Added: 4 years ago
From: Edreno
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  • Madeuf et al with their natural trumpets are incredibly bold and it's admirable. But I can't help thinking I'm willing to sacrifice a bit of historical authenticity for the sake of intonation. There's an especially sour chord in 0:18 and it's just unpleasant to hear. Maybe when they've truly mastered herunterreiben they should use them, but for now, I think I'm in favour of vent holes.

  • Lovely cantata but i prefer bigger choir in this opening chorus.

  • Comment removed

  • the instruments, when they are confonted with a regular choir, they switch back a bit. but with the soloists they feel on equal footing.

  • Wunderbar!

  • Really lovely. Do you have the whole cantata? If so, I would love you to post the soprano aria Jesu deine gnaden blikke please.

  • tout y est ...sauf le chœur ! non pas que le quatuor ne donne pas une très bonne interprétation mais jamais Bach n'écrit le chœur d'entrée de la cantate BWV11 pour des solistes, ce choix de Kuijken est un choix purement arbitraire qui tient d'un idéalisme esthétique de salon et ôte à ce chœur d'entrée une grande partie de sa force suggestive

  • This is how Bach intended his choral music to be performed! Now get your facts straight and stop calling Kuijken ridiculous!

  • @richie132 Study. All that's left is to study. About Bach, is life and is work. If you not a ignorant , you knew of the existence of a letter by Bach send to the board of St.Thomas church in 23 August 1730, when he explains how the interpret his music. Anything that makes Kuijken. gustav Leonhardt laughed him. Kuijken is more that ridiculous, is a idiot.

  • @GBADCD well I would not dare to say, that he is an Iditot or ridiculous!!!! There's evidence, for both positions! So maybe Bach used just 4 singers in the "normal" sunday cantatas and more on festive days? How about that? And so far a choir with 30 people are also not what Bach had in his mind. He had also not more than 3 singers per voice! And also Bach didn't use 12 violins! So concerts by Herreweghe or Koopman sound nice but really historical I wouldn't call them too!

  • @richie132 And if you want to hear excellente performance of the "Himmlfahrts Oratorium" buy a CD of Herreweghe and Gustav Leonhardt. Now that's BACH.

  • Awesome. I really enjoyed the period instruments. Trumpets were the best. Great job!

  • thanks so much! Sophie has such a great voice (went to her web page).

  • You can see on youtube "Sophie karthäuser -Céphale et Procris- (Grétry).The youtubesound ist not very good, but Sophie is wonderful (from the DVD "la petite musique de Marie-Antoinette" by Olivier Simonet, 2006, Armide)

  • Who is the soprano?

  • the soprano is Sophie Kärthauser

  • Interessant! - Während wir mit etwa 60 Sängern das Werk gemeistert haben, ist hier pro Stimmlage nur eine Stimme zu hören. -

    Wunderbar! - Bravo! - Eine wohl gelungene darbietung! :-)

  • In terms of Susan Boyle phenominen, I keep looking for 'ordinary' looking but talented musicans, but where are they?

    The irony is that Bach was fairly average looking. Fact is the lookism machine is still choosing and discriminating against ordinary folk and this detracts from this otherwise wonderful music expose.

  • another wonderful performance....resonance excellent with spatial sense but no annoying echo.....like this very much....thank you edreno.....

  • Was denn, noch kein deutscher Kommentar ? Das lässt sich ändern, Himmelfahrtsoratorium kannte ich noch nicht, hört sich aber gut an.

  • Ich hab das schon mal mitgesungen, es ist wirklich sehr schoen...

  • Logisch es gibt kein Worter für dieses himlisch schöne Musik.

  • The Baroque Trumpets unlike most modern day baroque trumpets have no vent holes !!! Amazing !!!

    ...i wonder if these are "original instruments"

  • @PeriodinstrumentfaN Hi! I don't know exactly what instrument was used by Thibaud Robinne (1st trumpet) but Jean-Francois Madeuf used in the first part of the concert (Ch.P.E.Bach) his copy of an english natural trumpet by Graham Nicholson (the one in this extract is one of his many trumpets, but he also plays sometimes an original instrument from 1st half of 18th century) Nicholson himself as 3rd trumpeter in this recording plays one of his own copies.

  • the marvelous music of all the world...

    thank you so much...

  • Nicely done. Thank you for posting this video.

  • i thank you so much for the beautiful video.

    it contains the most marvelous music for me.

  • Hahah it sucks ,i searched this cuz my music teacher will ask me for the Oratorium and i dident know what it means haha lol >!

  • u sould start to listen much more muzik like that and u wil discover new senses of u`r life.enjoy with classical muzik:)

  • In our choir weé singing lobet gott in seinen reichen. it´s so much fun. i love that song ;)

  • 4th singer from the left is my uncle ! =D

  • I sung the Evangelium part in this cantata last year in my school baroque weekend,,, it was soooooo much fun!

  • funny that Sigiswald Kuijken is family of mine

  • I was there.

    Fastastic.

  • Note that all 3 on trumpet use natural trumpet without vent holes!

    The trumpet players are: Thibalut Rhone 1st, Jean Francois Madeuf 2nd and Grahamn Nicholson 3rd.

  • One of the guys next to the cello-at around 1:45 is playing an instrument that is fretted like a gamba but with four strings like a cello. The bassist is also playing a similar instrument. I can understand this with the bass, as it is from the viol family, but what is that cello-with-frets thing?

  • extraordinary !

  • My favorite cantata!

  • Awesome performance! Thanks for posting it.

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