Added: 5 years ago
From: mujviktor
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  • very good i like it very much is my favorite version after kraus, only cuz for me the vokce of gedda is a little more dramatic ( i said more drammatic, i didnt said he was a spinto or drammatic tenor, he is lyric) voice then i would like to hear in these roll but that doesnt not take away the greateness

  • World class!

  • very oldschool, nice

  • Such beauty!!

  • Nicolai hace una gran interpretación, pero el Werther eterno sera siempre Alfredo Kraus

  • very good pronunciation as well as singing.

  • Pourquoi me réveiller, Ô souffle du printemps? Pourquoi me réveiller Sur mon front je sens tes caresses, Et pourtant bien proche est le temps Des orages et des tristesses! Pourquoi me réveiller, Ô souffle du printemps? Demain dans le vallon Viendra le voyageur Se souvenant de ma gloire première. Et ses yeux vainement Chercheront ma splendeur. Ils ne trouveront plus que deuil Et que misère! hélas! Pourquoi me réveiller, Ô souffle du printemps?
  • Pourquoi me réveiller, Ô souffle du printemps? Pourquoi me réveiller Sur mon front je sens tes caresses, Et pourtant bien proche est le temps Des orages et des tristesses! Pourquoi me réveiller, Ô souffle du printemps? Demain dans le vallon Viendra le voyageur Se souvenant de ma gloire première. Et ses yeux vainement Chercheront ma splendeur. Ils ne trouveront plus que deuil Et que misère! hélas! Pourquoi me réveiller, Ô souffle du printemps?
  • I heard both Gedda, Corelli and Del Monaco in house years ago and no Del Monaco had a bigger voice then Corelli and more dramatic, heard him in 1959 as Otello. Gedda I heard twice and he had plenty of volume in any lyric role. I also heard Bergonzi aoften in house and Bjorling once. They both sounded bigger on records then live. Pavoratti early had a voice that was not powerful, later as a lyric it did get larger. True he stuck to Italian.

  • What a perfect Werther. The voice was there and the attitude also.

    Pierre

  • VERY BEAUTIFUL

  • the is the exact image of Napoleon

  • Spinto tenor corelli also sang this opera on stage and lyric tenor neil shicoff so it has been sung by both and Gedda is a Lyric tenor also. I never heard Pav sing it or much french at all. Like Jussi he never touched Carmen on stage either. Pav. never sang Hoffmann that Gedda sang and recorded so well and Shicoff was terrific as Hoffmann in our time. Tucker sang it in the 50's and Domingo sang it also later, both Spinto's.

  • @SHICOFF1 Probably because Pav's French was horrible! ;))

  • I heard him in house he was a lyric tenor not Spinto at all. Very fine artist.

  • i think this opera was written for a tenor, but doesnt say specifictly what kind of tenor, I love this version

  • @mhax3 You realize of course that there is also a baritone version.

  • Bravo Gedda!! Bravo!

  • Quelle plaisir de pouvoir regarder ce vidéo. L'un de mes airs favoris interprété a la perfection par le grand Nicolai Gedda. A la fois aristocratique et sympathique.

    Chpeau M. Gedda!

    Et merci mujviktor. Vive le partage! :-)

  • Nicolai Gedda! Werther!!

  • Thank you VERY much for sharing this with us!!!!!! Gedda at his best - just as in Pretre's recording of the complete opera for EMI/Angel!

  • mi piace molto,anzi moltissimo

  • I agree that this is the performance to set the Standard of excellence. Bravissimo!

  • is there such a thing as a "tenor assoluto" (being able to sing from leggiero tenor down to dramatic tenor)

  • @raigekimaru Nawp, as there is no "down to" dramatic tenor =D

    But if you mean the power of a larger tenor, with the upper range of a leggiero, I think Gedda qualifies. This is certainly not dramatic tenor power, though...Gedda had a touch of spinto, nothing more. A strange comment, I must say, since the proper term for a spinto tenor is a "tenore lyrico come un piu spinto"...with a little push/force. But anyway. He has a little of it, but he's no Corelli. And Corelli's no Del Monaco, etc.

  • @aaronsande

    actually, a dramatic tenor role will fall lower in tessitura than lyric tenor. sometimes it will even go a little bit into the baritone register. but yes, you're right, Gedda is no Corelli. however, I think Corelli's voice was more powerful than Del Monaco. higher yes, but more powerful

  • @raigekimaru Well when you said "down to" I thought you meant range, not tessitura =D

    Those who heard both in house said MDM was more powerful than Corelli. And you can hear it even in recordings if you know what to listen for...

  • Best version ever!

  • One of the most powerfull voices in history. Regards.

  • this coming from a light lyric tenor? my my, I am pleasantly surprised. 5/5

  • The best......ever !!!!

  • Ohh....Kolya !!!

    The Russian geniouse !!!

  • Bravo Gedda!

  • Este gran tenor Austriaco ahora casi no se le recuerda, sin embargo en los 50's era uno de los mejores, y aquí se puede apreciar porqué. Algunos compararon su voz con la de Caruso. Es definitivamente de los grandes.

  • che emozione.... voce! eleganza! timbro! fraseggio! squillo! dinamiche interpretative ed espressive... un GRANDE TENORE!

  • Divine and unique Nicolai Gedda!

    This is MAGIC!

  • This made me cry ...

  • @YeAhSuperGirl

    It just made me cry, too!

  • THIS is Werther, people!!!!!!!!!!!!!!!

  • BRAVO!

  • Le classieux Nicolai Gedda ... Il n'y a qu'un homme du Nord qui puisse "intégrer" Werther ...

    Amitiés à tous :-))

  • Friends, what Gedda can - only Gedda can.

  • Un des plus grand chanteur de la "planète terre" et de tous les temps!

  • @lesbonnesoreilles rispetto il suo gusto,ma non mi sento obligato d'essere d'accordo con lei ... questa registrazione non mostra la verita artistica.Per me si puo dire "grazie" ai tecnici di suono,che negli ultimi 30 anni hanno transformato la lirica in musica leggera ...triste realta...

  • @bodiloto Qual'e' il suo problema? Non le piace questa registrazione? Che c'e' di male? Perche' grazie ai tecnici di suono? Non e' d'accordo che Gedda sia uno dei grandissimi tenori di tutti i tempi?

  • @serenaluce

    Gedda's videos are full of Bodiloto's comments. He hates Gedda so he must be suffering a lot doing this. I think he believes that he must do these sacrifices in order to enlighen people.

  • @Herur22 Thanks for your reply. I didn't know it. Of course, it's just a matter of taste, and different opnions about art, artists, voices, interpretations often clash. But personally I can't understand how can somebody hate GEDDA?! He is so great with his mavelous, magical, very noble voice with a unique, very pleasant timbre, and intelligent interpretations! There are only few such noble voices of all time! Why try to enlighten people that it's bad?!:-)

  • @serenaluce

    I agree completely with you.

    Bodiloto keeps saying that Gedda's voice was really very small and very ugly and that he has to thank for his career exclusively to the sound technicians. Imagine that!

    I read in several comments here on You Tube that no recording could express the beauty of his voice as heard in the house.

  • @Herur22 I believe those lucky ones who heard Gedda live as it's always better to listen to artists on stage and not in the recording. As for sound technicians, if even now with all their manipulations with the voice, sound they can't turn a poor voice into a great one, if it's empty it remains empty, if the artist shares no soul an understanding listener will feel it, at the time when Gedda sang it was impossible to make an ugly and small voice to sound beautiful and full! So, it's nonsense...

  • @serenaluce

    Exactly.

  • @Herur22 lei non mi conosce e parla di me hahahahahahah parla che odio hahahahahaha una registrazione e una illusione,un spettacolo dal vivo una realta...viva la musica e la illusione...hahahahahaha

  • @bodiloto

    Hahahaha, no I don' know you and to say the truth I have no great wish to know you. As to speaking about you - I only repeated your written words, so no great insight into your character was needed.

  • @serenaluce perche grazie ai tecnici di suono ? Perche sono loro cha hanno realizato questa bella registrazione...e semplice.

  • @bodiloto E' proprio Gedda che ha realizzato guesta bella registrazione. E' semplice. A proposito, no, non ho mai sentito Gedda dal vivo. Non posso giudicare dalla sua bellissima voce? E lei, ha mai sentito e.g. Caruso, Gigli, etc. dal vivo? Non ha il suo parere? Solo degli artisti cui ha sentito dal vivo come Pavarotti?

  • @serenaluce cara Signora ,la qualita di una registrazione dipende dai tecnici di suono,non di cantante...Caruso,Gigli,Marcon­i,Fletta,Masini ecc...ecc...erano dei,lasciamo i dei a pace per favore.Che cosa c'e in comune fra Loro e Gedda? Per me niente...la prego da 52 anni vado nel teatro e mi ricordo molto bene i tenori degli anni 50-60...con rispetto.

  • @bodiloto Io rispetto il suo parere, ma per me c'e molto in comune fra loro e Gedda, perche' per me LUI e' uno dei piu' grandi tenori come LORO! Per me Gedda e' meglio che e.g. Bjoerling - numero UNO di tutti i tempi secondo BBC magazine! Non faccio declarazioni chi e' numero uno per me - forse Gedda, forse Wunderlich, forse Atlantov, qualcun altro, ma Gedda e' proprio eccezionale tra i grandi tenori! De gustibus non disputandum!

  • @serenaluce non crede che ci nascondiamo spesso dietro l'espressione de gustibus non disputandum?Mi ricordo che il pubblico negli anni 60 faceva spesso discussioni sulla interpretazione di questo o di quello artista...nel 21 secolo poche persone parlano della interpretazione...per me Atlantov aveva una bellissima voce ma non conosceva la vecchia tecnica di canto...Signora,ma come si puo dire che Björling e stato numero UNO di tutti i tempi ?e di dire che Gedda e stato migliore da Björling ?

  • @bodiloto Non dico nulla personalmente. Bjoerling e' numero uno di tutti i tempi secondo BBC MAGAZINE! Come la sua declarazione che Callas sia La Divina e numero uno di tutti i templi tra i soprano! Puo' verificarlo. Ho soltanto detto che per me Gedda e' meglio di Bjoerling! Tutto qua!

  • @serenaluce per lei Gedda e migliore dal Björling ? Björling numero UNO ? E dove mettiamo allora Fleta,Marconi,Caruso,Gigli,Pao­li,Pertile,Escalais,Piccaluga,­Masini ecc...ecc...

    sono d'accordo con lei de gustibus non disputandum,a lei piace Gedda a me piu di 60 tenori ,la rispetto e rispetto il suo gusto,una cosa sola quando ascolto Caruso, Fleta mi chiedo dove sono sparite queste voci ?

  • @bodiloto anch'io rispetto il suo gusto. Questi sono i grandi nomi. Bjoerling e' numero uno officialmente soltanto secondo BBC Magazine. Non per me. Trovo la sua voce molto fredda e mechanica. Per me Gedda e' realmente meglio di Bjoerling! Non le pare che ogni grande artista sia unico? Caruso e' UNICO! Gigli e' unico! E Gedda e' unico! Si chiede dove sono sparite queste voci? Ma dove sono sparite tali voci come Gedda, Wunderlich? Viviamo nei tempi diversi e abbiamo altre voci!

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  • @serenaluce lei ha una idea come si crea una registrazione ?Una domanda semplice e con molto rispetto ,Nicola.

  • @bodiloto La mia e' una risposta semplice e anche con molto rispetto. Non sono technico di suono. Non ho una idea concreta di una registrazione. Ma sono un'ascoltatrice molto attenta. Se un artista canta senz'anima, non puo' creare tal' illusione! Perfino nei nostri tempi. Ascolti controtenore Philippe Jaroussky come un exempio vivido! Nei sue registrazioni i technici di suono sono ottimi, ma non ha nessun anima, emozioni, intelligenza... Tutto e' finto, e puo' sentirlo... Come mai?

  • @serenaluce questo che Gedda piace e bellissimo,voglio dire soltanto che nel passato ho sentito dal vivo voci fuori la sua immaginazione e loro nomi non si trovano sul youtube,e poi io ador e rispetto moltissimo persone come lei,Herur22 e insomma il pubblico che ascolta e parla della lirica,noi parliamo di gusti,io ho il mio da 52 anni vado nel teatro, e la mia vita,parlare,discutere e bello ,no?Ripeto una registrazione e una illusione,un spettacolo dal vivo una realta.Gedda era il mio idolo...

  • @bodiloto La capisco. Ma non sono cosi' fortunata come lei: non ho mai sentito Gedda e molti altri grandi aristi dal vivo. Si, ci sono tanti voci fuori la mia immaginazione. Ma sono molto grata per avere l'opportunita' d'ascoltare molti tesori i cui esistono sul YT. Forse ogni registrazione e' una illusione, ma questa di Gedda e' molto bella perche' e' un grandissimo artista! Non le pare che non puo' fare nessun registrazione di PJ una grande illusione? Perche' e' un artista FINTO...

  • Hermoso, perfecto, gran interpretación. Muy buen video y audio. Gracias "mujviktor"

  • mujviktor, thanks and mostly for your words, yea Gedda is Gedda and that's it

  • What perfection!

  • One of the most beautiful arias ever written! Marvellous interpretation! Difficult to imagine it more beautifully sung than this! Great Gedda! Bravissimo!

  • @serenaluce Actually, I think the recital version he did in Salzburg 1961 is even more beautiful. In my opinion, that's the ultimate Pourqoui...

    You should check it out here on youtube if you haven't already.

  • @poolification Thank you for your advice. I'll check it too and compare. You mean the quality of the recording is better? I think that this interpretation is just magnificent! Thank you anyway.

  • Bravo Monsieur Gedda

    Une maîtrise totale de la voix et de votre art, pour notre bonheur ...

  • Bravo Gedda!

  • Spellbinding, as pure and elegant as Jussi Bjoerling in this recording.

  • Try the " new " Gedda -- Beczala is the name.

  • Beczala is very good, his voice is beautiful. But, in my opinion, he has to work on his interpretation of the arias. Gedda had more stylistic artistery.

  • I prefer the tenors mentioned to Gedda, and I think they surpass him in Italian opera. However, for this aria and this opera, none of the tenors you mentioned could dream of singing it as well as Gedda does here.

  • I believe that Alfredo Krauss also sing this aria very well, or even exc i think, off course i admit that Gedda its very very good tenor....

  • In this particular aria he is, if nothing else, better than Corelli, Gigli, or even Pavarotti. It's probably what most experienced opera lovers would say.

    But of course, every opinion is an opinion.

  • Even Pavarotti?! You really put him higher than Corelli and Gigli?! How about other great artists? What's so special in him? He was just very well promoted!

  • @serenaluce

    >What's so special in him?

    Music goes beyond words.

    If you can not hear it, how shall I explain it..?

  • I meant what's so special in Pavarotti for YOU? As for me, I already have an immunity to his voice. For me it was just a promoted image of a huge man with "a larger than life personality" with a lot of friends and good marketing skills. I've heard his singing more often than any other operatic singer in the world. I can listen to his voice but I don't "hear" it at all. True music really goes beyong words. If Pavarotti isn't just a symbol for you, you can explain. I'm just curious what YOU hear?

  • Hello!

    Aha, this is a linguistic mistake; "or even," should be "or".

    Anyway; in my youth I was never fond of Pavarotti, I thought his voice (the timbre) was cold and laser-like, his musical performing was soulless etc.

    Over the years I changed my mind. Today I think he was a great singer and a great personality, although he is not among my favorites.

    If you look up his masterclasses here on YT you can see a touch of his great personality.

    Please replay

  • Thank you for your reply. I only didn't understand where I made "a linguistic mistake"?! I wrote only "even Pavarotti?" Because you put him higher than Corelli ad Gigli, and I think that they are greater artists than him. Anyway, what do you advise me to replay? What pieces from his masteclasses do you recommend me to listen "to see a touch of his great personality"? I'm just curious.

  • @serenaluce

    I feel exactly the same. I was never attracted to Pavarotti.

  • I like Pavarotti a good deal, and in a few things (fille du regiment, some tosti songs, etc) I could almost say I love him.... he was also among the best Rodolfo's and Duca's ever.

    That said, I find when listening to him in general, that I "reach bottom" with him rather quickly. (for lack of a better term.) He doesn't hold my interest. Not sure why that is exactly.

  • The tenor of the century. Not the most powerful voice, but a true aristocratic musicality and voice.

  • @monpitt500

    he sounds plenty powerful to me (which is rather an anomaly when you consider he could turn around and sing almost as high as a woman)

  • Just wonderful!

  • One of the classic pperformances from a sadly bygone (but not fotgotten) l'Age d'Or. Only the young di Stefano recorded it more gloriously in 1944 during his Swiss 'A.W.O.L. from the Italian Amry..

  • Utterly fantastic. What line! What crescendo!

  • Muy bueno!!!

  • My God! OH my God....

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  • Yes, he sung it so beautiful that it was almost painful...

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  • Wow! This rendition really blew me away! What tenderness and strenght, a truly masterfull rendition of a fantastic aria. Gedda at his best.

  • The video to me is always incidental to the song and music, playback or not what does it matter nothing can deter from this superb rendition of this beautiful aria!

    Thank6ou for posting and thankyou Wenarto for sharing

    5*........Barbara

  • Genial gesungen!!!

  • This is impressive!

  • this just puts me to tears...

  • Brillante

    none of the French tenors chould sing the french arias like his

    best accent and phrase  ever

  • Esta aria expresa un estado de animo,una melancolia,una tristeza,una desolacion ,a la vez una rebeldia de frente a la vida.

    Como estudio psicologico pocas arias expresan tan acertadamnte bien estos sentimientos que a algunos les hace maldecir, a otros llorar y a los tenores bien dotados cantar con pasion sin igual como hace Gedda aca. Impresionante.

  • Quelle belle voix,belle technique,beaux aigus!

  • Le sienta como un guante. El aria parece haber sido escrita para él.

  • che emozione.. quante cose ha dai insegnare ai tenorucoli di oggi questo monumento di tecnica e di espressività di musicalità e di serietà.

    Non si può non capire come ogni passaggio sia studiato nei fdettagli niente è lasciato a a caso.. dinamica, intensità posizione tenuta di fiato.. e fraseggio sempre appoggiato..

    giovani tenori ascoltatelo!!!

    Grande Gedda.

  • what a totally AWESOME voice.

  • Bravo! I can't stand Gedda's singing in the Italian repertoire, it's awful. But this is outstanding, I've never heard someone master the French repertoire as well as Gedda.

  • Gedda - a big tenor, an intelligent artist

  • Gedda is the Korean war of Tenors

  • what on earth is that supposed to mean?

  • Maybe that it's significant, but forgotten? I dunno.

  • Batteyhead, what is significant and forgotten?

  • You know...I think the person I replied to removed their comment, because for the life of me I can't find anything in the comments that makes sense for me to have said that :) I don't remember.

  • impecable interpretacion, bravo.

  • Gedda's musicality is supreme. it is like carlo bergonzi and jussi bjoerling.. so pls.. stop telling anything negative to this great maestro.. just have fun watching.. besides, you criticized much eh you dont even sing close to gedda.. =) ciao!=)

  • Listen, Classic 1306, seriously now. Read the comments and find out where did I say anything bad about Gedda (whom I admire) or where did I quarrel with anybody. Read, before you spit on people.

  • Susejf-You do not make sense. Gedda has nothing to prove. He was a Maestro in its truest sense. This is an operatic motion picture. All operatic motion pictures as dubbed in the studio. Get a clue.

  • Of course is a playback, we all know that. Such clips are usually recorded with playback.

  • Grande Gedda, un cantante fantastico, veramente adorabile!

  • C'est magnifique en effet.

  • shut the hell up you two.. plz.. =)

  • Would you kindly tell us which two has to shut up in your opinion?

  • you.. =) and him also.. stop quarelling ok.. youre wrong.. thats final.. =)

  • This is very interesting. May I enquire with whom am I supposed to have quarelled? It seems I have a short memory. And who is the other "him"?

  • Crawl back in your mother's ass and it it's crap may be it will be dellicious for you!

  • Can someone explain me this opera.

  • I am not going to discuss the history of my country and religious things in which you are so poor, wretched and MISERABLE. Our delusion helped us to outlive such a impudent nations as yours. But you are so shortcoming, that you can not imagine! You are IMPUDENT, ATHEISTIC and AROGANT!!!

  • No wretched jester the Lord will never leave us in bad time He will feed us and give us clothes

    And will punnish you for your evil and impudence!

  • Great dynamic shading by Gedda.

  • FANTASTIC!

  • As one Georgian proverb says: What is in bottle it will be poured out. So there is only crap in your mouth so, we can not recieve anything good from you! Enother Georgian proverb says: You must not be angry at donkey's kick. So I only feel sorry for your disgreaced exclamations!

  • Hey stupid jester you don't understand, that as much you move (speak) so much you are packing yoursef in the trash bin, so shut up at last! I don't whant to debate with you about history, because you are feeble and weak to understand it, so I will play with you absolutly different game -the game which you deserve poor wretched jester!

  • No my dear jester, I get peasure from that, that your wretched words are so funny, because you have not grown up for truth and reallity. I had much better conception about Americans, but I am totally dissapointed, But I believe that you are exclusion. Such a wretched idiots are SHAME AND DISGREACE for their homelands!

  • Of cource you live in jungle, I had to realise it earlier, because of your behaviour - like a monkey. HAHAHAHAAHA

    You can not image what a pleasure I reciieve from your stupid, vicious, but lovely comments.

    You are so good jester:-)hahahahaha!

  • Hey Inqusitive jerk! Did you read your silly prayer?! Go back to your farm and wash the asses of you cows, then throw out a trash. Oh! don't forget to take some nastoyka of valerian:-)

    You are so funny, but vicious too:-)

  • It would be nice if you two would continue your discourse privately and leave this video to those who enjoy Gedda's singing.

  • If this is all that you are capable bark, bark please. but elsewhere, for exsample in your shitty farm on your poor cows. You sun of bith!

  • Shut up sun of bith! You are monkey yourself and trash!!!

  • You stupid idiot! Stop this foolish talk! Such a silly man as you are is not able to unerstand anything exept good kick. How happy are you, that I can not teach you brain tet a tet or I would beat you unmercifully!

    You are a scoundrel and a simple blockhead!