na minha opiniao os tape decks yamaha sao os melhores, eu tenho um kx-300, ele grava muito com qualidade de cd, fora o dolby c dele que uma coisa fora do comum, otimo deck esse tb deve gravar a mesma coisa, eu recomendo, decks yamaha, sao os melhores
I've got those Maxell tapes same as this one, 20 of them wrapped brand new . I used to mix tracks and record it but I get bored after 12 mins so... btw quality of sound is better than my MP3 Creative MuVo V200 . weird weird analog vs digital ..
Aiwa's and for those who can afford them Nakamichi's are by far the best tape machines out there. I own a ADF800 and the newer ADF850 and these machines record very, very well indeed. MP3's are a total waste of time. Analog forever!
Nice tape deck. I the yamaha KX-500U. I think it was made in 1989. It has no auto reverse and It sound really good back in the day when using maxell tapes XL2-S90. Hey where's your cover?
I have a KX-500. Bought in 1988 for £210 plus £10 for the remote. It doesn't have all the features of the KX-930 but was seen to be a very good deck in '88.
Still, it sounds fantastic! I'd like my next deck to be a Yamaha so will have to do some research on that. Apart from your kx930, is there any other you'd suggest?
Music sounds better in analog, i.e. tape. Why because music was originally done on tape. Also digital (CDs) has its limitation. It does not give you all the dynamics like a tape.
@bumtownv2 You will still get the analog sound. Of course it would be best if you can record analog to analog. But I do hear a big difference. Still you are still hearing music through the analog medium. CD sound converts to analog sound on a tape.I invite you to try it. Record a CD to cassette and compare. Listen specially to the cymbals. Analog adds a bit of musical distortion/harmonics. Cymbals are not meant to sound clean or sterile like on digital. Maxell XLII-S cassettes are excellent.
@Watcher3223 Analog depends on physical elements such as magnetic attraction. The tape head detects (physically) the magnetic particles of the tape. The CD medium is not physical it functions in numbers. Correction: I did not say CD does not give you dynamics, I said "ALL" the dynamics. But again, you have to listen to both mediums to compare.
The physical element is a carrier, where an electric signal is converted into a form that is suited for storage for later reproduction.
And the heads don't "detect" magnetic particles but, rather, converts electric signals into magnetic variation that is printed onto the binder and back again when the magnetic print is run through the head, which converts it back into an electric signal.
@Watcher3223 --Check out Youtube video-"6BG6GA in a 6L6 tube amplifier". Maybe you will be able to hear the difference. I can just imagine how it would sound if one is in the room.
In addition, vaguely describing the basic principle of magnetic tape still does not elaborate on why digital audio does not allow accurate reproduction of sound within its bandwidth.
"The CD medium is not physical it functions in numbers."
PCM is a form of signal modulation, no different in basic idea to analog systems despite differences in execution.
There will be two basic units in any modulation scheme; one for amplitude of a signal and the other for frequency. You record these values and use the information to reproduce the signal later.
You are converting a signal into a form that can be broadcast or recorded with bandwidth being the limitation.
@Watcher3223 Digital sound is compressed, therefore it sounds different than the original source. Dynamics in sound is changed, this is the problem. So, you mean there is NO difference in sound reproduction?
"Digital sound is compressed, therefore it sounds different than the original source."
How is it compressed?
What is the function of this compression that you speak of?
And, if you want to talk compression, if you use noise reduction on analog tape such as Dolby System in any of its flavors or DBX, you are employing compression on recording and expansion on playback.
If you play an LP, you are employing compression (RIAA curve) and expansion on playback (RIAA reverse curve).
The benefit of PCM is that the process is simpler to execute, which reduces what must be done to record the signal and reproduce it later.
Now, whether or not it sounds better is totally up to whomever uses it.
In my observation of many recordings, digital and analog, the bigger limitations were the talent of the people using the technology to record works rather than the technology itself.
@Watcher3223 Well, it sounds like you know the "technical" aspects of sound. You know more than me. But musically/harmonically you may not know the difference. I been a musician for over 20 years. The same reason why guitar players prefer old tube technology to get a sound pleasing to the ear. Example, tube guitar amplifiers cost much more and are preferred by professional musicians because they sound better. Yes, according to the best guitar players.Also listen to tube stereos here on youtube.
@Watcher3223 The first CDs that came out in the mid 80's had a note mentioning the limitations of digital music. Basically it said that it would not capture all the original source, it would not sound the same. Years later it was taken out. Not good for sales.
"The first CDs that came out in the mid 80's had a note mentioning the limitations of digital music. Basically it said that it would not capture all the original source"
I find this dubious. What are examples of titles that had this?
The ADD code means that analog technology was used in the session recording (first digit) while digital technology was used in editing (second digit) and mastering (third digit).
Usually, the disclaimer is that CD may reveal the limitations of the analog tape used in one of the stages.
However, the SPARS code fell into disuse because it did not provide clear information about the product.
I used to have a Yamaha KX-200U. Twas a beautiful deck from '87 but the main mamp chip went, and i replaced it with a Rotel RD-850 from '85. It's got a great sound, but it's relatively basic. Also, what's the name of the song?
It's a great deck. My only complaint with it is that it doesn't seem to play tapes made on other machines very well, even when using the play trim. But on its own, it's an awesome unit.
I remember by the mid to late 90s Yamaha started making crappy looking decks as well as lower grade, this one is about an early 90s model ?, & after that period, they went downhill.
my 90's kenwood deck stopped reading tapes so I threw it away it was an awesome deck, I had to use one of my JVC's instead, I also have a sansui but the record function does not work
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Does it smell of chicken? I only buy things that smell of chicken.
whitbyjet65 1 month ago
Nice Yamaha KX-930 Cassette Deck From Late 90's
JohnnyStereo487 3 months ago
-celine_dion-i_drove_all_night_(hex_extended_dub_mixMP3.MP3
ADADADA1 5 months ago
I still love tapes!!!
olaniyi570 11 months ago
na minha opiniao os tape decks yamaha sao os melhores, eu tenho um kx-300, ele grava muito com qualidade de cd, fora o dolby c dele que uma coisa fora do comum, otimo deck esse tb deve gravar a mesma coisa, eu recomendo, decks yamaha, sao os melhores
sergio62549 1 year ago
I've got those Maxell tapes same as this one, 20 of them wrapped brand new . I used to mix tracks and record it but I get bored after 12 mins so... btw quality of sound is better than my MP3 Creative MuVo V200 . weird weird analog vs digital ..
StencilMax2000 1 year ago
what's the name of a song?
ksx4system 1 year ago
Aiwa's and for those who can afford them Nakamichi's are by far the best tape machines out there. I own a ADF800 and the newer ADF850 and these machines record very, very well indeed. MP3's are a total waste of time. Analog forever!
angelodagnolo 1 year ago
Nice tape deck. I the yamaha KX-500U. I think it was made in 1989. It has no auto reverse and It sound really good back in the day when using maxell tapes XL2-S90. Hey where's your cover?
killmore75 1 year ago
I have a KX-500. Bought in 1988 for £210 plus £10 for the remote. It doesn't have all the features of the KX-930 but was seen to be a very good deck in '88.
lewis72 1 year ago
Name of music?
ADADADA1 1 year ago
@ADADADA1
E-mail me and I can tell you where to find it.
X2000R 1 year ago
This is one very nice cassette deck! Can you tell me if the recordings made on this Yamaha sound good on other decks?
antunkatona 1 year ago
@antunkatona
It's very hit and miss. Depends on the other deck. Some tapes do, others don't. There is no one-size-fits-all answer.
X2000R 1 year ago
Still, it sounds fantastic! I'd like my next deck to be a Yamaha so will have to do some research on that. Apart from your kx930, is there any other you'd suggest?
antunkatona 1 year ago
Music sounds better in analog, i.e. tape. Why because music was originally done on tape. Also digital (CDs) has its limitation. It does not give you all the dynamics like a tape.
cinema33 2 years ago 2
@cinema33 What if it was mastered on digital?
bumtownv2 2 years ago
@bumtownv2 You will still get the analog sound. Of course it would be best if you can record analog to analog. But I do hear a big difference. Still you are still hearing music through the analog medium. CD sound converts to analog sound on a tape.I invite you to try it. Record a CD to cassette and compare. Listen specially to the cymbals. Analog adds a bit of musical distortion/harmonics. Cymbals are not meant to sound clean or sterile like on digital. Maxell XLII-S cassettes are excellent.
cinema33 2 years ago
For the limitation, WHY does it not give you the dynamics?
Explain the limitation.
Watcher3223 1 year ago
@Watcher3223 Analog depends on physical elements such as magnetic attraction. The tape head detects (physically) the magnetic particles of the tape. The CD medium is not physical it functions in numbers. Correction: I did not say CD does not give you dynamics, I said "ALL" the dynamics. But again, you have to listen to both mediums to compare.
cinema33 1 year ago
The physical element is a carrier, where an electric signal is converted into a form that is suited for storage for later reproduction.
And the heads don't "detect" magnetic particles but, rather, converts electric signals into magnetic variation that is printed onto the binder and back again when the magnetic print is run through the head, which converts it back into an electric signal.
Watcher3223 1 year ago
@Watcher3223 --Check out Youtube video-"6BG6GA in a 6L6 tube amplifier". Maybe you will be able to hear the difference. I can just imagine how it would sound if one is in the room.
cinema33 1 year ago
@cinema33
"Check out Youtube video...."
Irrelevant to the topic at hand. I wasn't talking about valves versus solid state in amplification. That's a whole different topic there.
Plus, you are bound by limits of the equipment used to record the sound and the limitations by hearing them from YouTube on computer speakers.
Watcher3223 1 year ago
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"did not say CD does not give you dynamics, I said "ALL" the dynamics. But again, you have to listen to both mediums to compare."
"All dynamics" is vague. Are you referring to dynamics through S/N or through dynamic range in dB or are you indicating frequency range?
Watcher3223 1 year ago
@cinema33
In addition, vaguely describing the basic principle of magnetic tape still does not elaborate on why digital audio does not allow accurate reproduction of sound within its bandwidth.
Watcher3223 1 year ago
@Watcher3223-the answer, "compression".
cinema33 1 year ago
@cinema33
"The CD medium is not physical it functions in numbers."
PCM is a form of signal modulation, no different in basic idea to analog systems despite differences in execution.
There will be two basic units in any modulation scheme; one for amplitude of a signal and the other for frequency. You record these values and use the information to reproduce the signal later.
You are converting a signal into a form that can be broadcast or recorded with bandwidth being the limitation.
Watcher3223 1 year ago
@Watcher3223 Digital sound is compressed, therefore it sounds different than the original source. Dynamics in sound is changed, this is the problem. So, you mean there is NO difference in sound reproduction?
cinema33 1 year ago
@cinema33
"Digital sound is compressed, therefore it sounds different than the original source."
How is it compressed?
What is the function of this compression that you speak of?
And, if you want to talk compression, if you use noise reduction on analog tape such as Dolby System in any of its flavors or DBX, you are employing compression on recording and expansion on playback.
If you play an LP, you are employing compression (RIAA curve) and expansion on playback (RIAA reverse curve).
Watcher3223 1 year ago
@cinema33
The benefit of PCM is that the process is simpler to execute, which reduces what must be done to record the signal and reproduce it later.
Now, whether or not it sounds better is totally up to whomever uses it.
In my observation of many recordings, digital and analog, the bigger limitations were the talent of the people using the technology to record works rather than the technology itself.
Watcher3223 1 year ago
@Watcher3223 Well, it sounds like you know the "technical" aspects of sound. You know more than me. But musically/harmonically you may not know the difference. I been a musician for over 20 years. The same reason why guitar players prefer old tube technology to get a sound pleasing to the ear. Example, tube guitar amplifiers cost much more and are preferred by professional musicians because they sound better. Yes, according to the best guitar players.Also listen to tube stereos here on youtube.
cinema33 1 year ago
@cinema33- Also most recording engineers refuse to record on anything other than a tube guitar amplifier. They know what SOUNDS good.
cinema33 1 year ago
This has been flagged as spam show
"most recording engineers refuse to record on anything other than a tube guitar amplifier. They know what SOUNDS good."
Usually, the decision to use a particular guitar amp, whether it be valve or solid state, is up to the ARTIST, not the engineer.
There are musicians that may prefer solid state for some reasons, valves for another reason, or a hybrid amp.
And, what does guitar amps have to do with recording technology?
Besides, you can make a digital system using tubes, you know.
Watcher3223 1 year ago
@Watcher3223 The first CDs that came out in the mid 80's had a note mentioning the limitations of digital music. Basically it said that it would not capture all the original source, it would not sound the same. Years later it was taken out. Not good for sales.
cinema33 1 year ago
"The first CDs that came out in the mid 80's had a note mentioning the limitations of digital music. Basically it said that it would not capture all the original source"
I find this dubious. What are examples of titles that had this?
Watcher3223 1 year ago
@Watcher3223 I will look for them. That note was placed in the ADD Cds. Recordings that were originally done in analog had that ADD label also.
cinema33 1 year ago
@cinema33
The ADD code means that analog technology was used in the session recording (first digit) while digital technology was used in editing (second digit) and mastering (third digit).
Usually, the disclaimer is that CD may reveal the limitations of the analog tape used in one of the stages.
However, the SPARS code fell into disuse because it did not provide clear information about the product.
Watcher3223 1 year ago
Beautiful tape deck...
CaroVonAuersfeld 2 years ago
I used to have a Yamaha KX-200U. Twas a beautiful deck from '87 but the main mamp chip went, and i replaced it with a Rotel RD-850 from '85. It's got a great sound, but it's relatively basic. Also, what's the name of the song?
mrfoxboy 3 years ago
*amp
mrfoxboy 3 years ago
Nice tape deck :D I have KX-300 5/5
KangoFilmStudio 3 years ago
It's a great deck. My only complaint with it is that it doesn't seem to play tapes made on other machines very well, even when using the play trim. But on its own, it's an awesome unit.
X2000R 3 years ago
I remember by the mid to late 90s Yamaha started making crappy looking decks as well as lower grade, this one is about an early 90s model ?, & after that period, they went downhill.
CreativeCritisizm 3 years ago
my 90's kenwood deck stopped reading tapes so I threw it away it was an awesome deck, I had to use one of my JVC's instead, I also have a sansui but the record function does not work
raymondleeleggs 3 years ago
So my 90s KX-390 wouldn't be as good as an 80s K-17?
TVperson1 2 years ago
very nice tape deck, though what is the name of this track?
gxc90 3 years ago
Another beautiful deck! Enjoy it!
turntablesrock 3 years ago
Thanks. I like it. Did you see the other new vids I put up?
X2000R 3 years ago
Nope. Checking now.
turntablesrock 3 years ago