@MrSwac31 instead of measuring the distance from that fret to the bridge ou can also use the scale of your guitar ( for exemple 24.75" or 62.87 cm,cm is more accurate) In that case select the fret you want to extend ( exemple 5th fret ) sclae/(2^(1/12))=> distance from bridge first fret(X1) X1/(2^(1/12))=> distance from bridge second fret(X2) ... X4/(2^(1/12))=> distance from bridge fifth fret(X5) Now do that X5/(2^(1/24))=>distance from bridge you fifth quarter ton fret(X51) Now X5-X51 End
@MrSwac31 Yes, you can calculate the distance if you want the arabic 24-tone equal temperament (24-TET) tuning. This is, however, seldom used for the Turkish saz, which is why I have done it differently.
@unholycrap instead of measuring the distance from that fret to the bridge ou can also use the scale of your guitar ( for exemple 24.75" or 62.87 cm,cm is more accurate) In that case select the fret you want to extend ( exemple 5th fret ) sclae/(2^(1/12))=> distance from bridge first fret(X1) X1/(2^(1/12))=> distance from bridge second fret(X2) ... X4/(2^(1/12))=> distance from bridge fifth fret(X5) Now do that X5/(2^(1/24))=>distance from bridge you fifth quarter ton fret(X51) Now X5-X51 End
Klaus, I was thinking about trying this to one of my guitars. My question is after reading your website I'm still wondering what the exact placement of the new frets is? You say "The frets should be placed in the middle following this system. I have, however, never meet a single person using this system and I think it is mainly a theoretical system." However, you then appear to install them 2/3 of the way between the original frets. I'm curious exactly what criteria you used to determine this?
@lancerambert The criteria for me was to look at my saz and place them similarly. It depends a lot on what music you are playing. Arabic pop music tend to place the quartetones in the middle (arabic keyboard), while Turkish and classical oriental music tend to place them a bit higher (my impression). But I don't think it is so important. Quite hard to hear the difference.
You dress the frets with a device called a stone. That's how you make sure they're all the same height. Best not to use a file for levelling. Look up "fret dressing".
What would you recomend for those of us who use only fresh water fish scales? Should I use 60 or 70 pinot grigio flavored frets, or would you still go for the traditional red claret frets? Thanks much!! Confused in kabul.
This is an excellent video Klaus. Thank you. I am building an electric Persian Tar and asked guitar techs about adding new frets and most of them said it would be impossible to set the action right. Do you have anything regarding measurement information for adding the quarter tones? I feel like I should be very meticulous when doing that part of it.
@sirsalamander I don't know much about the Persian Tar, but if you have one as a model, you can place it similarly, just as I used the saz as a model. There is not a general 'correct' position for the quartertone in oriental music and in classical music there are even several quartertones, e.g a higher quartertone when going up the scale and a lower when going down. It is my impression that most are placed in the 50%-75% region (slightly higher than in the middle).
Oops I didn't mean to dislike this video! This is really cool. I don't know much about music...I can't read music very well, I don't know much about musical theory, and I'm awful at guitar, but I loved this video! Thanks for uploading.
Yes, i think there are lots of possibilities. I just want to play the Beyati scale with as few extra frets as possible in order not to make playing too confusing.
in the second octave it looks like a quarter tone, but the lower frets look like sixth tones ... or a subset of 36-tone. if you put another fret on each of those you already have frets on, and did it to the entire 12-tones- you'd have 36-tones and you'd have new higher 7-limit "harmonies" like a 7/4 - Also you'd get to explore some new families besides diatonic and traditional scales/harmonies.... Great vid :)
@awfulguitarplucker It is because the first interval in the microtonal scale is a three-quarter step and this is only present for some of the starting tones - like C, A, D, F etc. You cannot play e.g. C#-beyati etc.
If you add an extra fret between all of the original frets, then you can play from all tones. The reason I did not do this was because it would make it very hard to keep a good overview of the fret board. So I only added the extra frets that I'm actually using.
Amazing! I really liked what you played, and I can't believe you actually did that on a guitar. Congratulations! How did you know exactly where to place the new frets? Did you measure it or just did it aproximately?
I just placed them approximately as they are placed on my saz. Quite a lot of people ask this. Here is what I wrote for a person in Germany who also want to modify his guitar:
"As I understand it, there is no 'correct or exact' way of placing the quarter tone frets. But it depends on genre, region, personal taste etc. This is a reason why the frets are movable on baglama. But normally they are placed higher than the middle. If you have a baglama you can see this."
@teopay "I choose the following distances, because this is roughly how I have the frets on my baglama. Beware that this is not necessarily correct and indeed not exact, since I did not do any measurements:
2 position: around 2,4 cm from lower fret and 1,1 cm to higher fret
5 position: around 2,0 cm from lower fret and 0,9 cm to higher fret
7 position: around 1,8 cm from lower fret and 0,9 cm to higher fret
12 and 14 pos: around 1 mm higher than the middle."
@teopay "Beware that these extra frets will give a guitar for playing in Do (C) when using a capo on position 3. It is also possible to play from La(A) and Re(D) without a capo."
Thanks Steve. I hope more people will start playing non-tempered scales. It is, however, a bit harder to play chords, because the fingering needs to be more precise.
ohhh heyy baglama techniques on guitar i really love it!!
SomeoneHatesEveryone 16 hours ago
some insane playing you got there!
MitjaShi 4 days ago
Amazing! And next time u should try add in distortion!!! :D
WeilunWu 1 month ago
@unholycrap the answer is a bit tricky : take one fret, measure the distance from that fret to the bridge ( you obtain X cm or X inch).
Now divide X by 2 exponent 1/24 you obtain the distance from the bridge to the quarter tone fret ( name Y ).
Subtract Y from X
You've got the exact distance between the tone fret and the quarter tone fret you want!
MrSwac31 1 month ago
MrSwac31 1 month ago
@MrSwac31 Yes, you can calculate the distance if you want the arabic 24-tone equal temperament (24-TET) tuning. This is, however, seldom used for the Turkish saz, which is why I have done it differently.
KlausMogensen 1 month ago
Why are the quarter tone frets not closer to where the middle of the semitone is?
unholycrap 1 month ago
@unholycrap Because the frets on the saz normally not is in the middle. Please see some of the earlier comments where we discuss this.
KlausMogensen 1 month ago
This has been flagged as spam show
@unholycrap instead of measuring the distance from that fret to the bridge ou can also use the scale of your guitar ( for exemple 24.75" or 62.87 cm,cm is more accurate) In that case select the fret you want to extend ( exemple 5th fret ) sclae/(2^(1/12))=> distance from bridge first fret(X1) X1/(2^(1/12))=> distance from bridge second fret(X2) ... X4/(2^(1/12))=> distance from bridge fifth fret(X5) Now do that X5/(2^(1/24))=>distance from bridge you fifth quarter ton fret(X51) Now X5-X51 End
MrSwac31 1 month ago
cool!
mecca777 1 month ago
This is actually pretty cool! At last I see someone using microtones to make real music!
Kiriff 1 month ago
2:21 I love it!
JEESherazi 1 month ago in playlist Favorite videos
whats that weird thing you clamp on your guitar Sorry i am totally new to this i need to know what is it cuz i want to buy one
LitedPixel 2 months ago
@LitedPixel It is just a capo
KlausMogensen 2 months ago 2
hehe er du fra jylland :D ?
mrJazzyJeffy 2 months ago
@mrJazzyJeffy Amager
KlausMogensen 2 months ago
@KlausMogensen nå sorry XD men nu hvor jeg har din opmærksomhed, har du selv sat kvart tonebåndene på?
mrJazzyJeffy 2 months ago
@mrJazzyJeffy Ja
KlausMogensen 2 months ago
why? why don use fretless guitar for this stuff?
TheGabbia 2 months ago
@TheGabbia It is hard to play chords on a fretless guitar - intonating six strings on the fly :)
KlausMogensen 2 months ago 2
@KlausMogensen u do only 2 cord chords XD but ok, i understand what u mean...fretless guitar is very difficult guitar ;) anyway u play very good! :)
TheGabbia 2 months ago
so basically by adding frets you have access to notes between semitones?
undathebridge 2 months ago
This is amazing... please get ahold of fender to do a version.
tonyrosam 2 months ago
hard for my western mind to comprehend
leakhead666 2 months ago
Klaus, I was thinking about trying this to one of my guitars. My question is after reading your website I'm still wondering what the exact placement of the new frets is? You say "The frets should be placed in the middle following this system. I have, however, never meet a single person using this system and I think it is mainly a theoretical system." However, you then appear to install them 2/3 of the way between the original frets. I'm curious exactly what criteria you used to determine this?
lancerambert 2 months ago
@lancerambert The criteria for me was to look at my saz and place them similarly. It depends a lot on what music you are playing. Arabic pop music tend to place the quartetones in the middle (arabic keyboard), while Turkish and classical oriental music tend to place them a bit higher (my impression). But I don't think it is so important. Quite hard to hear the difference.
KlausMogensen 2 months ago
@KlausMogensen
@KlausMogensen
Thanks for the info Klaus. I'm looking at replicating this Ibanez guitar's fretboard:
ibanez.co.jp/oriental/Features.html
lancerambert 2 months ago
AWESOME !
chabi3000 2 months ago
saz means instrument
its baglama
RockIsK1ckAss 3 months ago
I wish you would have used heavy distortion, I think that would make an amazing metal riff
akamarutv 3 months ago
fuck that
cheese0tron 4 months ago
You dress the frets with a device called a stone. That's how you make sure they're all the same height. Best not to use a file for levelling. Look up "fret dressing".
bishopdante 4 months ago
Muito, muito legal mesmo!!!
EduardotheJackFaria 4 months ago
What would you recomend for those of us who use only fresh water fish scales? Should I use 60 or 70 pinot grigio flavored frets, or would you still go for the traditional red claret frets? Thanks much!! Confused in kabul.
gigwalnutz1 4 months ago 2
@gigwalnutz1 Confused in Copenhagen? Never heard about fish scales or pinot grigio frets before :)
KlausMogensen 4 months ago
@gigwalnutz1 Haha! I love this comment!
IntensiveTime 3 months ago
@gigwalnutz1 douche pants
rillloudmother 2 months ago
@ProgamerOmer
Good Comment.
umutcanster 5 months ago
nice work bro hail from turkey.
Arcatera94 5 months ago
Comment removed
umutcanster 5 months ago
turkey lıke thıs :)
TheUnrealworld 5 months ago
i dont get your fretting on this guitar?
shargarepa12345 5 months ago
This is an excellent video Klaus. Thank you. I am building an electric Persian Tar and asked guitar techs about adding new frets and most of them said it would be impossible to set the action right. Do you have anything regarding measurement information for adding the quarter tones? I feel like I should be very meticulous when doing that part of it.
sirsalamander 7 months ago
@sirsalamander I don't know much about the Persian Tar, but if you have one as a model, you can place it similarly, just as I used the saz as a model. There is not a general 'correct' position for the quartertone in oriental music and in classical music there are even several quartertones, e.g a higher quartertone when going up the scale and a lower when going down. It is my impression that most are placed in the 50%-75% region (slightly higher than in the middle).
KlausMogensen 7 months ago
This has been flagged as spam show
Hey guys, check out my quarter tone piece for two harps!
watch?v=B7Rv-k6DwkM
kratanuva725 8 months ago
shit. this is AWESOME!!!
vzsozs 8 months ago
This has been flagged as spam show
@kamilierikos
You're so funny dude :D Such a classic Greek behaviour !
alpernative 8 months ago
Comment removed
alpernative 8 months ago
ı m from turkey . and ı like it
hatsumomo535353 9 months ago
Comment removed
hasoli88 10 months ago
It is called Gurcu Kizi
youtube.com/watch?v=eXCvTB5xaao
youtube.com/watch?v=O-lAVCDge-k
KlausMogensen 10 months ago
What song do you play at 2:20?
Brandin604 10 months ago
Great sound!!! Remind me of Trey Spruance work in Secret Chiefs 3! I definitely have to try that!
damdahu 11 months ago
cool playing man, not many explore this arab-esq rock, hey utubers,, I would'nt try fretting your guitar unless you are a seasoned veteran.
rudewalking 1 year ago
this is so great! you could sell those necks for a big profit. i know i would buy one.
calvinscheuerman 1 year ago
This is great. Thank you very much.
alican1923 1 year ago
Great music my friend! Do you know how to make a floating fret?
barakby 1 year ago
@barakby No I haven't tried that. it seems complicated.
KlausMogensen 1 year ago
Oops I didn't mean to dislike this video! This is really cool. I don't know much about music...I can't read music very well, I don't know much about musical theory, and I'm awful at guitar, but I loved this video! Thanks for uploading.
mondoshar2 1 year ago
Yes, i think there are lots of possibilities. I just want to play the Beyati scale with as few extra frets as possible in order not to make playing too confusing.
KlausMogensen 1 year ago
in the second octave it looks like a quarter tone, but the lower frets look like sixth tones ... or a subset of 36-tone. if you put another fret on each of those you already have frets on, and did it to the entire 12-tones- you'd have 36-tones and you'd have new higher 7-limit "harmonies" like a 7/4 - Also you'd get to explore some new families besides diatonic and traditional scales/harmonies.... Great vid :)
RSwordIAAA 1 year ago
i just fail in understand whats the reason why that guitar can be only used to play in only a few tonality with those microtonal frets
awfulguitarplucker 1 year ago
@awfulguitarplucker It is because the first interval in the microtonal scale is a three-quarter step and this is only present for some of the starting tones - like C, A, D, F etc. You cannot play e.g. C#-beyati etc.
If you add an extra fret between all of the original frets, then you can play from all tones. The reason I did not do this was because it would make it very hard to keep a good overview of the fret board. So I only added the extra frets that I'm actually using.
KlausMogensen 1 year ago
Comment removed
teopay 1 year ago
Comment removed
teopay 1 year ago
Amazing! I really liked what you played, and I can't believe you actually did that on a guitar. Congratulations! How did you know exactly where to place the new frets? Did you measure it or just did it aproximately?
teopay 1 year ago
I just placed them approximately as they are placed on my saz. Quite a lot of people ask this. Here is what I wrote for a person in Germany who also want to modify his guitar:
"As I understand it, there is no 'correct or exact' way of placing the quarter tone frets. But it depends on genre, region, personal taste etc. This is a reason why the frets are movable on baglama. But normally they are placed higher than the middle. If you have a baglama you can see this."
KlausMogensen 1 year ago
@teopay "I choose the following distances, because this is roughly how I have the frets on my baglama. Beware that this is not necessarily correct and indeed not exact, since I did not do any measurements:
2 position: around 2,4 cm from lower fret and 1,1 cm to higher fret
5 position: around 2,0 cm from lower fret and 0,9 cm to higher fret
7 position: around 1,8 cm from lower fret and 0,9 cm to higher fret
12 and 14 pos: around 1 mm higher than the middle."
KlausMogensen 1 year ago
@teopay "Beware that these extra frets will give a guitar for playing in Do (C) when using a capo on position 3. It is also possible to play from La(A) and Re(D) without a capo."
Sorry, can only post 500 characters at the time.
KlausMogensen 1 year ago
Comment removed
teopay 1 year ago
Thanks Steve. I hope more people will start playing non-tempered scales. It is, however, a bit harder to play chords, because the fingering needs to be more precise.
KlausMogensen 1 year ago
nice work dude, the extra frets look no different from the rest; good job on that!
and I found the music and what you talked about quite interesting despite it not being my kind of thing
BigSteveXD 1 year ago
nice work dude, the extra frets look no different from the rest; good job on that!
and I found the music and what you talked about quite interesting despite it not being my kind of thing
BigSteveXD 1 year ago