@yarpyarp85 Cheers man! I am a lot better at this song now, I am doing a live recording of this and a piano trio version of Four by Miles Davis in a few days for college, if you want to hear them
nice swing feel in the melody! maybe experiment with some different voicings for the left hand - the ones you are using are good, but try doing some sparser voicings sometimes or playing around with them until you find some more that you like!!
@geoffpeterstrio I appreciate the feedback - these are just using the standard rootless voicings with 9ths and 13ths. Do you have any suggestions for sparse voicings? Everytime I try new shapes, they sound too empty, or clash too much. I am learning "Misty", lots of major 251s, but at a slow speed it is really apparent that my chords don't really change texture wise.
@RobDerbyCollege no problem! you can just play the third and 7th in the left hand... or the root and third.... I also like doing clusters or chromatics. check out "bud powell voicings" on google and also The Jazz Piano Book by Mark Levine. :) cheers -G
@geoffpeterstrio haha... yes I have just started that book, that's where I got the 9/13 voicings from! (strange how you learn those before the 3/7 shapes...) I am playing "Misty" with a singer now, so I am trying some sparser voicings so as not to dominate the sound and be "muddy". I'm still trying to see what sounds I like but I uploaded a little demo, using 7ths in the left hand. So much to learn... ;)
NIce, sure man id love to hear em.
yarpyarp85 1 year ago
sound nice.
yarpyarp85 1 year ago
@yarpyarp85 Cheers man! I am a lot better at this song now, I am doing a live recording of this and a piano trio version of Four by Miles Davis in a few days for college, if you want to hear them
RobDerbyCollege 1 year ago
nice swing feel in the melody! maybe experiment with some different voicings for the left hand - the ones you are using are good, but try doing some sparser voicings sometimes or playing around with them until you find some more that you like!!
keep up the music :) all the best,
Geoff
geoffpeterstrio 1 year ago
@geoffpeterstrio I appreciate the feedback - these are just using the standard rootless voicings with 9ths and 13ths. Do you have any suggestions for sparse voicings? Everytime I try new shapes, they sound too empty, or clash too much. I am learning "Misty", lots of major 251s, but at a slow speed it is really apparent that my chords don't really change texture wise.
Thanks
RobDerbyCollege 1 year ago
@RobDerbyCollege no problem! you can just play the third and 7th in the left hand... or the root and third.... I also like doing clusters or chromatics. check out "bud powell voicings" on google and also The Jazz Piano Book by Mark Levine. :) cheers -G
geoffpeterstrio 1 year ago
@geoffpeterstrio haha... yes I have just started that book, that's where I got the 9/13 voicings from! (strange how you learn those before the 3/7 shapes...) I am playing "Misty" with a singer now, so I am trying some sparser voicings so as not to dominate the sound and be "muddy". I'm still trying to see what sounds I like but I uploaded a little demo, using 7ths in the left hand. So much to learn... ;)
RobDerbyCollege 1 year ago