It's a good performance that has past. Just enjoy it and keep your disputes about aesthetics to yourself. It's not going to affect the performance, is it?
Very sad to see the ugly, inexcusable comments about Alisa Weilerstein. Many may not realize that her father is Donald, famed violinist and one of the founders of the greatly missed Cleveland Quartet. He too "emotes" when he plays but, just like his equally talented daughter, it all translates into great music making.
Hope she never sees such trash being tossed around so cavalierly.
Just for me, the younger the performer, the more they seem to move. It's especially noticeable in European orchestras below the highest level. Styles, tastes change.
@1brewski2 There is truth in what you say, but almost all truly musical artists move with the music in a kind of dance of expression. Young artists often overly do so--sometimes to the detriment of what is coming through their instruments. But so much the better for their enthusiasm! In time, the movements will decrease, but not to the point of woodenness or static positioning.
@ipmoic I'm not being serious, but when I listen to a Heifetz recording, he seems to move just fine. (He was stiff as a board during performances, for you youngsters) When I see an entire string section swaying wildly, I have to keep from chuckling. It just didn't happen, way back when.
@1brewski2 But even Heifetz, who some think of as being stiff, cold or uninvolved, moves to the music as well. This is especially true in his chamber music playing. Listen to the 3rd movement of the Mendelssohn e minor Trio (Here on YouTube as presented by @Johnnyangel) There is charming physical involvement and interplay between all 3, joined by masters Piatigorsky and Rubinstein.
This piece is amazing!! There are passages that are so delicate and pensive, and others more Brahmsian. Very different in character from most of what else I've heard of the composer in a refreshing way. Very skillful performance! Love the scherzo!
how nasty, vulgar, and incivil a comment. perhaps you ought to pay more attention to your own faults right now than to the purported faults of others.
and you can't really hear her, can you? zero of sound, only acting how she feels so much for that music. it's absolutely lack od bass section because of her, and she is disturbing all other players and brahms himself! you are obviously some horny pig who sees some other capacities and competences in that pretending arrogant whore!!!
Wow. What an amazing commenter you are! I am wowed by your skill in spelling, vocabulary, and deep musical insights into Brahms. I'm sure you are a wonderful, even brilliant cellist as well. When I make comments in the future, I will be sure to follow this model: Insult, swear, use terrible terrible grammar, have no idea how to listen to music, use too many exclamation points, ignore other comments asking you questions, and generally be a complete asshole. Rinse and repeat.
Mostly comments about interpreters. How they move, how they are looking "positive" or not, how they express or not their feelings, etc... What about Brahms ?
"The music has to possess you" - one way of putting it, I'd say you have to be one with the music - but if you by "possess" mean people acting like they were going to explode, then I can't agree. Some people just concentrate so hard they don't realise what they're doing when they play, but some people actually move and act so much the audience can't concentrate on the music.
i would have put the cellos on the outside though, because i think viola 1 needs to sit beside the violins, and viola 2 needs to be beside cello 2... and does 2nd cello realise she's second cello and she's not actually playing a cello concerto?
This comment has received too many negative votesshow
come on. That´s not "energy", but useless and annoying overacting in the typical female style. I myself am a woman cellist and hate that. watch disgusting Jaqueline Du Pre, she is well known only for that and being totally nuts!!
what is wron with you?? any musiscian wuld be remember as jaqueline du pre is just becasue of moving!,you can talk about vengerv maybe, and repeat it maybe, but jaqueline du pre is just a genius and probably one of the ebst cellist of the past century
What a marvelous performance! Thank-you.
VespasianMusic 1 month ago
Bravo Jimmy Lin and friends!! Great performance
noahfranz 1 month ago
Performance at 4:22
aykhwang 3 months ago 6
This is spectacular.
safiresafire1 3 months ago
VIOLAS ARE HUUUUUUUGE!!!!!
xultradragonslayerx 3 months ago 2
4:22
xultradragonslayerx 3 months ago
Très belle interprétation, très vivante.
HBerlioz007 5 months ago
Good on you for deleting all the abusive comments, it's a brilliant performance that few people could replicate, nice work!
rockboy482 6 months ago
Great performance! We can find a lot of enjoyments of chamber music from this performance.
shosshos 7 months ago
It's a good performance that has past. Just enjoy it and keep your disputes about aesthetics to yourself. It's not going to affect the performance, is it?
violabrain 7 months ago
Intensive performance! Love, Esmeralda.
Esmeraldaviolin 1 year ago
Very sad to see the ugly, inexcusable comments about Alisa Weilerstein. Many may not realize that her father is Donald, famed violinist and one of the founders of the greatly missed Cleveland Quartet. He too "emotes" when he plays but, just like his equally talented daughter, it all translates into great music making.
Hope she never sees such trash being tossed around so cavalierly.
maxreger100 1 year ago
@maxreger100
Just for me, the younger the performer, the more they seem to move. It's especially noticeable in European orchestras below the highest level. Styles, tastes change.
1brewski2 1 year ago
@1brewski2 There is truth in what you say, but almost all truly musical artists move with the music in a kind of dance of expression. Young artists often overly do so--sometimes to the detriment of what is coming through their instruments. But so much the better for their enthusiasm! In time, the movements will decrease, but not to the point of woodenness or static positioning.
ipmoic 1 year ago
@ipmoic I'm not being serious, but when I listen to a Heifetz recording, he seems to move just fine. (He was stiff as a board during performances, for you youngsters) When I see an entire string section swaying wildly, I have to keep from chuckling. It just didn't happen, way back when.
1brewski2 1 year ago
@1brewski2 But even Heifetz, who some think of as being stiff, cold or uninvolved, moves to the music as well. This is especially true in his chamber music playing. Listen to the 3rd movement of the Mendelssohn e minor Trio (Here on YouTube as presented by @Johnnyangel) There is charming physical involvement and interplay between all 3, joined by masters Piatigorsky and Rubinstein.
ipmoic 1 year ago
Great performance!!
ulyssesjj 1 year ago
hey, is that alisa weilerstein?
cellolove7 1 year ago
one of my favourite piece. Thanks for the entire program.
somaliayaswan 2 years ago
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excellent work!
1888junkteam 2 years ago
Great, I love it.
dtchowhk 2 years ago
amazing!
chillidahwg 2 years ago
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Very beautiful! The first violinist plays very good! It looks so easy... This is one of my favourite pieces.
E15VIOLIN 2 years ago
Comment removed
E15VIOLIN 2 years ago
I may have watched this 30 times at this point. Thanks.
rgxb2807 2 years ago 2
This piece is amazing!! There are passages that are so delicate and pensive, and others more Brahmsian. Very different in character from most of what else I've heard of the composer in a refreshing way. Very skillful performance! Love the scherzo!
Rocket7910 2 years ago 2
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I'm spiting on that scum of second cellist and specially I wanna have a deep lumping piece of shit on her fucking retarded face!
suncicalalic 2 years ago
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that stupid bitch second cellist makes me nervous because of her irritating mincing and ugly grimases!!!
svejelka 2 years ago
how nasty, vulgar, and incivil a comment. perhaps you ought to pay more attention to your own faults right now than to the purported faults of others.
do you like the music?
julianobedient 2 years ago 8
This has been flagged as spam show
and you can't really hear her, can you? zero of sound, only acting how she feels so much for that music. it's absolutely lack od bass section because of her, and she is disturbing all other players and brahms himself! you are obviously some horny pig who sees some other capacities and competences in that pretending arrogant whore!!!
svejelka 2 years ago
Wow. What an amazing commenter you are! I am wowed by your skill in spelling, vocabulary, and deep musical insights into Brahms. I'm sure you are a wonderful, even brilliant cellist as well. When I make comments in the future, I will be sure to follow this model: Insult, swear, use terrible terrible grammar, have no idea how to listen to music, use too many exclamation points, ignore other comments asking you questions, and generally be a complete asshole. Rinse and repeat.
Dick.
violinguy123 2 years ago 3
oh please, correct my grammar, i want to learn saint language of english because it's above all others on the world.
svejelka 2 years ago
@julianobedient Who are you referring to?
Epmonito 1 year ago
@julianobedient "uncivil" is the word. don't be so self-righteous that you forget to use english words correctly.
woof3x 2 weeks ago in playlist Favorite videos
Comment removed
julianobedient 2 years ago
I think, you're stupid. She is one of the great cellist of today. You can see her on youtube in the kodaly sonata.You will understand your mistake!
nidame14 2 years ago
Comment removed
svejelka 2 years ago
beautiful
zuzzita 2 years ago 2
Mostly comments about interpreters. How they move, how they are looking "positive" or not, how they express or not their feelings, etc... What about Brahms ?
inavla 2 years ago 3
Sehr schöne Darbietung: Ausgeglichen, atmend und an den richtigen Stellen zupackend.
Vielen Dank für den upload!!! Mehr davon?
bagradian 2 years ago
Oh that man in a black suit, he is very positive)
Blacktony86 3 years ago
Jim Dunham without a beard - I can't handle it!!
grandeodalisque 3 years ago
"The music has to possess you" - one way of putting it, I'd say you have to be one with the music - but if you by "possess" mean people acting like they were going to explode, then I can't agree. Some people just concentrate so hard they don't realise what they're doing when they play, but some people actually move and act so much the audience can't concentrate on the music.
Segis84 3 years ago
ali's pizzes almost make me cry
charith 3 years ago
Inspirational performance
scythe1082 3 years ago 4
James Dunham's viola is ginormous!
Soulill0quy 3 years ago 2
I really love this piece!!!
I'm so glad i'm going to play it this summer!
amarinswierdsma 3 years ago 2
Increíble, esta es una de las mejores obras que he escuchado para mùsica de cámara.
sebgereda 3 years ago 3
I love the mellifluous euphony that is the 3rd movement.
krneel128 3 years ago
I really enjoyed this.I have played the first movement and seeing others play it can really help me evaluate how I play it.
bach16 3 years ago
This was an extraordinarily beautiful performance.
...and James Dunham's viola is amazing.
funnyviolist 4 years ago
i thought this was reaaaally good...
i would have put the cellos on the outside though, because i think viola 1 needs to sit beside the violins, and viola 2 needs to be beside cello 2... and does 2nd cello realise she's second cello and she's not actually playing a cello concerto?
other than that i loooooved it! :)
sarsTOTHEmax 4 years ago
I think that is just the way that she plays with energy. She is very musical. Her other videos on youtube are like that too. Alisa Weilerstein.
bach16 3 years ago
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come on. That´s not "energy", but useless and annoying overacting in the typical female style. I myself am a woman cellist and hate that. watch disgusting Jaqueline Du Pre, she is well known only for that and being totally nuts!!
Alpauber 3 years ago
This comment has received too many negative votes show
I'd have to agree. You can play without moving around like crazy. I go insane in concerts when I see that kind of players...
Segis84 3 years ago
On the other side of things, if someone doesn't move at all, it seems like they're not into it..I'd rather watch someone who looks really engaged.
ingwis 3 years ago 4
o u mean the kind of players that put every inch of their soul into the music? the music has to posses you or else how is it to impact your audience
AXESHREDDER21 3 years ago
forget the faces and "overacting". just listen to the sound.
charith 3 years ago 3
what is wron with you?? any musiscian wuld be remember as jaqueline du pre is just becasue of moving!,you can talk about vengerv maybe, and repeat it maybe, but jaqueline du pre is just a genius and probably one of the ebst cellist of the past century
bastianloewe 2 years ago
We played Brahms' sextet #1 with the seating arrangement Vln1 - Vla1 - Vcl1 - Vcl2 - Vla2 - Vln2. Worked very well for us.
kgskaug 3 years ago