I have seen documentation that Rachmaninoff was indeed in the audience at the world premier of the Rhapsody in Blue but I have never read anything about Rachmaninoff attending any other Gershwin premier. Was your statement in error or can you share your source of information? I have wondered if they ever met or had any direct interaction with each other.
I found the performance interesting except that the video clip ended well before the movement did. Richter played with a clarity that showed me things I've never heard before in a piece I thought I knew pretty well. That same clarity is also what makes the performance sound not as "American" to me as some. I love clarity in Bach and Mozart but not so much in Debussy or Gershwin.
More than any other piece of music, there is a duality to this concerto. It is both a product of the jazz age and a classical piano concerto. Parts or this remind the listener of Rachmaninoff and he was, in fact, in the audience at the premier.
This music is based on the Charleston rhythm, a wild popular dance of the time. As much as I love Richter only a German could take the swing out of it. Richter and Eschenbach don't "get" this music. They are playing it like it's Grieg.
@gatomjp damn, you´re right. i grew up with another recording, that was groovy & exciting, unfortunately i don´t have the record any more & don´t know which orchestra played it, damn. it was surely an American orchestra, they "got it" very well.
nothing against Richter & Eschenbach though, they´re great musicians, but i think they´re doing better at European classic music.
Much appreciation, Giovanni, for posting this most pleasing though unusual interpretation. Richter and Eschenbach bring out sounds I'd not heard in any other Concerto in F performance.
When I long ago started to listen to classical music, I much disliked any other interpretations than the first one that introduced a given work to me. Now a listening veteran, I've learned to value the eccentric or novel interpretations as well.
Could you make a link to Amazon or something? I am dying to get a great rendition of it. I am not satisfied of Previn's un-jazzy orchestra and Entremont's pretty lame recording.
ringrazio per la spiegazione. In quegli anni anche io inseguivo Richter dovunque era possibile. L'hoconosciuto personalemnte e non credevo avesse affrontato anche Gershwin. Sa anche dove lo ha suonato?
è un disco senza diffusione commerciale che i fortunati uditori si sono presi come ricordo. L'ho ricevuto da cari amici e non c'è dubbio che sia Richter. A dire il vero lo si riconosce dalla sonirità, inoltre soltanto lui poteva permettersi di fare letture così "rilassate" e proporre in una sola sera due concerti per pianoforte e orchestra leggendo dallo spartito!
A grim-mouthed Soviet Russian strolls the streets of Manhattan. A wonderful, unique interpretation. Different but interesting and fun to listen to.
JohnsonPollock 1 week ago
1 person doesn't like this??? Is this person deaf???
Deepwatermusic 3 months ago
I have seen documentation that Rachmaninoff was indeed in the audience at the world premier of the Rhapsody in Blue but I have never read anything about Rachmaninoff attending any other Gershwin premier. Was your statement in error or can you share your source of information? I have wondered if they ever met or had any direct interaction with each other.
artsondra 4 months ago
I found the performance interesting except that the video clip ended well before the movement did. Richter played with a clarity that showed me things I've never heard before in a piece I thought I knew pretty well. That same clarity is also what makes the performance sound not as "American" to me as some. I love clarity in Bach and Mozart but not so much in Debussy or Gershwin.
artsondra 4 months ago
More than any other piece of music, there is a duality to this concerto. It is both a product of the jazz age and a classical piano concerto. Parts or this remind the listener of Rachmaninoff and he was, in fact, in the audience at the premier.
stibgo 4 months ago
Naw, this just doesn't do it for me. Much too stiff - doesn't have an "American feel". Oscar Levant still owns this.
TheTucsonJeff 7 months ago
This music is based on the Charleston rhythm, a wild popular dance of the time. As much as I love Richter only a German could take the swing out of it. Richter and Eschenbach don't "get" this music. They are playing it like it's Grieg.
gatomjp 8 months ago
@gatomjp damn, you´re right. i grew up with another recording, that was groovy & exciting, unfortunately i don´t have the record any more & don´t know which orchestra played it, damn. it was surely an American orchestra, they "got it" very well.
nothing against Richter & Eschenbach though, they´re great musicians, but i think they´re doing better at European classic music.
harpiyon 8 months ago
i heard Tzimon Barto and the Nat. Phil conducted by Eschenbach play it live at the Kennedy center last month ...AMAZING!
shabanasks 1 year ago
Oh my God. the way he took that little part from 3:00 to 3:15 was hilarious! I have never heard it played so mechanically. Great post!
THis is awesome (and I love this piece), but this is just an epic fail.
stackedaktor 1 year ago
@stackedaktor I can only imagine how hard Richter worked to perfect this piece. To call this an epic fail is really mean.
xultradragonslayerx 8 months ago
Much appreciation, Giovanni, for posting this most pleasing though unusual interpretation. Richter and Eschenbach bring out sounds I'd not heard in any other Concerto in F performance.
When I long ago started to listen to classical music, I much disliked any other interpretations than the first one that introduced a given work to me. Now a listening veteran, I've learned to value the eccentric or novel interpretations as well.
not2tees 1 year ago
richter is an outstanding pianist but he is simply not born to play gershwin.
rvn10rvn17 2 years ago
@rvn10rvn17 I've just uploaded this, played by Marc-André Hamelin. He's born to play this (among others)!
madlovba2 1 year ago
@madlovba2 i know, his version stands out even to bersntein..
i actually have downloaded all the 3 movs before the video was taken down..
but thanks.. :)
rvn10rvn17 1 year ago
Piano passage 6:04 - 6:09 = pain in the ass
Although he plays it much slower here, which would make it easier.
blueslystone 2 years ago
This is like the Horowitz take on "Stars and Stripes." Beautiful, and yet... SO Russian.
Nice, though. Certainly a different take. It's rare to hear any real famous pianist do this.
madlutist 2 years ago
Sounds like "A Russian in America" if I may say so...
Really interesting take because of that :)
RabidCh 3 years ago
I am definitely buying this. A Russian in America!
Sinfoniette 3 years ago
If there is one...there are too many great performances that fade away at the last note of the performance. This may be one of them.
Sinfoniette 3 years ago
There is one. It's just a very hard to find recording.
RabidCh 3 years ago
Could you make a link to Amazon or something? I am dying to get a great rendition of it. I am not satisfied of Previn's un-jazzy orchestra and Entremont's pretty lame recording.
Sinfoniette 3 years ago
Bernstein...
RabidCh 3 years ago
Oh sorry... he never recorded it. Try Katchen.
RabidCh 3 years ago
Or Oscar Levant.
RabidCh 3 years ago
Check out Oscar Levant's recording. It includes the Concerto, the Rhapsody in Blue, the 2nd Rhapsody, and the Three Preludes.
My personal favorites.
snaaptaker 2 years ago
Comment removed
Sinfoniette 3 years ago
I've been wanting to hear this for years!
salexlindsay 3 years ago
ringrazio per la spiegazione. In quegli anni anche io inseguivo Richter dovunque era possibile. L'hoconosciuto personalemnte e non credevo avesse affrontato anche Gershwin. Sa anche dove lo ha suonato?
papaia5487 3 years ago
Nel castello di Schwetzingen, a nord-ovest della regione del Baden-Würtenberg.
GiovanniEMB 3 years ago
per me non è richter.
papaia5487 3 years ago
è un disco senza diffusione commerciale che i fortunati uditori si sono presi come ricordo. L'ho ricevuto da cari amici e non c'è dubbio che sia Richter. A dire il vero lo si riconosce dalla sonirità, inoltre soltanto lui poteva permettersi di fare letture così "rilassate" e proporre in una sola sera due concerti per pianoforte e orchestra leggendo dallo spartito!
GiovanniEMB 3 years ago