If there was a decision to delete all of youtube and only backup 1 gb of the videos, I would choose THIS video for backup! Amazing with all the substitutions. I don't know a thing about music theory, but ever since I heard that coltrane substitution the first time, I have had those exact chords on my mind! I frequently come back to watch this video to enjoy the (to me) ecstatic tones! I really wanna pick this up as soon as I get the chance!
Please tell me that that is a recreation of the 1952 Telecaster with a 2-piece Maple Neck with two Single Coil Pickups, a Black Pickup Guard and a Butterscotch Finish. I have the same Guitar!!!!!!!:)
P.S. This progression can be used for Do-Wop music as well.
Justin: Prior to this excellent lesson on chord substitution and tri-tones I used think of the A7 flat substituting for the D7 resovling to GMaj7 as a D7flatt 5-flat9 without the root, becausue fit you play the D note that's what it would be. Your thoughts on this as it gets confusing what to call it.
interesting lesson! just a note on the Coltrane changes - isn't it some sort of enhancement for tritone changes? The substitution looks like tritone changes, only they are in major chord form instead of a 7th. Oh well, that's how I see it, don't really need to understand it completely. :)
Just discovered your lessons a couple of days ago. Thanks so much. I've just recently started looking into jazz chord progressions and have been playing around with 'rhythm changes'. This lesson is exactly what I've been looking for, on substitutions. Quite encouraging that I could follow the theory. The one where you say you don't know theoretically why it should work, - isn't simply the voice leading?
Hey Justin, excellent lesson as always. Will you be doing any lessons on jazz soloing over different chord progression or over a standard perhaps? Cheers mate!
cutting to the chase...i ve been checkin out Birelli Lagrene's killer rendition of "C'est si bon" and he's using some interesting chord subs that sounds like ballpark to what u do here...would be nice to cover the theory behind it if you have the time...keep up the good work.QN
hey justin. congrats on yet another terrific video...funny how universities charge 3 grand per year on a subject you just delivered in 10 minutes... offcourse there's more to it if you really wanna get behind it,,but that's another subject altogether...
@amsterdamob not really. I can turn them off. But not enough people are donating or buying DVDs at the moment, so I need the extra revenue that the ads bring. Sorry, but if more people support the site voluntarily - then I will gladly take them off. I hate ads as much as everyone else.
@JustinSandercoe That's really so sad. Given how much you give the world, it's disheartening to hear that voluntary donations are thin. Perhaps I will send you that book after all.....'The Selfish Gene' by Pro Richard Dawkins. It depicts the stark reality of human behaviour that we choose to want to ignore.
@JustinSandercoe Well said, and its important that you are able to make a living. Ads are just as distracting as you allow them to be. Thanks for your videos.
@JustinSandercoe Justin, you are amazing man. Not only you are willing to give something to the world for no money in return, but you also take the bother and find sponsors to get extra money to support the production of videos and stuff. You are a great man. I've learnt and still am learning a lot from you. Thanks for everything you do for us.
Oh, I that Coltrane thing sounds like Giant Steps, I think it's called the Coltrane Matrix or something and has something to do with moving through keys in thirds, wikipedia says this "The changes serve as a pattern of chord substitutions for the ii-V-I progression and are noted for the tonally unusual root movement down by major thirds (as opposed to the usual minor or major seconds, see steps and skips, thus the "giant steps"), creating an augmented triad."
@junka22 I can't believe I didn't think to wiki it :) that kinda explains it but relative to all other theory I know it still shouldn't work!! but it does...
@JustinSandercoe hehe, just goes to show that the ear is the most important tool in music. The wonderful Ted Greene said in a GIT seminar that you can find right here on YouTube that "everything is in every key" and I think it's true. He was amazing, really worth a watch if you haven't seen it already.
What's always struck me about this particular case is an openness in the sound of the progression which keeps me coming back to it.
There could be an explanation: Stretching the tritone sub of the VI chord into a Major7 leaves the b7 of the original A- or subtituted A7 (the note G) but moves the Db (the 3rd of the A7 chord)of what would normally be The Eb7 to the D natural of Eb^7 which relates to the former A7 as an 11th - openness indeed! Ab^7 for D? same again :)
@JustinSandercoe all the chords in the coltrane sub contain chord tones for Imaj7, you could consider the Ebmaj7 as borrowing from parallel minor, then its a series of Vmaj7 chords up to the Dbmaj7.
What's always struck me about this particular case is an openness in the sound of the progression which keeps me coming back to it.
There could be an explanation: Stretching the tritone sub of the VI chord into a Major7 leaves the b7 of the original A- or subtituted A7 (the note G) but moves the Db (the 3rd of the A7 chord)of what would normally be The Eb7 to the D natural of Eb^7 which relates to the former A7 as an 11th - openness indeed! Ab^7 for D? same again.
Hey Justin, thanks for the lesson - I love it! Just a quick question; the way you finger the diminished chords here, wouldn't they be diminished sevenths for the 1-b3-b5-6? Correct me if I'm wrong, I'm not too great with this stuff, lol. Thanks a lot for your lessons here, they are wicked!
@DrakeBellCovers Diminished seven chords are actually usually thought of as the same thing as a diminished triad. The only difference is that diminished could sometimes mean only the 1-b3-b5, but usually if you see for example Cdim it means dim7 hope that clarifies it, take care :)
What scale would you use to solo over this?
mavdog5 2 weeks ago
I liked this video too. Merci,
Rob
TheMunchkin7777 1 month ago
I liked this video too. Merci.
Rob
TheMunchkin7777 1 month ago
If there was a decision to delete all of youtube and only backup 1 gb of the videos, I would choose THIS video for backup! Amazing with all the substitutions. I don't know a thing about music theory, but ever since I heard that coltrane substitution the first time, I have had those exact chords on my mind! I frequently come back to watch this video to enjoy the (to me) ecstatic tones! I really wanna pick this up as soon as I get the chance!
ahvetm 7 months ago
I love your videos. Thank you very much
hiramgomezb 8 months ago
I like this video
saijai587 9 months ago
Thank you for sharing.
kopi5896 9 months ago
Good video.
minami935 9 months ago
Lol one frustrated dislike.
BlikeNave 9 months ago
what a silly hat!
woogedy 10 months ago
Please tell me that that is a recreation of the 1952 Telecaster with a 2-piece Maple Neck with two Single Coil Pickups, a Black Pickup Guard and a Butterscotch Finish. I have the same Guitar!!!!!!!:)
P.S. This progression can be used for Do-Wop music as well.
P.S.S. I'm 12, be amazed.
wafflesquad 1 year ago
Justin: Prior to this excellent lesson on chord substitution and tri-tones I used think of the A7 flat substituting for the D7 resovling to GMaj7 as a D7flatt 5-flat9 without the root, becausue fit you play the D note that's what it would be. Your thoughts on this as it gets confusing what to call it.
Ken, Toronto
dreadnought45 1 year ago
someone missed the like button
junia001 1 year ago
This has been flagged as spam show
Hi Justin. What other chord progressions are worth learning?. "The really popular ones"
closetome 1 year ago
Hi Justin. What other chord progressions are worth learning. "The really popular ones"
closetome 1 year ago
Dude Man i love your lessons
First time i ever took notes while watching a u toob
tobaccorich 1 year ago 5
awesome
chorren 1 year ago
interesting lesson! just a note on the Coltrane changes - isn't it some sort of enhancement for tritone changes? The substitution looks like tritone changes, only they are in major chord form instead of a 7th. Oh well, that's how I see it, don't really need to understand it completely. :)
robjazztorres 1 year ago
Hi Justin.
Just discovered your lessons a couple of days ago. Thanks so much. I've just recently started looking into jazz chord progressions and have been playing around with 'rhythm changes'. This lesson is exactly what I've been looking for, on substitutions. Quite encouraging that I could follow the theory. The one where you say you don't know theoretically why it should work, - isn't simply the voice leading?
Thanks again, Justin. Much appreciated.
Karl
karlfarren 1 year ago
nice job.
billt6161 1 year ago
Great as usual.
JimminyPricket 1 year ago
Your new videos are super clear to see Justin
stevalianarbone 1 year ago
Hey justin, would you mind doing a video on chord substitutions for minor keys? Love the videos, very helpful, keep up the good work!
stumpie0789 1 year ago
Hey Justin, excellent lesson as always. Will you be doing any lessons on jazz soloing over different chord progression or over a standard perhaps? Cheers mate!
Axemaniac 1 year ago
cutting to the chase...i ve been checkin out Birelli Lagrene's killer rendition of "C'est si bon" and he's using some interesting chord subs that sounds like ballpark to what u do here...would be nice to cover the theory behind it if you have the time...keep up the good work.QN
QuentinNorth 1 year ago
hey justin. congrats on yet another terrific video...funny how universities charge 3 grand per year on a subject you just delivered in 10 minutes... offcourse there's more to it if you really wanna get behind it,,but that's another subject altogether...
QuentinNorth 1 year ago
Comment removed
QuentinNorth 1 year ago
Dude you're really starting to do my head in..... :-)
djdl 1 year ago
What happened to the links so that you can save it for later use?
chuckm97 1 year ago
You start enjoying jazzy sounds more eh? :D
Or at least it feels like you get more comfortable with that stuff now. :3
Xar0mir 1 year ago
This was an awesome video. Thank you so much, Justin. Very helpful in jazz to a 20 year guitar player in blues/country/rock. Love the jazz sound.
chrishpippin 1 year ago
love your shirt and jazz lessons! i'm a sax player and your theory lessons definitely clear things up :)
saxophonefreak101 1 year ago
good to see u again Sir Sandercoe. :)
tybittz 1 year ago
I see your video is over 10mins! Is this something to do with 'partnering' with Youtube?
Topdoginuk 1 year ago
I love this stuff! Great lesson!
DuskY1991 1 year ago
I love the new jazz lessons!
atodea 1 year ago
Comment removed
amsterdamob 1 year ago
@amsterdamob not really. I can turn them off. But not enough people are donating or buying DVDs at the moment, so I need the extra revenue that the ads bring. Sorry, but if more people support the site voluntarily - then I will gladly take them off. I hate ads as much as everyone else.
JustinSandercoe 1 year ago 52
@JustinSandercoe
Oh, I apologize.
Im embarrassed at myself!
I know nothing about the intricacies of YouTube, lol.
You are doing a great service for many musicians. Very valuable stuff!
Please excuse my ignorance.
amsterdamob 1 year ago
@JustinSandercoe That's really so sad. Given how much you give the world, it's disheartening to hear that voluntary donations are thin. Perhaps I will send you that book after all.....'The Selfish Gene' by Pro Richard Dawkins. It depicts the stark reality of human behaviour that we choose to want to ignore.
Topdoginuk 1 year ago
@JustinSandercoe i just click em and watch. it's no problem.
wimpy77 1 year ago
@JustinSandercoe Well said, and its important that you are able to make a living. Ads are just as distracting as you allow them to be. Thanks for your videos.
SiggyMe 1 year ago
@JustinSandercoe Justin, you are amazing man. Not only you are willing to give something to the world for no money in return, but you also take the bother and find sponsors to get extra money to support the production of videos and stuff. You are a great man. I've learnt and still am learning a lot from you. Thanks for everything you do for us.
xxxxneoxxxx 1 year ago
@JustinSandercoe Is it a coincidence that the ad that just played was for the AC/DC Iron Man 2 soundtrack? LOL! that gave me a chuckle. ;-)
JeffRozak 1 year ago
@amsterdamob shut up you muppet..
cornerbox 1 year ago
Hi Justin, Thanks for the lesson.
Are you gonna do some jazz soloing lessons in the future?
BrunoBaudewyns 1 year ago
Good players aren't necessarily good teachers. Teaching is a seperate skill all together. You, Justin, have a great gift in both aspects.
chuckfaststrat 1 year ago
Justin you're the man, your musical knowledge is outstanding, may I know when you started to learn to play Guitar?
Thanks.
fblitk 1 year ago
Oh, I that Coltrane thing sounds like Giant Steps, I think it's called the Coltrane Matrix or something and has something to do with moving through keys in thirds, wikipedia says this "The changes serve as a pattern of chord substitutions for the ii-V-I progression and are noted for the tonally unusual root movement down by major thirds (as opposed to the usual minor or major seconds, see steps and skips, thus the "giant steps"), creating an augmented triad."
junka22 1 year ago
@junka22 I can't believe I didn't think to wiki it :) that kinda explains it but relative to all other theory I know it still shouldn't work!! but it does...
JustinSandercoe 1 year ago
@JustinSandercoe hehe, just goes to show that the ear is the most important tool in music. The wonderful Ted Greene said in a GIT seminar that you can find right here on YouTube that "everything is in every key" and I think it's true. He was amazing, really worth a watch if you haven't seen it already.
junka22 1 year ago
This has been flagged as spam show
What's always struck me about this particular case is an openness in the sound of the progression which keeps me coming back to it.
There could be an explanation: Stretching the tritone sub of the VI chord into a Major7 leaves the b7 of the original A- or subtituted A7 (the note G) but moves the Db (the 3rd of the A7 chord)of what would normally be The Eb7 to the D natural of Eb^7 which relates to the former A7 as an 11th - openness indeed! Ab^7 for D? same again :)
mysticmoose 1 year ago
@JustinSandercoe all the chords in the coltrane sub contain chord tones for Imaj7, you could consider the Ebmaj7 as borrowing from parallel minor, then its a series of Vmaj7 chords up to the Dbmaj7.
johnklucy 1 year ago
This has been flagged as spam show
What's always struck me about this particular case is an openness in the sound of the progression which keeps me coming back to it.
There could be an explanation: Stretching the tritone sub of the VI chord into a Major7 leaves the b7 of the original A- or subtituted A7 (the note G) but moves the Db (the 3rd of the A7 chord)of what would normally be The Eb7 to the D natural of Eb^7 which relates to the former A7 as an 11th - openness indeed! Ab^7 for D? same again.
mysticmoose 1 year ago
Hey Justin, thanks for the lesson - I love it! Just a quick question; the way you finger the diminished chords here, wouldn't they be diminished sevenths for the 1-b3-b5-6? Correct me if I'm wrong, I'm not too great with this stuff, lol. Thanks a lot for your lessons here, they are wicked!
DrakeBellCovers 1 year ago
@DrakeBellCovers Diminished seven chords are actually usually thought of as the same thing as a diminished triad. The only difference is that diminished could sometimes mean only the 1-b3-b5, but usually if you see for example Cdim it means dim7 hope that clarifies it, take care :)
junka22 1 year ago
@junka22 Ah, thank you very much. That's a big help! :)
DrakeBellCovers 1 year ago
@DrakeBellCovers *I meant to say that Diminished is usually thought of as a diminished 7 instead of just a diminished triad
junka22 1 year ago
@DrakeBellCovers yes if I say diminished I mean diminished 7th always - R b3 b5 bb7.
JustinSandercoe 1 year ago
thanks Justin, I love these jazz lessons, I hope you make more
junka22 1 year ago
dope, love your theory lessons. Did you teach yourself all of this stuff?
cryman89 1 year ago
This has been flagged as spam show
first.
xiris420 1 year ago
@xiris420 you should better write something smart instead of acting like a child on who will wirte something first...
Very nice video Justin, like all other are :) everything crystal clear :) do more rock stuff :)
Laurecious123 1 year ago