The whole point is not to repeat yourself, and if you really listen, Rogers does repeat himself. He just doesn't hand it over to you. Sorry you don't get it.
Adam played just as well as thus in 1987 when we played together in the Cry
First time I heard him he was playing on the street at the cube on Astor place
I heard from afar. Its been His voice since. An amazing technique with an ear for altered hormones and a killer groove
And he's a spinner of endless lines that work like fractals, exposing the organic weave between all tonal centers. And , he pulls it off with great lyricism, something he always has done. Love him
Adam knows theory. Know how I know? He transcribes his heads.
Also, how can you say he can't hear 4, 5, or 6 note chords? This is what you /do/ in ear training courses in college. You learn to hear harmonies, intervals, etc.
@prsguitarsr4me Interesting. Curious, how did you get to study with Adam? Also, what locatino does he teach in/where are you from? I'd be really interested in learning from him. I'm also curious what his teaching style was like. Anything you can tell me please do!
phrasing with talent in the diminished scales , outside pentatonics ..and altered pentatonics scales ..playing jazz chromatisms throw these scales ...in fact ! easy to play if you know as well as possible modal music
NO MYSTERY ...We have to learn modern jazz harmony like Adam did ..
phrasing with talent in the diminished scales , outside pentatonics ..and altered pentatonics scales ..playing jazz chromatisms throw these scales ...in fact ! easy to play if you know as well as possible modal music
NO MYSTERY ...We have to learn modern jazz harmony like Adam did ..
phrasing with talent in the diminished scales , outside pentatonics ..and altered pentatonics scales ..playing jazz chromatisms throw these scales ...in fact ! easy to play if you know as well as possible modal music
NO MYSTERY ...We have to learn modern jazz harmony like Adam did ..
phrasing with talent in the diminished scales , outside pentatonics ..and altered pentatonics scales ..playing jazz chromatisms throw these scales ...in fact ! easy to play if you know as well as possible modal music
NO MYSTERY ...We have to learn modern jazz harmony like Adam did ..
phrasing with talent in the diminished scales , outside pentatonics ..and altered pentatonics scales ..playing jazz chromatisms throw these scales ...in fact ! easy to play if you know as well as possible modal music
NO MYSTERY ...We have to learn modern jazz harmony like Adam did ..
ITS MUSIC. MUUUSIC. PHRYGIAN WHATEVER! MUSIC MUSIC MUSIC. Everybody needs to get over there Jazz school mentality and just enjoy sounds and rhythms for what they are. Not what the equal in some Jazz school equation.
You've missed the point. I know the modes of the major scale. But because of "Jazz Education" people don't listen to music anymore, they analyzes solos like a freakin science specimen. Phrygian, Aeolian, Lydian #9...its all just a series of notes.
My point is, music is meant to be enjoyed for what it is. To many "Jazz Schoolers" use education to justify or downplay music. It has validity, but we've taken it TO far.
@anonymous564 I know, I know! PEOPLE! I'm just saying insanely theory based music is not good because it's insanely theory based, It's because it's GOOD MUSIC. Music thats not insanely theory based is GOOD as well, therefore theory should not be a BASES for whats good and whats not. Some people do that A LOT.
@anonymous564 did you just say periphery is insanely theory based? If you're refering to the band periphery i'd say they are far from theory based, misha their guitarist has very little theory knowledge at all and most of his stuff is based on his ear and not theory at all. If you're refering to something else then ignore me completely.
@gretsch19 Whaa no way they are way theory based! There's no way he figures out those complex chords by ear :/ He's a producer, you have to spend a year in music school to get your recording degree.. And periphery is full of polyrhythms, those are pretty theoryful..
@anonymous564 haha i can't tell if you're kidding or not. But i've spoken to him and asked him if he knows much theory and he doesnt, he's just got a really awesome ear. Stuff like that could be deconstructed based on theory. but it's not written with the use of alot of theory.
Adam Rogers is truly an amazing player, and I have tons of respect for his clean and rediculously fast lines, but TO ME, he does not have much feel. Great improv also, however, I personally prefer Oz Noy, Wayne Krantz, or Greg Howe simply for their feel and their grove....of course, they have lightning fast chops too.
He's using the George Benson technique. The pick is angled upward, pinched between his thumb and index finger. Lots of Consecutive and Sweep picking. Bobby Broom, Rodney Jones, Miles Okazaki are a few guys who have also mastered this style.
man... monstrous.. if anybody knows adam's playing real well or if this has to do with his guitar, sound fx, or amp setup, can you tell me how he can play the way he does with his right hand out from the guitar when he picks and not have a bunch of open strings rinigng? is it because his left hand takes care of all the muting?? im stumped, it seems like the main issue i deal with in technique practicing is muting open ringing strings.
It has a lot to do with technique. I'm not sure how he does it because I don't use that technique, but if you started playing that way, you learn to mute the strings using the same picking technique. Marty Friedman uses a similar technique.
He held a masterclass that I went to at Humber College where he talked a bit about his technique and how he achieves his sound. The main thing he does differently is that he angles his pick quite a bit instead of using it flat against the string. This makes it so that the pick attacks with it's edge for both downstrokes and upstrokes. The majority of his muting is done with the left hand I believe.
It's called a floating technique. Essentially all his pick hand accuracy is muscle memory using the point his arm rests on the guitar as an anchor. Also Adam plays single note runs about 90% of the time (amazing single not runs) which should, with proper technique, have notes that are muted as the fretting hand is lifted. I apologize if that doesn't answer your question.
So the only 'anchor' he uses is where his forearm rests on the guitar? If the pick is 'angled upwards' does this mean that it's essentially rotated from the conventional 'hand butt on bridge' position where the pick's tip moves thru the string slightly with the left side of the pick following through?
Meaning his 'downstroke' is biased towards the right side of the pick's point?
I agree with antiphones. He is one of the few improvising guitarists today who plays inventive lines. I agree that he does repeat some things from time to time, but doesn't every guitarist do that? (although I could probably name 2-3 players who don't)
Who doesn't repeat themselves? Really? Who?!! One guitar player everyone loooves and admires (don't worry, i like him too) Pat Metheny! You can't deny it, repeats himself. Michael Brecker, Jeff Tain Watts...(all instruments) We are human...eventually we are going to repeat ourselves!! Sometimes we may want to...to state a melodic idea, etc.
You are right, everybody repeat themselves. But I think people are refering to different things here. Sometimes, musicians will repeat specific lines or motifs and use those devices all over the place. To me, this is repitition, although that doesn't have to be a bad thing. In other cases, musicians will repeat line curves, improvisational structure, instrument sound etc which, IMO, is not repitition..it's just being true to your own style.
Who doesn't repeat themselves? Really? Who?!! One guitar player everyone loooves and admires (don't worry, i like him too) Pat Metheny! You can't deny it, repeats himself. Michael Brecker, Jeff Tain Watts...(all instruments) We are human...eventually we are going to repeat ourselves!! Sometimes we may want to...to state a melodic idea, etc.
I think perhaps Mick Goodrick and Lee Konitz are two players who play in a very specific style, but don't repeat one interpretation of the style, say a specific line or a voicing.. they just play freely inside that vocabulary. Or something!
I think Wayne Krantz probably comes closest to avoiding cliche in his paying: he has a whole technique devoted to it; his 'Improviser's OS' explains it (its based on the intervallic relationship between notes within improvisation as opposed to patterns or scales)
Kurt repeats himself. Check out some of the videos on here on Aaron Park's Nemesis. Killing and he uses a ridiculous lick on more than one occasion. I love him
Repetition is musically a good thing. It's melodic, and it makes you sound like you know what you're doing. Sonny Rollins repeated himself constantly. Repetition is musically a good thing. (See what I did there). It's about stating and restating an idea, whether that idea be repeated exactly, or transposed, or inverted, or retrograde.. even though that's hard to do when you're improvising.
I didn't say it. I was just clearing up the miscommunication.
I have licks of mine that I use, and so does every guitarist. There's nothing wrong with it in my opinion, as long as it's not too blatant or obvious.
Huh? He's not repeating anything, listen more closely. In fact there are more original lines in this guy's playing than in most of the jazz guitarist out there at the moment.
the melody is based around the phrygian mode, but by the time he's soloing, its all just crazy chromatic, modal and triadic superimposition all over the place. adam is ridiculous
This. Is. So. Interesting.
psyoptica 1 month ago
The whole point is not to repeat yourself, and if you really listen, Rogers does repeat himself. He just doesn't hand it over to you. Sorry you don't get it.
dacapo1975 8 months ago
that bitch right up front screws the whole video...
jucamo007 10 months ago
if he didnt know thwory why would he write a song based on the phrygian mode.... named... phrygia...???
GLeone221 1 year ago
This. Is. So. Boring.
sortalucid34 1 year ago 5
I meant altered harmonies!!! Damn IPhone!
freesoulsinger 1 year ago
Adam played just as well as thus in 1987 when we played together in the Cry
First time I heard him he was playing on the street at the cube on Astor place
I heard from afar. Its been His voice since. An amazing technique with an ear for altered hormones and a killer groove
And he's a spinner of endless lines that work like fractals, exposing the organic weave between all tonal centers. And , he pulls it off with great lyricism, something he always has done. Love him
freesoulsinger 1 year ago
@freesoulsinger cool story bro
soursourapples 1 year ago
Really nice improvisation now watch this one is awesome also ! youtube.com/watch?v=e7NHwtkM7Cs
oirambagdarell 1 year ago
Adam knows theory. Know how I know? He transcribes his heads.
Also, how can you say he can't hear 4, 5, or 6 note chords? This is what you /do/ in ear training courses in college. You learn to hear harmonies, intervals, etc.
Remove head from ass please.
samadhist 1 year ago
Comment removed
prsguitarsr4me 1 year ago
@prsguitarsr4me Interesting. Curious, how did you get to study with Adam? Also, what locatino does he teach in/where are you from? I'd be really interested in learning from him. I'm also curious what his teaching style was like. Anything you can tell me please do!
OnSugarHill 1 year ago
Ah why did it have to stop!
yoshy321 1 year ago
phrasing with talent in the diminished scales , outside pentatonics ..and altered pentatonics scales ..playing jazz chromatisms throw these scales ...in fact ! easy to play if you know as well as possible modal music
NO MYSTERY ...We have to learn modern jazz harmony like Adam did ..
jazzharmonie 1 year ago
phrasing with talent in the diminished scales , outside pentatonics ..and altered pentatonics scales ..playing jazz chromatisms throw these scales ...in fact ! easy to play if you know as well as possible modal music
NO MYSTERY ...We have to learn modern jazz harmony like Adam did ..
jazzharmonie 1 year ago
phrasing with talent in the diminished scales , outside pentatonics ..and altered pentatonics scales ..playing jazz chromatisms throw these scales ...in fact ! easy to play if you know as well as possible modal music
NO MYSTERY ...We have to learn modern jazz harmony like Adam did ..
jazzharmonie 1 year ago
phrasing with talent in the diminished scales , outside pentatonics ..and altered pentatonics scales ..playing jazz chromatisms throw these scales ...in fact ! easy to play if you know as well as possible modal music
NO MYSTERY ...We have to learn modern jazz harmony like Adam did ..
jazzharmonie 1 year ago
phrasing with talent in the diminished scales , outside pentatonics ..and altered pentatonics scales ..playing jazz chromatisms throw these scales ...in fact ! easy to play if you know as well as possible modal music
NO MYSTERY ...We have to learn modern jazz harmony like Adam did ..
jazzharmonie 1 year ago
Saw Adam play twice in New York City....outstanding! One of the best musicians ...
civita77 2 years ago
zzzzzzzz
soursourapples 2 years ago
Wake the HELL up!
jazzmac03 1 year ago
he is motivic. he uses a phrygian scale. his pick is angled upwards. great.
soursourapples 1 year ago
ITS MUSIC. MUUUSIC. PHRYGIAN WHATEVER! MUSIC MUSIC MUSIC. Everybody needs to get over there Jazz school mentality and just enjoy sounds and rhythms for what they are. Not what the equal in some Jazz school equation.
jazzmac03 1 year ago
naw dude its phrygian for sure
soursourapples 1 year ago
You've missed the point. I know the modes of the major scale. But because of "Jazz Education" people don't listen to music anymore, they analyzes solos like a freakin science specimen. Phrygian, Aeolian, Lydian #9...its all just a series of notes.
jazzmac03 1 year ago
naw dude im tellin you. its phyrgian. its mathematical dude. thats why its way above what coltrane could achieve. phrygian.
soursourapples 1 year ago
I know what phrygian is.
1 - b2 - b3 - 4 - 5 - b6- b7
My point is, music is meant to be enjoyed for what it is. To many "Jazz Schoolers" use education to justify or downplay music. It has validity, but we've taken it TO far.
jazzmac03 1 year ago
dude that ain't phrygian. phrygian is all the dots on the guitar.
soursourapples 1 year ago
actually i'll just let you know now that i was joking from the beginning. sorry.
soursourapples 1 year ago
No problem. Just tryin to spread pure love for music. Being a jazz school student I've experienced some nasty attitudes about music.
jazzmac03 1 year ago
me too haha.
soursourapples 1 year ago
@jazzmac03 I know what you mean lol
I dno, sometimes insanely theory based music can be cool though, like periphery
anonymous564 1 year ago
@anonymous564 I know, I know! PEOPLE! I'm just saying insanely theory based music is not good because it's insanely theory based, It's because it's GOOD MUSIC. Music thats not insanely theory based is GOOD as well, therefore theory should not be a BASES for whats good and whats not. Some people do that A LOT.
jazzmac03 1 year ago
@anonymous564 did you just say periphery is insanely theory based? If you're refering to the band periphery i'd say they are far from theory based, misha their guitarist has very little theory knowledge at all and most of his stuff is based on his ear and not theory at all. If you're refering to something else then ignore me completely.
gretsch19 1 year ago
@gretsch19 Whaa no way they are way theory based! There's no way he figures out those complex chords by ear :/ He's a producer, you have to spend a year in music school to get your recording degree.. And periphery is full of polyrhythms, those are pretty theoryful..
anonymous564 1 year ago
@anonymous564 haha i can't tell if you're kidding or not. But i've spoken to him and asked him if he knows much theory and he doesnt, he's just got a really awesome ear. Stuff like that could be deconstructed based on theory. but it's not written with the use of alot of theory.
gretsch19 1 year ago
@gretsch19 I don't get what's funny.. Anywho, take painted in exile for example than.
anonymous564 1 year ago
that is how they enjoy music. so simmer down guy who knows the modes of the major scale. lol!!! we all know those.
thedividedheir 1 year ago
@thedividedheir
I just hate scientific judgement in music. thats all
jazzmac03 1 year ago
@jazzmac03 You probably wouldn't dig Boulez or Varese much then. :-)
fiddlercrab3 1 year ago
@fiddlercrab3 Pierre Boulez!?!? Edgar Varese?!?! I think there both AMAZING!
jazzmac03 1 year ago
Adam Rogers is truly an amazing player, and I have tons of respect for his clean and rediculously fast lines, but TO ME, he does not have much feel. Great improv also, however, I personally prefer Oz Noy, Wayne Krantz, or Greg Howe simply for their feel and their grove....of course, they have lightning fast chops too.
williesan 2 years ago 2
...and does that guy's head have to be in the way of his right hand?!
bluenotesoul 2 years ago
@bluenotesoul Ha! Cheers for that one...
bobbygoesbig 1 year ago
He's using the George Benson technique. The pick is angled upward, pinched between his thumb and index finger. Lots of Consecutive and Sweep picking. Bobby Broom, Rodney Jones, Miles Okazaki are a few guys who have also mastered this style.
bluenotesoul 2 years ago
man... monstrous.. if anybody knows adam's playing real well or if this has to do with his guitar, sound fx, or amp setup, can you tell me how he can play the way he does with his right hand out from the guitar when he picks and not have a bunch of open strings rinigng? is it because his left hand takes care of all the muting?? im stumped, it seems like the main issue i deal with in technique practicing is muting open ringing strings.
guitardrew05 3 years ago
I think that it's just ridiculous technique. He doesn't clip strings and the solid bodied guitar doesn't feed back.
koshodi 2 years ago
It has a lot to do with technique. I'm not sure how he does it because I don't use that technique, but if you started playing that way, you learn to mute the strings using the same picking technique. Marty Friedman uses a similar technique.
Joshplaysinstruments 2 years ago
He held a masterclass that I went to at Humber College where he talked a bit about his technique and how he achieves his sound. The main thing he does differently is that he angles his pick quite a bit instead of using it flat against the string. This makes it so that the pick attacks with it's edge for both downstrokes and upstrokes. The majority of his muting is done with the left hand I believe.
giordashio 2 years ago
I heard that is how George Benson picks also.
abbydnospam 2 years ago
in his 20s, he practiced so much technique, its nuts. He has far and away the best technique of any guitarist. So I guess the secret is practice
NateParton 2 years ago
It's called a floating technique. Essentially all his pick hand accuracy is muscle memory using the point his arm rests on the guitar as an anchor. Also Adam plays single note runs about 90% of the time (amazing single not runs) which should, with proper technique, have notes that are muted as the fretting hand is lifted. I apologize if that doesn't answer your question.
goneaerial41 2 years ago
So the only 'anchor' he uses is where his forearm rests on the guitar? If the pick is 'angled upwards' does this mean that it's essentially rotated from the conventional 'hand butt on bridge' position where the pick's tip moves thru the string slightly with the left side of the pick following through?
Meaning his 'downstroke' is biased towards the right side of the pick's point?
I'm trying this style with little success....:-((
Thanks.
bobgure 2 years ago
"Lost Tribe" was vicious...I sure do miss that group. I hope Adam and some of the other guys are thinking about doing something together again.
NotYourTypicalNegro 3 years ago
if you think repetition is not musical, then dont listen to jazz! repetition is part of improvising, take a theme and go with it
jakerommermusic 3 years ago
Adam Rogers is one bad ass guitarist!
giantsteps06 3 years ago
I agree with antiphones. He is one of the few improvising guitarists today who plays inventive lines. I agree that he does repeat some things from time to time, but doesn't every guitarist do that? (although I could probably name 2-3 players who don't)
SindriMar 3 years ago
Who doesn't repeat themselves? Really? Who?!! One guitar player everyone loooves and admires (don't worry, i like him too) Pat Metheny! You can't deny it, repeats himself. Michael Brecker, Jeff Tain Watts...(all instruments) We are human...eventually we are going to repeat ourselves!! Sometimes we may want to...to state a melodic idea, etc.
twinmusic 3 years ago 2
You are right, everybody repeat themselves. But I think people are refering to different things here. Sometimes, musicians will repeat specific lines or motifs and use those devices all over the place. To me, this is repitition, although that doesn't have to be a bad thing. In other cases, musicians will repeat line curves, improvisational structure, instrument sound etc which, IMO, is not repitition..it's just being true to your own style.
SindriMar 3 years ago
Who doesn't repeat themselves? Really? Who?!! One guitar player everyone loooves and admires (don't worry, i like him too) Pat Metheny! You can't deny it, repeats himself. Michael Brecker, Jeff Tain Watts...(all instruments) We are human...eventually we are going to repeat ourselves!! Sometimes we may want to...to state a melodic idea, etc.
twinmusic 3 years ago
I think perhaps Mick Goodrick and Lee Konitz are two players who play in a very specific style, but don't repeat one interpretation of the style, say a specific line or a voicing.. they just play freely inside that vocabulary. Or something!
SindriMar 3 years ago
Just curious...what gtr players in this vein don't repeat themselves?
GuyDanielsIII 3 years ago
I think Wayne Krantz probably comes closest to avoiding cliche in his paying: he has a whole technique devoted to it; his 'Improviser's OS' explains it (its based on the intervallic relationship between notes within improvisation as opposed to patterns or scales)
jongell 3 years ago 2
Comment removed
dliparini 3 years ago 2
Kurt repeats himself. Check out some of the videos on here on Aaron Park's Nemesis. Killing and he uses a ridiculous lick on more than one occasion. I love him
bluesguy33 2 years ago
Kurt Rosenwinkel!
mdudekm 3 years ago
Repetition is musically a good thing. It's melodic, and it makes you sound like you know what you're doing. Sonny Rollins repeated himself constantly. Repetition is musically a good thing. (See what I did there). It's about stating and restating an idea, whether that idea be repeated exactly, or transposed, or inverted, or retrograde.. even though that's hard to do when you're improvising.
Saxyman14 3 years ago 4
Y'all are misunderstanding what they mean by "repeating himself." They're not talking about lines or phrases within one solo.
They're saying that he plays the same lines on different songs.
I don't know if he does or not (this is the first time I've heard him), but I just wanted to point out the miscommunication.
beagleguitar 2 years ago
He has his own licks. What's wrong with that? The best musicians in history invented their own licks and played them everywhere. I don't get it.
Saxyman14 2 years ago
I didn't say it. I was just clearing up the miscommunication.
I have licks of mine that I use, and so does every guitarist. There's nothing wrong with it in my opinion, as long as it's not too blatant or obvious.
beagleguitar 2 years ago
yeah i agree that´s a form of motivical deveplopment, and a very good one!!!
potterman83 2 years ago
Motivic.
Saxyman14 2 years ago 2
yeah sorry...
potterman83 2 years ago
yeah it takes back all the information in the solo making it more interesting...
potterman83 2 years ago
the band is killing though! Clarence penn would be worth the price of admission for sure
sysphus13 3 years ago
Huh? He's not repeating anything, listen more closely. In fact there are more original lines in this guy's playing than in most of the jazz guitarist out there at the moment.
antiphones 3 years ago
boring player for me too...to each his own
sysphus13 3 years ago
those comments are ridiculous!! is a shame! You guys must have a lot of time to loose !!
By the way, would be curious to hear you play...if you can...
ZIWEH 3 years ago
amazing player,but it's kind of like listening to a robot.same lines on every song.great though
countfelix 3 years ago
Nauseating.
ShiffronLandren 3 years ago
I know, and he doesn't do any whammy bar dive bombs or pinch harmonics on top of that !
yZeCounsel 3 years ago
lol yup, ive never heard of triadic superimposition be4, im not that knowledgeable of theory
allguitarsforme 4 years ago
let me guess hes using the "Phygian" mode?
allguitarsforme 4 years ago
the melody is based around the phrygian mode, but by the time he's soloing, its all just crazy chromatic, modal and triadic superimposition all over the place. adam is ridiculous
prsguitarsr4me 4 years ago
just realized that we have very similar usernames
prsguitarsr4me 4 years ago