@therumpetman its a historic fact that jamerson sr.'s bass( the funk machine was stolen shortly before he died its one of 2 basses that are consider the holy grail of basses the other is jaco's bass which also went missing
i would rather hear an extremley simple line than what hes playing.its amazing in its own right but i dont care much for the ultra technical stuff like what hes doing here
it`s been said that someone broke into Sr`s house after he got sick around the time of his passing and stole some thing`s and the funk machine 62 fender p bass was one of the item`s stolen i heard that if returned the family will give a 62 p bass to the person bringing it to them !
I hate to say this bcuz this guy's Dad was a legend in the bass world but, he had almost no rhythum. He has a lot of work to do. Sorry but its the truth!!
Walking and improvising over chord changes is one of the most difficult things to do on bass. I don't mean the simple rock/blues walking but true jazz walking. There's a big difference. Try it and post something and let us critique it.
No, thats not true. Walking over a blues line is far harder then walking over changes. During a "changes" tune (like oleo) all you gota do to make it sound great is play the root note, then half tone below or above, then next chord change. Staying on a single chord for 4 measures (especially slow for me) is the hardest thing to keep interesting.
There's some truth to what you say but that isn't what I meant. Blues walking over a blues progression is easy. Jazz walking over a blues progression is harder. Am I clear on this? When you play blues you must keep it fairly simple or you lose the Blues feeling.
ah, I see where I confused what you said with what I was saying. What I was referring to was "Jazz" blues (what he seems to be playing) not "blues" blues (ala. BB King) there is definitly a diff.
Yes, I get bored quickly with straight Blues walking and try to interject some Jazz elements while keeping a blues feel (when playing straight Blues). It's a fine line. I much prefer straight Jazz over a Blues progression, while challenging, it allows a lot of freedom of expression.
Playing over complex changes is challenging in it's own right. To begin with I must memorize the progression since I don't read music. Then I try to get away root/bridge walking you refer to by substituting different chordal notes and using different modes. As I said, I get bored easily.
Did you notice how long his fingers are? James Jamerson (his dad) was a very melodic bass player. His passing tones on the Motown stuff, are a testament to that. I still think the bassline his dad plays on Eddie Kendrick's "Girl You Need a Change of Mind", is one of the "illest" ones :-) Check it out. It has a repeating 3/4 time signature, in the out chorus. It's so hard to envision him playing that song with just one finger, in his right hand. Geeesh...
Actually it was Wornell Jones who played the bassline on "Girl You Need A Change Of Mind". He was the bassist for "The Senators", the band who recorded and traveled with Eddie Kendricks his first few years as a solo artist.
I understand your point too, but we must remember this was the 80's, the time when active basses and slapping was the rage. One of the reasons that James Jamerson Sr.'s sessions dried up in the late 70's and early 80's was because of his refusal to accept the new styles and sounds, he still had his old La Bella flatwounds. It's funny how his sound is becoming sought after again today, players are switching to flats for a fatter warmer sound. God bless James Jamerson and his legacy.
THE BASS OF DOOM? I THINK IT WAS FOUND RECENTLY.
behjoh 3 months ago
@therumpetman its a historic fact that jamerson sr.'s bass( the funk machine was stolen shortly before he died its one of 2 basses that are consider the holy grail of basses the other is jaco's bass which also went missing
BASSISTSUPREME1 3 months ago
With the electric is not a problem, really. Double Bass is much more dificult in odd keys.
behjoh 4 months ago
I hate any key with more flats than Eb major, Sharps I don't mind, flats, uggg
Liton777 4 months ago in playlist bass players
pretty annoying
joop848 5 months ago
ur a punk if u came here expecting him 2 sound exactly like his dad and then gettn mad that he duznt....
wubanga187 6 months ago
bad
SoopSoopa 1 year ago 2
what is this from?
cciemail 1 year ago
Not too in the pocket here. Maybe walking's not as much his thing as he thinks it is.
olflatop 1 year ago
He can't play jazz for crap. Also, why is Robert Plant speaking without an accent? :-)
gbear4 1 year ago
@gbear4 it's an instruction video. not a performance video.
biotonk 1 year ago
@biotonk That doesn't matter, he still can't play jazz for crap. He sounds silly,
gbear4 1 year ago
i would rather hear an extremley simple line than what hes playing.its amazing in its own right but i dont care much for the ultra technical stuff like what hes doing here
louiscfc93 1 year ago
This has been flagged as spam show
You good homie but you are not your daddy in any way shape or form.
fenderbass 1 year ago
no bueno
Parktns02 1 year ago
@Greave12 he aint got no soul... it's complex but it doesn't make me wanna fuck.
cricketsinwigs 1 year ago
que alguien traduzca esto!!
arielom22 1 year ago
I CAN DO IT
THE MASTER of FUNK
boyboyduff 1 year ago
hes kinda of rushin the beat. but whatevas james jamerson was his dad.
AlohaBay 1 year ago
@AlohaBay I agree. He is a rushing it. He's really not that good as far as good players go. It's the whole legacy thing I guess.
yorickman 1 year ago
@AlohaBay Yep. Not really in the groove.
yorickman 1 year ago
O...So this is the original James Jamerson"s son???
aaronstewart25 2 years ago 2
yes
imit 2 years ago
HIS DEAD
WAT A PITTY
123kayode123 2 years ago
it`s been said that someone broke into Sr`s house after he got sick around the time of his passing and stole some thing`s and the funk machine 62 fender p bass was one of the item`s stolen i heard that if returned the family will give a 62 p bass to the person bringing it to them !
maxxmil6969 2 years ago
tom kolb had the lamest hair
guitarsvolta 2 years ago
i think more of seniors genes run in him because he doesnt sound that good at slap bass
AfricanSk8ter 2 years ago
He should really get himself a nice precision!
Hugh9191 2 years ago 14
maybe he has one in the attick of his parents house and doesn't now!
BassicArts 2 years ago 2
@Hugh9191 its funny you say that because Jamerson is known for playing on a Fender P bass
thabiggavizion 1 year ago
@Hugh9191 id like to see him with the jazz but thats just me lol
BoyfromDaTown 1 year ago
@Hugh9191 i'm sure he still has his fathers p bass
thetrumpetman29 9 months ago
Must be rough when your Dad is a one in every generation kind of man.
bluewine1 2 years ago
right?
NJfclef 2 years ago
I hate to say this bcuz this guy's Dad was a legend in the bass world but, he had almost no rhythum. He has a lot of work to do. Sorry but its the truth!!
THRAPYST 1 year ago
The guy in the video is the son of the legendary bassist, James Jamerson. Jamerson senior NEVER played slap bass.
jaco0639 2 years ago
he looks and sounds like he would be more comfortable on a regular old bass. I wonder if that is his bass or one provided by him?
acebass2 2 years ago
so this is the kid of the motown bassist er what? im confused, i see JJ jr. and JJ and they look so alike.
when was the guy in this bideo born?
carbiduis 2 years ago
thAT GURL interviewing is a boob!
jr souds good
sri888 2 years ago
Good bassist, but not a patch on his dad. RIP The Hook
EddieG1888 2 years ago
He is an excellent bassist , his dad would be proud. I believe that is a composite bass ,perhaps a leduc .
76alembic 2 years ago
Amazing...by why is he using such a hideous bass....did his Dad not tell him anything!! ;)
matt19851 2 years ago
mamalo maricote
jazzmelodicminor77 2 years ago
This comment has received too many negative votes show
this guy aint that good
silastheguy 2 years ago
This comment has received too many negative votes show
He can't keep time
TruthAndFairness 2 years ago
the video is speeding up/slowing down.
sc00bie 2 years ago
Walking and improvising over chord changes is one of the most difficult things to do on bass. I don't mean the simple rock/blues walking but true jazz walking. There's a big difference. Try it and post something and let us critique it.
tbcass 2 years ago
So true....!
Roger11733 2 years ago
No, thats not true. Walking over a blues line is far harder then walking over changes. During a "changes" tune (like oleo) all you gota do to make it sound great is play the root note, then half tone below or above, then next chord change. Staying on a single chord for 4 measures (especially slow for me) is the hardest thing to keep interesting.
bryonfanger 2 years ago
There's some truth to what you say but that isn't what I meant. Blues walking over a blues progression is easy. Jazz walking over a blues progression is harder. Am I clear on this? When you play blues you must keep it fairly simple or you lose the Blues feeling.
tbcass 2 years ago
ah, I see where I confused what you said with what I was saying. What I was referring to was "Jazz" blues (what he seems to be playing) not "blues" blues (ala. BB King) there is definitly a diff.
bryonfanger 2 years ago
Yes, I get bored quickly with straight Blues walking and try to interject some Jazz elements while keeping a blues feel (when playing straight Blues). It's a fine line. I much prefer straight Jazz over a Blues progression, while challenging, it allows a lot of freedom of expression.
tbcass 2 years ago
Playing over complex changes is challenging in it's own right. To begin with I must memorize the progression since I don't read music. Then I try to get away root/bridge walking you refer to by substituting different chordal notes and using different modes. As I said, I get bored easily.
tbcass 2 years ago
definitely true man, how about that blue monk? lol
Bassplaya919 2 years ago
The hardest thing is playing time no changes. like McCoy passion dance for example "well solos are in A minor" and that's it haha
SlikkTim 2 years ago
It's cool to see he followed in his fathers footsteps.
3alarm247 3 years ago 3
Wow 1980's... No offense to this great player but I much prefer the playing and especially tone of his dad.. Talent nonetheless!
bassist4dalord 3 years ago
While I do understand your point, in my humble view I think they can't be compared... They play different styles.
Please, check out what he does with his thumb F.
Cheers.
McMaryJane 3 years ago
Did you notice how long his fingers are? James Jamerson (his dad) was a very melodic bass player. His passing tones on the Motown stuff, are a testament to that. I still think the bassline his dad plays on Eddie Kendrick's "Girl You Need a Change of Mind", is one of the "illest" ones :-) Check it out. It has a repeating 3/4 time signature, in the out chorus. It's so hard to envision him playing that song with just one finger, in his right hand. Geeesh...
bourgeoisbrats 3 years ago
Comment removed
Crowdpleaser84 2 years ago
Actually it was Wornell Jones who played the bassline on "Girl You Need A Change Of Mind". He was the bassist for "The Senators", the band who recorded and traveled with Eddie Kendricks his first few years as a solo artist.
Crowdpleaser84 2 years ago
Comment removed
richardjft 2 years ago
This has been flagged as spam show
I understand your point too, but we must remember this was the 80's, the time when active basses and slapping was the rage. One of the reasons that James Jamerson Sr.'s sessions dried up in the late 70's and early 80's was because of his refusal to accept the new styles and sounds, he still had his old La Bella flatwounds. It's funny how his sound is becoming sought after again today, players are switching to flats for a fatter warmer sound. God bless James Jamerson and his legacy.
richardjft 2 years ago
excellent
hyperbilly13 3 years ago
Superb Bass playing.
McMaryJane 3 years ago
he's slapping..
why
then00best 3 years ago
I wonder the same, plus that slapping is out of timing...
fleaargento 3 years ago
True
Sekeletu 3 years ago
not good
junpadillo 3 years ago
Anybody know what kind of bass that is? It looks like Steinberger and Warwick had a child.
Noodlebass 3 years ago
That's one wide fingerboard too.....
Ah, the headless 80's.
Sungodv 3 years ago
It's a Le Fay Pangton 5. Le Fay is a small german brand which produces excellent sounding basses with interesting designs.
noxxs82 2 years ago
Is bass his first instrument?
cnlutube 3 years ago
This comment has received too many negative votes show
he sucks
slapit5 3 years ago
He looks like Michael Henderson
gburk3s 3 years ago
If you don't beleive me about him speeding up check about 00:16 and about :36
gleventhal 3 years ago
ya your so right!!!
cannibalcorpses 3 years ago
the video skips. It's the same thing with the louis johnson bit
SlikkTim 3 years ago
You're right, but i would be happy play even that way
boesi74 3 years ago
Am I crazy or does he speed up twice?
gleventhal 3 years ago
Not a quarter of his Pau but who is.
Bassplyr1470 3 years ago
And very few are a quarter of that quarter!
scatman44 2 years ago
Yeah.
Bassplyr1470 2 years ago
I guess when your the son of the great James Jamerson you have to be great!
boxofficedeath 3 years ago
You know this is from the 1980's because:
1. There is no headstock on the bass.
2. They think mic'ing the bass drum on a jazz tune is a good idea.
neothomist1275 3 years ago 17
Yeah Right !! Heheheheheheheh
behjoh 3 years ago
You forgot:
3. The Hair.
edgarallanpoet 3 years ago 3
This comment has received too many negative votes show
what does having a headless bass have to do with the 80's?
BassToYoFace 3 years ago
headless were more popular back then
then00best 3 years ago 4
I can honestly say that I've NEVER met, seen or heard a bass player out of Detroit that sucked!
scatman44 3 years ago 7
That is so true
Bassmanj511 3 years ago
A class act and a killer bassist.
Must be genetics!
gripedwards 3 years ago 4