The effects of the years of abuse she put her voice through singing inappropriate repertoire are evident here. The sound is uneven, unstable and has developed a pushed, often-flat tremolo.
I saw this performance and it stands in our memories as the finest Tosca we've ever seen. The staging was a dramatic departure and the singers in their finest voice. The ending is chilling! I was looking for previews of the new release of the Met 2009 production when I just discovered that this production was taped and now on DVD. I'll be ordering a copy of this immediately. Thank you for posting this!!
Wow! The fall and the scorn from an infamous Spoletta signaling the fallen Mario in a mocking way. Undoubtelly the most realistic execution ever produced. It's just amazing!
oh, sweet tune from a cradle..as a 6 year old kid, i imitated, acted out this scene so many times from the 14th floor roof yelling out ,"oh, scarpia, see you in the hell." still gives me peculiar blend of nostalgia and dramatic catharsis it induces.
I love things subtitled in Dutch; it's so much fun (and obviously the FUN FACTOR is high on Miss Nivens' priorities as well!) "Wat is hij mooi, mijn Mario?" (1:17.) I'd always wondered what happened with Catherine Malfitano! She was our star in a Michigan Opera Theatre production of Lucia (1977 or 78;) I was the conductor's understudy and played in the Viola section.
yes, it's look like Castel Sant'Angelo in the beginning of 19th century,,,, a kind of discopub... simply horrible. This is the way to take people far from Opera... they can't understand anything about the story and what happens... for this reason Opera is so distant from people's taste... thanks to these geniuses!!!
Shocking at first, cool, really cool, afterwards. And that was a great jump. The part with the gun was not necessary but Ok, let it be, why not? The fan is strange but interesting too. Who is Mario? Bad choice (from the appearance point of view but maybe vocally he was Ok).
@AliciaDupres I think that the gun part WAS necessary - she had to keep them all at bay. But it's not a fan: it's a movie film reel. Don't forget: this was done in the '90s.
Malfitano is a great Tosca, see and hear her in "Tosca" (1992) with Ruggero Raimondi, it's electrifying! As for the modernistic performance, I don't care much for it, the fan is a little too distracting for me, but the singing is perfect.
I see nothing impressive about this.Malfitano's voice for Tosca by 1998 was not in as good a shape as it was earlier in the decade ('91) when she sang opposite Domingo for a film on location in Rome. She sings terribly in this one! And what an awful production! What's that fan doing up there ? there is no "Castel San Angelo" set! No good period costumes. And if she owned a gun she coulda have shot Scarpia instead of stabbed him with a knife LOL
Ummm...perhaps you should see the whole production before condemning it. It is generally considered to be one of the finest Tosca's of the second half of the 20th Century. She finds the gun in Scarpia's apartments after the murder and takes it with her. It is not 'traditional' but it is true to the music and the emotions behind it.
A gun in Scarpia's apartment ? LOL Come on LOL How can you like something that's not true to Puccini's original production and his vision about Tosca which is set during Napoleonic Italy ? Modern productions don't appeal to me. And again, she's really not singing beautifully in this one. That jump at the end is the only nice thing about the whole nigmare production
I'm a writer and I have an imagination but I'm terribly picky about my opera and I like to be visually entertained with great productions as well as great singing. That's all I ask for! Just perfect operas!
But admit that you are very traditionalist in your taste... to the point of closedmindedness. Then again... perfection is something that ought to be extremely rare.
I wouldn't call it closed-minded when someone criticizes a work for doing something against the libretto. By contrast, I criticize a director who feels he or she can't work with a script or the characters that were displayed. If they find themselves lacking that ability, then perhaps they should question whether they should be producing the work in the first place, and instead promote a modern play or opera, or instead give it to a different director who has the ability.
You should have been there... it was absolutely fantastic, both visually and musically. Riccardo Chailly directed the Concertgebouworkest beautifully, Malfitano was electrifying, Terfel sly and sexy and Richard Margison reduced everyone to tears... it really was a monumental production of DNO.
Malfitano and Corelli would have been the ideal pair. Was that Heppner? The scream was comical because it came before she could know he was dead. Smart idea to bring a gun with her for the journey. Fantastic leap!!!
Wow! I keep coming back to this one. The production looks ambitious and the staging in this scene works very well. This is how I imagine Tosca at this point in the opera; fiery, passionate and somewhat deranged! What a fantastic leap too- it looked a little slow motion, enhancing the drama of the moment. I wonder how they achieved that.......?
Estamos en el siglo XX y la escenografia es valida, es el mejor salto heroico que le da verdadero climax a la opera, no como tantas gordas que cantan lindo pero a la hora del salto se les ve como un teatro de colegio y en vez de dramatico se vuelve risible. asi es el arte..
OH MY GOD. FIrst I thought she was kinda gonna shoot herself int he head, and then I saw the jump and it was like BAM so powerful. I laughed loudly at her scream when she finds Mario dead though, it reminds me of sit com scenes.
Holy Mackerel!!!! Who was that soprano??? To scream as authentically as that upon discovering Mario's truly dead and not wreck herself, yet come back with that final high note and jump with such incredible style!!!! THANK YOU SUE ANN NIVENS!!!!!
wow that's really impressive. I'm an extra in a Tosca production in Bregenz at the moment, and I really like it. The only bit I don't like is the ending that was done so well in this version!
Amazing. I would like it a bit less modern decorated, but way they play it is just amazing!! The best accent here is this soldier "pointing her way to the body" after execution. It's just amazing.
não gosto da modernização, o final de osca já é complicado para que complicar mais, O unico final de tosca digno da opera é o de Renatta Tebaldi, por favor, me entendam só estou falenmdo do final, porque para mim é Callas.
Her scream at 2:24 is horrific. So reckless. I dont know many sopranos who would do it. And the final note isn't SHARP like it usually is from others. Love the final leap. Wish I had seen her live when she was in her prime.
Anyone saw the Hildegard Behrens video from the Met, during which she wrecks her voice on the "Muori, Dannata's" at the end of act 2, THEN goes on to sing a glorious act 3?
Goosebumps from head to toes! The first time I saw "Tosca" I saw it absolutely cold with no idea what the story was. When she leaped from the parapet my shock and horror was so extreme that it couldn't have been more intense if the actress had actually committed suicide before my eyes on stage.
Hitman Blood Money lol classic
JacobsSilhouette 1 day ago
I think she clicks her heals.
The effects of the years of abuse she put her voice through singing inappropriate repertoire are evident here. The sound is uneven, unstable and has developed a pushed, often-flat tremolo.
At least she jumps well, if nothing else.
operassassin 2 weeks ago
I saw this performance and it stands in our memories as the finest Tosca we've ever seen. The staging was a dramatic departure and the singers in their finest voice. The ending is chilling! I was looking for previews of the new release of the Met 2009 production when I just discovered that this production was taped and now on DVD. I'll be ordering a copy of this immediately. Thank you for posting this!!
RandWBL 1 month ago
WOW that fall really IS EPIC - it's GRANDIOSE to the nth degree! I am shaking!
cubanbach 1 month ago
That looks like a fabulous piece of production. Very dramatic.
tigerbob2185 3 months ago
Wow! The fall and the scorn from an infamous Spoletta signaling the fallen Mario in a mocking way. Undoubtelly the most realistic execution ever produced. It's just amazing!
alexgomez2 3 months ago
does anyone else suspect that she studied dance? hahaha!
janeym 3 months ago
oh, sweet tune from a cradle..as a 6 year old kid, i imitated, acted out this scene so many times from the 14th floor roof yelling out ,"oh, scarpia, see you in the hell." still gives me peculiar blend of nostalgia and dramatic catharsis it induces.
AmaranthCasket 5 months ago
Tengo que decirlo es de mis favoritos de youtube siempre que lo veo se me dibuja una sonrisa
MrsMosquiz 5 months ago
ah her tits project so well through that dress :))
Tosca with tits I hadnt seen before :))
LohengrinT 7 months ago
I saw my first "Tosca" totally cold, so the finale just about KILLED me!
Cramnella 10 months ago
I don't like this interpretation - the ending was a bit violent and gothic themed.
I dislike this. Sorry.
Montyleeny14 1 year ago
@Montyleeny14 Agree. But the falling is great!
seguroesxmiculpa 7 months ago
Simplesmente exelente!!
avalokiteshivara 1 year ago
mucho mejor final que el de KT Kanawa...!!
MrCabarq 1 year ago
slow-motion is.
bikiniboys 1 year ago
Wonderful performance, but the costumes
and the set...what were they thinking????
Jeanne90275 1 year ago
Comment removed
SerchWagnerianBear 1 year ago
Genial!!!
SchugOo 1 year ago
Grausam!
nikodemus7777 1 year ago
Zowie.
Pywacket2 1 year ago
Totally agree with GAEMP what a stupid staging. What has it got to do with Rome ?
Nice jump though, at least she didn't bounce right back up like Milanov.
papoocanada 1 year ago
I love things subtitled in Dutch; it's so much fun (and obviously the FUN FACTOR is high on Miss Nivens' priorities as well!) "Wat is hij mooi, mijn Mario?" (1:17.) I'd always wondered what happened with Catherine Malfitano! She was our star in a Michigan Opera Theatre production of Lucia (1977 or 78;) I was the conductor's understudy and played in the Viola section.
UlfenDaddy 1 year ago
yes, it's look like Castel Sant'Angelo in the beginning of 19th century,,,, a kind of discopub... simply horrible. This is the way to take people far from Opera... they can't understand anything about the story and what happens... for this reason Opera is so distant from people's taste... thanks to these geniuses!!!
gaemp 1 year ago
Slow-mo jump is surreal.
steakopera 1 year ago
wait how did they do that?!
94jwong 1 year ago
Just a jump
rolocgn 1 year ago
@94jwong If you watch the motion of the shadow of the fan, you can see that the video is slowed down when she jumps, although the audio is not.
BorisGodunov 1 year ago
That was such a shocking a poetic fall, he he. Thank you for posting this.
ejrouge 2 years ago
great ending really! the gun was random though
SiEtIn1 2 years ago
Shocking at first, cool, really cool, afterwards. And that was a great jump. The part with the gun was not necessary but Ok, let it be, why not? The fan is strange but interesting too. Who is Mario? Bad choice (from the appearance point of view but maybe vocally he was Ok).
AliciaDupres 2 years ago
@AliciaDupres
RMATHSEN 2 years ago
@AliciaDupres I think that the gun part WAS necessary - she had to keep them all at bay. But it's not a fan: it's a movie film reel. Don't forget: this was done in the '90s.
RMATHSEN 2 years ago
Malfitano is a great Tosca, see and hear her in "Tosca" (1992) with Ruggero Raimondi, it's electrifying! As for the modernistic performance, I don't care much for it, the fan is a little too distracting for me, but the singing is perfect.
vilabreze 2 years ago
I like Malfitano a lot! Look and listen at her performances in "Tosca"'s and "Salome"! Just great!
OperaAdmirer 2 years ago
That was really cool....... Loved it!
santuzza60 2 years ago
I see nothing impressive about this.Malfitano's voice for Tosca by 1998 was not in as good a shape as it was earlier in the decade ('91) when she sang opposite Domingo for a film on location in Rome. She sings terribly in this one! And what an awful production! What's that fan doing up there ? there is no "Castel San Angelo" set! No good period costumes. And if she owned a gun she coulda have shot Scarpia instead of stabbed him with a knife LOL
MastersoftheOpera 2 years ago
Ummm...perhaps you should see the whole production before condemning it. It is generally considered to be one of the finest Tosca's of the second half of the 20th Century. She finds the gun in Scarpia's apartments after the murder and takes it with her. It is not 'traditional' but it is true to the music and the emotions behind it.
altodivo 2 years ago 2
A gun in Scarpia's apartment ? LOL Come on LOL How can you like something that's not true to Puccini's original production and his vision about Tosca which is set during Napoleonic Italy ? Modern productions don't appeal to me. And again, she's really not singing beautifully in this one. That jump at the end is the only nice thing about the whole nigmare production
MastersoftheOpera 2 years ago
How about a little imagination? Or do we lose that ability in adolescence?
ernestalba 2 years ago
I'm a writer and I have an imagination but I'm terribly picky about my opera and I like to be visually entertained with great productions as well as great singing. That's all I ask for! Just perfect operas!
MastersoftheOpera 2 years ago
I'd say that fall was very visually entertaining. I still can't figure out how it's done.
ernestalba 2 years ago
But admit that you are very traditionalist in your taste... to the point of closedmindedness. Then again... perfection is something that ought to be extremely rare.
hersenlozeslet 2 years ago
@hersenlozeslet
I wouldn't call it closed-minded when someone criticizes a work for doing something against the libretto. By contrast, I criticize a director who feels he or she can't work with a script or the characters that were displayed. If they find themselves lacking that ability, then perhaps they should question whether they should be producing the work in the first place, and instead promote a modern play or opera, or instead give it to a different director who has the ability.
Jaydoggy531 1 year ago
You should have been there... it was absolutely fantastic, both visually and musically. Riccardo Chailly directed the Concertgebouworkest beautifully, Malfitano was electrifying, Terfel sly and sexy and Richard Margison reduced everyone to tears... it really was a monumental production of DNO.
hersenlozeslet 2 years ago
Malfitano and Corelli would have been the ideal pair. Was that Heppner? The scream was comical because it came before she could know he was dead. Smart idea to bring a gun with her for the journey. Fantastic leap!!!
raythespian 2 years ago
she might have seen the blood on him when she put the sheet away. the scream works
mrlammermoor 2 years ago
wow!! that fall is epic!!!!
tripleaxell 2 years ago 9
very good acting.
but ... i have to say her final note is off pitch
amfortas1978 2 years ago
Is this the Lehnoff Tosca with terfel? the whole thing is fantastic start to finish
BGSourgas 2 years ago
Wow! I keep coming back to this one. The production looks ambitious and the staging in this scene works very well. This is how I imagine Tosca at this point in the opera; fiery, passionate and somewhat deranged! What a fantastic leap too- it looked a little slow motion, enhancing the drama of the moment. I wonder how they achieved that.......?
elephantbarbiegirl 2 years ago
Hvala na prijateljstvu,spot je jako dobar.
Ferenc Kovacs
editakovac 2 years ago
What Conservatory of Music is this?
cleanears 2 years ago
Fabolous - I love it when a new somewhat modernized production is so great and dramatic. Great scene and jump by Malfitano.
iWalkure 2 years ago 2
Estamos en el siglo XX y la escenografia es valida, es el mejor salto heroico que le da verdadero climax a la opera, no como tantas gordas que cantan lindo pero a la hora del salto se les ve como un teatro de colegio y en vez de dramatico se vuelve risible. asi es el arte..
TheBasilio 2 years ago
Comment removed
elephantbarbiegirl 2 years ago
OH MY GOD. FIrst I thought she was kinda gonna shoot herself int he head, and then I saw the jump and it was like BAM so powerful. I laughed loudly at her scream when she finds Mario dead though, it reminds me of sit com scenes.
Drelnis 2 years ago
I love this jump... still: it is slowed down to be longer, you can see it at spoletta's movements.
mrlammermoor 3 years ago
La scenografia è orrenda, che c'entra la ventola? Ed anche il resto non è per niente bello...
yukio84 3 years ago
This was the best Tosca I ever witnessed. Maltitano was incredible. Per il resto, cosa?
beeltube 3 years ago
Great! The best ending of "Tosca" I know!
ulphilos 3 years ago
Brava Catherine!!! The best jump I see ever!!!!
kenofer 3 years ago
Holy Mackerel!!!! Who was that soprano??? To scream as authentically as that upon discovering Mario's truly dead and not wreck herself, yet come back with that final high note and jump with such incredible style!!!! THANK YOU SUE ANN NIVENS!!!!!
nimcr 3 years ago
I'm no opera buff, but this Presto, Su! Mario! is one of the greatest musical endings I've ever heard!!!
jcashtr02 3 years ago
this is the best ending to date~!
planthi80 3 years ago
this is wonderful~! please post more of it~! can one get it yet on DVD?
planthi80 3 years ago
Sure! Decca released it a couple of months ago, the video quality is great, and there´s a "behind the scenes".
SueAnnNivens 3 years ago
Comment removed
elephantbarbiegirl 2 years ago
I don't like it
PianoQuasiForte 3 years ago
wow that's really impressive. I'm an extra in a Tosca production in Bregenz at the moment, and I really like it. The only bit I don't like is the ending that was done so well in this version!
aModernDandy 3 years ago
....orribile....o_O
longlifeluke 3 years ago
Terrific
Choen444 3 years ago
OH MY GOD... SHE JUMPED!!!!!!
mariogalileo 3 years ago 3
Amazing. I would like it a bit less modern decorated, but way they play it is just amazing!! The best accent here is this soldier "pointing her way to the body" after execution. It's just amazing.
bluecross7 3 years ago
What a jump! Amazing!
BlueCougar 4 years ago 9
não gosto da modernização, o final de osca já é complicado para que complicar mais, O unico final de tosca digno da opera é o de Renatta Tebaldi, por favor, me entendam só estou falenmdo do final, porque para mim é Callas.
nithyado 4 years ago
I'm not sure why she didn't just blow her brains out, though... The gun really distracted me. Malfitano was quite the diva.
VCDartay 4 years ago
Her scream at 2:24 is horrific. So reckless. I dont know many sopranos who would do it. And the final note isn't SHARP like it usually is from others. Love the final leap. Wish I had seen her live when she was in her prime.
altodivo 4 years ago
I agree... That scream can't be good for her voice.
Voluptuossa1234 4 years ago
I think it's a coordinated scream with appoggio, otherwise she wouldn't be able to sing one note afterwards. Love it!!!
LETTIS79 3 years ago
Anyone saw the Hildegard Behrens video from the Met, during which she wrecks her voice on the "Muori, Dannata's" at the end of act 2, THEN goes on to sing a glorious act 3?
egyboy67 3 years ago
Stunning! Terrific production and amazing intensity from C.M. She was really something in her day.
A wonderful and complete artist. Way ahead of her time in her acting,IMHO.
Fiddlerfrank 4 years ago
Goosebumps from head to toes! The first time I saw "Tosca" I saw it absolutely cold with no idea what the story was. When she leaped from the parapet my shock and horror was so extreme that it couldn't have been more intense if the actress had actually committed suicide before my eyes on stage.
Cramnella 4 years ago
Catherine is the consumate actress. She is fab. I
Alyson69 4 years ago
thrilling. Puccini is much maligned as too popular, but performances as this show why his music and drama has flourished for a century
operadm 4 years ago