Added: 3 years ago
From: transformingArt
Views: 4,086
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  • Please fix the pitch. She sounds like Minnie Mouse!

  • Check speed. It plays one whole tone higher. (B-flat instead of A-flat)

  • Non è possibile che questa sia la velocità originaria!!! Secondo me deve girare a 73-72, si abbasserebbe di un tono e non avremmo questo effetto scoiattolo. La voce non è nemmeno parente di quella dell'Alfredo, Alfredo del II atto

  • Perfect! Let others learn how this needs to be sung, so people won't think so bad of opera!

  • Wonderful! Thanks for posting it!

  • Great control, trill and brio.

  • I greatly admire her fire! Most sopranos today are way too deliberate--for my taste. She sings with abandon, much like the two Galvanys.

  • @gmmix I completely agree. I looked forward very greatly to Georghiu taking on the role only to be greatly disappointed. It was opera by the numbers. No thrill, no excitement, nothing to get lost in.

  • Lilli Lehmann was born five years before the world première of La Traviata in 1853.

  • A great voice! A voice like hers is only one in each generation!

  • Brilliance and spontaneity that is missing in ALL the sopranos on the operatic stage TODAY. The trill is excellent and also unheard of today.

  • It sounds like it's being played a little too fast. Does the tone warm up when slowed down?

  • It is definitely too fast, because it's a tone too high (if they didn't record it in a higher key...)

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