Le saxo à la fin est d'une horreur... Mais la voix est merveilleuse, incroyable. Il faut être sourd pour prétendre qu'un homme ne doit pas chanter dans le registre d'une femme.
hijo de su re su putisima madre del los mil carajos a la verga del mas re jodido cabrón de mierda y este es un adjetivo superfluo de la gran admiración a la increíble interpretación de Jaroussky no puedo decir mas: bello, sublime, excelso etc, que mas, violentamente increíble, arte el mundo necesita estas muestras de arte chingada madre
You music snobs.. if you like to think of yourselves as great music connaisseurs at least try to learn to appreciate and respect other styles and interpretations and, above all, learn how to recognize quality music, otherwise you are just making fools of yourselves.
@ripa600 As of me, I don't think I am what you call a snob, I love almost any kind of music and quite like many of the unorthodox approaches to classical music I've heard some truly great jazz rearrangements and improvisations on baroque music, but this is a quite poor one. Excepting Jaroussky, the other musicians aren't top-class, including the jazz guys, but the main problem is the lack of a transition to the jazz parrt, so it doesn't really fit toghether.
yeah i am not a fan of the jazz added to this song.. it is completely taking Handels style out of his own music. i simply dont understand this concept.
i can't believe people are bashing on jaroussky... he's not the world's most famous contratenor for nothing... and for those who say he's only famous because he is a contratenor... there are so many other contratenors... he's not the only one... get a life...
I think its absolutelly terrible the way this piece is so marvelously performed , then ruined by that silly jazz attempt ... Some things are to be left how they are...
@arpeggio 1358 - his technique is entirely in keeping with what we know of vocal styles of the 1700s - true, he doesn't sound like a modern large-hall nineteenth-century-style opera singer, but that doesn't mean his technique isn't "very good"...
@Erikk91 His success results from a lot of hype and a big marketing machine. The countertenor voice is a legitimate one which uses falsetto. They are quite highly regarded. Please do some research on them so you won't again mistake what they are all about. Also listen to real operatic countertenors like Nicholas Spanos, Paul Esswood, Brian Asawa, David Daniels, Max Emmanuel Cencic, Andreas Scholl.
@arpeggio1358 I am studying musicology, and also i study piano at Conservatory. I know what you are talking about, but i can't stand counters. I am wondering WHY, existing female voices, a man should sing like a women. I know that historically there were castratos, but we are in 2011.
@Erikk91 In the past few years there has been a revival of baroque music. Many opera companies like to have a CT sing the roles that originally were sung by castrati, rather than having a mezzo sing a trouser role. Also, there have been CT Cherubinos (Marriage of Figaro), Prince Orlofskys (Die Fledermaus) and Fyodors (Boris Godunov) among others. I have no problem with it as it returns males to male roles...except maybe Fyodor as that character is a little boy.
@Erikk91 (part 2) Perhaps if you listened to a few more CTs you would learn to appreciate the voice. It isn't a 'man singing like a woman thing, it's just another voice type. If you're thinking that all CTs are gay, that is not true.
@Erikk91 - because women have a different timbre to their voices. A female soprano does NOT sound like a castrato or a countertenor, and producing a Baroque opera with women in the male roles is not authentic.
If you're really a music student, please go speak to the voice teachers before speaking on this subject again. Right now you're coming across as very uninformed.
Certainly, but your earlier post makes me doubt that you know much about early music, let alone that you've done an unusual amount of reading on the subject.
Again, please go speak to an early music specialist. You may change your mind.
@Erikk91 you are jealous of him !! Admit that... sour grape philosophy does not help you grow or improve your skill except making you feel better for a moment. You called his voice as "singing with a stupid feminie voice" shows how disrespectful you are to others. After all, you are un-known to others ...
Mon petit Philippe, tu fais partie (excuse moi de te tutoyer) des rares personnes au monde à être addict à la plus pure des drogues : la vibration de la colonne d'air. Virtuose de la vocalise, une justesse hors du commun, et une pureté de tilmbre à faire se retourner La Callas dans sa tombe. Je vais m'arréter là, j'ai des fourmis dans les doigts...
Mon petit Philippe, tu fais partie (excuse moi de te tutoyer) des rares personnes au monde à être addict à la plus pure des drogues : la vibration de la colonne d'air. Virtuose de la vocalise, une justesse hors du commun, et une pureté de tilmbre à faire se retourner La Callas dans sa tombe. Je vais m'arréter là, j'ai des fourmis dans les doigts...
So it is physically different to sing Bach or Handel. Coloraturas enable the singer to show his capacities of breath etc. Handel wrote down the coloraturas, but some singers, especially castratos, used so many ornamentations that the composer sometimes could not recognize his own melody.
Then Philippe demonstrates how he improvises ornamentation.
Very interesting, thank you for posting this here!
They talk about how Bach always remained in his country, while Handel travelled all over Europe, was international, even changed his name. And while Bach wrote without being preoccupied with respiration and other technical difficulties, Handel worked for singers he knew, and for their special abilities, and made them work it is bel canto already.
Le jazz a la fin c'est de trop...
SoMusicMe 1 week ago
Heh, the unsure look on Jaroussky's face near the beginning of the jazz part. Part unsure and part dislike.
Jextxadore 2 weeks ago
A good song is a good song, if you sing it the classical way or play it the jazzy way...
Handel rocks!
DoroSusi 2 months ago
Le saxo à la fin est d'une horreur... Mais la voix est merveilleuse, incroyable. Il faut être sourd pour prétendre qu'un homme ne doit pas chanter dans le registre d'une femme.
nabzz1978 2 months ago
a pantroleon te paso el nombre de otro aria el cual es tan bella es un aria da capo pero es espectacular.
Es el mentre dormi amor fomenti del olimpade de vialdi.
Si alguien lo busca que lo busque cantado por este gran cantante.
Y si no os llegase a gustar (lo que resultaría dificil) buscad el vedro con mio dileto tambien de vivaldi.
234yess 2 months ago
Maravillosooooooo....
michelvillamar 2 months ago
hijo de su re su putisima madre del los mil carajos a la verga del mas re jodido cabrón de mierda y este es un adjetivo superfluo de la gran admiración a la increíble interpretación de Jaroussky no puedo decir mas: bello, sublime, excelso etc, que mas, violentamente increíble, arte el mundo necesita estas muestras de arte chingada madre
pantroleon 2 months ago
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@pantroleon te paso el nombre de otro aria el cual es tan bella es un aria da capo pero es espectacular.
Es el mentre dormi amor fomenti del olimpade de vialdi.
Si alguien lo busca que lo busque cantado por este gran cantante.
Y si no os llegase a gustar (lo que resultaría dificil) buscad el vedro con mio dileto tambien de vivaldi.
Y te lo he puesto ante pero es porque me he equiocado lo siento.
234yess 2 months ago
fantastico sencillamenete espectacular¡¡¡¡¡
234yess 3 months ago
You music snobs.. if you like to think of yourselves as great music connaisseurs at least try to learn to appreciate and respect other styles and interpretations and, above all, learn how to recognize quality music, otherwise you are just making fools of yourselves.
ripa600 3 months ago
@ripa600 As of me, I don't think I am what you call a snob, I love almost any kind of music and quite like many of the unorthodox approaches to classical music I've heard some truly great jazz rearrangements and improvisations on baroque music, but this is a quite poor one. Excepting Jaroussky, the other musicians aren't top-class, including the jazz guys, but the main problem is the lack of a transition to the jazz parrt, so it doesn't really fit toghether.
mep1990 2 months ago
I felt like listening to Handel on my iPod sitting on a bus, and suddenly two clowns get on the bus and start playing trumpets... awful!!!!!
Xavituber 3 months ago
hey guys ! open up ! Damnit
lelivevet 5 months ago
yeah i am not a fan of the jazz added to this song.. it is completely taking Handels style out of his own music. i simply dont understand this concept.
miiuska52 5 months ago
LE Contre Ténor par excellence !
MUREX641 6 months ago
He sounds like a little girl...
missello1000 6 months ago
@missello1000 --> 100% douchebag
koubiakiller 4 months ago
J' admets que ma vigilance avait trompé par ce type qui joue le violoncelle... aaaah
Spikesfeet 6 months ago
hey that's quatuor ebene!
sitarooman 7 months ago
i can't believe people are bashing on jaroussky... he's not the world's most famous contratenor for nothing... and for those who say he's only famous because he is a contratenor... there are so many other contratenors... he's not the only one... get a life...
pm0834 8 months ago
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Philippe m'a frappé votre talent, ont ravi mon cœur. merci pour tout ce que vous faites pendant la durée de ta vie en tant qu'artiste. taf289
taf289 8 months ago
Philippe m'a frappé votre talent, ont ravi mon cœur. erci pour tout ce que vous faites pendant la durée de vie TA en tant qu'artiste. taf289
taf289 8 months ago
Tem como não se emocionar com a voz de Jaroussky combinada com essa linda obra?
Rapacruel 9 months ago
absolutely amazing !
sumomanu 10 months ago
I think its absolutelly terrible the way this piece is so marvelously performed , then ruined by that silly jazz attempt ... Some things are to be left how they are...
MrCallystus 1 year ago 10
A tranny Almerina?
baritonebynight 1 year ago
LINDA INTERPRETAÇÃO!!! BRAVO
fforganista 1 year ago
@arpeggio 1358 - his technique is entirely in keeping with what we know of vocal styles of the 1700s - true, he doesn't sound like a modern large-hall nineteenth-century-style opera singer, but that doesn't mean his technique isn't "very good"...
dellantonio 1 year ago
He really sings in a pop style. He isn't a classical or opera singer. His technique isn't very good, especially his coloratura technique.
arpeggio1358 1 year ago
@arpeggio1358 His voice lacks profundity. His success is only because of his being a male ( only biologically ) singing with a stupid feminine voice.
Erikk91 9 months ago
@Erikk91 His success results from a lot of hype and a big marketing machine. The countertenor voice is a legitimate one which uses falsetto. They are quite highly regarded. Please do some research on them so you won't again mistake what they are all about. Also listen to real operatic countertenors like Nicholas Spanos, Paul Esswood, Brian Asawa, David Daniels, Max Emmanuel Cencic, Andreas Scholl.
arpeggio1358 9 months ago
@arpeggio1358 I am studying musicology, and also i study piano at Conservatory. I know what you are talking about, but i can't stand counters. I am wondering WHY, existing female voices, a man should sing like a women. I know that historically there were castratos, but we are in 2011.
Erikk91 9 months ago
@Erikk91 In the past few years there has been a revival of baroque music. Many opera companies like to have a CT sing the roles that originally were sung by castrati, rather than having a mezzo sing a trouser role. Also, there have been CT Cherubinos (Marriage of Figaro), Prince Orlofskys (Die Fledermaus) and Fyodors (Boris Godunov) among others. I have no problem with it as it returns males to male roles...except maybe Fyodor as that character is a little boy.
arpeggio1358 9 months ago
@Erikk91 (part 2) Perhaps if you listened to a few more CTs you would learn to appreciate the voice. It isn't a 'man singing like a woman thing, it's just another voice type. If you're thinking that all CTs are gay, that is not true.
arpeggio1358 9 months ago
@Erikk91 - because women have a different timbre to their voices. A female soprano does NOT sound like a castrato or a countertenor, and producing a Baroque opera with women in the male roles is not authentic.
If you're really a music student, please go speak to the voice teachers before speaking on this subject again. Right now you're coming across as very uninformed.
evansquilt 7 months ago
@evansquilt I know all the things you said and trust me, i have read more books than you on the argument. Can I have my own opinion?
Erikk91 7 months ago
@Erikk91
Certainly, but your earlier post makes me doubt that you know much about early music, let alone that you've done an unusual amount of reading on the subject.
Again, please go speak to an early music specialist. You may change your mind.
evansquilt 7 months ago
@Erikk91 you are jealous of him !! Admit that... sour grape philosophy does not help you grow or improve your skill except making you feel better for a moment. You called his voice as "singing with a stupid feminie voice" shows how disrespectful you are to others. After all, you are un-known to others ...
ZKJonathan 8 months ago
@ZKJonathan Can i say what i want or we live under a dictator...?I only said I prefer women to sing this. That's enough
Erikk91 8 months ago
@Erikk91 poor Erikk. you are so jealous of his talent... grow up Erikk.
ZKJonathan 8 months ago
Este hombre es fantástico. Qué pena la acústica, pero al del saxo no lo salva nadie, jajaja.
supaitube 1 year ago
@supaitube Escucha bien, porque esto pasa al jazz lol y es muy bonito tambien
miouzz92 1 year ago
The woman in the colorfull blouse looks disturb
HerrWarja 1 year ago 11
Philippe didn't seem to like the saxophone, neither did I...
zgopify 1 year ago 2
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Mon petit Philippe, tu fais partie (excuse moi de te tutoyer) des rares personnes au monde à être addict à la plus pure des drogues : la vibration de la colonne d'air. Virtuose de la vocalise, une justesse hors du commun, et une pureté de tilmbre à faire se retourner La Callas dans sa tombe. Je vais m'arréter là, j'ai des fourmis dans les doigts...
Ca s'écoute les yeux fermés ;-)
ygarlot 1 year ago 3
Mon petit Philippe, tu fais partie (excuse moi de te tutoyer) des rares personnes au monde à être addict à la plus pure des drogues : la vibration de la colonne d'air. Virtuose de la vocalise, une justesse hors du commun, et une pureté de tilmbre à faire se retourner La Callas dans sa tombe. Je vais m'arréter là, j'ai des fourmis dans les doigts...
Ca s'écoute les yeux fermés ;-)
ygarlot 1 year ago
Subtitles would be good
HerrWarja 2 years ago
problem at 5:25
nahuelvega87 2 years ago
Comment removed
jasminreda 2 years ago
yes in the "sospiri"
nahuelvega87 2 years ago
Vraiment excellent! 5 stars!
Johnny Cool, Montreal, Canada
JohnnyCoolMusic 2 years ago
great!!! magnifique!! les cuivres splendide!
MrTonysinger 2 years ago
So it is physically different to sing Bach or Handel. Coloraturas enable the singer to show his capacities of breath etc. Handel wrote down the coloraturas, but some singers, especially castratos, used so many ornamentations that the composer sometimes could not recognize his own melody.
Then Philippe demonstrates how he improvises ornamentation.
Very interesting, thank you for posting this here!
CaraPhilos 2 years ago
They talk about how Bach always remained in his country, while Handel travelled all over Europe, was international, even changed his name. And while Bach wrote without being preoccupied with respiration and other technical difficulties, Handel worked for singers he knew, and for their special abilities, and made them work it is bel canto already.
CaraPhilos 2 years ago
if i could understand french, i'd love ever more this video....
conejamusical 2 years ago
An excellent and easy-to-understand example of the importance of improvisation in both Baroque arias and in jazz. Thank you for posting.
sfkcbf 2 years ago
Agree with you my friend. And It's Handel to pionner. wonderful.
treblechoir99 2 years ago
Super Uo !
anhvanfr 2 years ago
That was very enjoyable! Especially the jazz version at the end.
mradaChris 2 years ago