This is a wonderful scene. the new york philharmonic has just performed this over the last few days and when i first heard this finale i was so moved. It has been a pleasure to hear this finale again and again for the last few nights. This is a great video
Almost every rejoinder is a small joke or racy curse so I have the time of my life during reading of the libretto but it is difficult to translate it (and my English isn't good). For example:
PARSON: Non des mulierti corpus tuum!
FORESTER: Čerta rozumím! Kdyby to byla aspoň myslivecká latina! (Hell I understood! If would be at least the huntsman latin!
Huntsman latin is 1. Huntsman terminology 2. Huntsman stories told with extensive exaggeration.
Almost every rejoinder is a small joke or racy curse so I have the time of my life during reading of the libretto but it is difficult to translate it (and my English isn't good). For example:
PARSON: Non des mulierti corpus tuum!
FORESTER: Čerta rozumím! Kdyby to byla aspoň myslivecká latina! (Hell I undersood! If would be at least the huntsman latin!
Huntsman latin is 1. Huntsman terminology 2. Huntsman stories told with extensive exaggeration.
Maybe will be interesting for you that the libretto of this opera is written in dialect. Not exactly "pure" Haná dialect but by common speech which is spoken north of Brno and which is mix of the standard Czech with Haná dialect.
One the most moving scenes from all 20th century opera!
Janacek just has to be the most underated opera composer of the last century. To think when i was a student ( in late 60's early 70's)i went to peformances of his operas with row upon row of empty seats.Even at Covent Garden when Sylvia Fisher sang Kostelnicka so magnificantly there were loads of empty seats.
Thanks to Charles Mackerras and others Janacek operas have now become loved world wide.
I cried listening to this. I've raised my kids on this music it's masterful. true art to pull at ones heart the way it does. I feel after listening to the grand finale like a great burden has somehow been lifted off me. transcendent is the word I'd use as well.
"What y-y-you think you're seeing is n-n-not me, it's m-m-my grandpa"
kicyro 6 months ago
Comment removed
IndIanOfficial 7 months ago
Comment removed
IndIanOfficial 7 months ago
This is a wonderful scene. the new york philharmonic has just performed this over the last few days and when i first heard this finale i was so moved. It has been a pleasure to hear this finale again and again for the last few nights. This is a great video
IndIanOfficial 7 months ago
This has been flagged as spam show
Almost every rejoinder is a small joke or racy curse so I have the time of my life during reading of the libretto but it is difficult to translate it (and my English isn't good). For example:
PARSON: Non des mulierti corpus tuum!
FORESTER: Čerta rozumím! Kdyby to byla aspoň myslivecká latina! (Hell I understood! If would be at least the huntsman latin!
Huntsman latin is 1. Huntsman terminology 2. Huntsman stories told with extensive exaggeration.
traplican 1 year ago
Almost every rejoinder is a small joke or racy curse so I have the time of my life during reading of the libretto but it is difficult to translate it (and my English isn't good). For example:
PARSON: Non des mulierti corpus tuum!
FORESTER: Čerta rozumím! Kdyby to byla aspoň myslivecká latina! (Hell I undersood! If would be at least the huntsman latin!
Huntsman latin is 1. Huntsman terminology 2. Huntsman stories told with extensive exaggeration.
traplican 1 year ago
Maybe will be interesting for you that the libretto of this opera is written in dialect. Not exactly "pure" Haná dialect but by common speech which is spoken north of Brno and which is mix of the standard Czech with Haná dialect.
traplican 1 year ago
moravian language exactly it is so nice hear and understand XD am fascinating thank you NY
polukin 6 months ago
One the most moving scenes from all 20th century opera!
Janacek just has to be the most underated opera composer of the last century. To think when i was a student ( in late 60's early 70's)i went to peformances of his operas with row upon row of empty seats.Even at Covent Garden when Sylvia Fisher sang Kostelnicka so magnificantly there were loads of empty seats.
Thanks to Charles Mackerras and others Janacek operas have now become loved world wide.
BritinIsrael 1 year ago
Guess, main reason, why is Janacek`s music so touching - he is never sentimental...he is cruel or sensitive, but always true...like life...
I love him...
salpetr 1 year ago
One of the greatest scenes in all of opera!
billyguns2 2 years ago
Count me in as another listener who gets misty-eyed over this final scene!
platero55 2 years ago 3
I cried listening to this. I've raised my kids on this music it's masterful. true art to pull at ones heart the way it does. I feel after listening to the grand finale like a great burden has somehow been lifted off me. transcendent is the word I'd use as well.
freakylittlegnome 2 years ago 3
I can't listen to this too much-- it's actually too beautiful. It kills me every time.
drtmuir 2 years ago
There is simply no greater or more luscious or more inspired sequence in all of twentieth-century opera.
grig035 3 years ago 5
Hear, hear. The magnificent, transcendent conclusion never fails to move me to tears.
balanchinemachine 2 years ago
Stunningly beautiful.
sidecars 3 years ago 3
i was in the opera northern ireland production when i was a kid
brings back memories...amazing music
kevycanavan 3 years ago
Is this Thomas Allen and Sir Charles Mackerras?
grig035 3 years ago
Oh yes :-)
CzarDodon 3 years ago