Maybe this piece doesn't fit her temperament, but this feels like williams playing the villa-lobos prelude nr 5... just shredding away to the finish line
I think tempo is too fast, phrasing sounds erratic, and the dynamics seems completely lost.
My favorite of this Bagatelle nr.2 is Bream playing it... its on youtube somewhere
Listless and dry. The staccato doesn't really work for her, and the piece simply sounds lifeless. She really needs to pay some dues to have some heart to put into her playing. This is the most boring interpretation of this piece I've ever heard, including from much inferior players.
It's amazing to me that she can rip through Bach and the Ponce, but fails so miserably to capture the feeling of this piece. She has absolutely no idea of how to create the space it needs, and let it breathe.
something is lacking; it's well played...in a technical sense...but the timing is just too much like a metronome for me. I actually want more rubato in places and MORE tone changes. I think a slow piece like this is harder in some ways than a rapid piece. It demands more soul.
I also dislike the sound of this guitar.
Maybe it takes more years lived to bring the full weight to it.
@Rexicano Couldn't agree more!!!! She hit the concert platform too soon due to her technique level imo.....she has a lot to blossom still musically.....let's hope she does - that'd be great.
@Rexicano always the same shit when people comment young but wonderful artists, they are too young to feel, too young to have a soul, too young to have emotions, too... let me tell you one thing, you are older but will probably never play like her, what does that tell you? And about the rhythm, she is the only one that keeps the rhythm so that emotions can go on flowing like the waves of the sea. Not easy, one of very rare qualities.
Well, funny how you get all huffy about myself and others having an opinion on a music video we have seen...
and yet you fell so bold as to make comments about about MY playing when you have not heard me, don't know me, and (here is MY Guess) you PROBABLY have never played the piece or know a thing about the repertoire of Classical guitar.
Now go peddle that "waves of the sea" nonsense to someone else. I aint buying it.
@Rexicano You cannot buy it, 'cause I am not selling anything, you see. Et oui, je joue la guitarra classique, désolé de vous décevoir. I was talking about the general fear for young talents though. You bump into it in any branche these days. From rhythmic gymnastics to classical guitar!!! When a young talent does everything better, some envidious always pops up and vomits the frase "I assume it takes more years lived by to bring the full weight to it" You should have told that to Rimbeaud.
Ana Vidovic shows a lot of discipline and control in her playing. This is an important factor which a lot of guitarist that are making a living with there playing DOT NOT have. Hat's off to her. She is definitely in another league. Benny Muñoz Latin Jazz Guitarist from Vineland NJ.
Yes William, but the point is that there are many factors that need to be observed that make the playing of guitar, or any insturment, possible. Number one the kind of strings are an inportant factor, especially for harmonics since you have to be soo precise (heavier strings are harder to do) also size of nails, and also postion. On frets of guitar you have ample room to fret, but on harmonics you havet to be was very accurate or else youll get a buzz. Anyway never said it was impossible. ;)
Actually I dont think the size of the string matters for harmonics but I think the type of string does make it a little harder to get the sound without a buzz or missing it altogether.
Not on this site all the videos or one sees she plays with a blue dress she plays on a guitar made by Gilles Mercier, guitar maker in Aix in Provence, in France, if it is also easily definissable it is not because of the dress, but in addition to the sonority of the instrument, the reason for the rosette of the instrument which with the head, forms parts of the signatures of each guitar maker
This is from her Virtuoso DVD? What noob(s) ran the mic cables? ;^)
While she has been using Jim Redgate guitars for a while now, I think this performance pre-dates her endorsement of them. This guitar doesn't have his signature headstock carving and the rosette doesn't seem to be his, either.
I often wonder about her hair and if it gets in the way. Wish it would get in my way!
Not on this site all the videos or one sees she plays with a blue dress she plays on a guitar made by Gilles Mercier, guitar maker in Aix in Provence, in France, if it is also easily definissable it is not because of the dress, but in addition to the sonority of the instrument, the reason for the rosette of the instrument which with the head, forms parts of the signatures of each guitar maker
I do not know when these pieces have been played but the dvd from where the music is extracted has been commercialized in 2006 (after looking on her site). It seems reasonable to think she knew allready the guitars of Jim redgate when she played for these recordings
She is a wondergirl.
edi5 10 months ago
Still Amazed by Ana. Awesome!
GodsGreiner 1 year ago
This is the 3rd Bagatelle, it's Lento, not Andante..
Orange1117 1 year ago
ha the only reason i know wat people are talking about is cause im mexican american
BlindedinChains444 1 year ago
Argh....
Poisonseed 1 year ago
love this piece, amazingly played.
Joshyi18 1 year ago
I'd definitely do her
muhqmuhq 2 years ago
@muhqmuhq
Haha Me too!
KeziaMyDarlingPTH 1 year ago
Thanks! At you very beautiful channel and good performance on a guitar!
ZotMalakhov 2 years ago
What do ya'll think of Flash6234 playing this.
60ECg 2 years ago
STU-PEN-DA punto e basta
ales65100 2 years ago
Maybe this piece doesn't fit her temperament, but this feels like williams playing the villa-lobos prelude nr 5... just shredding away to the finish line
I think tempo is too fast, phrasing sounds erratic, and the dynamics seems completely lost.
My favorite of this Bagatelle nr.2 is Bream playing it... its on youtube somewhere
Sysiphus9 2 years ago
Listless and dry. The staccato doesn't really work for her, and the piece simply sounds lifeless. She really needs to pay some dues to have some heart to put into her playing. This is the most boring interpretation of this piece I've ever heard, including from much inferior players.
It's amazing to me that she can rip through Bach and the Ponce, but fails so miserably to capture the feeling of this piece. She has absolutely no idea of how to create the space it needs, and let it breathe.
sdluthier 2 years ago
@sdluthier
I agree;
something is lacking; it's well played...in a technical sense...but the timing is just too much like a metronome for me. I actually want more rubato in places and MORE tone changes. I think a slow piece like this is harder in some ways than a rapid piece. It demands more soul.
I also dislike the sound of this guitar.
Maybe it takes more years lived to bring the full weight to it.
The first Bream recording really does it for me.
Rexicano 1 year ago
@Rexicano Couldn't agree more!!!! She hit the concert platform too soon due to her technique level imo.....she has a lot to blossom still musically.....let's hope she does - that'd be great.
ericlarkins 1 year ago
@Rexicano always the same shit when people comment young but wonderful artists, they are too young to feel, too young to have a soul, too young to have emotions, too... let me tell you one thing, you are older but will probably never play like her, what does that tell you? And about the rhythm, she is the only one that keeps the rhythm so that emotions can go on flowing like the waves of the sea. Not easy, one of very rare qualities.
SonsOfGod 1 year ago
@SonsOfGod
Well, funny how you get all huffy about myself and others having an opinion on a music video we have seen...
and yet you fell so bold as to make comments about about MY playing when you have not heard me, don't know me, and (here is MY Guess) you PROBABLY have never played the piece or know a thing about the repertoire of Classical guitar.
Now go peddle that "waves of the sea" nonsense to someone else. I aint buying it.
Rexicano 1 year ago
@Rexicano You cannot buy it, 'cause I am not selling anything, you see. Et oui, je joue la guitarra classique, désolé de vous décevoir. I was talking about the general fear for young talents though. You bump into it in any branche these days. From rhythmic gymnastics to classical guitar!!! When a young talent does everything better, some envidious always pops up and vomits the frase "I assume it takes more years lived by to bring the full weight to it" You should have told that to Rimbeaud.
SonsOfGod 1 year ago
@Rexicano errata, I obviously meant "guitare" and "Rimbaud" and not "guitarra" and "Rimbeaud".
SonsOfGod 1 year ago
Ana Vidovic shows a lot of discipline and control in her playing. This is an important factor which a lot of guitarist that are making a living with there playing DOT NOT have. Hat's off to her. She is definitely in another league. Benny Muñoz Latin Jazz Guitarist from Vineland NJ.
latinjazzman7 3 years ago
Ana....(sigh) Ti amo, indeed.
Hyperdelightful woman that she is.
Idyllvice 3 years ago
no es el andante es el lento!
con razon nunca lo encontre con ella como lento jaja
hiddenmarcovich 3 years ago
she missed the last harmonics! anyway great, i'm not even half as good as this girl.
William102582 4 years ago
She did not such thing! To get those harmonics on the higher frets completly is almost impossible.
Theonedue 3 years ago
It's certatinly ain't impossible, check out Julian Breams version.
William102582 3 years ago
Yes William, but the point is that there are many factors that need to be observed that make the playing of guitar, or any insturment, possible. Number one the kind of strings are an inportant factor, especially for harmonics since you have to be soo precise (heavier strings are harder to do) also size of nails, and also postion. On frets of guitar you have ample room to fret, but on harmonics you havet to be was very accurate or else youll get a buzz. Anyway never said it was impossible. ;)
Theonedue 3 years ago
Yes, I am a bad speller. Sorry.
Theonedue 3 years ago
Actually I dont think the size of the string matters for harmonics but I think the type of string does make it a little harder to get the sound without a buzz or missing it altogether.
Theonedue 3 years ago
ofcourse she plays superbly she`s from croatia
intersanctum 4 years ago
Not on this site all the videos or one sees she plays with a blue dress she plays on a guitar made by Gilles Mercier, guitar maker in Aix in Provence, in France, if it is also easily definissable it is not because of the dress, but in addition to the sonority of the instrument, the reason for the rosette of the instrument which with the head, forms parts of the signatures of each guitar maker
Larkflight 4 years ago
She's great as always!
This is from her Virtuoso DVD? What noob(s) ran the mic cables? ;^)
While she has been using Jim Redgate guitars for a while now, I think this performance pre-dates her endorsement of them. This guitar doesn't have his signature headstock carving and the rosette doesn't seem to be his, either.
I often wonder about her hair and if it gets in the way. Wish it would get in my way!
fodera6 4 years ago
Not on this site all the videos or one sees she plays with a blue dress she plays on a guitar made by Gilles Mercier, guitar maker in Aix in Provence, in France, if it is also easily definissable it is not because of the dress, but in addition to the sonority of the instrument, the reason for the rosette of the instrument which with the head, forms parts of the signatures of each guitar maker
Larkflight 4 years ago
I do not know when these pieces have been played but the dvd from where the music is extracted has been commercialized in 2006 (after looking on her site). It seems reasonable to think she knew allready the guitars of Jim redgate when she played for these recordings
Larkflight 4 years ago
Come on you guys. Talk about what you know, not what about you do not know. The latter is simply ridiculous!
amaurytube 4 years ago
I think her guitar is made by Gilles Mercier , a french maker
partcham 4 years ago
Does anybody knows who is the guitar maker?
dimiceli 4 years ago
Jim Redgate Guitars
dachtichsmir 4 years ago
She's a Goddess. She's out of this world and yet she's in it. A talent as immense as Mount Everest is tall.
vinas1959 4 years ago
opz maybe nt..mistaken LOL...
orcawoo 5 years ago
wrong tempo at de end..de last note...lack counting
orcawoo 5 years ago
maşallah
lordazol 5 years ago
Hoorah, I think she made a mistake, although, I can't be sure !
Goddess!!!!
DeMaterialisation 5 years ago
Who cares. Great performance.
cliverich 4 years ago
Hey ,I didn't favourite this for fun ! lol
DeMaterialisation 4 years ago