To anyone who has commented on this series of videos about the "annoying man in the background" listen to the final words as you hear the credits. Desmond Briscoe is identifed as the head of operations at the workshop, I think that the man always looking over their shoulder is meant to represent the man who was their boss. In this final part his face shows determination and frustration, I don't know why he didn't appear in this film, he died in 2006. I see the final speech as an epitaph to him.
I live for experimental music, but I'm tired of watching some zero performance from a laptop geek, who with all the hundreds of sound-producing capability makes music that doesn't sound good. I mean a compressed file sound vrs the warm analog sound of tape?? - No comparison. It's also very boring to watch.
@blakphantom I really want to know the same thing myself. I downloaded a whole bunch of old radiophonic workshop recordings and if I come across it I'll be sure to let you know.
My first guess is John Baker, due to the jazz chords.
According to some sound engineer's website, the guy in the background represents the "ever watchful eye" of the BBC and the clocks represent 1958 (7:58 or 19:58), the year the workshop opened.
Just because anyone can have more musical power in a laptop that the whole of the first 25 years of the workshop does not guarantee that they are going to do anything useful or original with it
Ahaa! Just realised the freaky guy in the background throughout this documentary also appeared in a lot of Victor Lewis-Smith programmes. Victor Lewis-Smith owns Associated Rediffusion, who produced this documentary, I think it's a weird mate of his or something.
In response to the last clip (#5): "nothing remarkable"...what?...even by today's standards, the sounds they created at the workshop were unique. All the equipment this day and age STILL doesn't have that touch, because they had to work so hard to get what they did.
I WOULD'VE added this comment to that clip, but no space/comments left.
Great documentary, but the gimmick of the guy lurking in the background of every shot gets old fast. It goes from creepy to funny to irritating within the space of the first 5 minutes.
Delia Derbyshire may be an unsung hero(ine) to the general public, but to fans of experimental music she'll always be a giant.
I'd say even in the minds of electronic musicians she's a very important character/person, she's like the SIouxsie Sioux of electronic and experimental music.
well pitty that you didn't post the very end of the film. there was three views on radiophonic works on one screen:
one on top digital waveform of sound, second I don't remember and the third one was view of cutted original tape with visible points of mix cuts, so you could see exacttly how whole track was mixed [short loops, longer prerecorded parts..] it was FUN! please post if you can :D thanks
Great stuff, thanks for posting all these up. I'd read an interview with Adrian Utley recently and he said some its about the White Noise project Delia worked on, so it was great to hear him in this. Explains the last Portishead record too ...
I beleive the golden age of electronic music ended when Stock, Aitkin and Waterman replaced the treble clef with a $ sign (or pound sign..or euro sign)
Thanks for putting this up. I used to have this on DVD but lost it. Can it be bought these days? Also who's the weird looking fella with the long side hair and beard who's always sitting in the background?
Wow. The tapes were tossed. What interesting stuff. I never heard the story of EMS synthesizers being constructed for the radiophonic workshop. Analog is part of the lexicon of sound these days.
Thanks for putting this up. Lovely stuff despite the awful bastardised Dave Stewart theme at the start. Is that Dave Stewart the uber-bland popstar? Can't imagine many people who are further from Radiophonic Workshop inventiveness.
Yeah, but I'm a stickler for that real analog sound from real analog machines. Computers may be cheap and easy to use, but I get energy from obscure and obsolete equipment.
To anyone who has commented on this series of videos about the "annoying man in the background" listen to the final words as you hear the credits. Desmond Briscoe is identifed as the head of operations at the workshop, I think that the man always looking over their shoulder is meant to represent the man who was their boss. In this final part his face shows determination and frustration, I don't know why he didn't appear in this film, he died in 2006. I see the final speech as an epitaph to him.
Woozygulag 2 months ago
Love the old Luddites ..."the machine is driving creativity' ...well...dunno bout that. But I do admire their steadfastness.
SoSayethTheMan 3 months ago
This has been flagged as spam show
?anybody know the track from 6:56
i must have it!!
sidework1 3 months ago
the bearded man is supposed to represent the feelings of the BBC, always watching over the workshop and never very happy about it.
KINGxUxTUBE 3 months ago
The narrator, legendary Oliver Postgate - RIP
dcanmore 6 months ago
I live for experimental music, but I'm tired of watching some zero performance from a laptop geek, who with all the hundreds of sound-producing capability makes music that doesn't sound good. I mean a compressed file sound vrs the warm analog sound of tape?? - No comparison. It's also very boring to watch.
clumpft 9 months ago
i swear if i was there i would have punched that background fag by the end
LfunkeyA 10 months ago
This has been flagged as spam show
@blakphantom I really want to know the same thing myself. I downloaded a whole bunch of old radiophonic workshop recordings and if I come across it I'll be sure to let you know.
My first guess is John Baker, due to the jazz chords.
Mannex17 10 months ago
Comment removed
Mannex17 10 months ago
Awesome video! Thanks so much for sharing the history and significance of the BBC Radiophonic Workshop!
23Henrich 11 months ago
It's sad there aren't many people who use magnetic tape anymore. I do and I have loads of fun making little tunes of natural noises.
auro1001 11 months ago
@auro1001
it's not just sad, it's relatively expensive
LfunkeyA 10 months ago
According to some sound engineer's website, the guy in the background represents the "ever watchful eye" of the BBC and the clocks represent 1958 (7:58 or 19:58), the year the workshop opened.
beelzibubbles 11 months ago
Just because anyone can have more musical power in a laptop that the whole of the first 25 years of the workshop does not guarantee that they are going to do anything useful or original with it
paulshillitomusic 1 year ago 4
BOOOO!!! 5:11 hahaha
brumak 1 year ago
crikey the narrator was Oliver Postgate - RIP
Oscar301 1 year ago
This has been flagged as spam show
Shoot Him!!!
Shoot him in the head!!!!
toreaxe 1 year ago
Ahaa! Just realised the freaky guy in the background throughout this documentary also appeared in a lot of Victor Lewis-Smith programmes. Victor Lewis-Smith owns Associated Rediffusion, who produced this documentary, I think it's a weird mate of his or something.
shatminer 1 year ago
its a fucking disgrace what happened with those old tapes
shatminer 1 year ago
In response to the last clip (#5): "nothing remarkable"...what?...even by today's standards, the sounds they created at the workshop were unique. All the equipment this day and age STILL doesn't have that touch, because they had to work so hard to get what they did.
I WOULD'VE added this comment to that clip, but no space/comments left.
CashForGash 1 year ago
John Craven's Newsround...ahhh those were the days.A.
cottageorgan 1 year ago
does anybody know the track from 6:56 ?
bluntonaut 1 year ago
thank you for uploading, i love it
jasperscholma1 2 years ago
That Newsround bit was also sampled by Orbital in Spare Parts Express
nicemandan 2 years ago
Great documentary, but the gimmick of the guy lurking in the background of every shot gets old fast. It goes from creepy to funny to irritating within the space of the first 5 minutes.
Delia Derbyshire may be an unsung hero(ine) to the general public, but to fans of experimental music she'll always be a giant.
SurlyInsomniac 2 years ago 6
@SurlyInsomniac
I'd say even in the minds of electronic musicians she's a very important character/person, she's like the SIouxsie Sioux of electronic and experimental music.
CashForGash 1 year ago
brilliant im totally thankful for the documentary....... obsessed with all things radiophonic and maidavale!
god bless us brits we have done wonders for the spectrum of electronic composition... pats on the back all round!
thanks Maldoror42 much appreciated!
GelenosOak 2 years ago 2
great documentary, thank you.
lexxdub004 2 years ago 2
The only thing that would make this documentary more satisfying is to have the man in the background dragged off by men in masks at the end.
777Kwyjibo 2 years ago 24
@777Kwyjibo who is that
darkblitzrz8 5 months ago
awesome!
FantastyckplastycK 2 years ago
well pitty that you didn't post the very end of the film. there was three views on radiophonic works on one screen:
one on top digital waveform of sound, second I don't remember and the third one was view of cutted original tape with visible points of mix cuts, so you could see exacttly how whole track was mixed [short loops, longer prerecorded parts..] it was FUN! please post if you can :D thanks
peronpierwszy 2 years ago
Its still there
gdfjf1 2 years ago
Great film.
Thanks for posting!
PWMaarten 2 years ago
Great stuff, thanks for posting all these up. I'd read an interview with Adrian Utley recently and he said some its about the White Noise project Delia worked on, so it was great to hear him in this. Explains the last Portishead record too ...
jonnyscratch 2 years ago
John Craven!!
bangkokaaron 2 years ago
Thanks for uploading. Really intresting documentary
taroninda 2 years ago
I beleive the golden age of electronic music ended when Stock, Aitkin and Waterman replaced the treble clef with a $ sign (or pound sign..or euro sign)
themindminder 3 years ago 2
Thanks for putting this up. I used to have this on DVD but lost it. Can it be bought these days? Also who's the weird looking fella with the long side hair and beard who's always sitting in the background?
TARDISDOWNUNDER 3 years ago 2
the guy in the background is tyler durden
MincentValloy 2 years ago
Who's Tyler Durden???
TARDISDOWNUNDER 2 years ago
the guy from fight club
dmich12 2 years ago
GREAT punchline with John Craven's Newsround!!! :-)
silverdale247 3 years ago
Wow. The tapes were tossed. What interesting stuff. I never heard the story of EMS synthesizers being constructed for the radiophonic workshop. Analog is part of the lexicon of sound these days.
synthesizerman 3 years ago
Thanks for putting this up. Lovely stuff despite the awful bastardised Dave Stewart theme at the start. Is that Dave Stewart the uber-bland popstar? Can't imagine many people who are further from Radiophonic Workshop inventiveness.
LullabyPie 3 years ago
Dave Stewart worked in the Eurythmics with Annie Lennox then she fired him!
AnthonyUK 3 years ago
That bloke at the beginning has got it spot on when he talks about the machinery driving the creator.
Hexachloraphine 3 years ago 3
Absolutely.
tomlang555 3 years ago
Thank God the music was saved
paulbrockenhagen 3 years ago 2
Thanks for posting this up!
SteveBeck 3 years ago
It was a shame that the RWS closed but when people were doing it cheaply with stuff bought from the shops you sort of understand.
AnthonyUK 3 years ago
Yeah, but I'm a stickler for that real analog sound from real analog machines. Computers may be cheap and easy to use, but I get energy from obscure and obsolete equipment.
paulbrockenhagen 3 years ago 13
@paulbrockenhagen Me too!
984francis 5 months ago