He also added, to his credit, octaves and double stops and double stop bends, which I believe are covered in other lessons, to his solo at the end of the video. Very cool, melodic and has great feeling.
He also added, to his credit, octaves and double stop bends, which I believe are covered in other lessons, to his solo at the end of the video. Very cool, melodic and has great feeling.
This guy knows what he is talking about. I would like to add that if you know the pentatonic and its relative, there are not many notes you can't hit. If it sounds good, then its right. Check out a song with a 2 minute guitar solo by Curtis Mitchell, "Play'n Rock'n Roll". He is all over the neck
I love beefcakejcc. Every lesson - and i mean EVERY LESSON - is absolutely informant and helpful. I learn things every video... there's nothing i don't miss... and it's simple.
Got anybody that needs inspiration and a more explored fretboard? You better send them to these vids. Jesus.
so basicly. when solo-ing ur just accenting notes played in the chords. basicly...?
(how does this work with powerchords, mainly in metal. since metal tends to keep the background in some lick instead of chords. and in some songs even in 1 scale. while certain solo's change scale. whatup with that (since it sounds good anyway X_X))
"i try to stay in one position as long as possible"...1:00...haha zombie56..."it's a very comfortable place to be"...1:18...theres too many haha sorry for laughing at you jody
I'm in love with this guy. He has such a good attitude and the way he articulates his words surpasses most other youtube users. Very nice lesson, even though, to be honest, I didn't really pay attention. :D lol I was just enjoying some music lol
because u can add the F# note in the key of a but if u do minor scale u have to use the F u can use this if ur playing in a and NOT play the 2nd minor or 4th major chord in the progression
Because A Dorian is an A minor sounding scale. It has a b3 and a b7 like an A minor pentatonic but it also includes the major 2 and the major 6 (making it more melodic than a pentatonic). Also the scale is easy to fall back on because it has the same notes as a vanilla G major scale.
I can see why your confused because the Key Signature is not A major. The chords are Am7 and D7 which neither chord is in the key of A. I think people get confused by just looking at the first chord and looking at the root note and thinking that is the key that it is in. If you study Key Sig's and chord function of each key then you will see how it makes since.
I dont think its enough to know scales and modes (which are important) without learning chord function as well because that is how you know which one to use.
Jody, I keep watching and continue to learn 251 progression. Trick is? knowing the fret board and the chords. great work Jody. Bro cut back on the chili, its goin catch up to ya many ,many thanks
I've listened to a lot of guitar instructional material but Jody really makes it clear and fun to tackle. Thank you for fun and challenging lessons. Kirk
Hey Jody, thats the good lesson I needed. You covered alot and I would like to hear about some other chord combinations that can be covered by the same scales/modes. Excelent work bro thx
Jody...Jody...man, what a touch. Awesome stuff. Have you got any of your own music out? I know a lot of us guitar players would like to hear you really stretch out.
I would start by mastering the pentatonic scale in all five positions before moving on to modes.
The only real reason for that is the pentatonic acts as a 'skeleton scale' of sorts, because all the modes are just the pentatonic with added notes to fill it out.
If you master the pentatonic in all scales and positions, learning modes will be alot quicker and easier.
everything is related :).. learn the pentatonics.. but also the modes.. if you say "I'm going to learn pentatonics before I learn the modes".. well.. I'll see you in 40 years when you learn all the combinations of pentatonics. You can learn them both at the same time :)
Not a knock, but is there a lesson posted that deals with dorian in a more familiar "shape", a position that's not a stretch position, one that's just a fleshed out pentatonic "box"? A lot of times the footage I see of rock players has them playing in the familiar stock pentatonic boxes where all the familiar blues licks lie, and they just end up resolving on a Dorian note. I don't see Allmann or Santana playing the "stretch" positions often. I only ask because I've tried & stretches didn't work
its just the same as arpeggios..argpeggio of Am7 and arpeggio of D7. You just have to determine what mode or scale that has the notes both on those two argeggios. Thanks for great lesson.
if i wanna solo over major chords then hw do i do it cause a major chord has only 3 notes and tht means tht my playing will b very constrained.....plz help.......
alot of people will tell u to never leave the key or chord but if it sounds good to u then do it.... cuz if its sounds good the only person that will be anal about it is some ancient by the book teacher
Hey thanks fr the reply.i gues tht is the best rule to follow-"if it sounds rite thn play it"....i was plaing the mastr of puppts 1st solo n i obsereved tht in the solo random notes frm the scale r played bt only wen the chords are changed the same notes r played...like wen the chord chnges to C kirk plays a sustain on the C note in the Gmaj scale....so i gues tht can also be used..........
Jody, I´m only a little bit through the video so far and I can tell you that this is the best demonstration of modal playing I´ve seen in a longgg time. I have a Joe Pass video which is quite good, but you´ve laid things out very, very nicely here. Thanks so much for such an informative, well presented video. 5 Stars.
This is TEN TIMES better than any of the videos I've been watching lately. This gives you an real application while the other guys seem to want to bore you to death with theory... THANK YOU!!! I totally understood this!
this is awesome, thanks so much for posting these videos. How do we figure out that we should use the A Dorian mode? Does the regular A minor scale work as well?
1:11
smbtjb 1 month ago
what program do you use to the drum and bass , etc ?
philiprain1 1 month ago
Jody, you're a great instructor, always a pleasure learning from you.
Indianart1 2 months ago
Guitar Lesson: Don't use a telecaster
xXmoptop100Xx 6 months ago
@xXmoptop100Xx what's the matter with them?
magyarikristof 5 months ago
Thanks for making this video it was a help.
mixermantim 7 months ago
He also added, to his credit, octaves and double stops and double stop bends, which I believe are covered in other lessons, to his solo at the end of the video. Very cool, melodic and has great feeling.
vlurton 7 months ago
He also added, to his credit, octaves and double stop bends, which I believe are covered in other lessons, to his solo at the end of the video. Very cool, melodic and has great feeling.
vlurton 7 months ago
This guy knows what he is talking about. I would like to add that if you know the pentatonic and its relative, there are not many notes you can't hit. If it sounds good, then its right. Check out a song with a 2 minute guitar solo by Curtis Mitchell, "Play'n Rock'n Roll". He is all over the neck
SoRock321 7 months ago
Were i can get musics for training solos?
agenteError 10 months ago
@agenteError CHILDREN OF BODOM!
That's how I learned it all!
qdsqd 8 months ago
the solo at the end was fucking sexy!!
TheDarkSide599 1 year ago
0:58 that's what she said
TheChocorooms 1 year ago
@TheChocorooms Lmfaoo
0maya01 1 year ago
I love beefcakejcc. Every lesson - and i mean EVERY LESSON - is absolutely informant and helpful. I learn things every video... there's nothing i don't miss... and it's simple.
Got anybody that needs inspiration and a more explored fretboard? You better send them to these vids. Jesus.
FartKnockaz 1 year ago
great lesson, thanks
nostaticatall 1 year ago
Isn't that your standard Am @ 5:15?
snodgrassjones 1 year ago
HIS name is jody??
benjammin8807 1 year ago
Hey Jody
Thanks!!!!
mayi2839 1 year ago
Hey, Jody! You are a great teacher! Solid concepts, and easy to understand. Thanks a lot!
firstcat 1 year ago
so basicly. when solo-ing ur just accenting notes played in the chords. basicly...?
(how does this work with powerchords, mainly in metal. since metal tends to keep the background in some lick instead of chords. and in some songs even in 1 scale. while certain solo's change scale. whatup with that (since it sounds good anyway X_X))
dodo4hire 1 year ago
"i try to stay in one position as long as possible"...1:00...haha zombie56..."it's a very comfortable place to be"...1:18...theres too many haha sorry for laughing at you jody
steelbullet7744 1 year ago
just discovered this guy. amazing teacher and player. thanks for the upload man
wakold 1 year ago
yay thats my guitar :)
halb42 1 year ago
Great lesson! Well said about talking to much. I would like to know about your Guitar, Amp, and Gear setup. Smooth tone.
CountryHitsUSA 1 year ago
"Now I have to change positions.." -Jody Worrell
BEAT THAT! XDD
BlackJack2088 1 year ago
you the best
Christblackwell 2 years ago
At 05:35, it sounds like Hole In my Life my The Police!!!
HiggsFenderU2 2 years ago
GET ON DOWN, Jody! Toneful, tasty, soulful playing--damn that's good (great lesson too).
yinyangthang 2 years ago
"the reason i finger it this way..."-jody worrell
zombie56 2 years ago 60
Ha...ha!!! Lol.
Funny as.
HiggsFenderU2 2 years ago
@zombie56 watch 2:16
steelbullet7744 1 year ago
@zombie56 "maintain your position, until you cant any longer"...-jody worrell
NathanRyanAllen 2 weeks ago
I'm in love with this guy. He has such a good attitude and the way he articulates his words surpasses most other youtube users. Very nice lesson, even though, to be honest, I didn't really pay attention. :D lol I was just enjoying some music lol
viMayheMiv 2 years ago
good lesson!
vracan 2 years ago
it must be hard playing guitar with such big fingers. i have long skinny fingers. :D
guitardaddy6 2 years ago
Actually makes it easier.
Dm
Detman101 2 years ago
great lesson! helped a lot. I think Jody Worrell and Peter Vogl are the best teachers on youtube
tim3bandit57 2 years ago
nah man justin sanderco is up there fosho
palemale200 2 years ago 3
A dorian = A, B, C,D,E, F#,G
G major = G,A,B,C,D,E,F#
These are the same notes.
However, they represent different whole/half step patterns.
It can be a little confusing...
hakkerxxx 2 years ago
That's why I like three notes per string better, it's easier especially for economy picking.
hakkerxxx 2 years ago
sounds like oye como va
goooooo santana!!!!!
lucasboy13 2 years ago
Very nice- love the style and the lesson is great- thanks for posting,
bizzmashup 2 years ago
You are an excellent teacher, thank you for doing this. One thing I don't get is, how we know to use A Dorian in this case?
I understand that A dorian is from the key of G major, but that just confuses me more, because the song is in the key of A.
hotlinklarry 2 years ago
because u can add the F# note in the key of a but if u do minor scale u have to use the F u can use this if ur playing in a and NOT play the 2nd minor or 4th major chord in the progression
lespaulrules123 2 years ago
Because A Dorian is an A minor sounding scale. It has a b3 and a b7 like an A minor pentatonic but it also includes the major 2 and the major 6 (making it more melodic than a pentatonic). Also the scale is easy to fall back on because it has the same notes as a vanilla G major scale.
Bluesslander 2 years ago
if the song is in the key of A or G you can use it to solo
666paublo666 2 years ago
I can see why your confused because the Key Signature is not A major. The chords are Am7 and D7 which neither chord is in the key of A. I think people get confused by just looking at the first chord and looking at the root note and thinking that is the key that it is in. If you study Key Sig's and chord function of each key then you will see how it makes since.
barimando 2 years ago
I dont think its enough to know scales and modes (which are important) without learning chord function as well because that is how you know which one to use.
barimando 2 years ago
amazing instructor!!!!!!! 5 stars!!!!!!!!
nickzambrano 2 years ago
nice...Oye Como Va
donmartin55 2 years ago
Thanks Jody your a star. I'm off to practice my dorian scales shape.
kambium1 2 years ago
Jody, I keep watching and continue to learn 251 progression. Trick is? knowing the fret board and the chords. great work Jody. Bro cut back on the chili, its goin catch up to ya many ,many thanks
greg071153 2 years ago
Just Thanks a lot from an italian player..great
borlotta 2 years ago
is this used in jazz and blues?
TheBeatlesfan1991 3 years ago
neva thought of it like that before
the1trueseed 3 years ago
This comment has received too many negative votes show
so boring to watch. He just dribbles on.
TeamKitoStaff 3 years ago
I've listened to a lot of guitar instructional material but Jody really makes it clear and fun to tackle. Thank you for fun and challenging lessons. Kirk
74LesPaul 3 years ago
Hey Jody, thats the good lesson I needed. You covered alot and I would like to hear about some other chord combinations that can be covered by the same scales/modes. Excelent work bro thx
greg071153 3 years ago
Jody...Jody...man, what a touch. Awesome stuff. Have you got any of your own music out? I know a lot of us guitar players would like to hear you really stretch out.
Thanks!
Charlie
doubledareband 3 years ago
hey!! thanks for the scale!! :) been learning the blues style.. and got sum points from you.. keep it coming .. :)
080888kirk 3 years ago
you made that scale your bitch
P3313 3 years ago 3
Very informative and I love your style. Keep up the great work brother!!
zombieme2 3 years ago
the tone and feel of your solos here are awesome. keep up the good vids.
fallenseraph277 3 years ago
nice sound!!!
blue-ish sound!
hentaiemperor69 3 years ago
you're mazing
laricxx 3 years ago
Damn man, great solo over just two chord changes!!
bricktopra3 3 years ago
Oye Como Va!
tnuffdawg 3 years ago
This is a superb lesson--thanks.
mathstew 3 years ago
My lord! Is that a solo or what??? Perfect... Congratulations... And thanx 4 the lesson!
emaildodiegao 3 years ago
brilliant lesson by the way!
purecork 3 years ago
should i master pentatonic before starting modes? i have a + e major minor backwards
purecork 3 years ago
I would start by mastering the pentatonic scale in all five positions before moving on to modes.
The only real reason for that is the pentatonic acts as a 'skeleton scale' of sorts, because all the modes are just the pentatonic with added notes to fill it out.
If you master the pentatonic in all scales and positions, learning modes will be alot quicker and easier.
Hope that helps
maxhorton51 3 years ago 34
everything is related :).. learn the pentatonics.. but also the modes.. if you say "I'm going to learn pentatonics before I learn the modes".. well.. I'll see you in 40 years when you learn all the combinations of pentatonics. You can learn them both at the same time :)
Carlosdamiano 2 years ago
@maxhorton51 It did help, thank you.
SpartacusFrye 1 year ago
@maxhorton51 ...which makes the blues a learning device as much as a style of music!
nerdyharry 11 months ago
@maxhorton51 and u can play the notes from all 5 positions and it sounds good?? When I try it creates dissonance...
MasterGuitar777 7 months ago
Thanks for the great work Jody!
SqiroS22 3 years ago
Yep - I couldn't agree more, some absolutely top drawer playing there!! - what a great player... superb!
That tele sounds great too! - brlliant clean, twang - lovely ;-)
swill1966 3 years ago
Thanks for a great lesson, this video helped me a ton!
xemospiderx 3 years ago
Not a knock, but is there a lesson posted that deals with dorian in a more familiar "shape", a position that's not a stretch position, one that's just a fleshed out pentatonic "box"? A lot of times the footage I see of rock players has them playing in the familiar stock pentatonic boxes where all the familiar blues licks lie, and they just end up resolving on a Dorian note. I don't see Allmann or Santana playing the "stretch" positions often. I only ask because I've tried & stretches didn't work
maurofelipe76 3 years ago
its just the same as arpeggios..argpeggio of Am7 and arpeggio of D7. You just have to determine what mode or scale that has the notes both on those two argeggios. Thanks for great lesson.
nca177 3 years ago
and i saw the light!!!!!!!!!!!!weow best concept vid ive seen
plumberman19 3 years ago
wow this lesson gave me some answeres that I've been trying to get out of my guitar teacher for months. thanks
redstrat1841 4 years ago 3
I agree with you all the way
blackout2240 3 years ago
wat year is that tele???
ericpaswaters1 4 years ago
'57 i think
fenderbenderbluesman 4 years ago
52'
eboi009 3 years ago
superb work. last comment should be made available to all shredders out there !!
stratocastermojo 4 years ago
yeah...beefcake...worrel...more...worrel... damn he can teach.I wanna marry his tele...yeah...yeah...
DovoodooMiracleman 4 years ago
Zepdog knows all. He learnt me the Andrea Doria commode back in '92, and I have yet to recover.
scrapingteeth 4 years ago
Jody you're great
sanjurosamurai 4 years ago
Dude That was frekin amazing !!
ShoSho23Bam13NBR10 4 years ago
Outstanding lesson! This guy is the real deal man, he really knows what he is talking about. Thanks to whomever posted for an awesome video.
79943 4 years ago
Sounds like oye como va haha. Same chords
Lahed92801 4 years ago
if i wanna solo over major chords then hw do i do it cause a major chord has only 3 notes and tht means tht my playing will b very constrained.....plz help.......
adityag85 4 years ago
alot of people will tell u to never leave the key or chord but if it sounds good to u then do it.... cuz if its sounds good the only person that will be anal about it is some ancient by the book teacher
costaricangeneral 4 years ago
Hey thanks fr the reply.i gues tht is the best rule to follow-"if it sounds rite thn play it"....i was plaing the mastr of puppts 1st solo n i obsereved tht in the solo random notes frm the scale r played bt only wen the chords are changed the same notes r played...like wen the chord chnges to C kirk plays a sustain on the C note in the Gmaj scale....so i gues tht can also be used..........
adityag85 4 years ago
love you jody
funkadelic123 4 years ago
Excellent work - its videos like this that really inspire picking up that instrument and practicing when you feel you've hit that plateau -thanks
tweed6v6 4 years ago
this dude is the guy from the sopranos hahaha
lever525 4 years ago
Yeah man :) SOme mobster guitar ways :)
dacrowster 4 years ago
does somebody know where I could get similar jam tracks he uses for free, I've already got the jam track from the link.. thanks
berge026 4 years ago
awesome man thnx a bunch.
chaosis3 4 years ago
sounds like santana
guitarman63mm 4 years ago
this is excellent.
johnw26660 4 years ago
It makes things much easier to understand and I can hear the licks of Santan and the ABB Great lesson Thanks Jody
jipes 4 years ago
Jody, I´m only a little bit through the video so far and I can tell you that this is the best demonstration of modal playing I´ve seen in a longgg time. I have a Joe Pass video which is quite good, but you´ve laid things out very, very nicely here. Thanks so much for such an informative, well presented video. 5 Stars.
Geotubest 4 years ago
THANK YOU!!!
Dragon140237 4 years ago
This is TEN TIMES better than any of the videos I've been watching lately. This gives you an real application while the other guys seem to want to bore you to death with theory... THANK YOU!!! I totally understood this!
frankz00 4 years ago
AMAZING LESSONS, thank you very very much
gallardo109 4 years ago
Good stuff Jody. Looking forward to practicing it and watching your other lessons.
raleydude 4 years ago
I don't post a comment, it's a so nice demonstration, I prefer nothing to say....
blindsouris 4 years ago
this is awesome, thanks so much for posting these videos. How do we figure out that we should use the A Dorian mode? Does the regular A minor scale work as well?
Thanks
halofan00 4 years ago
This is competent guitar
Badger93243 5 years ago