This is outstanding my friend. I've checked out some of your other video's as well and again you've nailed them. I'm still learning bass and would like to know how long it has taken you to reach this standard?
Great transcription! I see almost all the notes are within the first 4 frets. And I see where you get your super clear tones - playing on TOP of the frets. Not an easy thing to do, but it pays off in tone beautifully! Keep it up.
Fantastic playing. Try some free strokes in your playing sometime. They are not as prominent and percussive, but they do enable much faster runs if you are interested in those. It is also a different sound. Most bass players do rest strokes all the time, popping or slapping or maybe a pick full time, and that's it. A good bass player like you ought to be able to switch easily between all of those.
hi arcellus! youre very good. I got a question: dont you think that keep your shoulder so high can be a problem for it?? i see u dont set your arm on the instrument, why?? are you comfortable??
i ask you because i got many problems about my right shoulder and im never comfortable when i play. how much is the space betweeen che strings and the pèlace where ud set your arm on yoour fender?? please answer me with a private message
hi arcellus! youre very good. I got a question: dont you think that keep your shoulder so high can be a problem for it?? i see u dont set your arm on the instrument, why?? are you comfortable??
i ask you because i got many problems about my right shoulder and im never comfortable when i play. how much is the space betweeen che strings and the pèlace where ud set your arm on yoour fender?? please answer me with a private message
why cant i find any proper soul bands to join? why isnt soul and real r'n'b everywhere? so many real musicians out there man, you are one. indie is just so pathetic these days. born in the wrong decade.
i just got that same precision, great bass and really light ash body. the stock pickups are good. i made the mistake of putting seymour duncan quarter pounders in it and im going to put the original pickups back on because they have better tone in my opnion. the quarter pounders have great higher output but lack the good mids of a fender pickup. might get some original 62' p bass pickups in the future.....none the less, great bass covers!
original 62' p bass pickups? well over $1500 if you can find them unless your talking reissue pikups. If i were you i would check out the seymour duncan antiquity 11 they are even better then my original 1965's pre cbs pickups.
Haaaaa...yesss....you did that swell, my man. i'm a Funk Brothers Fiend and you did a kick-ass job. coming all the way from L.A., California....you got my respect!!!
How did you decide on D'AD flats for your Precision? There's a Jamerson flat available I'm thinking of trying out, but that will require another setup, so that's gonna have to wait for a while.
Those who have enough true interest in JJ & CK, google "lost my athletic scholarship after participating in the civil rights sit-in". From that page about Frank Wilson (& note "regulars"): "The[...] musicians for [a particular late '65 Motown session] were pulled from the studio regulars that included[...] Carol Kaye[....] As far as it can be established the tapes were dispatched to Detroit [in] November 1965, where they were mixed by Lawrence Horn for submission to Billie Jean Brown."
Quote from Frank Wilson from that page, which says "Frank Wilson March 2009" near the top: "Gordy came out several times [to L.A....] [W]e were taking [him] to the airport[...] and he said, 'What makes you think you can produce?', I said, 'Because I've been producing much of the stuff that you've been hearing'. So he turned to Marc [Gordon] and Hal [Davis]. He said, 'Is that right?' And they said, 'Yes, that's right'." (Matches very well claims CK made to me JNS about 8 years ago)
More from that page about Frank Wilson: "When Berry Gordy decided to open a West Coast Motown office, following his visit there to attend a disc jockey convention in 1963, he asked L.A. veterans Hal Davis, and Marc Gordon to take charge." (Matches what CK's been saying publicly for years -- frequently resulting in scornful reactions from her energetic detractors)
More from that F. Wilson page you can find by googling "I lost my athletic scholarship after participating in the civil rights sit-in demonstrations": "During 1964-65 Frank [Wilson] saw an increasing number of his compositions being released[....] Frank[...] soon found himself[...] supervising recording sessions.[...] At some point in 1965 the decision was taken to launch Frank Wilson as a Motown artist in his own right[... recording in] Armin Steiner's 8 track Sound Recorders studio[....]"
Some Qs about Motown bass & JJ any fair-minded person can ask. These are _Qs_, so are any people who give this post a thumb down or remove it opposed to people asking these Qs (hmmm)?
Did JJ play on '60s Motown with a pick?
Is a pick audible on the Four Tops' "Eleanor Rigby"? Who may have played bass on it?
Same Qs, Stevie's "Respect"?
Same, B. Holloway's "Just Look What..."?
Where has BH said that was recorded?
Is the pick easier to hear in the mono mix of the FTs' "Bernadette" than stereo?
Here is part of a 2/18/2002 (2:03 P.M.) post on the Soulful Detroit Forum: "[...] I'm Billy Wilson President of the Motown Alumni Association.[...] Carol did play on a few lesser know recordings at Motown . . . and I do mean LESSER KNOWN! [...] From 1964 to 1968 the company only used Jamerson." Note that that last sentence contradicts that Frank Wilson page, on which Andrew Rix describes Kaye as one of the "regulars" in L.A. as of '65. (cont.)
Note that Billy Wilson presents himself in the 2/18/2002 post as knowing who played bass on every 1964-1968 Motown recording. (!!!) Now check this out from the same post: "The Motown Alumni Associaton provides information and gives assistance to entities such as the Library Of Congress, the Smithsonian Institute, Motown/Universal Music Group [this is people like Harry Weinger] ,Rythum & Blues Foundation, Motown artists[...]" Should we be surprised there's a Kaye-is-a-liar myth?
Quote from Armin Steiner, Mix magazine interview with Maureen Droney, 2001; compare it to Frank Wilson who was there -- and then to Billy Wilson, and to the Kaye detractors' myths: "From that moment on, word started traveling. Motown got interested, and I was busy all the time. I had Glen Campbell, Billy Strange, Tommy Tedesco, Dennis Budamir, [...] Ray Pohlman[...]. Hal Blaine, Earl Palmer, Joe Osborne, Larry Knecht[e]l[...]" (cont.)
"[...] Bill Pittman, Mike Deasy and, of course, Carol Kaye.[...] I used to have The Supremes up there, Marvin Gaye — my mother used to cook for them. Stevie Wonder was in when he was 9 years old. People think I'm making this stuff up, but it's true. As a matter of fact, I did a film session with Stevie awhile back, and he remembered both me and my studio. It was a different time, a different place. You couldn't do that kind of thing now, the city wouldn't allow it. I mean, it was all illegal."
More on JJ and CK: Harry Weinger works for _Universal_ and has access to Motown master tapes. Weinger takes Slutsky seriously as a researcher. Is Weinger's only source for JJ on bass on SW's "I Made To Love Her" Slutsky? Is Slutsky's story that Benjamin's nickname being heard on the master of it proves that _Jamerson_ was present a reasonable story? Could Kaye and Benjamin have recorded together in LA, for instance? Who says Benjamin didn't session in LA? Slutsky, you say? Why does he say that?
Thanks for sharing...you have done your homework...I grew up listening to Jamerson, of course, not knowing who he was b/c there was no credit given. To see someone young carry on Motown...it's great. You sound sick!
Incredible !! James Jamerson defined the r&b bass sound and more. Your playing is fantastic. I love it.
michaelofpetaluma 4 weeks ago
Much respect man, BUT...you're too far down in the mix on this one! Not many folks can do this shit like you can. We want to HEAR you!
TrackRat 1 month ago in playlist Uploaded videos
You are one funky motherfucker. Keep it up, I love the Jamerson covers!
ZroToleranceROCKS 5 months ago
your really good especially bernadette just groove a little more,get more into it .its makes the veiwers feel it more.
sean19771 6 months ago
OK arcellus.
I am going to challenge you.
See what you can do with Boogie on Reggae Woman by Stevie Wonder.
I think you would have great fun with this one!
anthonykalcic 8 months ago
arcellus ... that is some deep, deep groovin'. Good god O'mighty.
Silaxian 8 months ago
i hear the bass hook of "ball of confusion" ,in the bridge
kenitostudio 10 months ago
This is outstanding my friend. I've checked out some of your other video's as well and again you've nailed them. I'm still learning bass and would like to know how long it has taken you to reach this standard?
cuntmeinsir 11 months ago
Great time!
bass6300 1 year ago
You should play "What's Going on"
Query17 1 year ago
Great transcription! I see almost all the notes are within the first 4 frets. And I see where you get your super clear tones - playing on TOP of the frets. Not an easy thing to do, but it pays off in tone beautifully! Keep it up.
4321poiu 1 year ago
This has been flagged as spam show
If you like this song & Motown,
come to my page listen to my version of these tunes,
or type in "Manzaro Mashup"
JAYMANZARO 1 year ago
arcellus tell me about the Precision Bass your playing! Sounds Great!
bentpolski 1 year ago
What kind of strings do u used ?
sagashiteiru23 1 year ago
excellent!
mrsullyrox 1 year ago
Wow-I've been waiting for years for somene to lift those lines-awesome!!! You do it justice-and then some!
perc707 1 year ago
great tone man, are you playing with 2 fingers or 1?
jamersonisgawd 1 year ago
Fantastic playing. Try some free strokes in your playing sometime. They are not as prominent and percussive, but they do enable much faster runs if you are interested in those. It is also a different sound. Most bass players do rest strokes all the time, popping or slapping or maybe a pick full time, and that's it. A good bass player like you ought to be able to switch easily between all of those.
acbulgin2 1 year ago
@acbulgin2 - what's a "free stroke"?
JC10255 1 year ago
That's great what ur doing I never knew how important a bass is to music... Do u play any other Jameson tunes? The Funk brothers
stevieplez2 1 year ago
@stevieplez2 Yep, lots of Jamerson. Check my other vids.
arcellus 1 year ago
This has been flagged as spam show
you are very good
grandmasta346 1 year ago
you are very good
grandmasta346 1 year ago
hi arcellus! youre very good. I got a question: dont you think that keep your shoulder so high can be a problem for it?? i see u dont set your arm on the instrument, why?? are you comfortable??
i ask you because i got many problems about my right shoulder and im never comfortable when i play. how much is the space betweeen che strings and the pèlace where ud set your arm on yoour fender?? please answer me with a private message
porcuspine 1 year ago
hi arcellus! youre very good. I got a question: dont you think that keep your shoulder so high can be a problem for it?? i see u dont set your arm on the instrument, why?? are you comfortable??
i ask you because i got many problems about my right shoulder and im never comfortable when i play. how much is the space betweeen che strings and the pèlace where ud set your arm on yoour fender?? please answer me with a private message
porcuspine 1 year ago
im getting this bass but in a jazz bass
nachothebassplayer 1 year ago
then you aren't actually getting that bass are you?
yeebeascurvydawg 1 year ago
haha well its the same fsr and crap ash body and finish and stuff
nachothebassplayer 1 year ago
awesome music, and awesome playing man. you got the feel nailed down.
jesterbass 1 year ago
why cant i find any proper soul bands to join? why isnt soul and real r'n'b everywhere? so many real musicians out there man, you are one. indie is just so pathetic these days. born in the wrong decade.
elstroshitnonstop 1 year ago
Awesome ! It is so gratifying to see you young kats working the classics. I am groovin with you just watching you play !
legithater 1 year ago
i just got that same precision, great bass and really light ash body. the stock pickups are good. i made the mistake of putting seymour duncan quarter pounders in it and im going to put the original pickups back on because they have better tone in my opnion. the quarter pounders have great higher output but lack the good mids of a fender pickup. might get some original 62' p bass pickups in the future.....none the less, great bass covers!
BreakupBass 2 years ago
original 62' p bass pickups? well over $1500 if you can find them unless your talking reissue pikups. If i were you i would check out the seymour duncan antiquity 11 they are even better then my original 1965's pre cbs pickups.
fishfan67 1 year ago
where can i find him?he;s hired//////////////
madisimmons2006 2 years ago
Haaaaa...yesss....you did that swell, my man. i'm a Funk Brothers Fiend and you did a kick-ass job. coming all the way from L.A., California....you got my respect!!!
afrosensuous 2 years ago
is that the FSR precision?
TheBassfresh 2 years ago
Nice job my man. Great control and keep up the good work
MelloBlend 2 years ago 5
This comment has received too many negative votes show
garbage
bigdog0800 2 years ago
well done!
funkadelic654 2 years ago
good one!
bambamthebassist 2 years ago
How did you decide on D'AD flats for your Precision? There's a Jamerson flat available I'm thinking of trying out, but that will require another setup, so that's gonna have to wait for a while.
636117 2 years ago
You're awesome man!
Madhofd 2 years ago
Those who have enough true interest in JJ & CK, google "lost my athletic scholarship after participating in the civil rights sit-in". From that page about Frank Wilson (& note "regulars"): "The[...] musicians for [a particular late '65 Motown session] were pulled from the studio regulars that included[...] Carol Kaye[....] As far as it can be established the tapes were dispatched to Detroit [in] November 1965, where they were mixed by Lawrence Horn for submission to Billie Jean Brown."
JosephNScott 2 years ago
This has been flagged as spam show
Quote from Frank Wilson from that page, which says "Frank Wilson March 2009" near the top: "Gordy came out several times [to L.A....] [W]e were taking [him] to the airport[...] and he said, 'What makes you think you can produce?', I said, 'Because I've been producing much of the stuff that you've been hearing'. So he turned to Marc [Gordon] and Hal [Davis]. He said, 'Is that right?' And they said, 'Yes, that's right'." (Matches very well claims CK made to me JNS about 8 years ago)
JosephNScott 2 years ago
More from that page about Frank Wilson: "When Berry Gordy decided to open a West Coast Motown office, following his visit there to attend a disc jockey convention in 1963, he asked L.A. veterans Hal Davis, and Marc Gordon to take charge." (Matches what CK's been saying publicly for years -- frequently resulting in scornful reactions from her energetic detractors)
JosephNScott 2 years ago
This has been flagged as spam show
More from that F. Wilson page you can find by googling "I lost my athletic scholarship after participating in the civil rights sit-in demonstrations": "During 1964-65 Frank [Wilson] saw an increasing number of his compositions being released[....] Frank[...] soon found himself[...] supervising recording sessions.[...] At some point in 1965 the decision was taken to launch Frank Wilson as a Motown artist in his own right[... recording in] Armin Steiner's 8 track Sound Recorders studio[....]"
JosephNScott 2 years ago
Some Qs about Motown bass & JJ any fair-minded person can ask. These are _Qs_, so are any people who give this post a thumb down or remove it opposed to people asking these Qs (hmmm)?
Did JJ play on '60s Motown with a pick?
Is a pick audible on the Four Tops' "Eleanor Rigby"? Who may have played bass on it?
Same Qs, Stevie's "Respect"?
Same, B. Holloway's "Just Look What..."?
Where has BH said that was recorded?
Is the pick easier to hear in the mono mix of the FTs' "Bernadette" than stereo?
JosephNScott 2 years ago
This has been flagged as spam show
Here is part of a 2/18/2002 (2:03 P.M.) post on the Soulful Detroit Forum: "[...] I'm Billy Wilson President of the Motown Alumni Association.[...] Carol did play on a few lesser know recordings at Motown . . . and I do mean LESSER KNOWN! [...] From 1964 to 1968 the company only used Jamerson." Note that that last sentence contradicts that Frank Wilson page, on which Andrew Rix describes Kaye as one of the "regulars" in L.A. as of '65. (cont.)
JosephNScott 2 years ago
This has been flagged as spam show
Note that Billy Wilson presents himself in the 2/18/2002 post as knowing who played bass on every 1964-1968 Motown recording. (!!!) Now check this out from the same post: "The Motown Alumni Associaton provides information and gives assistance to entities such as the Library Of Congress, the Smithsonian Institute, Motown/Universal Music Group [this is people like Harry Weinger] ,Rythum & Blues Foundation, Motown artists[...]" Should we be surprised there's a Kaye-is-a-liar myth?
JosephNScott 2 years ago
This has been flagged as spam show
Quote from Armin Steiner, Mix magazine interview with Maureen Droney, 2001; compare it to Frank Wilson who was there -- and then to Billy Wilson, and to the Kaye detractors' myths: "From that moment on, word started traveling. Motown got interested, and I was busy all the time. I had Glen Campbell, Billy Strange, Tommy Tedesco, Dennis Budamir, [...] Ray Pohlman[...]. Hal Blaine, Earl Palmer, Joe Osborne, Larry Knecht[e]l[...]" (cont.)
JosephNScott 2 years ago
This has been flagged as spam show
"[...] Bill Pittman, Mike Deasy and, of course, Carol Kaye.[...] I used to have The Supremes up there, Marvin Gaye — my mother used to cook for them. Stevie Wonder was in when he was 9 years old. People think I'm making this stuff up, but it's true. As a matter of fact, I did a film session with Stevie awhile back, and he remembered both me and my studio. It was a different time, a different place. You couldn't do that kind of thing now, the city wouldn't allow it. I mean, it was all illegal."
JosephNScott 2 years ago
This has been flagged as spam show
More on JJ and CK: Harry Weinger works for _Universal_ and has access to Motown master tapes. Weinger takes Slutsky seriously as a researcher. Is Weinger's only source for JJ on bass on SW's "I Made To Love Her" Slutsky? Is Slutsky's story that Benjamin's nickname being heard on the master of it proves that _Jamerson_ was present a reasonable story? Could Kaye and Benjamin have recorded together in LA, for instance? Who says Benjamin didn't session in LA? Slutsky, you say? Why does he say that?
JosephNScott 2 years ago
great playing as usual
lancego30 2 years ago
Thanks for sharing...you have done your homework...I grew up listening to Jamerson, of course, not knowing who he was b/c there was no credit given. To see someone young carry on Motown...it's great. You sound sick!
jans1736 2 years ago 7
Excellent job. You have that Jamerson bounce in your playing.
1bassman9 2 years ago
i hear jamerson!
beninjamin 2 years ago
Great take on the master Groovemaster
rb300dx 3 years ago
cool
tymol777 3 years ago
nice work .......gotta check out the transcription page....
buckandotis 3 years ago
good work
adri24an 3 years ago
Have got anything boosting the sound on the p-bass? That's one of the biggest sounds I've ever heard on a p. Fantastic playing too.
hahabass 3 years ago
Awesome as always!!
TACYELLA11 3 years ago
Great to listen to thanks for posting and to TACYELLA11 for sharing
Daveandgabriele 3 years ago
Very good once again my friend! just need the bass a little louder in the recording.
lindyruffs 3 years ago
Sounds very loud to me. Maybe you need better speakers? This is great. Anything by Jamerson is great.
tbcass 3 years ago
Dude you crazy? That's good and loud enough!
hahabass 3 years ago