It's pieces like this that remind me how much of a genius Debussy was. On the whole, his music has too many moments of sentimental, turn-of-the-century Parisian salon music for my liking or sounds aimless, but then he blows my mind with other pieces like this one which I believe will sound modern even in 1000 years.
That's because Clair De Lune has been turned into that because of it's popularity unfortunately. if it hadn't then it would seem as ethereal and dreamlike as the rest of them
@NewComposer01 Actually, I still like Clair de lune despite its popularity--I do think it's that good. But I find many other pieces by him just a little too sugary, like he's selling out, or, in other cases, lacking in identifiable forms, though the latter point is probably more just that I prefer forms and patterns to dream-like effusions, usually.
Many interpretations of this piece are too fast in my opinion., but Michelangeli is the best interpreter of Debussy's music. Some of the best music I have ever had the privilege to hear in my whole life. Any recommendations of CDs of his glorious playing?
Compare with Gieseking's RADICALLY different, and I think my still favorite interpretation. This version is great, of course, even though he's wearing that silly shirt-belt.
I was told that Debussy wrote that one after he visited the Exposition Universelle et Internationale in Paris were he listened to a lot of oriental stuff. He noticed, that the asian music often uses these whole-tone-scales and penatonics so he used them and carried them on the piano to keep the impression of the experience he had there. Now that's genius, isn't it?
@FRENZ1993 Very interesting, but because of all the impressionist imagery associated with this music, all I imagine are scenes of belle époque era France, nothing oriental for me.
Robin Hood and Prince Ironheart on the piano. I think there's no chance to overcome Michelangeli .... he is the champion in the Debussy area. What he invested in this music, benfits him !
woah i came here because of the wikipedia article on kind of blue and you can hear so much of bill evans in this intro (actually i guess it's you can hear so much of this intro in bill evans)
....if I may, listen (look if you can) to the opening piano noodling on "So What", it's those moving blocks chords straight outta Debussy..............
yeah i know that's what i was referencing, the wikipedia article i was at mentioned that that intro had bits which were in reference to this piece or whatever and i had never heard the piece so i came to listen to it and i immediately heard the connection
I really like this piece. I play it a bit faster. While I really like the clarity and musicality of Michelangeli's playing, I find he uses rubato a bit too freely. After all, this is impressionism. And are the grace notes really supposed to sound like that?
Obviously you dont speak French. Dans un rythme sans rigueur et caressant means in rhythm, without harshness and affection. What are you mad? Learn French before you go about mistranslating it.
Debussy wanted Voiles to have an ethereal, enigmatic quality. By adding in excess emotion via fluctuations in tempo, the subdued anxiety caused by the ever-persistent, insisting rhythmic elements that define this piece is lost in a blur of tastelessness.
It says without rigor, if you want to translate the Latin routes directly.
Rigor implies sternness (of tempo) which this piece shouldn't have. That's why it's in the TEMPO MARKING. Caressant translates more directly to "cherishing" - which I interpret as "caring" - it's the same thing. Your cares fade as you sail. Debussy is telling you that when you are lost on the water, time is different. This isn't emotion. It's sailing. You should imagine what it's like to sail the Seine with Debussy.
Dans un rythme SANS rigueur et CARESSANT means: you don't need to be rigorous with the rhythm and you must play it caressly (sans rigueur: without rigor - caressant: with caress).
I close my eyes and see a bay so brightly lit that it creates a veil of light shimmering and blurring my vision creating that ever escaping sense of mystery in the piece. Michelangeli plays this amazingly. One of my Favorites!
we see Danseuses de Delphes because it's the title of the previous prelude. Debussy wrote the titles of the preludes at the end of the pieces (in order for the listener/player) to see whether the images evoked were the same as the given title.
The pianist had just finished playing Danseuses de Delphes and that's why we see that title.
There have been very few people who have lived through their music to the extent that Michelangeli did. These performances are extra-clasic. Thanks greatly for making these available for our ears, and eyes.
And musical criticism does not consists of denigrating every performance on Youtube. I swea, some people would bash Bach playing his own works. These live performances are not "cleaned up" as in studio.
ev
alextadeo97 2 months ago
valla mierda
alextadeo97 2 months ago
It's pieces like this that remind me how much of a genius Debussy was. On the whole, his music has too many moments of sentimental, turn-of-the-century Parisian salon music for my liking or sounds aimless, but then he blows my mind with other pieces like this one which I believe will sound modern even in 1000 years.
MaestroTJS 2 months ago
@MaestroTJS
That's because Clair De Lune has been turned into that because of it's popularity unfortunately. if it hadn't then it would seem as ethereal and dreamlike as the rest of them
NewComposer01 1 month ago
@NewComposer01 Actually, I still like Clair de lune despite its popularity--I do think it's that good. But I find many other pieces by him just a little too sugary, like he's selling out, or, in other cases, lacking in identifiable forms, though the latter point is probably more just that I prefer forms and patterns to dream-like effusions, usually.
MaestroTJS 4 days ago
Many interpretations of this piece are too fast in my opinion., but Michelangeli is the best interpreter of Debussy's music. Some of the best music I have ever had the privilege to hear in my whole life. Any recommendations of CDs of his glorious playing?
TheShredworthy 6 months ago
technique 10 nothing to say... perfection is reached
Valerio2991 8 months ago
Compare with Gieseking's RADICALLY different, and I think my still favorite interpretation. This version is great, of course, even though he's wearing that silly shirt-belt.
petezilla 1 year ago 2
@petezilla I think his outfit is awesome!
gallowswood 6 months ago
I was told that Debussy wrote that one after he visited the Exposition Universelle et Internationale in Paris were he listened to a lot of oriental stuff. He noticed, that the asian music often uses these whole-tone-scales and penatonics so he used them and carried them on the piano to keep the impression of the experience he had there. Now that's genius, isn't it?
FRENZ1993 1 year ago
@FRENZ1993
Yes, he´s indeed as genius as i am ;)
2fat2die 1 year ago
@FRENZ1993
Yes, he´s indeed as genius as i am ;)
2fat2die 1 year ago
@FRENZ1993 Very interesting, but because of all the impressionist imagery associated with this music, all I imagine are scenes of belle époque era France, nothing oriental for me.
saintsaens21 1 year ago
Great VDO
tongbunsing 1 year ago
he kinda looks like david carradine on Kill Bill
richclayderman 1 year ago
Great recording. Thanks for uploading.
TibbsTV 1 year ago
Thanks for uploading!
Suwandi 2 years ago
wonderful
cancakmur 2 years ago
Sans rigueur. Yeah, teach them!
fabiolima4060 2 years ago
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eso es Horrible, ese pianista No lo sabe tocar bién, se adelanta en los tiempos muy feo. >:(
TheProGunz2 2 years ago
Pero eso es lo especial en la musica impresionista
tim1504 2 years ago
peeeeerdon??????????
enagyb 2 years ago
Robin Hood and Prince Ironheart on the piano. I think there's no chance to overcome Michelangeli .... he is the champion in the Debussy area. What he invested in this music, benfits him !
aladinschneider 2 years ago
woah i came here because of the wikipedia article on kind of blue and you can hear so much of bill evans in this intro (actually i guess it's you can hear so much of this intro in bill evans)
a3886 2 years ago
....if I may, listen (look if you can) to the opening piano noodling on "So What", it's those moving blocks chords straight outta Debussy..............
BeauJames59 2 years ago
yeah i know that's what i was referencing, the wikipedia article i was at mentioned that that intro had bits which were in reference to this piece or whatever and i had never heard the piece so i came to listen to it and i immediately heard the connection
a3886 2 years ago
If you like this, I encourage you to get all 24 (2 books of 12) Preludes, there's a whole universe of music in 'em.....
BeauJames59 2 years ago 4
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Needs more cow bell.
ellhow 2 years ago
I like the start - you can really hear the influence on "So What" - Miles Davis (Kind of Blue)
moley1390 2 years ago 2
I really like this piece. I play it a bit faster. While I really like the clarity and musicality of Michelangeli's playing, I find he uses rubato a bit too freely. After all, this is impressionism. And are the grace notes really supposed to sound like that?
TheFetusWillEatUs 2 years ago 3
He's carving space with Sound.
Neilhoven 2 years ago 29
this piece sounds like a bad dream, its so obscure. i like other pieces by debussey but this one is just bit too weird for me
oberon06 2 years ago
That's the magic of the whole tone scale. Except for that glorious middle section.
ClassicalGuitarBlog 2 years ago 23
Comment removed
AlexB1001 2 years ago
@ClassicalGuitarBlog the middle section is pentatonic i believe
iMustMakeMusic 1 year ago
@ClassicalGuitarBlog wow your so genius you can identify types of scales
bilda2 1 year ago
@bilda2 It's easy to ear the whole tone scale... I don't know if he's a genius or he doesn't, but you can't say that for this.
The scale at the middle is the pentatonic scale in Eb minor, i.e. the black keys of the piano.
Beautiful piece, my Debussy's favourite!
cannelloni99 1 year ago
@cannelloni99 Gb Penta
honchunfung 11 months ago
@honchunfung
e flat minor pentatonic.
looney1023 11 months ago
@cannelloni99 I think it's a D-flat SP
honchunfung 11 months ago
I like this better than Clair de Lune..
Well played;)
GranBag92 3 years ago 3
Neither major nor minor, whole tone scale. There's alot of space for interpretation, the music is very misty.
florenzblueice 3 years ago 2
There's way too much rubato for my taste. I find the piece to have more power if the tempo is steady and relentless even at a small dynamic.
coasterman16 3 years ago
Obviously you don't read French.. a danse without care translates to strict tempo for you? what are you, mad? Read the score sometime!
Sviolinist 3 years ago
Obviously you dont speak French. Dans un rythme sans rigueur et caressant means in rhythm, without harshness and affection. What are you mad? Learn French before you go about mistranslating it.
Debussy wanted Voiles to have an ethereal, enigmatic quality. By adding in excess emotion via fluctuations in tempo, the subdued anxiety caused by the ever-persistent, insisting rhythmic elements that define this piece is lost in a blur of tastelessness.
coasterman16 2 years ago 4
It says without rigor, if you want to translate the Latin routes directly.
Rigor implies sternness (of tempo) which this piece shouldn't have. That's why it's in the TEMPO MARKING. Caressant translates more directly to "cherishing" - which I interpret as "caring" - it's the same thing. Your cares fade as you sail. Debussy is telling you that when you are lost on the water, time is different. This isn't emotion. It's sailing. You should imagine what it's like to sail the Seine with Debussy.
Sviolinist 2 years ago 4
Obviously, you know exactly how the man wanted that piece to be played.
Are you his friend?
KhanShin 2 years ago
Dans un rythme SANS rigueur et CARESSANT means: you don't need to be rigorous with the rhythm and you must play it caressly (sans rigueur: without rigor - caressant: with caress).
esojbar 2 years ago
whole tone scale ;)
guitar2adam 3 years ago 5
C'est ... superbe
mynippon 3 years ago
Magnifique. Master.
Merci, Penny
pennymusicMAma 3 years ago
I close my eyes and see a bay so brightly lit that it creates a veil of light shimmering and blurring my vision creating that ever escaping sense of mystery in the piece. Michelangeli plays this amazingly. One of my Favorites!
toneeeeeee 3 years ago 6
He has a funny haircut:)
viharrad 3 years ago 5
haha.. so I noticed
bopswave 3 years ago
On sait que ça existe, et pourtant, quand on le voit, on a du mal à y croire... Stupéfiant !
Lillars 3 years ago
Jamais entendu des tierces aussi douces...
Lillars 3 years ago 2
The title of the video says Voiles, but in the intro we read Danseuses de Delphes. Which one is it?
musicdivinemusic 3 years ago
Voiles
laurihippelainen 3 years ago 3
we see Danseuses de Delphes because it's the title of the previous prelude. Debussy wrote the titles of the preludes at the end of the pieces (in order for the listener/player) to see whether the images evoked were the same as the given title.
The pianist had just finished playing Danseuses de Delphes and that's why we see that title.
llesmeiriol 3 years ago 6
There have been very few people who have lived through their music to the extent that Michelangeli did. These performances are extra-clasic. Thanks greatly for making these available for our ears, and eyes.
galaxyrainguy 4 years ago 2
Impresionante.. compren los CD de preludes en Deutsche Gramophon
enagyb 4 years ago
Absolutely brilliant...
Brennen000 4 years ago
Illuminations... (that's why the titles appear at the end)
Krachen 5 years ago
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any conservatory student can play it as well
lmnop2006 5 years ago
This is a most ridiculous comment
Alessandro1985 5 years ago
I guess that's why all conservatory students are famous pianists, right?
tranquilasadove 4 years ago
dayum straight
awatkins69 4 years ago
... indescribable
juancillo 5 years ago
And if my monkey learns to "play" the piece, you'll say it's "as well"? Music is not a question of virtuosity.
nico1978nico 4 years ago
And musical criticism does not consists of denigrating every performance on Youtube. I swea, some people would bash Bach playing his own works. These live performances are not "cleaned up" as in studio.
smb12321 4 years ago 6
Magic...
TheChromiumDragon 5 years ago