damn stylish. as a beginning bebop player, i've been trepidatious of pentatonics because, for me, I end up finger-flapping all over the neck tastelessly. with tight bebop and chromatic lines, you have to remain focused on downbeats and leading tones etc, and that helps me create discerning phrases. but you've opened my ears and mind to applying pentatonics and exploring their possibilities. its all coming together with what ive done with triad pairs and arps etc. great stuff, very exciting.
It sounds like the neck pickup with the tone control rolled all the way back and lots of reverb and delay. It's funny...if you study quartal, quintal, suspended, and pentatonic approaches long enough, you find that they all overlap. Once you know those and all of the triads, seventh chords, and intervals from the diminshed and augmented scales, you really start sounding like 70's modern jazz.
Thank you much for yours videos! I realy like it!What kind is your Fender,i never before been hear it that much jazzy sound with fender,or the reason is something else?Please,to share it!Thank you!
Hi this is so cool What kind of amp are u using? an your tone is perfect .Jazz & Blues Is My favorite if you can. can u let us no the way u set the amp for your tone on blues then on Jazz..your lessons are fantastic keep up the good work thanks
Thanks. ;)
JakeAyano 4 months ago
damn stylish. as a beginning bebop player, i've been trepidatious of pentatonics because, for me, I end up finger-flapping all over the neck tastelessly. with tight bebop and chromatic lines, you have to remain focused on downbeats and leading tones etc, and that helps me create discerning phrases. but you've opened my ears and mind to applying pentatonics and exploring their possibilities. its all coming together with what ive done with triad pairs and arps etc. great stuff, very exciting.
BoxCubeSquare 5 months ago
very nice! Thanks for this....
dizzwave 8 months ago
It sounds like the neck pickup with the tone control rolled all the way back and lots of reverb and delay. It's funny...if you study quartal, quintal, suspended, and pentatonic approaches long enough, you find that they all overlap. Once you know those and all of the triads, seventh chords, and intervals from the diminshed and augmented scales, you really start sounding like 70's modern jazz.
Modes9 11 months ago
Great lesson! Thank you so much!
Althegreat24 1 year ago
Thanks man!!! Great lessons!!
spakuloid 1 year ago
Thank you much for yours videos! I realy like it!What kind is your Fender,i never before been hear it that much jazzy sound with fender,or the reason is something else?Please,to share it!Thank you!
jackrumen 1 year ago
tks very much
saxplayerish 1 year ago
thanks a lot for the lesson, it's nice to hear new ideas
Anaximan 1 year ago
Thanks a lot! These are great; finally some lessons on more modern concepts! Really appreciate it; thanks for sharing...
jazzchill 1 year ago
Wonderful pentatonic usage! Love the lessons!
1979saxman 2 years ago
Hi this is so cool What kind of amp are u using? an your tone is perfect .Jazz & Blues Is My favorite if you can. can u let us no the way u set the amp for your tone on blues then on Jazz..your lessons are fantastic keep up the good work thanks
guitarpoetone 2 years ago