The playing is very musical, I wonder why you don't apply the same musicality to the execution of the ornaments. Those first two ornaments for example. They come so often and, to my ear, they are always played identically. I would like to hear more variety, without, of course, changing the ornament, just varying the way in which you play them, their speed, the number of iterations, etc.
(Too many years of teaching, I just can't resist, please forgive me.)
The recording is not the best. I have moved from using my poor sound digital camera on film mode to using a mini disc player and by making a collage of photos. I assure you that my harpsichord sounds very much like a Flemish double in the flesh!
Thank you! Great interpretation. It happens I am falling in love with Couperin all over again. Who was it who said a Flemish was unsuitable -- it was David Way, never mind, he was wrong.
Thank you for your comment. Much appreciated. I find that the Flemish is a good 'all rounder' as far as interpreting a large range of the harpsichord repertoire. Ironically, the Flemish instruments were highly regarded by the French builders.
Love this piece, and compliments for your performance. I'm not a musician, but I get the impression this piece is more difficult than it might seem. Thanks for posting.
Thank you for your kind comment. My harpsichord is a Zuckerman Flemish double after Ruckers made by Carey Beebe in Sydney in 1988. It has 8', 8', 4, coupler plus buff to the lower manual. The compass is GG - d'''.
Thanks Paul; I never underestimate a piece, no matter how simple it might appear on paper. Sometimes the shortest and simplest pieces are the most difficult. (This reminds me of Schumann's Kinderszenen op 15 - where you have such a sort time to communicate to the listener.)
Lovely stuff. It's difficult to tell with YouTube's sound, but what temperament are you using? Civilisation finally finds its way to the internet! All we need now! (PS: plus the pieces from 'L'Art de Toucher...)' Thanks you so much for this. Regards, Paul :-)
Nice sounding performance. The instrument appears to be a replica of a 17th C. Ruckers a la grand revalement (1725), (GG - f3 compass). Original disposition was C/E - d3.
Correction: The original prototype appears to have been a Ruckers non-aligned double (called a transposing double by Frank Hubbard). Its bottom keyboard was disposed C/E-f3. In the early 18th Century, the keyboards were aligned (called an expressive double by Frank Hubbard) and the disposition was shifted down to GG-d3.Three sets of jacks were installed giving 2x8', 1x4'. This served as a prototype for the great Taskin and Couchet harpsichords in the mid to late 18th C.
Your video clip is great and I've rated it as awesome. Please check out mine on some 1920's trading cards of musical instruments, including the harpsichord.
The playing is very musical, I wonder why you don't apply the same musicality to the execution of the ornaments. Those first two ornaments for example. They come so often and, to my ear, they are always played identically. I would like to hear more variety, without, of course, changing the ornament, just varying the way in which you play them, their speed, the number of iterations, etc.
(Too many years of teaching, I just can't resist, please forgive me.)
atree3 1 year ago
The recording is not the best. I have moved from using my poor sound digital camera on film mode to using a mini disc player and by making a collage of photos. I assure you that my harpsichord sounds very much like a Flemish double in the flesh!
tormus1 1 year ago
I have this piece played by Landowska!
ArcanaMundi81 2 years ago
Your room is gloomy, but matches beautiful music.
bach4274 2 years ago
Other clips show the room in different lighting.
tormus1 2 years ago
Anyone know where i can find the notes for this song, Been looking for ages, Appreciate the one who telle me.
FenderStratoccaster 2 years ago
You can download it from the Werner Icking Music Archive site
tormus1 2 years ago
does anyone know why this piece was famous?
I really need to know for an assignment....
peytongirl14 2 years ago
Its charme?
With the Coucou of Daquin, it figures among the first French harpsichord pieces learnt by young...pianists.
1401JSC 2 years ago
does anyone know why this piece was famous?
peytongirl14 2 years ago
Great performance and immortal music, thank you.
ascsmi2008 2 years ago
Great performance and immortal music, thank you.
ascsmi2008 2 years ago
oh also you did awesome!!!!!!!!!
cambonese001 2 years ago
this is one of my favorite peices and it has my name in it =D
cambonese001 2 years ago
Thank you! Great interpretation. It happens I am falling in love with Couperin all over again. Who was it who said a Flemish was unsuitable -- it was David Way, never mind, he was wrong.
FernandRaynaud 2 years ago
Thank you for your comment. Much appreciated. I find that the Flemish is a good 'all rounder' as far as interpreting a large range of the harpsichord repertoire. Ironically, the Flemish instruments were highly regarded by the French builders.
tormus1 2 years ago
simply superb music
kangoos2000 3 years ago
Love this piece, and compliments for your performance. I'm not a musician, but I get the impression this piece is more difficult than it might seem. Thanks for posting.
cielobuio 3 years ago
your playing is so sweet and you play so well. tell me about your instrument? is it modern? and available somewhere? or a classic model?
pianoplayeruk 3 years ago
Thank you for your kind comment. My harpsichord is a Zuckerman Flemish double after Ruckers made by Carey Beebe in Sydney in 1988. It has 8', 8', 4, coupler plus buff to the lower manual. The compass is GG - d'''.
tormus1 3 years ago
Tormus: if you can play the Quatre Livres, then L'Art should be child's play! Regards, Paul :-)
marsvltor2 3 years ago
Thanks Paul; I never underestimate a piece, no matter how simple it might appear on paper. Sometimes the shortest and simplest pieces are the most difficult. (This reminds me of Schumann's Kinderszenen op 15 - where you have such a sort time to communicate to the listener.)
tormus1 3 years ago
Lovely stuff. It's difficult to tell with YouTube's sound, but what temperament are you using? Civilisation finally finds its way to the internet! All we need now! (PS: plus the pieces from 'L'Art de Toucher...)' Thanks you so much for this. Regards, Paul :-)
marsvltor2 3 years ago
Thank you. I recall I had tuned the harpsichord to Kellner. I'll have to revise the pieces from 'L'Art de Toucher le Clavecin'.
tormus1 3 years ago
Very nice indeed!
AulicExclusiva 3 years ago
Lovely instrument and wonderful playing my friend... didn't know this one but i really like it!!
Cheers!!
Santi
crudosoy1 3 years ago
Well done. This is Sloan's brother. You are a god on the harpsichord. :)
papermariofreak64 3 years ago
Thanks for the comment. Glad you enjoyed it.
tormus1 3 years ago
Nice!
RWoosten 4 years ago
Nice sounding performance. The instrument appears to be a replica of a 17th C. Ruckers a la grand revalement (1725), (GG - f3 compass). Original disposition was C/E - d3.
fnersch 4 years ago 2
The compass of my Flemish Double is GG - d3 - à petit ravalement.
tormus1 4 years ago
sir, can i know what is f3?and GG d3?tnx.
solti 3 years ago
GG = lowest g on the harpsichord ie G below the bass staff. d3 = the D above the treble staff etc.
tormus1 3 years ago
Correction: The original prototype appears to have been a Ruckers non-aligned double (called a transposing double by Frank Hubbard). Its bottom keyboard was disposed C/E-f3. In the early 18th Century, the keyboards were aligned (called an expressive double by Frank Hubbard) and the disposition was shifted down to GG-d3.Three sets of jacks were installed giving 2x8', 1x4'. This served as a prototype for the great Taskin and Couchet harpsichords in the mid to late 18th C.
fnersch 4 years ago 2
i want a harpsichord so bad!!!
KThompson2006 4 years ago
Thank you so much for this.
FritzieCarney 4 years ago
That melody is so ghostly its not even funny, it keeps me up at night
wolfgang7445 4 years ago
Your video clip is great and I've rated it as awesome. Please check out mine on some 1920's trading cards of musical instruments, including the harpsichord.
creamofcardstv 4 years ago
a splendid performance, great playing-bravo and all i can say is couperin rules
runnybum123 5 years ago
Yes, I really like F. Couperin's music. Genius
AAtaak 4 years ago
hm..good playing, 5 stars!!
anormalius 5 years ago
couperin rules!
alexegeviz 5 years ago
A charming and haunting melody, close your eyes and listen.
cookiebaroness 5 years ago