Very interesting! I could listen to this dude all day.. I wish Bach could drop by in a timemachine and enter a modern instrument store... What would happen in there!?:D
i love bach music but dont understand jack about the 440 415 thing he was explaining, it made me feel very stupid. Can someone elighten me alittle bit more?
@stargirlsusan The number stands for the frequency of the note "A" in the middle of the treble staff. So when you play the standard A on a modern instrument, it registers as 440 hertz. 415 means the same note is 415Hz, and all of the other notes are a slightly lower pitch as a result. This posed a problem for woodwind instruments because their pitch depends country of origin, since there was no standard. Hope this makes sense!
This is great! Boy, did this answer a lot of questions. My own perfect pitch of 440 is constantly screwed by 415 and 465... but at 55, I don't care anymore!!!!! As a Lutheran Music Director, I am thankful that our service is 60 minutes!!! People can barely sit THAT long anymore-hahahaha
It's "detective work" on determining some of these important issues such as pitch ad tuning. But I still say that Bach never intended to have only one voice per part for his cantatas. Even though there is only one copy per voice, they are stil large enough for more than one person to read from. Why do you think he applied for the position in Leipzig in the first place? More resources.
@starbreez3 as long as he teaches you the conventions of baroque practice at the time, but does not teach you to say this or that Bach wouldnt approve, or this or that is wrong cause is not historically accurate. rachmaninov said iconoclasticism is the motor of novelty in art. prokofiev said sviatoslav richter renewed his works (so not even composers themselves thought they had THE last word)
Does anybody know why Koopman suggests this was written for the death of a daughter? Most researchers I've read say that it was (or was most likely) written for the death of an uncle, which is a much different thing.
other solution, since this cantata is an early work. Maybe the recorders were french instruments playing at a=392? It would result n a much lower rendition of this gem. Koopman's solution to me seems too high for comfort (bass especially).
Very interesting! I could listen to this dude all day.. I wish Bach could drop by in a timemachine and enter a modern instrument store... What would happen in there!?:D
digimurtal 3 months ago
codonauta Thanks from Lima, Perú. Please, please, please, could you post the whole cantata in Koopman's version? Thanks again!
musicaenlaniebla 4 months ago
@musicaenlaniebla I thought that anyone had already uploaded that. I can do that, if YouTube permits it.
codonauta 4 months ago
Woah woah woah.3 hours in church?????
Akee1990 9 months ago 3
so smart and lively the Dutch!..:)
spaghettihorse1 9 months ago
i love bach music but dont understand jack about the 440 415 thing he was explaining, it made me feel very stupid. Can someone elighten me alittle bit more?
stargirlsusan 9 months ago
@stargirlsusan The number stands for the frequency of the note "A" in the middle of the treble staff. So when you play the standard A on a modern instrument, it registers as 440 hertz. 415 means the same note is 415Hz, and all of the other notes are a slightly lower pitch as a result. This posed a problem for woodwind instruments because their pitch depends country of origin, since there was no standard. Hope this makes sense!
areitu 3 weeks ago
@areitu thank you
stargirlsusan 3 weeks ago
This is great! Boy, did this answer a lot of questions. My own perfect pitch of 440 is constantly screwed by 415 and 465... but at 55, I don't care anymore!!!!! As a Lutheran Music Director, I am thankful that our service is 60 minutes!!! People can barely sit THAT long anymore-hahahaha
redbrian3655 1 year ago
Koopman - The greatest specialist of genius Bach ! thanks for video.
sam0xin 1 year ago
It's "detective work" on determining some of these important issues such as pitch ad tuning. But I still say that Bach never intended to have only one voice per part for his cantatas. Even though there is only one copy per voice, they are stil large enough for more than one person to read from. Why do you think he applied for the position in Leipzig in the first place? More resources.
NorbertZF 1 year ago
Man, I want Koopman as my teacher!
starbreez3 1 year ago 2
@starbreez3 as long as he teaches you the conventions of baroque practice at the time, but does not teach you to say this or that Bach wouldnt approve, or this or that is wrong cause is not historically accurate. rachmaninov said iconoclasticism is the motor of novelty in art. prokofiev said sviatoslav richter renewed his works (so not even composers themselves thought they had THE last word)
sirdelrio 1 year ago
He's a little nuts, right? Actus Tragicus is from 1707....
johnnylifelive 1 year ago
Spero che ce ne siano un numero infinito di video come questi: sono il massimo!
Gentario 1 year ago
Does anybody know why Koopman suggests this was written for the death of a daughter? Most researchers I've read say that it was (or was most likely) written for the death of an uncle, which is a much different thing.
ptourin 1 year ago
Koopman is my favorite Bach interpreter for harpsichord.
mdeonx16 2 years ago 7
@mdeonx16 kenneth gilbert is superior
sirdelrio 1 year ago
@sirdelrio That doesn't mean anything to me...Koopman is still my FAVORITE:
Hint: "favorite" is a highly opinionated word.
mdeonx16 1 year ago
other solution, since this cantata is an early work. Maybe the recorders were french instruments playing at a=392? It would result n a much lower rendition of this gem. Koopman's solution to me seems too high for comfort (bass especially).
liesh101 2 years ago
Fascinating stuff about _Chorton_ and pitch problems -- and a fine performance of the overture.
dis0guise 2 years ago
Una musica di una dolcezza infinita...
bwv548 2 years ago 6
Beautiful, like Nature.
bwv548 2 years ago 3
Ton Koopman ... Great!
Thank you for beautiful uploading Fernando!
BachLoveNat 2 years ago 4