This guy is just IT...!!! In every way... in everything he plays... And I think..? Only one teacher...? Is that right...? I heard him live in Boston... MAGIC...!!! And unlike the sport folks... he'll still be playing thirty years from now like all the other GREATS!!!
Wonderful long melodic lines, the mournful tolling of the bells, the irrevocable buildup to the tattoo of the Db, the pathos of the cantilena, the crashing roar of the octaves, the fragmented return, the ending short, punctuated "the rest is silence"...
Too bad the incessant coughing from the audience couldn't be filtered out.
In changing part, making weaving as not plane, becouse composer liked
chatering in silences ,so, making clear pomping or jumoing sound in minor
mithtic heavy air.
Lower sound making like a keeping passing deep clear ,I think so.
USAR as not noinor, they are higher elegant abilites and senceble to stronger wills and long aged healthy vigors with pure thinking as own opinions holings for grand wide linger terme as not changing value like
Thanks a lot for posting this! I saw him at Palace of Arts in Budapest (playing 4 Chopin Ballades, among others) last year, but I've never heard him playing Funerailles! What a performance! Great! Thanks again!!
@FirstPublicChannel 3 months later, on 17 November, Wednesday. It was the first time he has visited Hungary in the last 25 years or so. The program included Schumann Fantasiestücke op. 12 and Novelete No. 8, and, after interval, the 4 Chopin Ballades. They were really beautiful. After a round of applause, he played 3 encores: Chopin's Waltzes op. 64 No. 2 and op. 34 No. 1, and Scherzo No. 2 in B flat minor, one and all wonderfully, I have to say. It was a memorable recital.
Der ganze Körper beim Spielen eingesetzt: Russische Schule. Die Identifikation mit dem Stück: absolut. Es gibt auch Pianisten, bei denen die Identifikation körperlich nicht so offensichtlich ablesbar ist: Horowitz, ABM
Just amazing as always. I remember a Soviet music critic said in the movie The gift of music that till now everything is goinig to easy for Kissin. That comes of his natural gift. The Critic said that something has to to change in future. But nothing has changed. Kissin is still growing in his mastery. And every day, in every reecording I can hear the grown experience. Amazing!
This guy is just IT...!!! In every way... in everything he plays... And I think..? Only one teacher...? Is that right...? I heard him live in Boston... MAGIC...!!! And unlike the sport folks... he'll still be playing thirty years from now like all the other GREATS!!!
MrLisztian 3 weeks ago
Wonderful long melodic lines, the mournful tolling of the bells, the irrevocable buildup to the tattoo of the Db, the pathos of the cantilena, the crashing roar of the octaves, the fragmented return, the ending short, punctuated "the rest is silence"...
Too bad the incessant coughing from the audience couldn't be filtered out.
zamyrabyrd 1 month ago
Composer said base sounds are big size long clocks for ever image making of USSR or Rusian image or histrical images making.
Thank you Yerusalem concert,I show and teach you this composer points of criate of this.
Good Lucky happy life through best arts.
HihgSUPERK 3 months ago
In changing part, making weaving as not plane, becouse composer liked
chatering in silences ,so, making clear pomping or jumoing sound in minor
mithtic heavy air.
Lower sound making like a keeping passing deep clear ,I think so.
USAR as not noinor, they are higher elegant abilites and senceble to stronger wills and long aged healthy vigors with pure thinking as own opinions holings for grand wide linger terme as not changing value like
Yogrut has much good traditional artistic virus
HihgSUPERK 3 months ago
he didnt even bow??
CziffraTheThird 5 months ago
man i love his playing
ReturnOfTheStienway 7 months ago
Thanks a lot for posting this! I saw him at Palace of Arts in Budapest (playing 4 Chopin Ballades, among others) last year, but I've never heard him playing Funerailles! What a performance! Great! Thanks again!!
madlovba2 8 months ago
@madlovba2 really?! when? I was in Budapest last august...
FirstPublicChannel 8 months ago
@FirstPublicChannel 3 months later, on 17 November, Wednesday. It was the first time he has visited Hungary in the last 25 years or so. The program included Schumann Fantasiestücke op. 12 and Novelete No. 8, and, after interval, the 4 Chopin Ballades. They were really beautiful. After a round of applause, he played 3 encores: Chopin's Waltzes op. 64 No. 2 and op. 34 No. 1, and Scherzo No. 2 in B flat minor, one and all wonderfully, I have to say. It was a memorable recital.
madlovba2 8 months ago
@madlovba2 damn! maybe the next time...
FirstPublicChannel 8 months ago
Fantastic! Kissin is without a doubt, a genius beyond all words expressible...
chobeethaninov 11 months ago 2
Thanks so much. I couldn't get tickets to this program in NY. At least, I can see it.
thesu 11 months ago
Amazing! Thank you very much for uploading it.
riverems 11 months ago
Der ganze Körper beim Spielen eingesetzt: Russische Schule. Die Identifikation mit dem Stück: absolut. Es gibt auch Pianisten, bei denen die Identifikation körperlich nicht so offensichtlich ablesbar ist: Horowitz, ABM
KarloFeder 11 months ago
@KarloFeder
Bin 100% mit Ihnen einverstanden. Wúrde mir nichts ausmachen, wenn die Identification körperlich NICHT so ablesbar wäre:)
ludvigop132 11 months ago
Liszt's Funerailles! you should write it one the title....
newFranzFerencLiszt 11 months ago
Just amazing as always. I remember a Soviet music critic said in the movie The gift of music that till now everything is goinig to easy for Kissin. That comes of his natural gift. The Critic said that something has to to change in future. But nothing has changed. Kissin is still growing in his mastery. And every day, in every reecording I can hear the grown experience. Amazing!
jebenthan 11 months ago
Thank you for posting such a high quality video - wonderful.
Evgeny Kissin Fansite.co.uk
Jamesssnnjms 11 months ago