TheJazzzCritic approves of this filmclip. Bill Evans often hated it when his work was analyzed...he always thought it should be listened to and enjoyed. But, in his own modest way, was drawing attention away from the fact that he was a pioneer - pioneering into the uncharted lands of "the new sound", a new way of playing jazz. Everything about this rendering by this trio is pure perfection.
I knew Larry Bunker as a child and never know how amazing he was. He did deserve more credit for all of his achievements! He was an amazing musician and man. Much love Larry. RIP.
I really can't perceive any "acceleration" in tempo as a disfunction of the musicians or their musicianship. In any there isn't a massive increase in tempo, just a small one which to my mind says a lot about the empathy that these 3 have developed, which at some level suggests that they are happy to play the game, and enjoy supporting one another at the subtlest level of nuance, including the way that timing can be and should be an elastic thing, unrelated to metronomes.
I have transcrived all the Larry Bunker 12 bar solos in this tune and it´s freaking hard , prehaps you can´t hear the incredible stuff that Larry Bunker plays here
you are stupid? what you say about the tempo is something natural in jazz , do you have notices the incredible swing and the ultra modern solos of drummer Larry Bunker ? learn and the speak
I just love Bill Evans, and especially the tune "Israel". However, this particular performance troubles me. The tempo slowly crept up over the course of the tune. Check out the tempo at about 0:35 and compare it to about 4:40. As a former drummer, I was always taught that once the tempo was established, it should be maintained. Double-timing a section or changes in time signature are one thing, but losing the original tempo is a no-no. Sorry, just my opinion.
@zildj1an Sometimes a song needs to breathe. Bill evans and his rhythm section here are just breathing. Its natural. And the tempo change isn't drastic its "pushing". Listen to anything, especially miles davis's plugged nickel recordings with the second quintet. Sometimes tempos change, its natural feeling.
@mniedbalskimac Exactly, its like sayng when a musician plays music his heart beat shouldn't accelerate when the climax or cresendo of the song is played, the idea that tempo must be strictly kept to is abit of a joke, just like these guys saying that BILL FREAKING EVANS is speeding up unnecessarily is.
@zildj1an Miles's recordings with the Ron Carter/Tony Williams/Herbie Hancock/Wayne Shorter quintet speed up like crazy half the time. There are a million great recordings of Richard Davis completely out of tune, Thelonious Monk seemingly accidentally flamming on two notes at once. But improvising musicians at that artistic level transcend conscious thought about what they should be doing, what is "right" or "wrong;" they are completely in every musical moment, going wherever the music goes.
@zildj1an Who says it should stay the same tempo throughout? Music should be about freedom and if they felt like upping the tempo a little then good for them...
@zildj1an So what's the matter?they might have done it this way cos they wanted to or it might have been that particular moment!But you might have been taught that keeping the time the same is the rule but the rule is to keep up the music and they really do, then what's the problem!THEY ROCK!
@zildj1an So what's the matter?they might have done it this way cos they wanted to or it might have been that particular moment!But you might have been taught that keeping the time the same is the rule but the rule is to keep up the music and they really do, then what's the problem!THEY ROCK!
@zildj1an@zildj1an So what's the matter?they might have done it this way cos they wanted to or it might have been that particular moment!But you might have been taught that keeping the time the same is the rule but the rule is to keep up the music and they really do, then what's the problem!THEY ROCK!
@zildj1an I find myself getting more and more into a song if the song is a good tune and if the players seem to enjoy themselves more and more (sorry for the redundancies) as the song progresses. Therefore for me, a listener but not a player, any increase in tempo seems both natural and proper as the enthusiasm and excitement builds. While I do not disagree with what you are saying, I think there is more than one way to enjoy this music.
@JmansterJ1806 Yes, I agree. But, in this case, Chuck and Larry are following Bill, totally. Not bad, really. But, from my personal perspective, I would have preferred that the tempo stayed as initiated. Then again, that's just my perspective. Sorry.
@zildj1an Have you ever heard Louis Armstrong's Tiger Rag? There's a definite speedup. I believe this kind of achroncity, or syncopation, is inherent to the jazz form. Billie Holiday sang behind the beat, Sarah Vaughan ahead of it. The rhythm is just a suggestion, not a clearly-defined demarcation. Free your mind, zildj1an!
...and the way he makes the drums speak, controlling the attack AND RELEASE of the notes. He mutes the drums with the sticks/brushes to get a staccato effect. Great lesson watching him.
yeahh if you compare this version with others for example with drummer paul motian , really bunker is much much much more advanced , really Motian looks a student compared with Bunker , the sound , his incredible swing and articulation , and the modern displacement solos , the irregular and elegant use of hi hat , the are soooooooo many subtleties in the playing of Bunker. Bunker was very advanced for that epoque , but never got the reconigtion he deserved .
@Javi7Tron I can see that... although I wonder if Evans chose Motian more for his soft swells and supportive approach. Music is a funny thing... especially when it comes to recognition! I dig Motian and Bunker both... maybe Bunker is more of a drummer's drummer... action packed for sure. Motian creates a nice cloud for Evans to float on top of. I wish I could find a release of Waltz for Debby that has Motian playing some amazing solos... not on the version of the album I have...
@nielsmyrner I think that it depends on your musical tastes , I have talked this a lot with other musicians , I really thing that Motian is cool but he really sounds like a fucking student compared with bunker , there is a very big diference , in swing , drive , musicallity .. Bunker is not a drummer´s drummer , Bunker was pianist and vibraphonist and the trio of evas with Bunker and chuck israels is much more compact than the others
the whole thing was way too fast imo
exavier091 1 week ago
This has been flagged as spam show
TheJazzzCritic approves of this filmclip. Bill Evans often hated it when his work was analyzed...he always thought it should be listened to and enjoyed. But, in his own modest way, was drawing attention away from the fact that he was a pioneer - pioneering into the uncharted lands of "the new sound", a new way of playing jazz. Everything about this rendering by this trio is pure perfection.
TheJazzzCritic 1 month ago
I knew Larry Bunker as a child and never know how amazing he was. He did deserve more credit for all of his achievements! He was an amazing musician and man. Much love Larry. RIP.
lburdettro 2 months ago
I really can't perceive any "acceleration" in tempo as a disfunction of the musicians or their musicianship. In any there isn't a massive increase in tempo, just a small one which to my mind says a lot about the empathy that these 3 have developed, which at some level suggests that they are happy to play the game, and enjoy supporting one another at the subtlest level of nuance, including the way that timing can be and should be an elastic thing, unrelated to metronomes.
luminousmusic 3 months ago
good drive, makes me young
BalticXY 3 months ago
the melody he picks sounds so sad,
and really beautiful
ntakeshi 4 months ago
Comment removed
007gumshoe 5 months ago
all the jazzmans know that bill evans had a tendency to accelerate , don´t blame the drummer for that
Javi7Tron 5 months ago
I have transcrived all the Larry Bunker 12 bar solos in this tune and it´s freaking hard , prehaps you can´t hear the incredible stuff that Larry Bunker plays here
Javi7Tron 5 months ago
you are stupid? what you say about the tempo is something natural in jazz , do you have notices the incredible swing and the ultra modern solos of drummer Larry Bunker ? learn and the speak
Javi7Tron 5 months ago
I just love Bill Evans, and especially the tune "Israel". However, this particular performance troubles me. The tempo slowly crept up over the course of the tune. Check out the tempo at about 0:35 and compare it to about 4:40. As a former drummer, I was always taught that once the tempo was established, it should be maintained. Double-timing a section or changes in time signature are one thing, but losing the original tempo is a no-no. Sorry, just my opinion.
zildj1an 1 year ago
@zildj1an no need to apologize. I hear it too. A definite increase in tempo.
kenjames64 1 year ago
@kenjames64 this matters why? It makes the song feel natural
Grillmouth 8 months ago 2
@Grillmouth dude, it doesn't matter at all. Just saying I hear the slow tempo increase.
kenjames64 8 months ago
@zildj1an Sometimes a song needs to breathe. Bill evans and his rhythm section here are just breathing. Its natural. And the tempo change isn't drastic its "pushing". Listen to anything, especially miles davis's plugged nickel recordings with the second quintet. Sometimes tempos change, its natural feeling.
mniedbalskimac 1 year ago
@mniedbalskimac Exactly, its like sayng when a musician plays music his heart beat shouldn't accelerate when the climax or cresendo of the song is played, the idea that tempo must be strictly kept to is abit of a joke, just like these guys saying that BILL FREAKING EVANS is speeding up unnecessarily is.
Grillmouth 8 months ago
@zildj1an Miles's recordings with the Ron Carter/Tony Williams/Herbie Hancock/Wayne Shorter quintet speed up like crazy half the time. There are a million great recordings of Richard Davis completely out of tune, Thelonious Monk seemingly accidentally flamming on two notes at once. But improvising musicians at that artistic level transcend conscious thought about what they should be doing, what is "right" or "wrong;" they are completely in every musical moment, going wherever the music goes.
kirksiesz 1 year ago
@kirksiesz oops probably should have read the comment posted right before me...
kirksiesz 1 year ago
@zildj1an Who says it should stay the same tempo throughout? Music should be about freedom and if they felt like upping the tempo a little then good for them...
Marukomu 1 year ago
@zildj1an So what's the matter?they might have done it this way cos they wanted to or it might have been that particular moment!But you might have been taught that keeping the time the same is the rule but the rule is to keep up the music and they really do, then what's the problem!THEY ROCK!
funkguru87 11 months ago
This has been flagged as spam show
@zildj1an So what's the matter?they might have done it this way cos they wanted to or it might have been that particular moment!But you might have been taught that keeping the time the same is the rule but the rule is to keep up the music and they really do, then what's the problem!THEY ROCK!
funkguru87 11 months ago
@zildj1an @zildj1an So what's the matter?they might have done it this way cos they wanted to or it might have been that particular moment!But you might have been taught that keeping the time the same is the rule but the rule is to keep up the music and they really do, then what's the problem!THEY ROCK!
funkguru87 11 months ago
@zildj1an how can you be a former drummer
Ddanfernandez 9 months ago
@zildj1an
lol.. and???
gmouchta 9 months ago
@zildj1an tempo fluctuations are a performance tool not something to be thought negatively about, we aren't machines
NorthArchRising 8 months ago
@zildj1an
= "Sorry" was quite\probably an accurate philosophical-expression; just eyes-opinion..
ESSPIRITJIMMI 7 months ago
@zildj1an Jazz. Let me show you it.
SANNAFABICH 4 months ago
@zildj1an I find myself getting more and more into a song if the song is a good tune and if the players seem to enjoy themselves more and more (sorry for the redundancies) as the song progresses. Therefore for me, a listener but not a player, any increase in tempo seems both natural and proper as the enthusiasm and excitement builds. While I do not disagree with what you are saying, I think there is more than one way to enjoy this music.
Barakx8 3 months ago
@zildj1an A fault of Bill Evans...he said he tended to rush alot and couldn't keep time very well!
Kiwi2375 6 days ago
@Kiwi2375 I tend to agree, but I really still love Bill Evans' style.
zildj1an 15 hours ago
@zildj1an you do know this is jazz, right?
JmansterJ1806 16 hours ago
@JmansterJ1806 musicians follow one another. that's the beauty--and appeal--of a jazz ensemble.
JmansterJ1806 16 hours ago
@JmansterJ1806 Yes, I agree. But, in this case, Chuck and Larry are following Bill, totally. Not bad, really. But, from my personal perspective, I would have preferred that the tempo stayed as initiated. Then again, that's just my perspective. Sorry.
zildj1an 15 hours ago
@zildj1an Have you ever heard Louis Armstrong's Tiger Rag? There's a definite speedup. I believe this kind of achroncity, or syncopation, is inherent to the jazz form. Billie Holiday sang behind the beat, Sarah Vaughan ahead of it. The rhythm is just a suggestion, not a clearly-defined demarcation. Free your mind, zildj1an!
JmansterJ1806 14 hours ago
@JmansterJ1806 Indeed! I was just making an observation. Just love Bill Evans.
zildj1an 15 hours ago
Check out (my) most memorable Bill Evans with the Dave Pike Quartet
on " Pikes Peak" Herbie Lewis Bass Walter Perkins drums.
talbotvanman 1 year ago
Ditemi dove è stato registrato. grazie
giovindi67 1 year ago
my favorite jazz musican...
monocrom101 1 year ago
Jeeeeeeeeeeeee:)):):))
Goooodddd:)))
pastorius999 1 year ago
Unbelievable
I love the way Bunker makes the phrases dance...
...and the way he makes the drums speak, controlling the attack AND RELEASE of the notes. He mutes the drums with the sticks/brushes to get a staccato effect. Great lesson watching him.
Thanks!
nielsmyrner 1 year ago
@nielsmyrner
I ´ve transcrived the solos of Larry , if anyone are interested I could send my transcription , grethings
Javi7Tron 1 year ago
@nielsmyrner
yeahh if you compare this version with others for example with drummer paul motian , really bunker is much much much more advanced , really Motian looks a student compared with Bunker , the sound , his incredible swing and articulation , and the modern displacement solos , the irregular and elegant use of hi hat , the are soooooooo many subtleties in the playing of Bunker. Bunker was very advanced for that epoque , but never got the reconigtion he deserved .
Javi7Tron 5 months ago
@Javi7Tron I can see that... although I wonder if Evans chose Motian more for his soft swells and supportive approach. Music is a funny thing... especially when it comes to recognition! I dig Motian and Bunker both... maybe Bunker is more of a drummer's drummer... action packed for sure. Motian creates a nice cloud for Evans to float on top of. I wish I could find a release of Waltz for Debby that has Motian playing some amazing solos... not on the version of the album I have...
nielsmyrner 5 months ago
@nielsmyrner I think that it depends on your musical tastes , I have talked this a lot with other musicians , I really thing that Motian is cool but he really sounds like a fucking student compared with bunker , there is a very big diference , in swing , drive , musicallity .. Bunker is not a drummer´s drummer , Bunker was pianist and vibraphonist and the trio of evas with Bunker and chuck israels is much more compact than the others
Javi7Tron 5 months ago
@nielsmyrner
. i think that a lot of drummers really don´t have the ears to appreciate the nunances that Bunker played
Javi7Tron 5 months ago
awesome... i don't have any words to express my emotion...
raosunokeshi 1 year ago
mastery!!
straitmtoddm 1 year ago
Oh, I just melted in my chair!
HAMayoral 1 year ago
West coast bunker style swing....love it!
fullboxacrayons 1 year ago
The first Evans' version of "Israel" is in the album "Explorations", dated February 1961, with Scott LaFaro (bass) and Paul Motian (drums)
IntuitionDigression 1 year ago
@IntuitionDigression Thanks for the clarification.
kenjames64 1 year ago
@IntuitionDigression the dream team!
KEEPTHEDEEP 1 year ago
@KEEPTHEDEEP Yes, indeed!
IntuitionDigression 1 year ago
Comment removed
IntuitionDigression 1 year ago
@IntuitionDigression Why'd you remove that comment. You're right!
kenjames64 1 year ago
Wonderful. The one and only. Thx so much for sharing
Putytand 2 years ago