Actually, it was Eddie Durham, center front, who brought Basie into this Band. Basie could not read or write music, so it was the charts of Eddie Durham that changed the direction of this and many other Bands. When Moten died, Basie was voted leader and they changed the name of the Band. When Durham left, the Band flopped until Durham came back & wrote TOPSY for them. See DurhamJazz. com Hope this helps.
I discovered Bennie Moten's "South" over 50 years ago during my misspent teenage years as an announced for WCOA, Pensacola; "One of the nation's oldest stations" was our station break. I've been a giant Moten fan ever since.
This really rocks, thanks for posting! I gotta get a good microphone again, so I can mike up the Orthophonic and youtube some great moten tune or another (not South) I picked up lately on a scroll Victor... a great band.
My accounts differ slightly from an authorative source. pp 106-107 Kansas City Jazz From Ragtime to Bebop - A History by Frank Driggs and Charles Haddix; Oxford Publishing 2005.
Mrs. Inez Pennington, the mother-in-law of Harlan Leonard, provided funding and uniforms for the these Kansas City Rockers.
Moten for some unknown reason began to flirt with changing his musical style when he went East. Upon return to Kansas City Moten rearranged his music repertoire to reflect the Eastern 4/4 musical style. A battle of the bands took place and Moten was soundly defeated by the Thamon Hays Kansas City Rockets.
Ed Lewis and Thamon Hayes, with approval of Musician's Local President William Shaw, then organized a 6 piece band under the name Thamon Hayes Kansas City Rockets. The 6 members included the former members of the Moten Band. The Kansas City Rockets recruited Vic Dickerson from Ohio, Herman Walder and David Lovett from Okalahoma, Jessie Stone from Nebraska, and Richard Smith.
Lewis and Hayes quit. Moten replaced Vernon with Walter Page (no relationship), Ben Webster replaced Pete Woods, LaForrest Dent replaced Harland Leonard, Joe Keys replaced Booker Washington, and D. Stewart replaced Ed Lewis (Moten's 1st cousin).
According to my research and sources: Herman Walder and Nate Pearson's Goin to Kansas City. Ben Webster replaced Woodie Walder and Eddie Barefield replaced Harlan Leonard.
I was mistaken with Ben Webster. Ben did replace Woody Walder. La Forest was a member of the Moten Band before the split and after the split. He initially played the banjo. He also played the saxophones. He used the sax to record with Moten from 1926 to 1927. But my primary premise was mistaken. La Forest was not a new hire. Barefield was a new hire. Was it Dan Minor who replaced Thamon Hayes?
It is my understanding that Dan Minor was the new trombone player who replaced Thamon Hayes. Yes,Dan "slamfoot" Minor made his rounds with quite a few territory bands.I heard he was a good sight reader and section man. The same holds true with Woodie Walder and altoist Theodore Ross(Blue Devils).
The Bennie Moten Band split in the summer of 1932. Bennie had been privately recruiting members of the Andy Kirk Blue Devils and the George Lee Orchestra. The split included the firing of Vernon, Woody, Harlan, and Booker. Two other musicians were upset over the firings: Ed Lewis and Thamon Hayes.
History shows that Count Basie was the piano player on this record; his first after joining Moten. Six years later the band was in Basie's hands following Moten's death.
I love the tuba playing of Vernon Page. Nobody plays with such vibrato. He really makes the Moten band swing in a way the no other tuba player or bass fiddle could match. I have often heard that the bass fiddle is technically a superior bass instrument over the tuba. Even if that is so, I believe that Motens orchestra would never had the same bounce and drive that Page's tuba provides if a bass were used instead. Of course this is just my opinion.
Vernon Page was born about 1898 and passed away in 1957. He was still gigging locally up until his death. Along with Woodie Walder, Vernon should never be forgotten for his musicianship.
Marvelous! I used the recording to bring the tune to Rainier Jazz Band in 1983 via a tape from my Dad and Jazz historian the late Harold Keller. We never performed it more that once but the Pheonix Jazzers picked it up an ran with it sans Tuba. Was good to hear it performed live. Thanks for publishing it along with Moten/era pics. Love to do it again with WCJ. Randy
Marvelous! I used the recording to bring the tune to Rainier Jazz Band in 1983 via a tape from my Dad and Jazz historian the late Harold Keller. We never performed it more that once but the Pheonix Jazzers picked it up an ran with it sans Tuba. Was good to hear it performed live. Thanks for publishing it along with Moten/era pics. Love to do it again with WCJ. Randy
Merci!
tychaton08 2 weeks ago
Great work on this track! All is perfect: tuba (!!! what a deep sound!!!), drums, solos, tempo...
Olivierroaring20 2 months ago
Actually, it was Eddie Durham, center front, who brought Basie into this Band. Basie could not read or write music, so it was the charts of Eddie Durham that changed the direction of this and many other Bands. When Moten died, Basie was voted leader and they changed the name of the Band. When Durham left, the Band flopped until Durham came back & wrote TOPSY for them. See DurhamJazz. com Hope this helps.
TopsyDurham 3 months ago
Fabulous! Love it! LIKE
RagJazzMonkey Tom in Kansas City
tdub1941 10 months ago
They were 'GREAAAAT''!
pharcelle1 10 months ago
Rumba Negro/Blanco-who cares?A delightful piece of its time.Could not be better;thank you24052.
Squarerig 1 year ago
Great tuba work! Reminds me of "Tuba Fats" Lacen in N.O. There's just something about a TUBA that makes rhythm & blues, isn't there?
4freespeech 1 year ago 4
The lesson, often lost among musicians, was not to follow other bands' sryle; but rather to develop one's own style.
Benny knew how to DEVELOP his own unique rhythm and sound.
When he died, Count Basie picked up the ball and ran with it and all jazz was touched by what Bennie began!
The "Walking Bass" is still a key ibngredient in music today!
Don't you just love listening to this particular recording? It is a sterling example of geniius!
Thanks, 240252, for posting.
minniemousie 1 year ago 3
@minniemousie I think that Count Basie was already running with the ball while Benny Moten was still nominally leading the band.
zootyzoot 1 year ago
I by too late born, I like very much that art of music.
JOHNNY4RIVELS 2 years ago 2
The appeal of the Moten band never wanes. One of the world's very best bands of their time, and for this kind of bounce, the best ever.
whizbang47 2 years ago 2
Thanks for the blues lover legion..
julianozain 2 years ago
Very nice visual accompaniment to this Ellingstonesque piece of KC soul.
FrankHayde 2 years ago
I discovered Bennie Moten's "South" over 50 years ago during my misspent teenage years as an announced for WCOA, Pensacola; "One of the nation's oldest stations" was our station break. I've been a giant Moten fan ever since.
jd03150 2 years ago
Got in a hurry; that word should be "announcer" rather than "announced."
jd03150 2 years ago
Luv It!
Zefrenm 2 years ago
was that lonnie johnson on guitar?anybody know?
felltone66 3 years ago
@felltone66 That was Eddy Durham. trombonist and guitarist and arrangeur. A great man in the early big band jazz. Hein
heinbanjo12 2 years ago
Yeah thanks, i was just surfing for rock n roll but i'm favouriting this one . . . !
pmf598 3 years ago
This really rocks, thanks for posting! I gotta get a good microphone again, so I can mike up the Orthophonic and youtube some great moten tune or another (not South) I picked up lately on a scroll Victor... a great band.
that1940sguy 3 years ago
240252, Superb, One of the absolute best of Moten! A really great number. Thank you for posting it.
YF, J.
fuzzbear6240 3 years ago
This is splendid music.Whilst not pure jazz,who cares?It is still wonderful to listen to.A great arrangement.
Squarerig 3 years ago
My accounts differ slightly from an authorative source. pp 106-107 Kansas City Jazz From Ragtime to Bebop - A History by Frank Driggs and Charles Haddix; Oxford Publishing 2005.
Orville
20b40 3 years ago
Mrs. Inez Pennington, the mother-in-law of Harlan Leonard, provided funding and uniforms for the these Kansas City Rockers.
Moten for some unknown reason began to flirt with changing his musical style when he went East. Upon return to Kansas City Moten rearranged his music repertoire to reflect the Eastern 4/4 musical style. A battle of the bands took place and Moten was soundly defeated by the Thamon Hays Kansas City Rockets.
Orville Lewis, Jr.
20b40 3 years ago
Ed Lewis and Thamon Hayes, with approval of Musician's Local President William Shaw, then organized a 6 piece band under the name Thamon Hayes Kansas City Rockets. The 6 members included the former members of the Moten Band. The Kansas City Rockets recruited Vic Dickerson from Ohio, Herman Walder and David Lovett from Okalahoma, Jessie Stone from Nebraska, and Richard Smith.
Orville
20b40 3 years ago
Lewis and Hayes quit. Moten replaced Vernon with Walter Page (no relationship), Ben Webster replaced Pete Woods, LaForrest Dent replaced Harland Leonard, Joe Keys replaced Booker Washington, and D. Stewart replaced Ed Lewis (Moten's 1st cousin).
Orville
20b40 3 years ago
According to my research and sources: Herman Walder and Nate Pearson's Goin to Kansas City. Ben Webster replaced Woodie Walder and Eddie Barefield replaced Harlan Leonard.
858jc 3 years ago
I was mistaken with Ben Webster. Ben did replace Woody Walder. La Forest was a member of the Moten Band before the split and after the split. He initially played the banjo. He also played the saxophones. He used the sax to record with Moten from 1926 to 1927. But my primary premise was mistaken. La Forest was not a new hire. Barefield was a new hire. Was it Dan Minor who replaced Thamon Hayes?
- Orville
20b40 3 years ago
It is my understanding that Dan Minor was the new trombone player who replaced Thamon Hayes. Yes,Dan "slamfoot" Minor made his rounds with quite a few territory bands.I heard he was a good sight reader and section man. The same holds true with Woodie Walder and altoist Theodore Ross(Blue Devils).
858jc 3 years ago
Thanks. - Orville
20b40 3 years ago
The Bennie Moten Band split in the summer of 1932. Bennie had been privately recruiting members of the Andy Kirk Blue Devils and the George Lee Orchestra. The split included the firing of Vernon, Woody, Harlan, and Booker. Two other musicians were upset over the firings: Ed Lewis and Thamon Hayes.
Orville Lewis, Jr.
20b40 3 years ago
History shows that Count Basie was the piano player on this record; his first after joining Moten. Six years later the band was in Basie's hands following Moten's death.
olsongw 3 years ago
Leider wird so gute Musik heute nur noch sehr selten gemacht.
hwhild 3 years ago 2
Kann man so sagen =)
sunsetglow93 3 years ago
I love the tuba playing of Vernon Page. Nobody plays with such vibrato. He really makes the Moten band swing in a way the no other tuba player or bass fiddle could match. I have often heard that the bass fiddle is technically a superior bass instrument over the tuba. Even if that is so, I believe that Motens orchestra would never had the same bounce and drive that Page's tuba provides if a bass were used instead. Of course this is just my opinion.
hoteldennis 3 years ago 2
Exactly right! The rhythm section makes the band, especially Vernon Page. Do we know what happened to Vernon? How long did he live?
JoeOliverIsStillKing 3 years ago
Vernon Page was born about 1898 and passed away in 1957. He was still gigging locally up until his death. Along with Woodie Walder, Vernon should never be forgotten for his musicianship.
858jc 3 years ago
Thanks a lot for the information!
JoeOliverIsStillKing 3 years ago
240252, One the very best of twenties Jazz! I've always loved this number-something about that bass line ha ha! Love that tuba. Thanks. Regards, J.
fuzzbear6240 4 years ago
Marvelous! I used the recording to bring the tune to Rainier Jazz Band in 1983 via a tape from my Dad and Jazz historian the late Harold Keller. We never performed it more that once but the Pheonix Jazzers picked it up an ran with it sans Tuba. Was good to hear it performed live. Thanks for publishing it along with Moten/era pics. Love to do it again with WCJ. Randy
WildCardsJazz 4 years ago
Marvelous! I used the recording to bring the tune to Rainier Jazz Band in 1983 via a tape from my Dad and Jazz historian the late Harold Keller. We never performed it more that once but the Pheonix Jazzers picked it up an ran with it sans Tuba. Was good to hear it performed live. Thanks for publishing it along with Moten/era pics. Love to do it again with WCJ. Randy
ImpromptuCam 4 years ago
Marvelous perky sound. Havana dances with New Orleans (or Kansas City). Great photos.
dzheger 4 years ago
Favoloso.
vulcanswork 4 years ago