This aria is the most beautiful song of sorrow for any mother who has lost a child. I hope someday someone would sing it for me and I would be grateful for the understanding. I do not listen to it often so as to keep it sacred. That is what we must do with precious experiences.
in my experience, the end of the opera. Usually there isn't space written in for applause so the action keeps happening and if applause occurs, the audience misses something.
With classical stuff, no applause in between or in middle of pieces. "save it for the end" is what I often hear. When its musical theatre or more contemporary stuff then applause after pieces is often okay.
@jamiethebandgeek thanks for the reply. It's interesting to see how different venues react- ROH seems restrained in its reactions whereas the Met and Paris are more emotional. La Scala and Barcelona seem to be the most enthusiastic!
Puccini has me in a dilemma. He writes all these wonderful arias which make you want to cheer, cry and shout when they are beautifully performed but he doesn't write in many pauses to allow you to do so without disturbing the action of the piece! Which is better, applaud or not to applaud?
His music was written at a time when Wagner's style of continuous music through the act was still the in thing. But Puccini seemed to to know that he was writing major hits, so that's why they sound like they seem to "end" with a pause, but really in the scores there aren't pauses for applause.
@Jaydoggy531 Interesting. I agree with you that Puccini seemed to be writing 'pop songs' in the operatic sense. May I pick your operatic brains? Puccini's "La fanciulla del west" seems to have more of a continuous style, different from his other big hits. Why was this?.
I was there for this performance, she broke my heart to pieces. When the child came out at the very end it turned me into a basket case. I had make up running down my face.
I think Scotto is the definitive interpreter of this role although Diana Soviero is, to my taste, the better singer. Frittoli has lovely tone but she's not quite on fire. The madness is not evident in either her voice or movement. Angelica is a tough character to pull off precisely because she has to persuade even as she becomes completely untethered. Frittoli's femininity is an asset but I'm not sure it's heaven that's opening up here or the Paxil.
This is singing that comes from the heart right to everyone's hearts. Her vocal performance is stunning in itself, but what strikes me most is her warm and discreet sense of drama, with no over acting, no grand gestures. Just a beautiful declamation with a simple and heartbreaking approach to this great aria. Frittoli isn't among my very favourite singers, but here she's just remarkable!
This is a max expression of art...
eghissoni 1 month ago
Thanks so much for sharing!
BogusDonut 8 months ago
Brava!
robertdamico1 1 year ago
Absolutely stunning
surelysara 1 year ago
This aria is the most beautiful song of sorrow for any mother who has lost a child. I hope someday someone would sing it for me and I would be grateful for the understanding. I do not listen to it often so as to keep it sacred. That is what we must do with precious experiences.
maryjanebrant 1 year ago
amazing,,,
merci oneguin
amneris54 1 year ago
Wonderful job!
7inga7 1 year ago
Barbara sempre splendida!!!!
coloresuono1948 2 years ago
Definitely don't applaud until the end.
jamiethebandgeek 2 years ago
@jamiethebandgeek thanks for your comment. Do you mean the end of the aria or the opera?
elephantbarbiegirl 1 year ago
in my experience, the end of the opera. Usually there isn't space written in for applause so the action keeps happening and if applause occurs, the audience misses something.
With classical stuff, no applause in between or in middle of pieces. "save it for the end" is what I often hear. When its musical theatre or more contemporary stuff then applause after pieces is often okay.
jamiethebandgeek 1 year ago
@jamiethebandgeek thanks for the reply. It's interesting to see how different venues react- ROH seems restrained in its reactions whereas the Met and Paris are more emotional. La Scala and Barcelona seem to be the most enthusiastic!
elephantbarbiegirl 1 year ago
Puccini has me in a dilemma. He writes all these wonderful arias which make you want to cheer, cry and shout when they are beautifully performed but he doesn't write in many pauses to allow you to do so without disturbing the action of the piece! Which is better, applaud or not to applaud?
elephantbarbiegirl 2 years ago
His music was written at a time when Wagner's style of continuous music through the act was still the in thing. But Puccini seemed to to know that he was writing major hits, so that's why they sound like they seem to "end" with a pause, but really in the scores there aren't pauses for applause.
Jaydoggy531 1 year ago
@Jaydoggy531 Interesting. I agree with you that Puccini seemed to be writing 'pop songs' in the operatic sense. May I pick your operatic brains? Puccini's "La fanciulla del west" seems to have more of a continuous style, different from his other big hits. Why was this?.
elephantbarbiegirl 1 year ago
bravo,bravissimo
isti45 2 years ago
Barbara hace perfectos los personajes de Puccini y de Verdi. Hay que oir su Desdemona!!!
Brava!!!
alvarito45 2 years ago
At the beginning of her career I was not convinced she deserved all the credit she got.
But this is an artist that matured over the years. Good for her. Bravissima.
CONTESTAR 2 years ago
la mia versione preferita....grandissima!
ilblucobalto 2 years ago
bellissimo acuto
aghi55 2 years ago
I was there for this performance, she broke my heart to pieces. When the child came out at the very end it turned me into a basket case. I had make up running down my face.
JasminaH79 3 years ago 2
I think Scotto is the definitive interpreter of this role although Diana Soviero is, to my taste, the better singer. Frittoli has lovely tone but she's not quite on fire. The madness is not evident in either her voice or movement. Angelica is a tough character to pull off precisely because she has to persuade even as she becomes completely untethered. Frittoli's femininity is an asset but I'm not sure it's heaven that's opening up here or the Paxil.
Azzenstudent 3 years ago
This is singing that comes from the heart right to everyone's hearts. Her vocal performance is stunning in itself, but what strikes me most is her warm and discreet sense of drama, with no over acting, no grand gestures. Just a beautiful declamation with a simple and heartbreaking approach to this great aria. Frittoli isn't among my very favourite singers, but here she's just remarkable!
Homoclassicus 3 years ago 2
Bravo Frittoli!!!
Estuve en el estreno, lo mejor de mi viaje a Nueva York
rouen74 3 years ago
How moving...
Laeliapurpurata 4 years ago
Brava!
Costantino80 4 years ago
preferisco la versione di Renata Scotto....
grafab2001 4 years ago
sind sie wahnsinnig?!
altodivo 3 years ago
I was there. Loved her every minute. Truly a sincere performance with tons of heart and soul. Gorgeous.
gransasso101 4 years ago
a me nn piace la frittoli ha una voce sfibrata e sgradevole!!!deve fare solo mozart
norah54 4 years ago
Waaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
Waaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
lleva sandalias con calcetines!!!! no por favor
00ceroalaizquierda00 4 years ago
BRAVA!!!
gabaritono 4 years ago
Amazing!
One of the most powerful and moving things I've ever seen.
Barbara Frittoli leaves everything on the
stage, immersing herself completely into
the fate of this poor young woman. On the
live broadcast, the announcer said that
she had to be physically lifted from the
stage before the curtain went up and no
wonder!
Brava Barbara and thanks for posting!
verdiguy 4 years ago
Brava
waterfordwinstons 4 years ago
me too...truly amazing.
probably my favorite puccini opera
thisizjoey 4 years ago
Bravo--brought me to tears.
rolandoforvever 4 years ago
She is a woman, you must say Brava! Bravo is for men!
Alexpasini93 3 years ago 8
Brava is in Italian, in Spanish bravo is for both, women and men
Onegin65 2 years ago 10