Added: 5 years ago
From: Sissco
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  • Wonderful.

  • Beautiful, immensely expressive and lyrical interpretation, love it :-))

    One of the best performances, together with those by Gilels, Horowitz and Argerich.

  • @Bret6464 sorry but the versions of those three are heavily overshadowed by this version. This interpretation is many levels above them.

  • I do not know if it's because of his huge hands or his great skill, but a piece which takes other geniuses like Rubinstein and Horowitz

    to a huge effort look so smooth and even when he plays. Simply touching.

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  • ive listened to every version on youtube. his transitions are the most seamless and fluid and he handles the piece with such care. this man is such an unassuming genius.

  • @coffeescup couldn't agree more

  • This is the song that made me love to play the piano

  • If you can play like that, then it's a gift.

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  • Magic.

  • @ASAngelo I have this on an old VHS tape. I remember it was filmed in Melbourne many years ago. There were two broadcasts from stately homes in Melbourne. This is as you say, Magic! He was such a fine and attentive interpreter. Really one of the greatest and effortless pianists of the 20th century. Extraordinary feeling for nuance and the continued thought. very much the gentleman too. Thank you for this. Favourited.

  • @ASAngelo You know, this better than Iv'e heard Horowitz play it. I mean that. Horowitz had an electrifying edge that sent sparks flying but not without the odd sacrifice of balance. This is playing of the well mannered kind, dapper, like dove-grey gloves a la Chopin, refined, he is so completely there with everything he's doing. Both bridled and unbridled at the same time, a perfect balance. So beautiful!

  • @ASAngelo he knows exactly what weight to give to every note of every phrase to make complete musical sense of those phrases. The scale passages at the end are just amazing. Very much the correct "body" of sound there for those. He knew what he was doing! My word! I love him! Thank you again ASA for this marvel!

  • @ASAngelo One more thought : In Bolet's playing we actually see the choreography Chopin wrote into his score being executed - the exact physical movements in motion as required by him and indicated through his phrasing, articulations and dynamics to play his Ballade. How you approach a note is how it will sound etc etc......Bolet has it all!

  • omg i cant believe someone can actually play this piece that well except for chopin himself

  • omg i cant believe someone can actually play this piece that well

  • La mejor interpretación de la mejor pieza de Chopin, a mi gusto :)

  • That's his house

  • realmente,uma belíssima interpretação...

  • One of the few pianists who can make this warhorse of a piece sound like a thoroughbred work of art.

  • freddo come il ghiaccio!!!

    brrrr...brrr...!!!

  • I always return to this video to be inspired to go on and finish studying this piece. So many beautiful moments!!

  • maestro.

  • This ballade is so beautiful... it doesn't matter who plays it is always beautiful...

  • Is this song played in the movie"The Pianist" twards the end of the movie? :D Please like if i'm right.... :)

  • @Fallenxeva180 this is the piece that he plays for the nazi officer, yes.

  • @Fallenxeva180 It's not a song :(

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  • @TripleRhu ... it is a lovesong .. all balads are lovesongs .. dear you ..

  • @go12147 no, not true. Ballads tell stories. It can be any kind of story.

  • @Fallenxeva180 It's not a song dude! It's a music composition, a piece. A song is what is sang by human voice. Don't mess it up.

  • @takappar I believe go12147 was only trying to say, the piano is singing. Though technically, I would think you are right, go12147 described the ballad in poetic sort of way. And I would agree, ballads are the lovesongs of piano, like Liebestraums are love dreams.

  • it IS possible if one has ever heard ONCE Ivan Moravec play the same composition. I contend that if you heard Moravec ONCE you will never ever settle for anyone else, incl. Hororrwitz.who ranks among my faves.

  • very slightly faster would have sound better

  • OMG

  • how is it possible to dislike this ! ... this one of the best interpreter in classical piano music, if he´s not the best, performing a great piece by one of the best composer in the world !!

  • I like this,Although it doesn't seem right around 2:06 Isn't the A natural suppose to be tied for 4 beats.I don't know it simply does not sound right to me.Yet thats just my opinion

  • what a pianist, he is my inspiration as a cuban

  • That piano chair looks really comfortable.

  • he is so...romantic

  • "Bolet" in my language means Balls. :)

  • @alldini In my mother language, "Lang Lang" translates into "Only Only".

  • Well done. Amazing pianist, that was such a personal interpretation of the song it's amazing.

  • Beauty is in the eyes of the beholder, and for me Bolet played this ballade just the way I wanted. Everytime I listen to this ballade, I think of the German officer in the movie, The Pianist, throwing himself back in the chair after hearing the first few bars, played by pianist Spielman, the main character, in resignation that the war was over, thinking of his family, of a more peaceful and better time with them in Germany, of the melancholic beauty of this ballade, and of the cruelty of war!

  • Great performance. Rest in peace Jorge Bolet.

  • This video confirms - if it ever needed confirming - that Bolet was the master of his art bar none. God, have I listened to every rendition of this piece, many times over.

    No other pianist can hold a candle to this performance. How did Bolet achieve this mastery? It is so spectacularly definitive. So right. The thing about Bolet is that once you've heard his interpretation, none other will do.

  • @pdbracken

    heard it over + oevr .. it never ever wears out ever .. unprecedentedly so .. how one says such a fact ??

    thanx 4 how u say it ..

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  • @pdbracken Maybe you've missed this one: /watch?v=RQk3Zh71dGA Presto con fuoco at 2:55, you won't find better interpretation than this. Although it's cutted for the movie and played on untuned piano, which makes it even more incredible.

  • @pdbracken This is an outstanding interpretation indeed, but whether you prefer it to others remains ultimately a question of taste. Bolet's playing has qualities Horowitz' does not have, and vice versa. Bolet, e.g., (like any other pianist) lacks this supernatural rhythmical instinct Horowitz had; so many passages (first page, e.g.) do not achieve that "flow" which captivates listeners of Horowitz' renditions. (Needless to say that I could fill pages praising Bolet's playing!)

  • By far the most elegant interpretation of this magnificent piece I've ever heard. Just magnificent "quiet" sections, truly passionate "faster passages" (not just loud) and "Presto con fuoco" simply outsanding!

  • 7:02 Bolet always puts his little extra grace notes in random spots and theyre always awesome!

  • @kazuya31 ???

  • @Freddran if u know all these pieces by heart you will see that he adds his own grace notes in certain parts. very tasteful though.

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  • 7:40 is so cool.

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  • He got it right!

  • @MsScarlett11  far from right

  • @silvr94 @Aryamanable He played the Eb. I can hear it (Bad english, I know)

  • Masterful musicianship. Such subtle nuance...Thank you, Isis, for this magnificent share.

  • a dream ! an interpretation very intensive and intimate , my very deep bow ************* KRISTIN

  • FANTASTIC!!!!

  • Impressive skills, but lacking emotions. He plays it like a music box at some points, 2 dimensional. Still, amazing pianist!

  • I agree. I can hear it sometimes in the slow passages.

  • @ophelius111 Hope you're joking... ! I agree with you only for the part @2:39-2:44 , but the rest is just wonderful!

  • I love Bolet, and I agree with almost all of the comments that praise him, but... in these later videos he plays like Charlie Brown if he were a concert pianist. Has he always played with his head drooped so low? He looks so tired, and he gazes at the piano as if it's all he's got left.

  • @T3hL337Sesshy It probably is; men like this live for a single passion-- wrenching their souls to use its elixirs as fuel for the arts of their mind. Reminds me of something Chopin himself once said, albeit off topic:

    “It is dreadful when something naughs on your mind, not to have a soul to unburden yourself to. You know what I mean. I tell my piano the things I used to tell you.”

  • @BlahLalaification That's an amazing comment.

  • @bontempo01 *smiles*

  • perfect

  • my favourite pianist...

  • I believe he plays better than Horowitz. I absolutely love it.

  • the end gives me goosebumps

  • I love the video description. Very detailed. Haha. Good video, though!

  • @tpacemaker2 and spelled Melbourne wrong.

  • why do so many pianists play the chord D-G-D-Bb??? chopin clearly marked D-G-Eb-Bb... i believe the latter sounds much more interesting and kinds of add to the mysterious opening of the ballade. i mean, the first few bars are totally unrelated to the rest of the piece. surely, chopin left these bars unresolved for a reason. i can't believe chopin meant for it to end with a boring(?) G-minor chord.

  • @silvr94

    I think using the D-G-D rather than D-G-Eb is an ossia, but I think the D is additional (so it would be D-G-D-Eb). Maybe we just can't hear the Eb because of the recording...

  • Quel fabuleux interprète de Chopin! Il caresse son clavier et transcende. Il est la musique et ça se voit. Tout est équilibré, : émotion, jeu, technique.

  • divine playing - he hits it at the right pace. He controls the piano. trying listening to it with your eyes closed then watch it as he plays it to see what I mean.

  • @ypsilonOOo exactly. too many mistakes. he´s got a hard time with the piece in some parts. it lacks the sovereign performance of other greats of the piano. he concentrates too much on hitting the right keys. but then anyway, a great pianist, a deeply feeling grandseigneur of the piano.

  • 硬いなぁー

  • sublime.

  • great

  • Just perfect!

  • crisp!

  • Einfach nur genial und brilliant gespielt!

    Bravo !!

  • Wonderful simplicity of expression, free of the histrionics the piece so often invites... At times the sound is more reminiscent of the more intimate mazurkas than the virtuoso pieces...

  • i like this. im gonna adopt a lot of this to my performance of this piece

  • Excellent

  • It sounds too orchestral. Ofcourse it's great.

  • his op.55 no.1 was stunning so i decided to look for more on this guy. found ballade, low and behold another magnificent performance. he has captured, what i think is, the essence of Chopin music.

  • Magnifique.

  • its crazy

  • Well... his opening is not enthralling to me. Great otherwise. It's great to see these pictures of famous pianists. Thanks! His hands are so sure. He plays lightly. Fingers are extended. Octaves are very effective. It is exquisite.

  • 8:45 is my favorite few seconds in the whole piece

  • I can't get enough of it. It's just magnificent. I'd like to give Bolet a hug for this! :D

  • Yeah F4sT, bet youe don't even know what a piano is.

  • nor does he know whats music

  • @tommy9882, I think you are incorrect, Mr. Bolet knew what music is, he headed the piano department at the Curtis Institute for a number of years and was a very well establish concert pianist. You should do some research before you comment.

  • @mariofbag im not talking about bolet rofl

    im talking about those pathetic shits

    you know who they are

    those very pathetic guys without a righteous soul

  • La interpretacion del Maestro Bolet es genial, definitivamente se requiere de talento para interpretar a Chopin tal cual es, sin ensombrecer el tema, sin exagerar las dicciones.

  • 9:21 wow, he doesn't even need to roll that left-hand chord.

  • I like the ending section of this piece. It has a cool rhythm to it.

  • And maybe its just the way he plays it, but it sends shivers down my spine!

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  • id like to see you do better bitch :)

  • METTITI A 90° CHE TE LO FACCIO VEDERE COGLIONE.

    put ur self at 90° and i'll show you

  • 10- increíble, una magnífica interpretación!

  • Beautiful.

  • No word to describe it...

    I thought of "sublime" but the way of playing is way beyond it.

  • really perfect

  • 4:00 onwards made me cry. Beautiful piece.

  • Bolet - easily the most gifted of modern pianists. It's not just his transcendental technique (which beggars belief), it's his utterly compelling musicality. I heard him live at the Theatre Royal in Bath, which must rank with those able to recall Rachmaninov's performances.

    Bolet was, is, phenomenal. And his Chopin is simply without peer.

  • completely disagree with you,....

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  • And he's by golly 70 or older playing this!

    Impeccable playing for that age!

  • the lighting is horrible.

  • Fantastic...really Horowitz-like kind of hands...and passion too

  • He was play Chopin without any angles. Bolet was realy a great artist.

  • it's the best performance of 1st ballade

  • I bought his CD, Jorge Bolet is really great.

  • Bolet, the best

  • What a lovely blend of sensitivity and drama. Really enjoyed that.

  • What 'make' of piano? anyone? Thanks.

  • Steinway concert grand piano.

  • Do you mind telling me how you know. I am just interested.

  • I think its a Baldwin

  • Thanks for the reply; I was thinking the same thing.

  • It is definetely a Bechstein.

  • Not a Bechstein - notice the diagonal strut bolted to the plate, going from bass to treble. This is a Steinway feature. Notice also that the agraffes end at the treble Capo area - a Bechstein has agraffes from top to bottom and does not rely upon a Capo like this piano...

  • very clear piece!

  • woh. I wish I could do such work!!

  • That's no piano. It's a battle station.

  • Bolet was flawless on this. I like some of the passages on this interpretation better than the others. Not too harsh either.

  • Bolet was flawless on so many pieces. Flawless playing was almost his trademark,

  • there are some mistakes though not just one but a few overall for the untrained ear its really hard to notice them, this is such a great performance.

  • there are a couple of bum notes it is true - but what i love about his playing is the way he strives for perfection.

    this was always his style

  • this and zimmerman are my favs. this one probably got the edge with emotion.

  • what a sorrowful melody ..but it's beautiful

  • Why is everything a competition. Just Shutup.

  • hermoso............

  • very very beautiful.

    Maestro Bolet is really a great pianist!

  • Was.....

  • that was amazing -sigh-

  • BRAVO!!!

  • Very amazing performance !

  • amazing

  • soooooooo lovely

  • i have heard Horowitz, Zimmerman

    but this is absolutely amazing!!

    i dont´ know what to say!!

    i love this ballade and this performances!!

  • Incredible!!!!!!

  • very rubinstein-esque

  • J'aime beaucoup le raffinement de cet artiste.

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  • Yeah. I can't even figure out how to play it softly like he does, let alone con fuoco!

  • I think it's a bit boring sometimes... (Sorry... Guess I'm also one of those Horowitz-minded people..)

  • Everyone who thinks Horowitz is the model for this piece should hear Bolet,,,,the big sound without harshness....the way Bolet perfectly judges each phrase and gets that arch....the exquisite rallentandi....the feeling for structure. All piano students learning this piece should be required to listen to the Bolet version. For me it's back to the drawing board!

  • there's no best

  • Of course not. But there will always be some that are better than others.

  • If you're one of those Horowitz worshippers ("god of the piano"), then the case is closed. I prefer Chopin that is pure music, without bombast or showmanship.

  • When I get so upset sometimes and I simply lose my confidence and faith, this tune brings my senses back and helps me get back to what is really important in life..

  • i totally agree, i'm amazed. this ballade is great and deserves the great expression Bolet gave it. there was not one false moment.

  • one of the best version of the ballade- total free from maneurism and faulth pathos- always the right tempo- played both with mind and soul- nearly not to be topped

  • totally agreee:)

  • amazing

    just amazing...

    no words for this master

  • Great pianist! Amazing interpretation.

  • his finger movements resemble horowitz's

  • If I was Bolet's pianoteacher, I would give him a compliment. He practise, it's a good thing.