Added: 3 years ago
From: ValentinaLisitsa
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  • please people who do not understand what she or ravel are doing- PLEASE refrain from commenting

  • Wow... What a ride... Thanks

  • @dennisjiewenliu There are tons of them. How about you get your head out of your ass and listen to the music? In the first minute of the piece, I can hear 3 distinct melodies! Taking the Key signature into account, the first is Ax G# D#, the second D# E D# C# B A# G# D# D# E A#, and the third D# D# D# C# D# C# D# A# G# C# G#. There are countless others. Just listen, and your ignorance will flit away just as the little ghost does at the end of this piece!

  • What a crappy atonal piece of shit. With that said...Excellent playing. Scarbo is a piece to show off technical capability....

  • @vidcatchacomgoo Actually, Scarbo is in B Major and an assortment of other keys, including D and Db at some points. So much for an "atonal piece of shit," huh? That's not saying it isn't harmonically free, but that doesn't mean it's bad, now does it?

  • @vidcatchacomgoo I had to create a youtube account just to tell you what a hopeless moron you are.

    The idea that anyone would call any part of ravel's gaspard de la nuit an "atonal piece of shit" absolutely blows my mind. Scarbo is incredibly complex in BOTH technical and interpretive demands.

    And as vidcatchacomgoo said, the melody is in fact confined to a key signature most of the time. so its not atonal. so youre basically completely wrong

  • @greenman67479 I'm darkthunderz13, not vidcatchacomgoo... thanks for the support, btw. Ravel was an impressionistic composer, not an atonal one like vidcatchacomgoo said. Glad you made an account! :)

  • @greenman67479 What melody??

  • @dennisjiewenliu dudududuuum . duu-du-du - dududududuuuum

  • Just amazing. Many interpretators lost "Scarbo"'s mysterious side only thinking about fast playing. But you're playing very good in both spheres. Very well, clearly and intriguing.

    P.S. Your repetitions are awesome.

    P.P.S. What instrument it is? Boesendorfer?

  • @delf4eg1 Yes, it's a Bösendorfer (Imperial!..) - as almost always by Lisitsa- her preferred brand. Thanks for the comment- it express my own feeling as well. She's not only technically flawless and brilliant, but as an interpreter is wonderful too - so lyrical, gracious, soft in the best sense of the word, without any end in itself unnatural effects, noble and refined, spontaneous, organic - just a waking dream.

  • That was incredible.

  • Suburb dexterity, skill, and dedication.

  • o.O

  • she "plays with BOTH hands"

  • Is your piano a Imperial ? Because I read in Bösendorfer's website that the Scarbo was written for the Bösendorfer Imperial.

  • Her hands are so beautiful *o* I wish to play like that

  • Без помощи Скарбо его не сыграть))! произведение -Эмоциональное и сильное как поток воды...

    радость и музыкальное наслаждение ,Спасибо Валентина!

  • That theme from 3:07 is just awe-inspiring.

  • she most use her fingers allot

  • fast fingers ang a good technik, but this is not scarbo, because you do not play pp or even ppp. It´s always mf-ff. Listen to Gieseking

  • @joggbrahms I agree. don t think virtuosity for a great and unique interpretation.Fast and precise there is

    much more to do with sound...this may work for Liszt.

  • 7:38 OMG! Can't stop listening to this)

  • Wow wonderful! This had to have been one of the most difficult pieces she has learned.

  • @zachattack19942 It is considered THE most difficult piece ever, so I certainly hope so.

  • @SnowdenProtagonist Lol, she is such an inspiration :)

  • I can't even tell if some of the parts are glissandi or if she's just playing really fast.

  • How on earth can there be 52 "dislikes" on this video? This is absolutely stunning, regardless if the tempo or her fun pink dress isn't exactly what you had in mind. :)

  • @musicmakerscott well, i would have disliked it for her dress, but since the performance (and the way her fingers bounce on the piano) is phenomenal, I WILL LIKE THIS ONE...

  • Foi a interpretação mais clara que já ouvi desta peça divinamente demoniaca... Dá para ouvir todas as notas e detalhes que o genial Ravel colocou. Muito bom! É demais!

  • I've noticed that she is a little hunched over when she plays. I'm trying trying to criticise but I'm wondering if this is normal, because I do the same exact thing, and it makes me play most comfortabally, even though my bench is the right height and distance from the piano.

  • Stunning virtuosity, She has that element of tigerish temperament Alla Argerich.

  • can anyone even see her fingers in the faster parts?

  • It feels too rushed for my taste. She has a lot of passion though.

  • ravel's piano works esp. miroirs and gaspard are absolutely incredible

  • half of these comments say he and the other half she. Is this a guy or a girl?!?

    

  • Those weird octaves mingling at about 1:44 -- what a strange sound o_O It's like a droning effect, sort of -- it really adds even more of an eerie atmosphere to an already freaky piece.

    Fantastic playing, VL -- as always =)

  • The clarity of the writing is so evident in this recording. Although hearing every single note takes a little bit of mystery out of it, I understand so much about it now that I didn't understand before.

  • вов!

  • wow

  • NODAME CANTABILE lol

  • @koolaidjungle did they play this in nodame cantabile did they?o.o

  • Imagine the piano didn't exist and you saw her doing this!

    

  • thumbs up if it wont load

  • She has an amazing fexibility! I love her! WOOW

  • otherworldly......

  • Stunning. But what amuses me is that she is playing this in a very good way disturbing piece in a pink ballerina dress.

  • It's one thing to be able to play such a complex and beautiful piece of music. It's another to do it without any music to follow. I am amazed by her precision. This is truly art. Absolutely amazing.

  • The only thing to dislike about this is that it ends.

  • Valentina, do you consider that a good pianist, as good as you, needs to start playing from 3 years old age?  :)

  • she truly is a master!!!!

  • Beyond next level...

  • one part she does totally reminds me of the gladiator soundtrack. . . it's really good. like at 1: 20 - 1: 30 seconds.

  • she pays terrible....tooo fast and she destroiy the whole piece....what ashame. Listen to yundi Li, Kissin or even YW1935

  • @antonius0123456789 If you're going to insult a master like Valentina Lisitsa, at least spell check your comment first.

  • @antonius0123456789 Post us your attempt of Gaspard de la nuit, then you may criticise Val's brilliant work, fool child >:O

  • @antonius0123456789 so you can do better?

  • ravel himself wasnt considered a very good pianist at all... which kinda makes you wonder how he practiced these pieces.... said to be one of the most difficult piano pieces there is

  • @slapmyfunkybass But the thing is, Ravel intended Scarbo to be more difficult than Mily Balakirev's Islamey,

    and in her videos of each, Valentina needs no sheet music for Scarbo, but needs it for Islamey. Don't you find

    that the least bit odd?

  • @JupiterIV She doesn't use the music for Islamey. The piece is around 25 pages long, and the pages aren't turned at any point in the video.

  • Dear Miss Valentina.. Please marry me :D!

  • @rabidgunfight she's already married.

    

  • Fanfriggintastic!

  • Absolutely excellent.

  • After watching a few other interpretations of this piece, I came across Valentina's version, and felt as though after having waded through a muddy swamp, I suddenly found myself immersed in a pool of crystal clear water, bathed in light...

  • Choose your humor:

    - What? She's not Asian? (jk, but seriously they're TALENTED and dedicated people)

    - Psh! I could do that in my sleep!

    - Holy SMOKES!!! She's freaking AMAZING!! No seriously she really is! I was freaking blown away! This is the first time I've heard this piece and the way she gracefully and nimbly played this obviously extremely technical and difficult piece just floored me. Really amazing! Bravo!!

  • Valentina's mentality, fingers and hands are not only built for the job, where the angle at which she plays seems to facilitate the greatest number of options with the minimum amount of change or effort, plus her economy of movement plus her understanding of what she plays all adds up (not to forget her most humble attitude) to consistent performances and interpretations which I am happy to say, even if I were the only person to hold this opinion, that it is consistently,the best!

    tubatenorsax

  • This is by far the most refined interpretation of this piece

  • oh my god how does she move her hands so fast and know exactly what key to hit at all times??!! it seems impossible!!!

  • I'm going to be honest, was listening to this at 2 am and it freaked me out. Kept feeling as if there was a hauntingly beautiful voice calling my name through her playing. Brava you never cease to amaze me!

  • How does she not get her hand or wrists injured by playing that?!

  • What is the technique at the beginning called where she trills the same note?

  • @Jhh1771  tremolo?

  • @Jhh1771 This is the "repetition" technique. Playing the same note many times. And there are many ways of doing so!

  • Amazing!! So far, there isn't anything Valentina can't play!!

  • Valentina Lisitsa, I would like to hear you play the "Suggestion Diabolique", I know you'll bring something unique out of it.

  • Great job Valentina! It sure Is a bummer that Beethoven, Chopin, Franz Liszt, etc has never heard this piece.

  • dude that hot chich has man hands!

  • @Thechannymanny0

    hmm guess why? .....play so much and it comes very easily...

  • thanks for this beautiful performance. does that bosendorfer have more bass key than a standart piano?

  • She is spellbinding. Gaspard is incredibly challenging both technically and interpretively.

    My favorite is still Minoru Nojima, saw him do it in person and it was the single greatest performance I've ever seen. The audience could not immediately clap at the end we were all so stunned. It seemed like forever before we burst into applause.

    Ron Russell

    Author of "Beethoven: Heaven's Voice"

  • I really hope that Valentina explores this piece more and records it again. As it is now, it's amazing, but it has so much potential to be so much more vivid and intense.

  • Martha sort of owns this piece, in the sense that her temperament and technique seem perfectly matched to it. Somebody uses the expression: "what Ravel wanted", exactly, did Ravel want what Valentina is giving us here? Remember, this is an Impressionist composer (even if he puked all over himself when hearing this word). Is this Impressionist playing?

  • @fredericfranc When I hear this piece, I sense the fiend. I can feel it from this music. It definitely gives me the impression.

  • @fredericfranc Maybe not, but it is still cool to hear her interpretation. Very crisp.

  • Beautiful interpretation

  • just listen the first minute to hear that it isn't what Ravel wanted. the most beautiful and mystical music, with genius fear and charm. just RIDICULOUS ( I have worked hard this work, I don't know if it's great or very bad (up to you to decide) but I'm sure I use my ears first and not my technique. very very bad here

    a french guy

  • Technically, she is a clod. Hunched shoulders, flat fingers. But that's how WE play!!!! She is us, with a magnificent tone! Teachers must hate her, but I LOVE her! No technique and fabulous interpretation. Bravo!!!!

  • @turbort420 what do you mean flat fingers and no technique? how is it possible to hit those repeated notes if her fingers were flat? -.-

  • @turbort420 No technique? I'm guessing you just started learning the piano yesterday.

  • I never really liked GDLN before hearing this performance. As always, you've left me breathless :)

  • Ce n est absolument pas du tout joué dans l esprit de ce que voulait Ravel. C est une suite de notes sans expressions Et comme d habitude cette pianiste est d une froideur exemplaire.......

  • awesome... O.o

  • I have watched other pianist playing this, and this is the only one that satisfy my ears.

  • The theme of this song reminds me of La Campanella.

  • notevole espressività...il movimento delle mani...è davvero artistico...

  • 1:40 to 2:06 is quite disturbing

  • @souldap100 Lol.

  • Barbie meets Muhammad Ali.

  • not my favorite either. Very technically proficient... but this piece is as much about technical proficiency as it is about letting go of it

  • I saw the sheet music for this piece and quit.

  • That poor piano :o

  • I can almost see the little scarbo at the midnight, moving all around when everything is so still and silent.

    I can see his fingers, his sharp nails and his scarying face, knowing that he is nothing more than my fear. But eveytime I trie to catch him, he vanishes into thin air, reminding me that my fantasy is playing evil games against me.

  • Comment removed

  • Gee, that's what I also thought about a year ago!... Guess great performances really do have this effect of causing cross-minding to audiences!...=)

  • Technical perfect I think, but the interpretation is not my favorite.

  • Ravel is one of my favorites.... and she did this SO MUCH JUSTICE.. I <3 yu Valentina :)

  • Fantastic Ravel ! Fantastic Valentina!

    Thank you very very much !

  • This is as good as Argerich. Such spiel talent.

  • such a delicate piece..even on full blast I can't hear it..and with those repeated notes!! Such amazing control!!

  • i feel like i should applaud this just watching this in video, couldnt imagine hearing this in real life

  • she looks possessed.

  • is she playing eyes closed?

  • Suggestions ''Jordan sparks goes home'' WHY!!!

  • I bet the writer never expected anyone to actually play this. It was a joke. I mean, right? This is like...it has to be.

  • @ASirensSoliloquy you mean the composer? what do you mean by the writer? ravel? he played this himself, he was actually a pianist,,, so i think he expected people to play gaspard de la nuit

  • @sumimimi0 I think ASirensSoliloquy was joking. :D

  • WOW! mysterious, magnificent, melliferous! Encore!

  • La Campenella is much much easier compared to this one - the major difficulty being the double octave jump.

    On a side note, I've heard better interpretations of Gaspard de la nuit: Scarbo.

  • I think that Valentina is amazing! When I hear her play I wonder how would Lizt or Alkan play this? It's completely different and unnatural, very surreal... Not more than Islamey I guess, at least not for Valentina, but intricate and disturbing...

    Beautiful!

  • Is this really considered more difficult than La Campanella?

  • @themastererer ............yes.

  • pws paizei etsi mwre

  • this piece of music is more precious than all jewels------great interpretation !

  • Valentina... great performance... i love it :-)

    but... I really would like to correct the line of the keys of your Bösendorfer Grand... the small up and downs irritate me ;-)

  • @GSTLP111, ha ha, yes, the keys are out of level. Long ago I was her piano technician in their Miami days. Unlevel keys or an imperfect piano never faze her. She's one of the very best of the best I ever worked for, and I worked for them all on the concert stages.  Cheers to Valentina and Alexie

  • I'm shocked by Valentina's bravura - I'm coming to listen this very piece by Martha Argerich but doesn't sound so wonderful

  • Wow this is like the most insane piano piece i've ever heard. i play piano too but nowhere near close to her. this is like effortless to her. thank u for for such wonderful videos, i hope i get to see one of your concerts someday.

  • An excellent performance. The difficulties are nothing for her - but I think she might have

    tried for a "darker", more 'smoldering' interpretation in many sections,

    The best in my opinion of Scarbo (and I've performed it myself) is Pogorelich. He makes it a totally NEW piece even in comparison to the best (Argerich, Michalangeli).

  • @janicezany I never really liked Pogorelich's interpretation, Ashkenazy has always been a firm favourite when it comes to this piece, though I'd say Miss Lisitsa is probably on a par now for my favourite interpretation

  • Congrats for being able to play this piece. What's the hurry? Do you have a train to catch? I think the tempo is insane. It renders the performance blurry and the discrete notes are in placed all jumbled together parts of the performance -- especially the beginning. However I must give you kudos for your ability to differentiate dynamics and deliver a performance rich in variation of aural intensity.... especially hard to do in a percussive piece such as this one.

  • Liszt was around for Islamey, but not for this. I wonder how he would have handled it.

  • amazing performace, freaky costume. 

  • Looks like a horror movie or an suspense movie music :O I love it! :)

  • not even one piece is difficult enough for her!!

  • Inspiring!!

  • mavelous

  • Dear Ms Lisitsa, I am a 12-year-old fan from Hong Kong. According to Wiki, this Scarbo is the most difficult and challenging piano piece in the world. How can you play with so much accuracy and dynamic and emotion? That's impossible. Good luck to you! ^^

  • "WIth hands like those, she must be a lesbian" what my friend said after I showed him this.

    Seriously though, this was great. Nicely done and this is indeed a remarkably difficult piece.

  • @noprotein shes married to a man though...

  • 4:01 4:19 O_O jazz???

  • @Liszt31 That's a very interesting comment. Jazz was emerging from New Orleans at that time, but I have no idea if Ravel had been exposed to it when he wrote this in 1908.

  • @LeDairyQueen Indeed! Valentina, what do you think?

  • @Liszt31 MUOOOHOHOHOHOHohoh,.... lol, didn't agree, but i laught

  • Honestly I the song is good, but not likely for me. But the technique O.O

  • Amazing technique - total command of the keyboard. I've heard better interpretations of this piece - at times it is absurdly fast - but never seen a more confidant or accurate rendition. The pink tutu is fun and groovy. Valentina rocks! Viva Valentina!!

  • seems like such a modern piece

  • @Tannerislegend compose in 1909

  • It's like she's catching butterflies.

  • I cant sightread this with no mistakes!

  • this piece of music is something that is called "cintamani" in sanskrit (mind jewel)

  • holy crap your hands are like butter and rocks at the same time it is amazing and I WANT YOUR HANDS

  • insanity!

  • Why do the keys look like teeth from the front D;

  • haha this is so crazy with the ballerina dress. playing one of the hardest piano pieces ever written with fluid ease and gusto!

  • OMG- what if? what if Valentina was the

    greatest piano player of all time?

  • she just hears it- that's all..

    you can play anything you can hear..

  • your way to play makes me fall into it. great.

  • i wish i had those hands playing effortlessly every notes regardless level of difficulty ;)

  • This is really high quality. Thanks for putting these online

  • 我在她的音樂中,找不到驚喜...

    每個音符若都只強調「密度」,

    那將會限縮曲子本身既有的線條與空間。

    而這個問題清楚發生在她浪漫派以外的作家作品。

    如此「誇飾速度」的演奏風格,曲目自然有限。

  • 4:46 gave me the goose bumps

    i love you valentina!

  • SInce " Totentanz transcription " i m realy in love about Valentina Lisitsa ....

  • This interpretation is undoubtedly amazing considering lisitsa's perfect techinque. However I have to say that her way of playing lacks in "frightening factor". It is supposed to be more mystrerious, dark and TERRIFYING!!! Really great!! Have a look at Argerich's and Michelangeli's interpretion to enjoy a just different way of playing. (not necessarily better than this one;-) )

  • @RavelDebussy I wonder why Valentina didn't play this more mysteriously etc. because she certainly can play like that. For example her Rachmaninoff -etude op. 39 no. 6 is absolutely horrifying and intensively powerful. But nevertheless, this performance is my favorite of all the Gaspard de la Nuit's that I've heard so far.

  • 3:58-4:17 Is so beautiful to me. :)

  • Gaspard de la nuit has the perfect atmosphere, then, combined with the perfect playing of Valentina, makes it a perfect performance

  • This is pretty much considered the most difficult MUSICAL piano piece to play ever.

  • @SUPPLEANDFIRM : by whom? you should see some work of Nikolai Kapustin or Frederick Rzewski :)) I look at the sheet music from time to time to remind myself of my limits :}

  • @kamiljj :) I loveee this piece of music. By musicality standards though, Gaspard de la Nuit: Scarbo, is essentially the most difficult piano piece to play. I'm not a pianist, but I researched it. Nikolai Kapustin is amazingggggggggg though!

  • I am speechless, she has a brilliant technique and a wonderful interpretation

  • Wtf man she's so raw at piano for no reason! That's unfair!

  • It sounds like the quiet inner ravings of someone who's completely lost in the darker corners of their own mind. It's not really something i relate to. It's a very beautiful piece though. Ridiculously technical playing.

  • Valiant, valiant Valentina!

  • Ah, virtuosity. It's so refreshing.

  • Un. Be.Lie.Ba.Ble.

  • *Speechless*

    its just insaneeeee..

    this woman is increadable

  • I am no pianist but as a musican I can tell this woman is extremely good at playing piano and that this piece is very tricky.

    It is kind of like she is on autopilot. That is how good she is.

  • No way, NO WAY! How is this possible!? So good, so good, so good.

  • IVO POGORELICH,SAMSON FRANCOIS