Comme les oeuvres pour violon seul de Bach; trop de grincements de cordes; trop d'accords; trop serré et saccadé; registres suraigus exagérés et manque évident d'équilibre dans les phrasés !! Quelque peu superficiel ! Désolé !
@Silvarando If you want to get the score you can find it at imslp .org/wiki/24_Caprices_for_Solo_Violin,_Op.1_(Paganini,_Niccol%C3%B2) about 2/3rds of the way down the page
Most people play this too fast. I'd rather hear it slow andhave musical value, then to play it too fast and have it lose all artistic merit. He plays it just right, besides he's proved he can play fast countless times already.
what a beautiful interpretation of this caprice. It might be slower but gosh he placed feelings on paganinis caprices which usually violinists tends to use just for fast virtuosity show off. Im amazed how beautiful this caprice could be... Im gonna retake, start once again to practice it... totally a different interpretation I love it!!!
It is a treasure. This caprice is ,I believe ,my favourite ,because it is not just very demanding ,but it is emotional too.Then ,his interpretation is so clear ,and deep ,I could listen to this all night long..!
I played this caprice exactly like this once.....oh then I woke up, did I forget to mention that bit. In all reality, this is the best 4th I have ever heard. Ilya Kaler is the only one who even comes close, coupling the virtuosity with musicality, though it still does not touch touch it. Where most violinists scramble, Kogan phrases.
Reminds me of the Giant Robot (Johnny Sokko) in the beginning :)
FreeScience 6 months ago
this is great he is perfect.
888tucker1 8 months ago
Hi, can you please repost this with the end if you have it? This interpretation is so wonderful :)
olivinetea 1 year ago
Comme les oeuvres pour violon seul de Bach; trop de grincements de cordes; trop d'accords; trop serré et saccadé; registres suraigus exagérés et manque évident d'équilibre dans les phrasés !! Quelque peu superficiel ! Désolé !
Sylvain894 1 year ago
Quite nice. Incredible control and artistry like only Kogan, and a few others, could show the world.
violinhunter2 1 year ago
anybody know where i can download the score for this caprice?
Silvarando 1 year ago
@Silvarando If you want to get the score you can find it at imslp .org/wiki/24_Caprices_for_Solo_Violin,_Op.1_(Paganini,_Niccol%C3%B2) about 2/3rds of the way down the page
morph47 1 year ago
@Silvarando try IMSLP
banshee511 4 months ago
Most people play this too fast. I'd rather hear it slow andhave musical value, then to play it too fast and have it lose all artistic merit. He plays it just right, besides he's proved he can play fast countless times already.
Feignabsolution 1 year ago
looks like Kogan is losing in chess..lol
Sandrito702 1 year ago
ilya kaler also great
gagamin2 2 years ago
No I also don't hear there Sound...
SweetManiacDeluxe 2 years ago
Comment removed
SweetManiacDeluxe 2 years ago
is it only on my machine or is there no sound after 6.10 ?
mistap90 2 years ago
no sound on mine either its the video
CornDoctor 2 years ago
O.K my machine also
Kantari100 1 year ago
I think it's just your machine and mine :)
Sandrito702 1 year ago
In my opinion Itzhak perlman also plays this perfectly but I don't think shlomo Mintz is even close in comparison to kogan or perlman.
seaknight500 2 years ago 3
I love his legato! Not many do play this with so much legato, but I find it great!!!
SweetManiacDeluxe 2 years ago
really is fantastic
themusicdr 2 years ago 2
This is fantastic, only Shlomo comes in a close second
carrottoponcrak 2 years ago
Agreed.
Lukecash12 2 years ago
Amazing playing, love his legato!
shugo104 2 years ago 2
nuca la habia escuchado
pressioso
bengily 2 years ago
it's a bit slow side, but what a wonderful sound, and it's very in tune.
Fiddleloverissimo 2 years ago
well yeah so many play it faster, but out of tune. this is by far the most convincing and best played #4.
concertolover81291 2 years ago 2
LISTEN to the vibrato!
txmusician13 2 years ago 2
Wow He used vibrato on almost every note he played!
jonahkwok 2 years ago
Hey, its Rostropovich!
Kurtyoungblood 2 years ago
this recording brought a new view of the paganini caprices. They are not only technical exercises but also "Music". Amazing!
sunyuloveu 2 years ago 2
Glad you've seen the light :) No. 4 is my personal favorite.
shugo104 2 years ago
очень ровно конеш играет ...прям как на одном дыхании...каждая нотка со смыслом !!!
Yurodiv 3 years ago
Simply, beautiful...
justnorikomaymay 3 years ago
Incredible, Kogan played Paganini better than anybody else in my opinion.
AbsoluteZ3R0 3 years ago 2
beautiful!
OriginalMoonbeam 3 years ago
The 1726 is one of the earliest del Gesus extant..
The 1742 'Cannon' is kept under lock and key in the Municipal Palace, Genoa. Don't think it will ever return to private ownership!
marsvltor2 3 years ago
dude, it that a problem of my pc, or the last part of the recording has no sound?
Anyways, its amazing!!
ViolinistMemo91 3 years ago
Same here!
AbsoluteZ3R0 3 years ago
markov does a pretty good version of this but it isnt as good as this one
festershred 3 years ago
Thank you so much for posting this. I've been wanting to play it at these tempi, but wasn't sure it was correct. If Kogan did it, it must be okay!
debraterry 3 years ago
Thanks for posting this video..
It's just perfect.
wenedka 3 years ago
That Guarneri sounds amazing in his hands
sasha42196 3 years ago
I thought it was a stradivari? Did he have two instruments?
socraticmuser 3 years ago
he had very many instruments but his guarneri was his principle one i believe correct me if im wrong
festershred 3 years ago
According to Wikipedia, "Kogan owned two Guarneri del Gesù violins; the 1726 ex-Colin and the 1733 ex-Burmester."
If you have knowledge of others, you might consider updating Wikipedia... :)
poulha 3 years ago
is that counting the one paganini used? or are they different guarneris?
festershred 3 years ago
i remember reading an ariticle stating that he actually didn't "own" an instrument that they'd lend them to him
not sure where but i really think that's what it said
ArnoldAmador 2 years ago
thats how it was in soviet union, everything belonged to all
vonlubcke 2 years ago
Id believe that. The Soviet Union probably gave one to him...anyone he wanted most likely
carrottoponcrak 2 years ago
I strongly believe this is the tone of a Guarneri!
fullargon 3 years ago
It was Heifetz who owned a Strad and a Guarneri. Wow...
olga2809 3 years ago
what a beautiful interpretation of this caprice. It might be slower but gosh he placed feelings on paganinis caprices which usually violinists tends to use just for fast virtuosity show off. Im amazed how beautiful this caprice could be... Im gonna retake, start once again to practice it... totally a different interpretation I love it!!!
DavidTorrez 3 years ago 8
It is a treasure. This caprice is ,I believe ,my favourite ,because it is not just very demanding ,but it is emotional too.Then ,his interpretation is so clear ,and deep ,I could listen to this all night long..!
theViolinDreamer 3 years ago 3
I played this caprice exactly like this once.....oh then I woke up, did I forget to mention that bit. In all reality, this is the best 4th I have ever heard. Ilya Kaler is the only one who even comes close, coupling the virtuosity with musicality, though it still does not touch touch it. Where most violinists scramble, Kogan phrases.
bro2976 3 years ago 4
Funny you mention Kaler since he studied with Kogan while in post-grad at Moscow Conservatory.
sasha42196 3 years ago
Yes, it is Rostropovich.
Hi Leonidkogan47 : thanks so much for posting this. However, the end is missing.
Kogan was an angel on earth, truly.
N.
Violonpourtoujours 3 years ago
Hello,
Yes I just noticed the error after posting. I'll repost this soon.
LeonidKogan47 3 years ago
yes! Kogan once formed a trio with Rostropovich and Emil Gilels in a piano trio. I will post a recording they made soon.
LeonidKogan47 3 years ago
bless you for posting these treasures!!!!!!!!!
NestorAudinotviolins 3 years ago
is that rostropovich playing chess with Kogan?
NestorAudinotviolins 3 years ago