Well, this is pretty easy to listen to compared to most things by John Cage & Karlheinz Stockhausen (ofc Cage and Stockhausen are nice sometimes too). I think this piece is really awesome.
It's almost twisted & sick, not to mention extremely brutal, but it's in the same time genial, virtuosic, imposing and has a definite "wow" factor, with polyrythms, sardonic quotations & a demonoc shower of exploding clusters... It's like a visit in Hell, surely, but one that you will find difficult to forget ;) Ornstein was a genius, along with the likes of Cowell, Ives, Seeger, Ruggles & Crawford... He managed to create an extremely thorny tour-de-force that's both imposing & ironic...
@mariadasduasmargens This piece literally means "savage's dance." I believe Ornstein wrote this piece as satire against the upper class of "savages," the kind of people who go to ballrooms and dance waltzes...
@kerrrs Uwierz mi, że coś wiem na temat muzyki, nie ma sensu rozbudowywać tego wątku, ale pamiętaj @kerrrs, że np. działalność Hitlera też się przypodobała paru osobą do gustu ale zaszkodziła całemu światu...
Taki utwór nie powinien znaleźć miejsca na naszym świecie. To jest jeden z wielu przypadków kiedy kompozytorom wydaje się, że wszystko co stworzą jest dziełem, bardzo mi przykro, że ten kompozytor przesadził myśląc, że stworzył coś dobrego....
I sort of get this. It's one of those experiments in exploring the piano as a percussion instrument, but requiring a truly virtuoso technique to bring it off. Some atonal music is impossible to follow, it wilfully destroys all sense of pulse and melody; this is different. The rhythm holds the piece together and there are even hints at a (tonal) melody line hovering over all that wicked dissonance. It is a dance, after all.
One of the most elegant uses of full-blown atonality I know of. He fully merges the phrasing and melodic vocabulary of late Romantcism with the tone clusters and frenzied iterations of a Futurist.
@maximumsatann hahaha. no. a death metal breakdown. i'm not sure if you want to listen to one though. your ears might bleed. you have to work your way up to the real heavy stuff. lol.
@PIAN0PLAYER5 I used to be in a Death Metal band mate. I just found the duality of the word breakdown when used as an ostensive description for this song pretty funny. Nonetheless I consider stuff like this and particularly Varese and Stockhausen's work to be much more abrasive and perhaps "heavier" than even the most brutal Death Metal.
@PIAN0PLAYER5 Cool man. Yeah there're a few DM influenced bands with keyboards these days like The Faceless and Born Of Osiris. I was the guitar player in my band. I'm not into to Death Metal at all anymore, it was a teenage thing but we made some good tunes I suppose. Good luck with your band mate.
@PIAN0PLAYER5 Well I have always been in to so called progressive bands like Dream Theater so had an ear for non-standard time signatures, scales, timbres etc. I branched out from there really. How about you?
What's making me face-palm is people saying Hamelin sucks...
He's playing it how it's written...it's one thing to knock the composer, but that's no reason to knock the guy playing it, who's one of the best pianists of our time.
why are people calling this crap. It clearly has elements of a dance. Look at the title,(Wild Men's Dance (Danse Savage)) thats exactly what it is. It's kind of like in the baroque period when composers would write dance's. Just because people may not actually dance to this,or because you may not like it, doesnt mean it's not what the title says it is....and actually it's quite good the composer makes interesting use of what i think are note clusters.........
Musics fine, but Andre Hamelin sucks, can we get a real piano player to play this crap? People always focus on the avant gardedness of the music and forget about performing ability. I think if Horowitz were to pick up some John Cage and bring the music out of it a lot more people would enjoy it and maybe even learn some Cage himself, same applies with Ornstien.
@Gargantupimp Are you seriously criticizing a widely lauded and recognised "supervirtuoso"? And on what grounds, I wonder. Other than a blank assertion, you haven't pointed out why he failed to perform "this crap" to your satisfaction. On the other hand, claiming that your favourite pianist (Horowitz in this case) can excel in a piece that he has never attempted is ludicrous.
@Gargantupimp Alas, your claims that Hamelin failed on this piece is as pathetic as the words you chose. Find me a 'real musician' who has outperformed Hamelin on this piece and then maybe we can have something to compare it with. Whining about non-existent flaws do not make those flaws exist. And as for your expletives, they certainly reflect VERY well on you. They suit you. ;)
@VIDE0DR0ME Your gay, Hamelin sucks, read my second post ya retard and see if you can find the secret clue I put in that will show you how to figure out that Hamelin isn't that good of a piano player. If u are really a Hamelin fanboy than I feel bad for you because he sucks.
@VIDE0DR0ME ;) Whatever you tell yourself to help you sleep at night weirdo, you can "Report" me all day but I doubt that whoever your "Reporting" me to can make Hamelin not suck.
Thank goodness for supervirtuosos like Hamelin who can give life to this amazing "etude for chord clusters"... This is a magnificent piece of music, thanks for posting it.... a real discovery. "Written just 5 years after Gaspard de la nuit...!)
@aardvaark069 I only wrote that the waltz-like sections reminded me of Ravel's "La Valse", and wondered if you had "Papillons" in mind when you mentioned Schumann. I'm quite sure I didn't write anything unacceptable, interwebs glitch I suppose . . .
you know, we, composers dont use key signature nowadays. if it makes to the player easier, we do. like, if a piano player has to play only on the black keys, we write the 5 flats or sharps like a key signature. but in a dodecafonic or serialist piece, it makes the piece impossible to read :)
anyway. look at bach choral 45. its in D but there is no key signature. but it has other reasons and i have only 70characters left.
@rvn10rvn17 actually no. just because it has no sharps/flats doesent mean its in that key. scriabin wrote a piece " verse la flamme" which also had no key signiture. buti twasent in a minor or c major
This piece, besides brief sections with extemely weak and fleeting tonal centres, is not in any key. Because the chords in this piece have so many pitches in them, it's almost impossible to discern any tonal structure or direction. But it's not atonal from a Schoenbergian or Weberian standpoint, in that it was apparently not composed with the purpose of eliminating tonality, from what I know about this piece and Ornstein's composing style.
Well, I suppose you were joking, but when I read your comment I thought "of course, that's why the formal syntaxis of this piece is tonal, everything is deeply rooted in tonal music, especially the way in which he repeats the phrases".
Your ears simply aren't ready for it, and that's no reason to dismiss this as "crap." This work may have taken primitivism to an extreme, but it reflects a normal 20th-century music trend that others like Stravinsky and Bartok were popularizing.
I dare say this is more difficult to perfect than a transcendental etude from Liszt. The techniques required include: wide jumps, speed, phrasing, sounding melodies above tone clusters, passing under and over of fingers, wildly varying dynamics, rhythmic consistency, playing the piano in an unusual and percussive way, changing tempi... just you try it.
yeah seems like it would be extremely difficult, on top of that to learn this piece would just be ridiculous: No key signature and 4 accidentals per note.
Learning the notes here isn't all that hard - you look at the cluster, note for note, press it a few times, and you have it. Plus they fit very well under the hand.
1:37 Most epic slur ever!
jedenbeen 2 weeks ago
That poor piano.
IpsediCicero 1 month ago 2
I don't know why, but It stuck on my head...
xeliosphere 1 month ago
The quietest this goes is mf - at one point. Otherwise it's f, ff, fff and ffff all the way through.
Sublime beauty :)
AttemptingToBeBusy 2 months ago
let me guess: the pianist is Hamelin, right??
marcohorowitz8 2 months ago 2
There is something oddly and starkly humorous about this.
DoubleEdgedSword12 2 months ago
if he took out the tone clusters it would probably be some diatonic little ditty
Strefanasha 3 months ago 4
heavy metal piano
nikolas99t 4 months ago 4
and now ornsteins in dark souls one of the hardest bosses eva
pyramidhead156 4 months ago
I tried to play this piece and about 2 sec later my mom was trying to kill meㅋㅋ
chasseneige96 4 months ago
Srsly, is this what passes for music these days? My mom would say. LOL
Even if I were a world class pianist, if I play this at night, my neighbors would throw stuff at our window....
kb27787 4 months ago
@kb27787
Well, this is pretty easy to listen to compared to most things by John Cage & Karlheinz Stockhausen (ofc Cage and Stockhausen are nice sometimes too). I think this piece is really awesome.
Rickeeey1 4 months ago in playlist Classical Random List 1
@kb27787
They'd throw stuff at your window in any case :D
twooffour 4 months ago
@kb27787 Wild Men's Dance Op. 13 No. 2 (1913) "These days" are you stupid?
LordBunbuns 3 months ago
It's almost twisted & sick, not to mention extremely brutal, but it's in the same time genial, virtuosic, imposing and has a definite "wow" factor, with polyrythms, sardonic quotations & a demonoc shower of exploding clusters... It's like a visit in Hell, surely, but one that you will find difficult to forget ;) Ornstein was a genius, along with the likes of Cowell, Ives, Seeger, Ruggles & Crawford... He managed to create an extremely thorny tour-de-force that's both imposing & ironic...
DeliusAlkan 5 months ago
wild men like waltzes....
mariadasduasmargens 5 months ago 2
@mariadasduasmargens This piece literally means "savage's dance." I believe Ornstein wrote this piece as satire against the upper class of "savages," the kind of people who go to ballrooms and dance waltzes...
GFSiciliani 5 months ago
@GFSiciliani lame answer... obvious stuff doesn't need telling?
mariadasduasmargens 4 months ago
@GFSiciliani besides, you like all your soap, mad men included.
mariadasduasmargens 4 months ago
hows playing?hamelin?
loboris1995 7 months ago
This is so avant-garde I feel more pretentious just knowing it exists.
AmalgamOfMeat 7 months ago 12
Now this is what I call a clusterfuck
sirshitsalot007 7 months ago 7
@sirshitsalot007 A tone cluster-fuck to be precise.
Haaaaa...
AmalgamOfMeat 7 months ago
....whats not to like. Scriabin and Bartok on crack at a Rave.
TylerFullStickTT 7 months ago 5
@kerrrs Uwierz mi, że coś wiem na temat muzyki, nie ma sensu rozbudowywać tego wątku, ale pamiętaj @kerrrs, że np. działalność Hitlera też się przypodobała paru osobą do gustu ale zaszkodziła całemu światu...
leo21323189 7 months ago
This is awesome.
MrStrav81 7 months ago
wow
debussyman88 7 months ago
Taki utwór nie powinien znaleźć miejsca na naszym świecie. To jest jeden z wielu przypadków kiedy kompozytorom wydaje się, że wszystko co stworzą jest dziełem, bardzo mi przykro, że ten kompozytor przesadził myśląc, że stworzył coś dobrego....
leo21323189 7 months ago
I sort of get this. It's one of those experiments in exploring the piano as a percussion instrument, but requiring a truly virtuoso technique to bring it off. Some atonal music is impossible to follow, it wilfully destroys all sense of pulse and melody; this is different. The rhythm holds the piece together and there are even hints at a (tonal) melody line hovering over all that wicked dissonance. It is a dance, after all.
1234cottagedoor 7 months ago
One of the most elegant uses of full-blown atonality I know of. He fully merges the phrasing and melodic vocabulary of late Romantcism with the tone clusters and frenzied iterations of a Futurist.
musicalidea 8 months ago
me like chords
AkLvKk 8 months ago
i guess the modernists had to get it out of their systems
MagicDolphinGO 8 months ago
i love this. but if anyone listens to this and hates it, try ornsteins sonata no 4, its much more accesible
huzzzzzzahh 9 months ago
@huzzzzzzahh I Prefer the 8 th^^
loboris1995 8 months ago
@loboris1995 yeah but the fourth is almost all completely tonal and the eighth is not
huzzzzzzahh 8 months ago
This is fabulous!
TiaEdwina 9 months ago
catchy tune, yes.
oHeyitsthatguy 9 months ago
This is much more relaxing than Rebecca Black.
elasticbowman 10 months ago 64
This is what it would be like if Buckethead played piano.
Diffle 10 months ago 8
wow, search for ornstein playing the fantasy impropmtu, and listen to his sonata no 4. Suddenly him composing this does not make any sense.
huzzzzzzahh 10 months ago
If it were titled something like "The Accident that Is Lindsay Lohan", then I'd be willing to bet you'd have several million Ornstein fans.
adarkerlight 11 months ago 7
He plays a wrong note at 0:40 and at 1:13.
titusbeertsen 11 months ago 9
@titusbeertsen Yeah, I just wanted to write that, too :)
pbazant 10 months ago
This is the strangest piece ever to get stuck in your head. People look at me like I'm crazy when I walk along the street humming it...
Jackarooned 11 months ago 6
I like the composition very much, and my respect for the pianist...
Ramination 11 months ago
This actually makes me with that I had banged around at lightning speeds on the piano, and had an autistic savant to write it down perfectly in 1913.
Then in 100 years I could have had 25,000 hits on Youtube.
bushinarin 1 year ago
@bushinarin
How do you know he wrote it down perfectly? ;)
twooffour 4 months ago
I like around the two minute mark when every note was marked with suddenly loud marks. How many times can one be suddenly loud before people get it?
bushinarin 1 year ago
so was someone getting raped while playing and this is the after result?
katbc101 1 year ago
@katbc101 I think this piece is beautiful and melodic
huzzzzzzahh 1 year ago
i usuly have an bic fapping sassion to this kainda stuff.... AAAAhhhehhe
BenjaminTheHolyDiver 1 year ago 2
needs more cowbell
aljaesson 1 year ago 9
Do you think Ornstein was familiar with the concept of Cluster ?
NoirOrchestre 1 year ago 8
atonal piece..
BNM321zxy 1 year ago
what's this?? how it played?
wangnathania 1 year ago
this is precisely the type of music i hum to myself in the shower
spaetensonaten 1 year ago 93
@spaetensonaten well, I don't think i'll stop laughing for the rest of the night.
r0bz0rly 11 months ago 5
I have a feeling that around 2:30 Ornstein was disappointed to find that he had run out of keys on the upper register
kobesunset 1 year ago 5
Amazing piece of music. Hamelin plays it fantastically.
cattleman6420012000 1 year ago 3
And how am I meant to whistle this to work...
tomekkobialka 1 year ago
there's Ravel in this
mohamedalyfarag 1 year ago
this is FIERCE!!!
malibu64 1 year ago
1:08 = piano equivalent of a breakdown.
PIAN0PLAYER5 1 year ago
@PIAN0PLAYER5 Nervous breakdown?
maximumsatann 1 year ago
@maximumsatann hahaha. no. a death metal breakdown. i'm not sure if you want to listen to one though. your ears might bleed. you have to work your way up to the real heavy stuff. lol.
PIAN0PLAYER5 1 year ago
@PIAN0PLAYER5 I used to be in a Death Metal band mate. I just found the duality of the word breakdown when used as an ostensive description for this song pretty funny. Nonetheless I consider stuff like this and particularly Varese and Stockhausen's work to be much more abrasive and perhaps "heavier" than even the most brutal Death Metal.
maximumsatann 1 year ago
@maximumsatann dude! no way! that's awesome! my friends want me to be the keyboardist of their band. what did you play?
PIAN0PLAYER5 1 year ago
@PIAN0PLAYER5 Cool man. Yeah there're a few DM influenced bands with keyboards these days like The Faceless and Born Of Osiris. I was the guitar player in my band. I'm not into to Death Metal at all anymore, it was a teenage thing but we made some good tunes I suppose. Good luck with your band mate.
maximumsatann 1 year ago
@maximumsatann those bands are awesome. so how did you come across this kind of music?
PIAN0PLAYER5 1 year ago
@PIAN0PLAYER5 Well I have always been in to so called progressive bands like Dream Theater so had an ear for non-standard time signatures, scales, timbres etc. I branched out from there really. How about you?
maximumsatann 1 year ago
@maximumsatann dream theater rules. i like blotted science and all that good stuff.
PIAN0PLAYER5 1 year ago
more cow bell
mcbainst 1 year ago
I like the slur at 1:37.
jarsp0 1 year ago 3
Snap this is good
crazycycoclowner 1 year ago
Wow. I wonder if Ornstein suffered from synesthesia.
AlC92575 1 year ago
whow, this is really wild.... great music. and great interpretation.
uhartchristian 1 year ago
OMG! Was he 109 years old when he die?
GingyPno123 1 year ago
What's making me face-palm is people saying Hamelin sucks...
He's playing it how it's written...it's one thing to knock the composer, but that's no reason to knock the guy playing it, who's one of the best pianists of our time.
MajesticFerret 1 year ago
@MajesticFerret even though ornstein was one of the greatest pianists, ever.
re7ard1337 1 year ago
Perfect cadence at the end. Hooray!
aosjimzaw 1 year ago 3
Whoa....trippy..... o_O I've made some somewhat avant-garde-like pieces, but this is delightfully over-the-top.
SergeOfArniVillage 1 year ago
why are people calling this crap. It clearly has elements of a dance. Look at the title,(Wild Men's Dance (Danse Savage)) thats exactly what it is. It's kind of like in the baroque period when composers would write dance's. Just because people may not actually dance to this,or because you may not like it, doesnt mean it's not what the title says it is....and actually it's quite good the composer makes interesting use of what i think are note clusters.........
KBMKBMKBMKBM 1 year ago
this isn't crap dumbfcks
X000Y0TTA 1 year ago
If it's made for something lika a movie, then okay, but just standing alone as "music", it's unintelligible nonsense.
userhasbeendeleted 1 year ago
This is a fine piece though, definitely a good work, I refer to it as crap because I am gangster and cause that's how a gangster roll.
Gargantupimp 1 year ago
Musics fine, but Andre Hamelin sucks, can we get a real piano player to play this crap? People always focus on the avant gardedness of the music and forget about performing ability. I think if Horowitz were to pick up some John Cage and bring the music out of it a lot more people would enjoy it and maybe even learn some Cage himself, same applies with Ornstien.
Gargantupimp 1 year ago
@Gargantupimp Are you seriously criticizing a widely lauded and recognised "supervirtuoso"? And on what grounds, I wonder. Other than a blank assertion, you haven't pointed out why he failed to perform "this crap" to your satisfaction. On the other hand, claiming that your favourite pianist (Horowitz in this case) can excel in a piece that he has never attempted is ludicrous.
VIDE0DR0ME 1 year ago
Comment removed
Gargantupimp 1 year ago
@Gargantupimp Alas, your claims that Hamelin failed on this piece is as pathetic as the words you chose. Find me a 'real musician' who has outperformed Hamelin on this piece and then maybe we can have something to compare it with. Whining about non-existent flaws do not make those flaws exist. And as for your expletives, they certainly reflect VERY well on you. They suit you. ;)
VIDE0DR0ME 1 year ago
@VIDE0DR0ME Your gay, Hamelin sucks, read my second post ya retard and see if you can find the secret clue I put in that will show you how to figure out that Hamelin isn't that good of a piano player. If u are really a Hamelin fanboy than I feel bad for you because he sucks.
Gargantupimp 1 year ago
Comment removed
VIDE0DR0ME 1 year ago
@VIDE0DR0ME ;) Whatever you tell yourself to help you sleep at night weirdo, you can "Report" me all day but I doubt that whoever your "Reporting" me to can make Hamelin not suck.
Gargantupimp 1 year ago
Ah......Sweet, sweet music....
SteinwayMan13 1 year ago
I'm surprised at how much I enjoyed this. This is really interesting stuff.
TheHorrorOfYig 1 year ago
Given that I normally listen to Baroque music, I'm quite supprised how much I like this.
Apollyon80 1 year ago
cool!
BNM321zxy 1 year ago
it remembers me stravinsky's rite of spring... specially the sacrifice dance!
cafity 1 year ago 3
this remembers me stravinsky's sacrifice dance in "the rite of spring"... this is awesome! so many dissonance with a common sense...
cafity 1 year ago
This has been flagged as spam show
Check out the music of Miguel Kertsman. If you liked this video, you'll definitely enjoy it! - MK Marketing Team
Please Subscribe and watch our videos!
MiguelKertsman 1 year ago
Thank goodness for supervirtuosos like Hamelin who can give life to this amazing "etude for chord clusters"... This is a magnificent piece of music, thanks for posting it.... a real discovery. "Written just 5 years after Gaspard de la nuit...!)
Snafuski 1 year ago 2
this is good
trunks2861 1 year ago
All those fucking accidentals give me goosebumps.
marcphilos 1 year ago
So this is what insanity sounds like.
AdvocateToTheAccuser 1 year ago 2
CONGRATULATIONS! This composer has organised a mass of notes in a meaningful way.
Not being sarcastic.
He has successfuly portrayed madness.
edward1369 1 year ago 3
This piece has more substance than every single miley cyrus or jonas brothers track, all combined.
mdeonx16 1 year ago 2
left for dead's inspiration.
Boonyakieat 1 year ago
A rythmic quote from Schumann throughout the piece. Most clearly stated at 2:00-2:03
aardvaark069 1 year ago
Comment removed
Bruckner79 1 year ago
@Bruckner79 Both our comments removed. I wonder why. I didn't say anything rude or awful. You?
aardvaark069 1 year ago
@aardvaark069 I only wrote that the waltz-like sections reminded me of Ravel's "La Valse", and wondered if you had "Papillons" in mind when you mentioned Schumann. I'm quite sure I didn't write anything unacceptable, interwebs glitch I suppose . . .
Bruckner79 1 year ago
@Bruckner79 Yes. Papillons. So you heard it too?
aardvaark069 1 year ago
@aardvaark069 Not initially. After I read your post I thought of it.
Bruckner79 1 year ago
Comment removed
aardvaark069 1 year ago
This was great! Loved all the accidentals!
fhood 1 year ago
SImply brilliant!!!
jasonextreme 2 years ago
Does anyone else feel like waltzing from 00:24 to 00:35?
MountCashelTuck 2 years ago 66
@MountCashelTuck yeah wanna dance? :D
addeex1 1 year ago
@addeex1 Sure thing :D
MountCashelTuck 1 year ago
@MountCashelTuck I shure do!
94HamMan 1 year ago
@MountCashelTuck hooray I was thinking of that XDD I would if I knew how to dance.
pianist7137 1 year ago
This comment has received too many negative votes show
Well that was a waist of time
7MarcusL 2 years ago
You're just in the wrong youtube section. Search for 'top 20' or 'indie hits'. You'll be better suited to that.
toneeeeeee 2 years ago 4
Good for you :D
mdeonx16 1 year ago
My GOD ! It's... simply violent...
link1628 2 years ago
the title suits well standing ovation is not enough here..jumping, tumbling ovation is better! gosh this piece is really "wild"!!! like like like...
RicAbapo 2 years ago
I like this person's work... How many pianos do you thing this guy went through a year?
spyroonline175 2 years ago
catchy...
kastlesucksTDOTS 2 years ago
i wonder what grade this piece is.
Rheesoman 2 years ago
you know, we, composers dont use key signature nowadays. if it makes to the player easier, we do. like, if a piano player has to play only on the black keys, we write the 5 flats or sharps like a key signature. but in a dodecafonic or serialist piece, it makes the piece impossible to read :)
anyway. look at bach choral 45. its in D but there is no key signature. but it has other reasons and i have only 70characters left.
Gollam12 2 years ago
woah
CronosPrime1 2 years ago
I've been trying to get over the 3/8 / 4/8 at the beginning for a few months now!
tomekkobialka 2 years ago
"Wild" is the magic word.
this piece makes the "Allegro Barbaro" By Bartok sound like a Rococo menuet.
By the way: 5/5 to both music and pianist.
OrbiliusMagister 2 years ago 6
I don't think "Allegro Barbaro" is Bartok's most violent and percussive piano piece. Etudes op.18 and Out of Doors would be a more fair comparison.
iamalittlespy 1 year ago
Are "Etudes Op. 18" and "Out of Doors" by
Bartok?
fhood 1 year ago
do i dare ask what key this is in?
spike2133876 2 years ago 35
i would very much like to know as well :P
wateva92 2 years ago
either c major or a minor
rvn10rvn17 2 years ago
@rvn10rvn17 actually no. just because it has no sharps/flats doesent mean its in that key. scriabin wrote a piece " verse la flamme" which also had no key signiture. buti twasent in a minor or c major
spike2133876 2 years ago
I believe it's in the key of 5 or H, I can't remember right now
khbsflabhklsrblfauhk 2 years ago
This piece, besides brief sections with extemely weak and fleeting tonal centres, is not in any key. Because the chords in this piece have so many pitches in them, it's almost impossible to discern any tonal structure or direction. But it's not atonal from a Schoenbergian or Weberian standpoint, in that it was apparently not composed with the purpose of eliminating tonality, from what I know about this piece and Ornstein's composing style.
HomelyCooking 2 years ago
@spike2133876 The key signature says C major, never before has C major sounded so...deadly. lol!
mdeonx16 2 years ago
@spike2133876 All at the same time :)
titusbeertsen 2 years ago
@spike2133876 Lulz it's atonal
fernandocommando1111 1 year ago 2
@spike2133876
Well, I suppose you were joking, but when I read your comment I thought "of course, that's why the formal syntaxis of this piece is tonal, everything is deeply rooted in tonal music, especially the way in which he repeats the phrases".
maraxus83 1 year ago
@spike2133876 it's atonal
JPXU1966 1 year ago
C major!
WilsonDittrich 1 year ago
@spike2133876 do I dare answer?
Ilkeyrion 1 year ago
@Ilkeyrion atonal, the composer finds a balance of frequency of notes in which the ear cannot pick up on any tonality or consistency of key
victorstclair 1 year ago 2
The final cluster is EPIC
I love this music
Alu10000 2 years ago
specially for Hamelin!! Leo must have forseen the birth of Marc-Andre! =)
Speaking seriously, the sound is so sinister! I wonder if the composer and the performer had met in real life...
f1f1s 2 years ago 2
The piano's going to need new strings after this.
ultracoolhomies 2 years ago 6
It doesn't get any more "primitive" than this. What a monster of a composition.
HomelyCooking 2 years ago
THAT'S FANTASTIC!!!!!!! As Always... Thanks Hexameron!
grampasso1989 2 years ago
This is torture to learn...So many accidentals!
Still I'm going to try this...
talonboy5432 2 years ago 5
This definitely turbo-charged my morning cup of coffee today!
GrandpasPictureParty 2 years ago
I wish I could see Hamelin play this in concert...or even see hime play anything in concert for that matter! This piece had made my day :)
KJLazarus 2 years ago
Surely you are being facetious, right?
ReignOfPraine 2 years ago
ive never heard a piece like this before. i love it. these were some wild men
hammer29106 2 years ago 5
is it allright if this made me shed a tear towards the end? ..
luishomeroremohsiul 2 years ago 4
This has been flagged as spam show
dããããããã
Misantropo04 2 years ago
Simply amazing. I don't think I've ever heard a more powerful ending in my life than in this song.
iiqqzz1 2 years ago
beautiful
although I wish it was just a bit more violent and dissonant. still very very good.
egyptianghetto56 2 years ago
wow at first this came as kind of a shock and i wasnt really used to the dissonance...but the more i listen the more i like it
its kinda catchy with a bit of chaos...but it does make the piano sound kinda like its being abused
pandadoll95 2 years ago 4
This has been flagged as spam show
My ears!
This is crap!
RedRiverUnderTheMoon 2 years ago
Your ears simply aren't ready for it, and that's no reason to dismiss this as "crap." This work may have taken primitivism to an extreme, but it reflects a normal 20th-century music trend that others like Stravinsky and Bartok were popularizing.
Hexameron 2 years ago 15
Yeah, I'm not used to this stuff either...
How do you play this though? This is like as difficult if not more difficult than the liszt transcendentals.
Kalen1457 2 years ago
i believe they are difficult in different sense.. transc focuses on the technic.. this one is more to complexity of the notes themselves..
rvn10rvn17 2 years ago
I dare say this is more difficult to perfect than a transcendental etude from Liszt. The techniques required include: wide jumps, speed, phrasing, sounding melodies above tone clusters, passing under and over of fingers, wildly varying dynamics, rhythmic consistency, playing the piano in an unusual and percussive way, changing tempi... just you try it.
VIDE0DR0ME 2 years ago 8
yeah seems like it would be extremely difficult, on top of that to learn this piece would just be ridiculous: No key signature and 4 accidentals per note.
scandenavius 2 years ago
Learning the notes here isn't all that hard - you look at the cluster, note for note, press it a few times, and you have it. Plus they fit very well under the hand.
Sight reading sure, but learning? Nah :)
twooffour 2 years ago
@twooffour hey, are u sure of what u have just said?it's not just that man... anyways, just sayin...
RicAbapo 2 years ago