low brass rewrite the French horn and trumpet parts to be for the baritone and trombones. Split the trombone section into 2 or 3 sections(bass, midrange[8th notes] and solo) and double the solo to boost it's sound. Have the tubas start off first then add sections in throughout the song progression. Keep building the tension then cut off everything at once. If you have any let the low-reeds play along with the tuba melody.
Look to this for ideas, to keep it in the low brass rewrite the French horn and trumpet parts to be for the baritone and trombones. Split the trombone section into 2 or 3 sections(bass, midrange[8th notes] and solo) and double the solo to boost it's sound. Have the tubas start off first then add sections in throughout the song progression. Keep building the tension then cut off everything at once. If you have any let the low-reeds play along with the tuba melody.
Have you actually written the piece out? The rhythms between sections and within the sections themselves were horrible. I'm not
trying to rag on you guys but it would really help to hold a few sectionals to rehearse and look over music. It would also help to bring out the 3rd parts and the trombone/baritone solos. It's an awesome piece, it just needs some work.
Yeah. In the way of rehearsing it, I say take the melody from the tubas onto the trombones/similar. That way, tubas provide the heavy pulse, and the numbers of trombones really brings out the melody that makes this so cool.
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Look to this for ideas, to keep it in the low brass rewrite the French horn and trumpet parts to be for the baritone and trombones. Split the trombone section into 2 or 3 sections(bass, midrange[8th notes] and solo) and double the solo to boost it's sound. Have the tubas start off first then add sections in throughout the song progression. Keep building the tension then cut off everything at once. If you have any let the low-reeds play along with the tuba melody.
In my band we also have a Tuba
treeskyearth 8 months ago
Look to this for ideas, to keep it in the low brass rewrite the French horn and trumpet parts to be for the baritone and trombones. Split the trombone section into 2 or 3 sections(bass, midrange[8th notes] and solo) and double the solo to boost it's sound. Have the tubas start off first then add sections in throughout the song progression. Keep building the tension then cut off everything at once. If you have any let the low-reeds play along with the tuba melody.
In my band we also have a Tuba
treeskyearth 8 months ago
Have you actually written the piece out? The rhythms between sections and within the sections themselves were horrible. I'm not
trying to rag on you guys but it would really help to hold a few sectionals to rehearse and look over music. It would also help to bring out the 3rd parts and the trombone/baritone solos. It's an awesome piece, it just needs some work.
treeskyearth 8 months ago
Yeah. In the way of rehearsing it, I say take the melody from the tubas onto the trombones/similar. That way, tubas provide the heavy pulse, and the numbers of trombones really brings out the melody that makes this so cool.
ResidentCody1 1 year ago
eww man... its a good fanfare and its okk to do it as a low brass but you guys need to rehearse it...
3LRoLo 1 year ago
Alex... hehe
pEtecrayzy 2 years ago
shit
pimpreaper 2 years ago
wow......horrible lol
Alex had his horn pointed to the ground lol
at least you played your horns last year
DrStrangefate 2 years ago