I think she has such a beautiful voice, especially her middle and lower registers. It's very pure and youthful sounding - makes her perfect for singing roles like this, in my opinion. And I absolutely adore her trill, she's always spot on.
Gorgeous! I would have put a rider in my contract, though, saying "you must provide me with an inflammable costume" - that was truly frightening to watch her hold that torch-like thing on fire right by her side!
That's what I'm thinking after listening to her for two years. Ya, what a voice! Anything she touches becomes gold and diamonds, if you can use that comparison.
@compeld2sing I agree. It's such a lovely interpretation. You might wish to listen to Nicholas Spanos's version of this aria for comparison as well. It's lovely too.
This is beautiful, indeed - brava! But from a dramatic standpoint, this is the moment when she is supposed to make her transition from boyhood to manhood - the moment Sesto reaches a full understanding of the anger and anger-unto action that is appropriate for a grown man. In this sense, I find Kirchschlager far more compelling.
I love it. Its an absolute natural, heartfelt and beautiful rendition. I agree with Kermancalvo that it is much better and more moving than the over-valued Kirchschlager
There is a subtle difference between a good singer and a good opera performer. Good directors know that difference. A good performer gives meaning to every word and feels them with the body. I am afraid Angelika is one of those performers.
I prefer by far Kirchschlager's version. Semmingsen sings beautifully, but she lacks expressivity, emphasis and dinamics.
GabrielaJanine 5 months ago
Musically, just trancendent--but dramatically, it doesn't pack much of a punch.
heyboy08 9 months ago
fabulous
fastborzoi 1 year ago
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I think she has such a beautiful voice, especially her middle and lower registers. It's very pure and youthful sounding - makes her perfect for singing roles like this, in my opinion. And I absolutely adore her trill, she's always spot on.
jennygiduz 1 year ago
Gorgeous! I would have put a rider in my contract, though, saying "you must provide me with an inflammable costume" - that was truly frightening to watch her hold that torch-like thing on fire right by her side!
rlee1976 2 years ago
Her voice....... oh gods... her voice.....
TFreckle 2 years ago 18
That's what I'm thinking after listening to her for two years. Ya, what a voice! Anything she touches becomes gold and diamonds, if you can use that comparison.
compeld2sing 2 years ago
@compeld2sing I agree. It's such a lovely interpretation. You might wish to listen to Nicholas Spanos's version of this aria for comparison as well. It's lovely too.
tamerlano236 1 year ago
Tuva Semmingsen does a tremendous job here. I only wish that the orchestra steps up a bit on the tempo. Too slow!
beteltree 2 years ago 5
This is beautiful, indeed - brava! But from a dramatic standpoint, this is the moment when she is supposed to make her transition from boyhood to manhood - the moment Sesto reaches a full understanding of the anger and anger-unto action that is appropriate for a grown man. In this sense, I find Kirchschlager far more compelling.
annaenanna 3 years ago
I love it. Its an absolute natural, heartfelt and beautiful rendition. I agree with Kermancalvo that it is much better and more moving than the over-valued Kirchschlager
stolof 3 years ago 5
great tone!!
mmallie 3 years ago
viva handel!!!
ariadna25po 3 years ago
I think that this is lovely, and much better than that who-knows-why over-valued Kirchslager. Thanks for the link!
Kerman
Kermancalvo 3 years ago 10
There is a subtle difference between a good singer and a good opera performer. Good directors know that difference. A good performer gives meaning to every word and feels them with the body. I am afraid Angelika is one of those performers.
Handelove 2 years ago
Beautiful rendition! Thank you for sharing the link!
mariandelochs 4 years ago 3