Added: 1 year ago
From: corksmusic1
Views: 574
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (7)

Sign In or Sign Up now to post a comment!
  • 3:06

  • 2:40

  • All these bridging passages are so good!!!! so much to learn

  • exciting, reminds me of bach in many ways, hay-bach :D but its haydn very choon

  • I generally treat sonata form pieces on the basis that they are 'two part' expositions in order to keep things simple; but I agree that mention should probably be made in this case that this is an example of a 'continuous exposition'. There is no 'real' second subject and obviously no MC but I still feel that continuous expositions have a 'flavour' of second themes at their basic root - I might be completely wrong and may change the visuals yet. Any comments would be appreciated

  • Thanks for uploading. Interestingly, Hepokoski and Darcy (_Elements of Sonata Form Theory_, OUP, 2006, p.52) analyze this movement differently, calling it the "locus classicus" for what they call a "Continuous Exposition," which has no Secondary theme. What you label as the Second Group theme, they would say does not count as a legitimate S theme since it is not articulated cadentially (what they call a "medial caesura" (MC)). I imagine they would call it thematic modular link.

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more