Added: 5 years ago
From: ididjaustralia
Views: 17,886
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  • sounds like "blanasi the bomb" cool ha haaaaaa

  • @johnscottartist he sure does! hey how did u know about blanasi? just added u as a friend :)

  • @ididjaustralia

    I spent time "listening" to certain areas of our country, places rarely seen, his music found its way into my own collection during that period, so I saw a connection like a synchronicity, the land "is" music it's just people can't hear it. His yirdaki talks as yours does. I spent many years just walking the bush and re connecting to something very, very, ancient. David's playing was unique as yours is, and I felt that he "knew" more than people are saying.

  • @johnscottartist cool story buddy, thanks for sharing! all the best n peace!

  • @RobSchneeberger....well, for one, the oxygen deprivation from playing long periods is a natural high!

  • don't see how playing one of these could be fun, someone please enlighten me...

  • sounds like a drunk robot

  • Reboo RithmBroo Reboo RithmBroo RithmBroo Reboo...!!! :)))

  • Yadaki, I am not familiar with tis term, a didgeridoo? I am all ears this is beautiful.

    I have just starting playing, and this 'growl' you speak of, is definitely new to to these ears... Thank you for sharing!

    -Much love,

    `Habitat Shaman

  • is this the tour mago of 2007 ?

  • brilliant

  • thats good stuff, if you close your eyes you can almost see david. good use of growls and twangs

  • man is he sweaty, he must REALLY work hard for what he does! :)

  • Good sounds mate.

  • You can hear the Master there somewhere....

  • sure can!

  • Yes most westerners don't understand the 'growl' that makes the sound.

  • nice sound!

  • This is very advanced stuff.

  • Very nice. I love the syncapated bits, and the humming really comes through nicely!

  • Wonderful Mago!! Darryl does an excellent job! Thanks for posting this Guan!

    Vern from Michigan

  • Happy you are happy! Thanks for the nice words!

  • Hi Guan,

    thanks for this and other clips. I am more than happy that you have included some mago clips.

    Darryl doesn't mention using voice/voice hums while playing mago in his CD. I am clad that you mention this at your pages conserning this instrument. I think using voice is very natural part of playing mago - one forgets to mention basics.

    Anyway I am just happy that you happened to mention this.

    Thanks again mate,

    Tuomas

  • And because it is so basics I forgot to mention I ment the hums in Mor part of a basic Di Ta Mor rythm.

    Tuomas

  • You can use the hums in other parts of the basic Di Ta Mor patterning to create more interesting effects too!

  • Yup, the vocal hums are important to mago style!

  • Is it possible to play this technique on a Yidaki?

  • It is possible but it won't sound as good. A bit like playing classic guitar songs on an electric guitar.

  • Mago sound purely... I could listen for hours!

    Many greetings from cold Switzerland!

  • Pure magic!

  • great playing, is that an ambrose cameron mago?

  • Yup, sure is an Ambrose Cameron mago. Ambrose was one of the most consistently brilliant mago makers of his time. He had it down to a fine artform and made many top top pieces. Sometimes he made lesser instruments, probably for fast pocket-money, but if you can get one of his high-powered sticks, do so because they are worth it and increasingly rare. We have several in the iDIDJ Reference Collection, and maybe it is time to let some go, so stay tuned...

  • Thanks for this nice videos Guan! One thing drawing my attention is that even when he tries to emulate Blanasi style, it is clearly different I think..interestingly nice..

  • Yes, everyone is different in their playing. Even when Larry Winiwini tries to emulate his father Djalu, one can hear distinct differences. It might comes down to subtle anatomical differences... different shape lips, different size of the oral cavity, different tongue dexterity etc.

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