Madame Algerich is a Godess dedicated all her life in brigin up these masterpieces...She doesnt need comments of how good she is...She the exceptional No 1 FEMALE PIANIST OF THE 21 CENTURY.
@jabberwock01 Lang Lang is the world's greatest pianist ever since Frederic Chopin! The easiest thing in life is to criticize. If you are so good, where is your video??
@SuperWroclaw SOOOO CHILDISH! You don't even know how to play piano, right? There's no comparison between Chopin and Lang Lang. I'm not racist, but Lang Lang is just another chinese piano player, there's nothing exceptional about him except for his thirst for money, popularity and his awesome luck. He has no special skills on the piano, just to play very fast, some times loud, some times piano. Chopin was a pianist and a composer: A REAL ARTIST. Chopin: Artist, Lang Lang: JUST CRAP!
Also a beautiful recording of this RAK III is made by Lazar Berman conducted by Abbado. But the medium age one. In these recent years he is conducting very strange . I don´t like him too much anymore.
She was very beautiful... and, men, she can play. She's awesome. I really can't undestand how someone may like Lang Lang after listen to Argerich or Berman.
@SuperWroclaw Jajajajaja... JAJAJAJAJAJA!! JAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJA!!!... yeah, right!... JAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJA! You're kidding, right?... JAJAJAJAJAJAJAJAJA! Oh boy, you made my day... but seriously, are you serious?... JAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJA!!!!!!
I find a cleaner and clearer version is Byron Janis's. His rendition of this work is much more poetic and more beautiful than Argerich's playing. But don't get me wrong, i like very much Martha's version, it's very fancinating!
I also like very much Byron Janis (and Horowitz too) in this work, but I prefer Argerich's rendition for the extraordinary high voltage she brings all over the concerto.
And, as a matter of fact, Martha has stolen several major and very characteristic "tricks" from none other than Horowitz, both on detailed and general level. Just compare young Horowitz's recordings with this one, and you will see it yourself. Also, nearly everyone of the famous performers of this concerto have done the same thing (i.e. Volodos, Van Cliburn, Byron Janis etc.), and that's no wonder, knowing and feeling that Horowitz understands the very essence of Rachmaninov's music
This comment has received too many negative votesshow
Van Cliburn ,Kondrashin,Carnege Hall. The best. The 2 secounds of dis-belief and then the thunderous applause. Horowitz banged away at the Rac 3 like a shoemaker with the wrong end oif the hammer. Horowitz Ha.
...Please, do not talk about something you don't have a CLUE about. Horowitz's performance of the Third Concerto is a part of Concerto itself. Didn't you know that Rachmaninov claimed Horowitz is playing it better than he does himself?
Maybe you've heard one of the 1978 recordings, where it may seem that Horowitz was too old, but that's certainly not the case anyway. You should put on a 1951 recording, or 1941. These recordings are legendary, and Third concerto can't be imagined without them.
You are quick to accuse others of not having a clue. I have heard all of the recordings in the span of his life, and that is how I have came to this point, and I have even observed him live. Furthermore, Martha was just born shortly after Rachmaninoff's passing, If Rachmanioff had lived to hear Argerich, he would have given the similar compliment to her. There is just more spark, flair and velocity in Argerich whereas Horowitz's textbook version of Rach 3.
..Wait, what do you mean "textbook"? Horowitz is everything BUT the textbook-player (surely you know that), and this of course metters his Third concerto recordings, especially the last one, with Zubin Mehta, 1978, where he had omited nearly 40% of notes in the whole Concerto, so there, textbook is long gone :) But, what stays is his expressional depth and emotional simplicity and honesty.
..Which doesn't go for Martha.
..Whose playing of Third concerto I also love very much, I forgot to say xD
Horowitz and Rachmaninov were very close, and Rachmaninov considered Horowitz as his spiritual son. That's a very well-known thing, and if you were hearing most of their recordings, you could clearly see that they have the very same musical idea and emotion.
These nonsense about Horowitz are at the same level as someone's claiming that Rachmaninov didn't very much understand his own music, and that i.e. Martha Argerich plays this better than Rachmaninov. It's just ridiculous
Your second paragraph is worth noting, that claiming Rachmaninoff doesn't understand his own music. Does Rachmaninoff really realized the depth of his own writing? Or is it really the genius of Rachmaninoff that he created a work that it is bigger than the creator himself? why does the saying that a performer does it better than the composer ridiculous? Argerich evidently does play better, if you want to say it's different, whatever makes you happy...contin...
...No, it cannot be surpased by the performer. To be *different* - yes. To play faster, more clear, with less wrong notes - of course. But, to surpass Rachmaninov's playing, and especially his playing of his own music, considering the emotional and expressional aspect - now, THAT is the point when all we can do is be gratefull to circumstances that made Rachmaninov's recordings possible.
Rachmaninov is the most complete pianist since phonograph is invented, there should be no doubt.
Cannot? You stated "to player faster, clearer, less wrong notes." This is compared to performances preceded this one. If a performance evokes deeper stimulation of spiritual, emotional contact, anything "more" positively, would be considered as "surpass" the previous even by composer himself. The only element that is valid in terms of being surpassed, would be the genius of his compositional devices as well as his tonal, Romanticism mastery that he integrated within this masterpiece.
Oh!, what a long and complicated sentences you can write.. :) Je suis enchante! :D Sorry, just kidding..
C'mon, all I said was that it is very, VERY logical that composer will play his own music the way he really wanted to write down, and just who is the one that will say someone else "better understood it"? We can understand music, but we can't be so cocky and say that we've surpassed composer in understanding the music HE wrote.
We can only play DIFFERENT, or simply write some new music, eh?
Perhaps, but I would think although it is logical for a piece is more genuine when it is expressed by its creator, but it certainly it is not impossible for someone else who is more emotional and capable of delivering that composer's piece. Now the question comes whether if it is "better", if it impacts the audience deeper than composer's performance, then what will the composer say? Nothing because he's not there to answer this questions. So the question really lies untied.
Depends on composer. In Rachmaninoff´s case it cannot be surpassed because he was such a great pianist and his music was born out of his understanding of what piano was capable of.
It's truth that Martha has shown Third concerto in it's best, but only as far as the "firework" side of it is considered. On the other side, firework, sparks, velocity & furiosity are leading in nearly all Martha's recordings, and my comments on this one rely on most of them. She plays every piece in the very similar manner, often forgetting the lyric, pastoral, intimate dimension of it. So, when it comes to the simple phrase, she plays it so "horny", that it seems she missunderstood it at all.
I tried very hard, but fail to find any possible performances by Argerich that would fit your description. How much of Argerich have you listened and in what piece(s) are you referring to that remotely came close to what you have just described?
Her performances I like: Prokofiev 3rd,Ravel G-dur,Chopin e-moll,Shostakovich op.35,Haydn D-dur (and a few more things I can't recall now).
Not like: Schumann Concerto,Kreisleriana,Sonata g-moll,Chopin Preludes,Prokofiev Sonata No.7,Tchaikowsky Concerto (you liked it,I know), and nearly every other piece I've heard from her.
Indifferent: Beeth. 1st&2nd,Liszt Sonata h-moll,Kinderszennen,Bach Partita c-moll.
Just what noble is there? And you should be more relaxed when you talk about music :)
I won't deny, that Martha seems to be very good at late/post romantic works. I haven't listened or perhaps liked enough of her Classical or barqoue interpretations. That doens't mean she plays poorly on music in those period.
This version is, for me, light years better than all other performances in History of this Concert, including the same Rach's version. Kilometers better than Horowitz; only a very big fool can't appreciate the difference.
I wouldn't be so quick to conjecture that. There are many people, including myself, who think that Horowitz' rendering of this piece is its apotheosis.
...Yes, but it's not about owning the music, it's about serving it.
And the bad habit of Martha generally is her very tendency to "conquer" the music for herself, instead of bringing it to people. There is a major difference
Is it a bad habit? Or is it the undercurrent and perhaps, the characteristics of nationalism that define, or felt by the composer, performer and the audience? I would think serving has very little relevance when you approach this caliber of performers. Do you think the audience's reaction takes up any portion of her approach to music? I hardly think so. So owning, or to possess is justified, we as performers are, or should be selfish to present a work in its best light.
I agree. Also, about my comment above, it was merely stating the obvious that Martha has no technical problems with this giant concerto. So when I say "own" I mean she tackles this with the greatest of ease and simplicity. Rachmaninoff surely meant for this to be extremely challenging both technically and artistically, and Argerich has dominated this.
next to... that's funny, so what do you do when a performance/player surpass that standard evidently by Argerich's Rach 3? Horowitz is not on the same level as Argerich and he's just sloppy.
..Now, you are the one that rushes into conclusions :) I'm sorry, but it is unhuman to oversee Horowitz's pianistic, musical, creative, mental & emotional capabilities. Of course no one is untouchable, but it is no longer an issue to discuss him on a general level. I was always first to laugh at his awful wrong notes, outrageous sforzzandi and overdone expressions. But, I rather cheer than laugh, because his spirit is so strong that it is no longer matter about anything "falsch".
At Horowitz's level, it is expected of him to deliver all of those elements wrapped in pretty box. It is also because he has never been discussed on a average level, the standard of perfection (of what one human being can come close" has also been raised. It may be cute and funny to see a legendary player such as Horowitz to hit wrong notes, but when he does it consistently, and had no regard of correcting his playing, it's difficult for the listeners to give him cont...
..Ok, dear sir or madam: have you EVER listened to ANY of Vladimir Horowitz's recordings before, let's say, 1970? Or from the forties? Or '30s, or '20s? He indeed played perfectly (if we're talking about correct notes and speed; just take i.e. Chopin's Scherzo No.4, or Liszt's Paganini etudes, or his Carmen phantasy; ..of course, Tchaikovsky Concerto and Rach3 from 1930 and 1941, just anything). It's a classic mistake about people judging Horowitz: they have NEVER heard him before his age of 65.
All the pianists were trying to imitate Horowitz's technique (including Martha Argerich, of course) when they play this work. Even Argerich herself won't agree with your opinion.
Lang Lang is such a penis.
darmani212 10 months ago
Argerich is beautiful her playing is outstanding .. one of, if not the very best in the world today hands down
ocsound1 11 months ago
it matters not who's opinion is correct, as it is just that, an opinion
ipluggedu 1 year ago
I like how you idiots come on this page to just fight over who is the "better pianist" you truelyare wasting oxygen ....
LoftyProduction 1 year ago
Madame Algerich is a Godess dedicated all her life in brigin up these masterpieces...She doesnt need comments of how good she is...She the exceptional No 1 FEMALE PIANIST OF THE 21 CENTURY.
aisla24 1 year ago
最近は2番が流行ってるが自分はこの3番が一番好き
JINA1592007 1 year ago
superb
one of the best i have ever heard too good
harikasin ey sevgili muzisyen
ponte34 2 years ago 3
Excelente calidad de video y sonido.
Wandalandowskaya47 2 years ago
Simply the best! Better than all the rest, if you're looking for consummate skill and excitement.
I can't understand why anyone likes (L)Bang (L)Bang anyway. No MUSIC there at all.
jabberwock01 2 years ago 3
@jabberwock01 Lang Lang is the world's greatest pianist ever since Frederic Chopin! The easiest thing in life is to criticize. If you are so good, where is your video??
SuperWroclaw 1 year ago
@SuperWroclaw SOOOO CHILDISH! You don't even know how to play piano, right? There's no comparison between Chopin and Lang Lang. I'm not racist, but Lang Lang is just another chinese piano player, there's nothing exceptional about him except for his thirst for money, popularity and his awesome luck. He has no special skills on the piano, just to play very fast, some times loud, some times piano. Chopin was a pianist and a composer: A REAL ARTIST. Chopin: Artist, Lang Lang: JUST CRAP!
EdiEllerymissing 1 year ago 3
@SuperWroclaw You can say that thousands of times. But Chopin and Rachmaninoff will laugh at you in heaven.
xdlaway 1 year ago
1:31 One of my favorite picture !
gurtrudelim 2 years ago 2
tout simplement magnifique
hujispyro 2 years ago 2
A monumental recording of this piece. She is just unbelievable!!!
trschaefer 2 years ago 2
Also a beautiful recording of this RAK III is made by Lazar Berman conducted by Abbado. But the medium age one. In these recent years he is conducting very strange . I don´t like him too much anymore.
lokopiano
lokopiano 2 years ago
the only woman i always wanted to marry!!!!!!!!!!!!!
liszt78 2 years ago
Believe me............ much better don´t do it.
Great artist, maybe the greatest woman pisnist on the world. BUT as wife..... :-) :-)
Lokopiano.
lokopiano 2 years ago
Like he would have a chance !
vova47 2 years ago
Uhmmmm .
Good idea, but please don´t make me responsabile of the liszt78 action.
Uhmmm....
lokopiano 2 years ago
Argerich is not human.
salviati 2 years ago
Certainly not. She is Argentinian.
lokopiano 2 years ago
or maybe unhuman ?
LOL.
forget about , i was not serious.
She is just a monster pianist,
lokopiano
lokopiano 2 years ago
I Agree!!!!
EdiEllerymissing 2 years ago
Did you watch the videos in her twenties?
Amazing and extremely beautiful.......what a legs.............woww...
Perfect technique also.
almost like the WONTON (lonlon) technique.... HAHAHA LOL
lokpiano
lokopiano 2 years ago
She was very beautiful... and, men, she can play. She's awesome. I really can't undestand how someone may like Lang Lang after listen to Argerich or Berman.
EdiEllerymissing 2 years ago 23
Of course...........i think mostb people who like WONTON are very amateur.
They like the circus .
lokopiano
lokopiano 2 years ago
Good,totally agree!
Ellinidara 2 years ago
@EdiEllerymissing Well said !!!!! Bravo.
Ellinidara 1 year ago
@EdiEllerymissing Lang Lang is the world's greatest pianist ever!
SuperWroclaw 1 year ago
@SuperWroclaw Jajajajaja... JAJAJAJAJAJA!! JAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJA!!!... yeah, right!... JAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJA! You're kidding, right?... JAJAJAJAJAJAJAJAJA! Oh boy, you made my day... but seriously, are you serious?... JAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJA!!!!!!
EdiEllerymissing 1 year ago
@EdiEllerymissing Lang Lang is just unbearable. Forget him.
xdlaway 1 year ago 8
@EdiEllerymissing It 'best not to ask himself
napoleoneterzo 1 year ago
@EdiEllerymissing She seems to me more beautiful in her more mature years. She has an inner beauty that one can only earn it.
simcha181818 11 months ago
one of my fav.
FBJ77 2 years ago
wonderful
rudikeimel 2 years ago
the piece is played beautifully. a very good rendition
but is it just me or....is does that piano itsself sound odd to any of you. i fee like its incredibly bright or sharp or something
maybe im just raving mad who knows
beccatrmpt 3 years ago
I agree - the piano sound harsh and brittle. I don't know if it's the recording, or the piano itself, or the way she plays it
HarpoMarx22 2 years ago
Una meraviglia da SPOSARE.Ciao
napoleoneterzo 3 years ago 2
I find a cleaner and clearer version is Byron Janis's. His rendition of this work is much more poetic and more beautiful than Argerich's playing. But don't get me wrong, i like very much Martha's version, it's very fancinating!
zauberkreis 3 years ago
I also like very much Byron Janis (and Horowitz too) in this work, but I prefer Argerich's rendition for the extraordinary high voltage she brings all over the concerto.
rigel48 3 years ago
I agree with you, the passion she showed us in this work is amazing!
zauberkreis 3 years ago
Oh yes - this is sehr schoen, but I suggest taking a look at Prokofiev's Third concerto. Now, that is fantastic *
mytchilla 3 years ago
And, as a matter of fact, Martha has stolen several major and very characteristic "tricks" from none other than Horowitz, both on detailed and general level. Just compare young Horowitz's recordings with this one, and you will see it yourself. Also, nearly everyone of the famous performers of this concerto have done the same thing (i.e. Volodos, Van Cliburn, Byron Janis etc.), and that's no wonder, knowing and feeling that Horowitz understands the very essence of Rachmaninov's music
mytchilla 3 years ago
This comment has received too many negative votes show
Van Cliburn ,Kondrashin,Carnege Hall. The best. The 2 secounds of dis-belief and then the thunderous applause. Horowitz banged away at the Rac 3 like a shoemaker with the wrong end oif the hammer. Horowitz Ha.
tenorismo 3 years ago
Argerich owns this piece, and you're right about Horowitz, that was aweful.
dasteufelhund 3 years ago
...Please, do not talk about something you don't have a CLUE about. Horowitz's performance of the Third Concerto is a part of Concerto itself. Didn't you know that Rachmaninov claimed Horowitz is playing it better than he does himself?
Maybe you've heard one of the 1978 recordings, where it may seem that Horowitz was too old, but that's certainly not the case anyway. You should put on a 1951 recording, or 1941. These recordings are legendary, and Third concerto can't be imagined without them.
mytchilla 3 years ago
You are quick to accuse others of not having a clue. I have heard all of the recordings in the span of his life, and that is how I have came to this point, and I have even observed him live. Furthermore, Martha was just born shortly after Rachmaninoff's passing, If Rachmanioff had lived to hear Argerich, he would have given the similar compliment to her. There is just more spark, flair and velocity in Argerich whereas Horowitz's textbook version of Rach 3.
dasteufelhund 3 years ago
..Wait, what do you mean "textbook"? Horowitz is everything BUT the textbook-player (surely you know that), and this of course metters his Third concerto recordings, especially the last one, with Zubin Mehta, 1978, where he had omited nearly 40% of notes in the whole Concerto, so there, textbook is long gone :) But, what stays is his expressional depth and emotional simplicity and honesty.
..Which doesn't go for Martha.
..Whose playing of Third concerto I also love very much, I forgot to say xD
mytchilla 3 years ago
Horowitz and Rachmaninov were very close, and Rachmaninov considered Horowitz as his spiritual son. That's a very well-known thing, and if you were hearing most of their recordings, you could clearly see that they have the very same musical idea and emotion.
These nonsense about Horowitz are at the same level as someone's claiming that Rachmaninov didn't very much understand his own music, and that i.e. Martha Argerich plays this better than Rachmaninov. It's just ridiculous
mytchilla 3 years ago
Your second paragraph is worth noting, that claiming Rachmaninoff doesn't understand his own music. Does Rachmaninoff really realized the depth of his own writing? Or is it really the genius of Rachmaninoff that he created a work that it is bigger than the creator himself? why does the saying that a performer does it better than the composer ridiculous? Argerich evidently does play better, if you want to say it's different, whatever makes you happy...contin...
dasteufelhund 3 years ago
but the notion of saying the performance of a work cannot be surpassed by any others in comparison to its creator, is ridiculous.
dasteufelhund 3 years ago
...No, it cannot be surpased by the performer. To be *different* - yes. To play faster, more clear, with less wrong notes - of course. But, to surpass Rachmaninov's playing, and especially his playing of his own music, considering the emotional and expressional aspect - now, THAT is the point when all we can do is be gratefull to circumstances that made Rachmaninov's recordings possible.
Rachmaninov is the most complete pianist since phonograph is invented, there should be no doubt.
mytchilla 3 years ago
Cannot? You stated "to player faster, clearer, less wrong notes." This is compared to performances preceded this one. If a performance evokes deeper stimulation of spiritual, emotional contact, anything "more" positively, would be considered as "surpass" the previous even by composer himself. The only element that is valid in terms of being surpassed, would be the genius of his compositional devices as well as his tonal, Romanticism mastery that he integrated within this masterpiece.
dasteufelhund 3 years ago
Oh!, what a long and complicated sentences you can write.. :) Je suis enchante! :D Sorry, just kidding..
C'mon, all I said was that it is very, VERY logical that composer will play his own music the way he really wanted to write down, and just who is the one that will say someone else "better understood it"? We can understand music, but we can't be so cocky and say that we've surpassed composer in understanding the music HE wrote.
We can only play DIFFERENT, or simply write some new music, eh?
mytchilla 3 years ago
Can't say I disagree with you on this, so I agree.
NauticalVortex 3 years ago
Perhaps, but I would think although it is logical for a piece is more genuine when it is expressed by its creator, but it certainly it is not impossible for someone else who is more emotional and capable of delivering that composer's piece. Now the question comes whether if it is "better", if it impacts the audience deeper than composer's performance, then what will the composer say? Nothing because he's not there to answer this questions. So the question really lies untied.
dasteufelhund 3 years ago
Depends on composer. In Rachmaninoff´s case it cannot be surpassed because he was such a great pianist and his music was born out of his understanding of what piano was capable of.
vova47 2 years ago
It's truth that Martha has shown Third concerto in it's best, but only as far as the "firework" side of it is considered. On the other side, firework, sparks, velocity & furiosity are leading in nearly all Martha's recordings, and my comments on this one rely on most of them. She plays every piece in the very similar manner, often forgetting the lyric, pastoral, intimate dimension of it. So, when it comes to the simple phrase, she plays it so "horny", that it seems she missunderstood it at all.
mytchilla 3 years ago
I tried very hard, but fail to find any possible performances by Argerich that would fit your description. How much of Argerich have you listened and in what piece(s) are you referring to that remotely came close to what you have just described?
dasteufelhund 3 years ago
Her performances I like: Prokofiev 3rd,Ravel G-dur,Chopin e-moll,Shostakovich op.35,Haydn D-dur (and a few more things I can't recall now).
Not like: Schumann Concerto,Kreisleriana,Sonata g-moll,Chopin Preludes,Prokofiev Sonata No.7,Tchaikowsky Concerto (you liked it,I know), and nearly every other piece I've heard from her.
Indifferent: Beeth. 1st&2nd,Liszt Sonata h-moll,Kinderszennen,Bach Partita c-moll.
Just what noble is there? And you should be more relaxed when you talk about music :)
mytchilla 3 years ago
I won't deny, that Martha seems to be very good at late/post romantic works. I haven't listened or perhaps liked enough of her Classical or barqoue interpretations. That doens't mean she plays poorly on music in those period.
dasteufelhund 3 years ago
This version is, for me, light years better than all other performances in History of this Concert, including the same Rach's version. Kilometers better than Horowitz; only a very big fool can't appreciate the difference.
MincusPincus 3 years ago
absolutely agree
PianoVlog 3 years ago
The best perfomance of this piece is...next to the same Rachmaninoff, Vladimir Horowitz, but on the whole, all are fantastic!
astronomo16 3 years ago
I wouldn't be so quick to conjecture that. There are many people, including myself, who think that Horowitz' rendering of this piece is its apotheosis.
f2781 3 years ago 2
yes but i find her version cleaner and clearer
jvmalfi 3 years ago
Actually everyone knows that Martha owns this piece.
BachFong11 3 years ago
...Yes, but it's not about owning the music, it's about serving it.
And the bad habit of Martha generally is her very tendency to "conquer" the music for herself, instead of bringing it to people. There is a major difference
mytchilla 3 years ago
Is it a bad habit? Or is it the undercurrent and perhaps, the characteristics of nationalism that define, or felt by the composer, performer and the audience? I would think serving has very little relevance when you approach this caliber of performers. Do you think the audience's reaction takes up any portion of her approach to music? I hardly think so. So owning, or to possess is justified, we as performers are, or should be selfish to present a work in its best light.
dasteufelhund 3 years ago
I agree. Also, about my comment above, it was merely stating the obvious that Martha has no technical problems with this giant concerto. So when I say "own" I mean she tackles this with the greatest of ease and simplicity. Rachmaninoff surely meant for this to be extremely challenging both technically and artistically, and Argerich has dominated this.
BachFong11 3 years ago
Exactly.
dasteufelhund 3 years ago
But she learnt all these from Horowitz, she tried very much to imitate him.
zauberkreis 3 years ago
Horowitz is a good player, but far from apotheosis.
dasteufelhund 3 years ago
next to... that's funny, so what do you do when a performance/player surpass that standard evidently by Argerich's Rach 3? Horowitz is not on the same level as Argerich and he's just sloppy.
dasteufelhund 3 years ago
..Now, you are the one that rushes into conclusions :) I'm sorry, but it is unhuman to oversee Horowitz's pianistic, musical, creative, mental & emotional capabilities. Of course no one is untouchable, but it is no longer an issue to discuss him on a general level. I was always first to laugh at his awful wrong notes, outrageous sforzzandi and overdone expressions. But, I rather cheer than laugh, because his spirit is so strong that it is no longer matter about anything "falsch".
mytchilla 3 years ago
At Horowitz's level, it is expected of him to deliver all of those elements wrapped in pretty box. It is also because he has never been discussed on a average level, the standard of perfection (of what one human being can come close" has also been raised. It may be cute and funny to see a legendary player such as Horowitz to hit wrong notes, but when he does it consistently, and had no regard of correcting his playing, it's difficult for the listeners to give him cont...
dasteufelhund 3 years ago
it is difficult for the listeners to give him benefit of the doubt based on his merit of charisma or spirit.
dasteufelhund 3 years ago
..Ok, dear sir or madam: have you EVER listened to ANY of Vladimir Horowitz's recordings before, let's say, 1970? Or from the forties? Or '30s, or '20s? He indeed played perfectly (if we're talking about correct notes and speed; just take i.e. Chopin's Scherzo No.4, or Liszt's Paganini etudes, or his Carmen phantasy; ..of course, Tchaikovsky Concerto and Rach3 from 1930 and 1941, just anything). It's a classic mistake about people judging Horowitz: they have NEVER heard him before his age of 65.
mytchilla 3 years ago
Reread my posts, you will see I already answered your question.
dasteufelhund 3 years ago
All the pianists were trying to imitate Horowitz's technique (including Martha Argerich, of course) when they play this work. Even Argerich herself won't agree with your opinion.
zauberkreis 3 years ago
Agree, actually Argerich said that herself in some interviews, she said Mr. Horowitz is her true idol.
samuelchau 3 years ago