Added: 3 years ago
From: NewMusicXX
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  • Beautiful.

  • I don't like how the commentary in the video tries to infer that Copland used serialism because of Stravinsky. If you could point to any one thing, it was the fact that he was indicted by the House of UnAmerican Activities and had his music dropped from various programs after his "name had been named". His serial composition started right after and so did some strange language about "autonomy" in art (think about this in contrast with his "American" "populist" music.

    Read about it sometime.

  • Is this Bernstein Conducting? Brilliant whoever it is

  • Jackie "O" being stunned - I can imagine her being "stunned" shortly after this when her husband's head explodes in her face.

  • The Sixten Ehrling recording with the Juilliard Orchestra on New World Records (1988) was critically aclaimed...

    This Bernstein performance was universally panned...

  • I've been curious about this for years. Thank you for allowing me to hear it finally. If you have any more recordings of serial Copland, please upload them.

  • Hi

    Copland has another serial piece call Inscape, but and I have it but to be honest I wasn't that impress with it. Just my opnion. Thanks for reading

  • I agree about Inscape. I found Connotations to be the stronger work.

  • If want to hera a really good piece try "Threnody for the Victims of Hiroshima." That's a very good but creepy piece.

  • Thank you! Love it!

  • I really like it. I'm a big Copland fan, and it was definitely a bold move to change his whole. Especially premeire it at Lincoln center's opening

  • Copland and atonal music didn't really gel, in my opinion.

  • You're right. Unlike Stravinsky, who continued with serialism, Copland gave it up when it was no longer "cool" and went back to what he was doing before. His 12-tone works are curiosities.

  • it's a little misleading to say copland gave up serialism--for one, he never adopted it as a personal doctrine, just as a useful compositional tool. for another, this is a relatively late work in his compositional output, so he didn't really 'go back' to writing populist music. in fact inscape ('67?) is pretty intensely modernist. i think copland's more experimental music (as early as the mid '20s!) is fascinating, though this piece doesn't do much for me. the piano music is stellar.

  • His last major work (Inscape) is a serial piece.

  • @NewMusicXX I think it's just a different take on things. "Mainstream Dodecaphony", it's actually refreshing to me, the logic of it is more clear and the parts more memorable.

  • i've been wanting to hear this piece for some time...thanks for posting!

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