I was actually working for the Boston Symphony when this production happened. Beverly had a horrible cold and was thoroughly miserable. It was amazing it came out as well as it did.
As to the height of the music stand - just LOOK! She's elevated on a platform above the orchestra... if the stand were raised, it would come between Beverly's face and the audience down in the hall where she's singing!
makes you wonder why coloraturas today cast as Zerbinetta sing the "easier" version of the revised scene instead of learning the original properly........if they can sing Rossini, Donizetti and other bel canto scores, why not Strauss ?
VAI is the best opera provider! Beverly Sills has a decorative coloratura voice and this is a fiendishly difficult aria (said to be the hardest coloratura piece) but Sills sings it with clean, bright tones. What year is this ? What is this from ? Looks 1960's
Well guys, when one sings like THAT, it doesn't really matter if it has F or G or whatever. The rest of the aria is so much harder that singing one single high note, whatever!
In most performances, the artist fixes the music stand at a position that he/she feels confortable with. So the real question is : "Why did Sills decide to have her music stand so low?"
I love Bev to pieces but to say that this performance is better than Sumi Jo's 1997 original version of the piece is truly preposterous (in my opinion of course)! Sills misses out a number of notes and generally doesn't look very happy or comfortable singing the piece. Although I think the best performer of this aria is Dessay, Jo's rendition of the 1912(original) version is truly spectacular.
it's the original version of zerbinetta's aria, is really high, for these reason straus had to transporting down, it was really difficult sing it, 'acuse the sopranos must has a F# high
this is the original, the alternate is the one thats normally sung. most of the end of this one is a step higher, whcih pushes that one high E up to an F#. i believe theres a recording of gruberova singing this version on youtube as well.
This is another great example of Beverly at her best. So glad this is available on DVD now, what a treat! Let's hope more of these gems are discovered soon and put on DVD right away.
Nobody, not even Sumi Jo, has ever made the all-but-unsingable original 1912 take on Zerbinetta as expressive, crystalline or meaningful as Bubbles did. Godspeed her to heaven tonight. Brava, Sills.
Sumi jo isnt really known for unusually stratospheric high notes, her range is abotu average for a coloratura, shes got an F, ive never heard anyhtign higher from her. Gruberova has performed this in the original key with the F#, Diana Damrau has performed high G's in concert, and Natalie Dessay as sung high Ab's in performance
BRAVI SILLS!!!!!!! Viva la DIVA!!!!! I know that this role was not as comfortable for her up high all the time, but she did a SPENDID job with all the high pianissimi and trills etc. I love this woman!!!
I was actually working for the Boston Symphony when this production happened. Beverly had a horrible cold and was thoroughly miserable. It was amazing it came out as well as it did.
BentonHess 11 months ago
As to the height of the music stand - just LOOK! She's elevated on a platform above the orchestra... if the stand were raised, it would come between Beverly's face and the audience down in the hall where she's singing!
dodacon 1 year ago
Thank God for editors - much of this music is just redundant...
manidonno10 1 year ago
makes you wonder why coloraturas today cast as Zerbinetta sing the "easier" version of the revised scene instead of learning the original properly........if they can sing Rossini, Donizetti and other bel canto scores, why not Strauss ?
papoocanada 1 year ago
1:35 what are doing these men?
chrizosthemis 1 year ago
probably getting a mute of some sort
tenore37 1 year ago
@chrizosthemis Getting thier mutes for the Horn
CincinnatiTenor 1 year ago
@chrizosthemis DEFINITELY picking up their mutes from the floor and putting them in the bell of the horn.
SlovenskyRaj 1 year ago
I'm surprised the head tones could make it through that hair.
ChristophePhilippe 1 year ago 5
I've never heard this aria before, hence I can't possibly say anything but:
OH MY HSOG, SHE ROCKS! I'm flabbergasted.
NemoProkofiev551 2 years ago
leinsdorf is adorable!
wattever333 2 years ago
Sills' incredibly ability to reach her audience was matched by her lovely performances and great singing
11777766 2 years ago
yeah so the music stand, is well making me made. her face should be seen by the world
gabriellejordan 2 years ago
VAI is the best opera provider! Beverly Sills has a decorative coloratura voice and this is a fiendishly difficult aria (said to be the hardest coloratura piece) but Sills sings it with clean, bright tones. What year is this ? What is this from ? Looks 1960's
MastersoftheOpera 2 years ago
Well guys, when one sings like THAT, it doesn't really matter if it has F or G or whatever. The rest of the aria is so much harder that singing one single high note, whatever!
Here Bev is just AWESOME :)
senesino83 2 years ago 13
Why isn't her music stand higher??!?!
The least they could have done was given her a higher music stand that way she wouldn't have to lower her entire face like that!
cl1281 2 years ago
In most performances, the artist fixes the music stand at a position that he/she feels confortable with. So the real question is : "Why did Sills decide to have her music stand so low?"
15platinum 2 years ago
@15platinum Maybe she was far-sighted?
Manxypop 1 year ago
She lowers her face like that for a reason... it helps open her airway when singing. (I surmise that's it, I'm not a singer.)
NemoProkofiev551 2 years ago
stupéfiant!
HoD3 2 years ago
Great jewish girl!
yodavidnavarro 3 years ago
Apparently Sills did sing the F#s previously but no known recording exists. F#s or no F#s...she was pretty amazing here!
baritonebynight 3 years ago 9
Gotta love Beverly in that wig!
dougbalt 3 years ago
I love Bev to pieces but to say that this performance is better than Sumi Jo's 1997 original version of the piece is truly preposterous (in my opinion of course)! Sills misses out a number of notes and generally doesn't look very happy or comfortable singing the piece. Although I think the best performer of this aria is Dessay, Jo's rendition of the 1912(original) version is truly spectacular.
sandytheslayer 3 years ago
it's the original version of zerbinetta's aria, is really high, for these reason straus had to transporting down, it was really difficult sing it, 'acuse the sopranos must has a F# high
rubenmsk 3 years ago
What version of the Aria is this one? It's not the one typically performed. Did Strauss write an alternate?
Beverly Sills was an amazing talent. Thanks for posting this video!
Ekir75 4 years ago
It's the original 1912 version.
AiTaiwandeRen 4 years ago
this is the original, the alternate is the one thats normally sung. most of the end of this one is a step higher, whcih pushes that one high E up to an F#. i believe theres a recording of gruberova singing this version on youtube as well.
skitzo429 3 years ago
the best zerbinetta ever!!!! this is said to be the most complicated of al coloraturaroles. Sills rules!
hypnotizeed 4 years ago
I share your enthousiasm godivapaw.
simonchante 4 years ago
This is another great example of Beverly at her best. So glad this is available on DVD now, what a treat! Let's hope more of these gems are discovered soon and put on DVD right away.
CoreyLeig 4 years ago
My she rest in eternal peace....
gclef2288 4 years ago
Nobody, not even Sumi Jo, has ever made the all-but-unsingable original 1912 take on Zerbinetta as expressive, crystalline or meaningful as Bubbles did. Godspeed her to heaven tonight. Brava, Sills.
davideo321 4 years ago 3
Ever heard of Gruberova? Sills was stunning, but she omitted the highest notes, Gruberova didn't.
alexmacias 4 years ago
There is more to singing than just high notes. You have only to listen to Mado Robin to realize that.
stedmantx 4 years ago
Mado, wasn't she the one with the "extra" high c, an octive about the normal one at the end of Lucia? She always sang the high notes.
jetsetjordan 4 years ago
Sumi jo isnt really known for unusually stratospheric high notes, her range is abotu average for a coloratura, shes got an F, ive never heard anyhtign higher from her. Gruberova has performed this in the original key with the F#, Diana Damrau has performed high G's in concert, and Natalie Dessay as sung high Ab's in performance
skitzo429 3 years ago
Gruberova has performed G's in concert arias, too.
Ekir75 3 years ago
haha perhaps, i was just name dropping : )
skitzo429 3 years ago
This comment has received too many negative votes show
not hot
coolsnak3 4 years ago
BRAVI SILLS!!!!!!! Viva la DIVA!!!!! I know that this role was not as comfortable for her up high all the time, but she did a SPENDID job with all the high pianissimi and trills etc. I love this woman!!!
godivapaw 4 years ago